DOCSLIB.ORG

Humanitarian Intervention Today: New Issues, New Ideas, New Players” Page 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Humanitarian Intervention Today: New Issues, New Ideas, New Players” Page 1 “HUMANITARIAN INTERVENTION TODAY: NEW ISSUES, NEW IDEAS, NEW PLAYERS” EXECUTIVE SUMMARY OF THE C ONFERENCE P ROCEEDINGS Sponsored by the Conrad N. Hilton Foundation The Hilton New York • New York City • September 24, 2003 The fifth international humanitarian assembly sponsored by the Conrad N. Hilton Foundation brought together leaders from governments, non-governmental organizations (NGOs), foundations, corporations, and multilateral institutions to explore the changing and challenging circumstances that are transforming the landscape of humanitarian interventions in the 21st century. In addition to the distinguished panelists, the Honorable Mary Robinson, executive director of the Ethical Globalization Initiative and former United Nations High Commissioner for Human Rights and President of Ireland, delivered the keynote address. As in previous years, the conference was broadcast on the Internet. Its complete proceedings are published and distributed to world leaders and are also available on the Hilton Foundation website. The assembly was held in conjunction with the eighth annual presentation of the Conrad N. Hilton Humanitarian Prize. His Holiness the Dalai Lama, spiritual and temporal leader of the Tibetan people and recipient of the 1989 Nobel Peace Prize, was the keynote speaker for the Hilton Prize luncheon honoring the 2003 recipient, International Rehabilitation Council for Torture Victims (IRCT). The Denmark-based global network of rehabilitation centers and programs in 80 countries supports and promotes the rehabilitation of victims of torture and advocates worldwide for the prevention and eradication of torture. SPEAKERS CONFERENCE ADDRESS PANEL THREE The Honorable Mary Robinson “Civil-Military Cooperation—An Impossible Dream?” Executive Director, Ethical Globalization Initiative, George F. Ward, Jr. Former United Nations High Commissioner for Human Rights Former Coordinator for Humanitarian Assistance, Office of Reconstruction and Humanitarian PANEL ONE Assistance, Iraq (ORHA) “Expanding Humanitarian Space: A Challenge for Global Philanthropy” “The Role of the UN in Reconstruction in Iraq” Lincoln Chen, M.D. Mark Malloch Brown Director, Global Equity Initiative, Harvard University Administrator, United Nations Development Programme (UNDP) “Human Security Through Women’s Eyes” Noeleen Heyzer, Ph.D. PANEL FOUR Executive Director, “Ending Global Poverty” United Nations Development Fund for Women (UNIFEM) Jeffrey D. Sachs Director, The Earth Institute at Columbia University and PANEL TWO Special Advisor to the UN Secretary-General “Righting Human Wrongs: on the Millennium Development Goals The First Arab Human Development Report” Zahir Jamal “Religion: the Little Girl with the Curl” Chief of Regional Programmes in the Arab States, Robert A. Seiple United Nations Development Programme (UNDP) Chairman and Founder, Institute for Global Engagement “Opportunities for Africa in the HIV/AIDS Pandemic” “Reaching Those in Greatest Need? Bob Francis Jalang’o Current Realities—Future Trends” Former Permanent Representative, Todd Petersen Republic of Kenya to the United Nations Chief Executive Officer, HelpAge International SUMMARY PROCEEDINGS OF “HUMANITARIAN INTERVENTION TODAY: NEW ISSUES, NEW IDEAS, NEW PLAYERS” PAGE 1 ONFERENCE YNOPSIS C S “The challenge has been, and continues to be, how to best prevent and alleviate human suffering, no matter what. It is the ‘no matter what’ that makes us pause. Starting in 1998 with (Hilton Conference) ‘Humanitarian Challenges in the New Millennium,’ perhaps at some level we have simply been reacting to a major symbolic change—moving into a new century and new millennium. But as it so happens, the changes have been very real and very concrete indeed. We knew about the end of the Cold War, the collapse of communism, the proliferation of ethnic and religious regional and local conflicts, and globalization in 1998. We did not foresee what else was coming—September 11, a war in Afghanistan, another in Iraq, a world reeling from threats of terrorist attacks and the subsequent reality of attacks. The challenge that brings us together, that makes us seek each other out, is that for all the differences these catastrophes and disruptions have, they all, without exception, demand a humanitarian response. We are all in this together….Let us work together today to shed some light on dark times.” --Steven M. Hilton, President, Conrad N. Hilton Foundation “Humanitarian Intervention Today: New was frequently repeated: the obligation to work Issues, New Ideas, New Players” brought for the prevention of conflict. “A new approach to together 270 participants—leaders, policy makers, humanitarian intervention must focus on and activists in the fields of humanitarianism and preventing conflicts and threats to human human rights. They were representatives of life through shared responsibilities—the governments, foundations, non-governmental responsibility to sovereignty.” In defining the organizations (NGOs), corporations, multilateral responsibility to sovereignty, she said, “This institutions, and the media. implies that when states are unable to provide protection and assistance for their citizens, they Starting with Mary Robinson, the repetitive note are expected to request and accept outside offers that sounded underneath all the speakers’ of aid. And if they refuse or obstruct access to comments was “security.” Robinson called for affected populations, thereby putting large humanitarian intervention that strengthened the numbers at risk, there is an international connections between human rights, human responsibility to respond.” development, and human security. The first panelist, Lincoln Chen picked it up and described Successful prevention of conflict will necessarily the “today” of the 21st century: “The world looks embrace dual values of protection and and feels very different today—more uncertain, empowerment. These are core human rights insecure, and troubled—than one decade ago.” principles that, if embraced as part of a new Moments later, Noeleen Heyzer was explaining appr oach to humanitarian intervention, can make why women keep stressing the need for “security, all the difference. Ralph Begleiter summed up the security, security.” day’s discussions noting the speakers’ references to all the changes affecting humanitarian work That security was such a common theme, of today: new relationships with the military; course, was due to the overwhelming reality relationships with government; relationships with facing humanitarians in the 21st century. Less religions; and, relationships to the new than five years into the new millennium, it is demographics of population. obvious we are on a new terrain that bears little relationship to the familiar terrain and ground rules of the previous 150 years of humanitarian interventions. Call it terrorism, guerrilla warfare, regional conflict; call it chaos. To a great degree, this is the space, as it was usually called, or theater, on which humanitarian intervention must operate. Terrorism is not a “one time only” or “freak phenomenon”; it is for the foreseeable future the status quo. The challenge is not to cave into terrorism, but to learn how to operate with the same humanitarian values as always, but realistically. Mary Robinson sounded a theme early on that Steven M. Hilton, President, Conrad N. Hilton Foundation SUMMARY PROCEEDINGS OF “HUMANITARIAN INTERVENTION TODAY: NEW ISSUES, NEW IDEAS, NEW PLAYERS” PAGE 2 AREAS OF CONSENSUS Still reeling from terrorism and its aftermath, still A global alliance. It is now recognized that a sorting it out, the discussions went forward, and global alliance of governments, international despite differences, there were common threads institutions, foundations, non-governmental and consensus discernible throughout. organizations, and the private sector, including business, is necessary in any serious effort to The humanitarian space is shrinking. What address a major humanitarian problem, be it started to become evident in the 1990s, often poverty, disease, education, or the aftermath of a seeming an aberration, is now undeniable as a violent conflict or natural disaster. And it was fact of life—humanitarians cannot go about their agreed, the military often must be included. The business as usual; they are often not allowed to challenge is how to assign responsibility and how carry out their mandate. Humanitarians are to work well together. What evaded consensus on losing the space they had taken for granted. There this topic was the question of unilateral versus is no longer the belief that all combatants in a multilateral intervention, with Iraq visibly conflict situation understand and respect the hovering over the discussion. humanitarian space in which they operate. This subject resonated with conference participants Catastrophic disease, especially HIV/AIDS, is a who asked many question about what a new human security issue. Mary Robinson called humanitarian space would look like. No one could HIV/AIDS “perhaps the greatest humanitarian give a definitive answer. challenge we face today.” Catastrophic illness not only causes human suffering, but the costs of There is a connection between terrorism and emergency medical care can precipitate a poverty. It cannot be demonstrated that poverty financial crisis, leading to a vicious spiral of directly causes terrorism. Not all terrorists are impoverishment. Catastrophic illness is truly the poor, but it is the climate created by poverty that catastrophe that can
Load more

Recommended publications
  • Slayage 27: Jarvis 3/14/09 11:42 AM
    University of Huddersfield Repository Jarvis, Christine “I run to Death”: Renaissance Sensibilities in Buffy the Vampire Slayer Original Citation Jarvis, Christine (2009) “I run to Death”: Renaissance Sensibilities in Buffy the Vampire Slayer. Slayage: the online international journal of Buffy studies, 7 (3). ISSN 1546-9212 This version is available at http://eprints.hud.ac.uk/id/eprint/4139/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Slayage 27: Jarvis 3/14/09 11:42 AM Christine Jarvis 'I run to Death': Renaissance sensibilities in Buffy the Vampire Slayer I run to death and death meets me as fast And all my pleasures are like yesterday I dare not move my dim eyes any way Despair behind and death before doth cast Such terror .
    [Show full text]
  • Anneli Hagen and Zandrapersson
    WHAT IS HEALTH A qualitative study on the concept of health of Internal Displaced women in Georgia Anneli Hagen Andersson Zandra Persson Examensarbete i omvårdnad Malmö Högskola Nivå 61-90 Hälsa och Samhälle Sjuksköterskeprogrammet 205 06 Malmö Juni 2010 1 “/…when you eat quality food, and you have no problems, that you are living in freedom and you have no problem, you have job, you have everything you need for your health, and what the person need in her life.” (Respondent 2) 2 Vad är hälsa En kvalitativ studie om begreppet hälsa bland kvinnliga interna flyktingar i Georgien Anneli Hagen Andersson Zandra Persson Hagen, A & Persson, Z. Vad är hälsa för kvinnliga internflyktingar i Georgien. En kvalitativ studie om begreppet hälsa bland kvinnliga internflyktingar i Georgien. Examensarbete, 15 högskolepoäng. Omvårdnad, Malmö högskola: Hälsa och Samhälle, Utbildningsområde omvårdnad, 2010. Syftet med denna studie var att undersöka begreppet hälsa bland kvinnliga georgiska internflyktingar (Internal Displaced People, IDP). Detta är en empirisk studie med en kvalitativ metod som bygger på semi-strukturerade intervjuer. Sammanlagt sju IDP kvinnor i staden Zugdidi i Georgien deltog. Dataanalysen var inspirerad av Burnard's (1991) innehållsanalys, och resulterade i två kategorier: 1) Upplevelsen av kontroll med underrubrikerna Social situation, Familj och Avsaknad av pengar och 2) Upplevelsen av identitet med underrubrikerna Ursprung, Anpassningsförmåga och Självkänsla. Dessa är alla avgörande faktorer för att deltagarna skall kunna leva ett liv med värdighet och kontroll; båda viktiga faktorer för hälsan. Marmots teori om sociala bestämningsfaktorer för hälsa har influerat dataanalys och kategorisering. Ytterligare studier i detta ämne skulle vara av värde för att vägleda sjukvården i hur man bättre kan arbeta förebyggande samt möta behoven hos kvinnliga internflyktingar samt internationella flyktingar.
    [Show full text]
  • When She Was Bad Script
    When She Was Bad July 8, 1997 (Pink) Written by: Joss Whedon Teaser ANGLE: A HEADSTONE It's night. We hold on the stone a moment, then the camera tracks to the side, passing other stones in the EXT. GRAVEYARD/STREET - NIGHT CAMERA comes to a stone wall at the edge of the cemetery, passes over that to see the street. Two figures in the near distance. XANDER and WILLOW are walking home, eating ice cream cones. WILLOW Okay, hold on... XANDER It's your turn. WILLOW Okay, Um... "In the few hours that we had together, we loved a lifetimes worth." XANDER Terminator. WILLOW Good. Right. XANDER Okay. Let's see... (Charlton Heston) 'It's a madhouse! A m-- WILLOW Planet of the Apes. XANDER Can I finish, please? WILLOW Sorry. Go ahead. XANDER 'Madhouse!' She waits a beat to make sure he's done, then WILLOW Planet of the Apes. Good. Me now. Um... Buffy Angel Show XANDER Well? WILLOW I'm thinking. Okay. 'Use the force, Luke.' He looks at her. XANDER Do I really have to dignify that with a guess? WILLOW I didn't think of anything. It's a dumb game anyway. XANDER You got something better to do? We played rock-paper-scissors long enough, okay? My hand cramped up. WILLOW Well, sure, if you're ALWAYS scissors, of course your tendons are gonna stretch -- XANDER (interrupting) You know, I gotta say, this has really been the most boring summer ever. WILLOW Yeah, but on the plus side, no monsters or stuff. She sits on the stone wall.
    [Show full text]
  • Fighting for Girls
    ACKNOWLEDGMENTS 1 INTRODUCTION Meda Chesney-Lind and Nikki Jones A decade into the twenty-fi rst century, it seems like the news about girls is increasingly alarming. Of course, we’ve always had “bad” girls. Longfel- low, no less, penned, that “when she was good she was very good indeed, and when she was bad, she was horrid” (Longfellow, 2004). In the waning decades of the twentieth century, though, the public was jolted by media images of “gangster” girls, every bit as menacing as their urban male coun- terparts, often pictured glaring at the world over the barrel of a gun. The new century also introduced us to suburban “mean” girls, manipulating and backstabbing their way to popularity, and now, only a few years later, it seems as though our mean girls have suddenly turned violent. YouTube videos of brawling cheerleaders make local and national news and “go viral” on the Web where they are viewed by thousands. Do we really need to worry about girls causing “savagery in the suburbs” (Meadows & Johnson, 2003: 37), as a 2003 headline in Newsweek warned? It would certainly seem so if you picked up recent trade books like See Jane Hit (Garbarino, 2006) and Sugar and Spice and No Longer Nice (Prothrow-Stith & Spivak, 2005), which purport to advise parents and teachers on what to do about girls’ violence while also fueling public unease about modern girlhood. Given the high level of public and academic interest in girls’ use of violence and aggression, it is actually remarkable that so little careful academic work has been made available to those concerned with the facts and not the hype.
    [Show full text]
  • Buffy & Angel Watching Order
    Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74
    [Show full text]
  • Violence Against Women
    Violence Against Women http://vaw.sagepub.com Women's Use of Force: Voices of Women Arrested for Domestic Violence Susan L. Miller and Michelle L. Meloy VIOLENCE AGAINST WOMEN 2006; 12; 89 DOI: 10.1177/1077801205277356 The online version of this article can be found at: http://vaw.sagepub.com/cgi/content/abstract/12/1/89 Published by: http://www.sagepublications.com Additional services and information for Violence Against Women can be found at: Email Alerts: http://vaw.sagepub.com/cgi/alerts Subscriptions: http://vaw.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations http://vaw.sagepub.com/cgi/content/refs/12/1/89 Downloaded from http://vaw.sagepub.com by LISA YOUNG LARANCE on November 23, 2009 Violence Against Women Volume 12 Number 1 10.1177/1077801205277356ViolenceMiller, Meloy Against / Women’s W omen Use of Force January 2006 89-115 © 2006 Sage Publications 10.1177/1077801205277356 Women’s Use of Force http://vaw.sagepub.com hosted at Voices of Women Arrested http://online.sagepub.com for Domestic Violence Susan L. Miller University of Delaware Michelle L. Meloy Rutgers University Following changes in law enforcement policies that encourage or mandate arrest of domestic violence offenders, a concomitant increase in women arrested and mandated to batterer treatment programs has resulted. Most research findings, however, suggest that heterosexual intimate violence is gendered, with abuse, power, and control wielded by men over their female partners, and that when women use violence, it is typically in self- defense or for nonaggressive reasons. However, few studies have investigated the female batterer treatment programs and the context of the women’s use of violence.
    [Show full text]
  • Hero Myths in Buffy the Vampire Slayer1
    University of Huddersfield, UK School of Human and Health Sciences Centre for Constructions and Identities “Bring Your Own Subtext”: SOCIAL LIFE, HUMAN EXPERIENCE AND THE WORKS OF JOSS WHEDON 29th June-1st July 2005 Keynote Address: Apocalypse Now and Again: Hero myths in Buffy the Vampire Slayer1 “The horror! The horror” (Joseph Conrad, “Heart of Darkness”) ‘Winning does not tempt that man. This is how he grows: by being defeated, decisively, by constantly greater beings.’ (Rilke, “The Man Watching”) Zoë-Jane Playdon Head of Education Kent, Surrey and Sussex Postgraduate Medical and Dental Education University of London The Descent of Inanna From the Great Above she opened her ear to the Great Below. From the Great Above the goddess opened her ear to the Great Below . From the Great Above Inanna opened her ear to the Great Below. My Lady abandoned earth and heaven to descend to the underworld. Inanna abandoned earth and heaven to descend to the underworld. She abandoned her office of holy priestess to descend to the underworld.2 The words are the opening of the Sumerian hymn to the Moon-goddess, Inanna, recorded about 1750 BCE. Inanna determines to visit her dark sister, Ereshkigal, who rules the underworld and as she arrives, Ereshkigal has her stripped naked, then strikes her, so that: Inanna was turned into a corpse, A piece of rotting meat, And was hung from a hook on the wall. There she stays, for three days and three nights, until she is rescued by the kurgarra and galatur, tiny creatures ‘neither male nor female,’ who sprinkle ‘the food of life’ and ‘the water of life’ on the corpse, so that Inanna rises again, transformed.
    [Show full text]
  • How Do You Like My Darkness Now?
    "How do you like my darkness now?": women, violence, and the good "bad girl" in 'Buffy, the Vampire Slayer KRAMER, Kaley <http://orcid.org/0000-0003-0394-1554> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/21122/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version KRAMER, Kaley (2017). "How do you like my darkness now?": women, violence, and the good "bad girl" in 'Buffy, the Vampire Slayer. In: YOUNG, Mallory and CHAPPELL, Julie A., (eds.) Bad Girls and Transgressive Women in Popular Television, Fiction, and Film. New York and London, Palgrave Macmillan, 15-31. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Metadata of the chapter that will be visualized online Chapter Title “How Do You Like My Darkness Now?”: Women, Violence, and the Good Q1 “Bad Girl” in Buffy the Vampire Slayer Q2 Copyright Year 2017 Copyright Holder The Author(s) Corresponding Author Family Name Kramer Q3 Particle Given Name Kaley Suffix Division Organization/University York St. John University Address 16 Colenso Street, York, UK, YO23 1AS Email [email protected] Abstract The representations of violent women in Joss Whedon’s Buffy the Vampire Slayer (1997–2003) and the development of this trope compare intriguingly with Charlotte Dacre’s early nineteenth-century protagonist in Zofloya, or, The Moor (1806). Drawing on the work of Hannah Arendt and Jean Elshtain, the Q4 chapter argues that Whedon’s exploration of the relationship between women and violence suggests ways in which to reconsider the consequences and responsibilities—as well as potentials—for women’s use of violent means to oppose systemic oppression.
    [Show full text]
  • When She Was Bad 1St Edition Kindle
    WHEN SHE WAS BAD 1ST EDITION PDF, EPUB, EBOOK Gabrielle Brant Freeman | 9781941209479 | | | | | When She Was Bad 1st edition PDF Book These drawings of rabbits and mice were sold to illustrate books of verses. This sounds right up my street. In fact the whole book is so poorly written, it would not surprise me to learn that Ms Cohen is a teenager writing her first novel. Also good. Although sympathetically portrayed, this part of the story did make for uncomfortable reading at times. The book is full of twists and turned and I had enormous fun trying to work out who would be the victim and who would be the perpetrator. It is also a story of the long term ramifications of child abuse. On one side we have a dark event from the past, on the other we have a group of people who work together in seeming harmony until an ambitious and ruthless boss upsets their status quo. The second strand tells the story of the sales department of London based company Mark Hamilton Recruitment and begins with former boss Gill drowning her sorrows in the aftermath of her dismissal. That means this is the first version of the text published. See for yourself A late starter to fiction - and to other things besides - she has now written four novels. When she is alerted by a friend that some When She Was Bad is a two strand story — initially beginning in America but with the main chapters set around a London recruitment agency. This review was originally posted on my book blog.
    [Show full text]
  • Slayage 1: Wandless
    William Wandless Undead Letters: Searches and Researches in Buffy the Vampire Slayer Buffy, I have volumes of lore, of prophecies and predictions. But I don’t have an instruction manual. We feel our way as we go along. And I must admit, as a Slayer you’re doing pretty well. —Rupert Giles, in “Never Kill a Boy on the First Date” (1) Buffy the Vampire Slayer banks on a very simple premise: folks dig research. Admittedly, they also love brushes with the supernatural, snappy dialogue, trendy clothes, pretty people, sweltering smoochies, and the occasional bleached-blonde British vampire, but nothing pulls them in like an overhead shot of a man in tweed thumbing through a dusty, leather-bound book. Sadly, squeezing all the requisite trappings of vampire-slaying into forty-five minutes of television time places severe limitations on how much research work can be depicted in each episode. To keep viewers coming back for more, the series teases them with only a few scant moments of tantalizing page-turning per week. (2) Over the course of four seasons, however, the nature of those moments—and the surrounding narrative content which reflects and is reflected in them—has changed dramatically. While Giles and the Sunnydale High School Library formerly centralized and localized the Scooby Gang’s researches for the majority of the first three seasons, their methods and their measures have gradually expanded and adjusted to enable them to understand phenomena and combat adversaries well beyond the realm of everyday vampire-slaying. Research once offered Buffy the Vampire Slayer a degree of internal unity: the team rendezvous in the library regularly served as a kind of familiar, and often comfortingly familial, intermission between an initial encounter with a threat and the informed response to follow.
    [Show full text]
  • Opposing Buffy
    Opposing Buffy: Power, Responsibility and the Narrative Function of the Big Bad in Buffy Vampire Slayer By Joseph Lipsett B.A Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research In partial fulfillment of the requirements for the degree of Masters of Arts in Film Studies Carleton University, Ottawa, Ontario April 25, 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-16430-3 Our file Notre reference ISBN: 978-0-494-16430-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • Joss Whedon Productions
    Joss Whedon Productions Oct 26, 2020 Class Info 1 Syllabus 1 2 Schedule 3 3 S01E01 Welcome to the Hellmouth5 4 Story Arc - S01E02 to S01E107 5 S01E11 Out of Sight, Out of Mind 13 6 Story Arc - S01E12 to S2E05 15 7 S02E06 Halloween 19 8 Story Arc - S02E07 to S2E14 21 9 S02E07 - Lie to Me 23 10 S02E14 - Innocence 25 11 S03E09 - The Wish 27 12 S03E18 Earshot 29 13 S04E01 - The Freshman 31 14 S04E09 - Something Blue 33 15 S06E07 Once More, With Feeling 35 16 Serenity 39 17 Jaynestown 41 18 Out of Gas 43 19 Ghost 45 20 Paragraph Writing - Buffy Characters 47 i 21 Short Essay - Out of Sight 49 22 Short Essay - Assignment 3 51 23 If Wishes Came True - Assignment 4 53 24 First Years - Assignment 5 55 25 Assignment 6 57 26 Assignment 7 - Songs to Communicate 59 ii CHAPTER 1 Syllabus The course syllabus is available here: https://syllabi.readthedocs.io/en/latest/SC-101.html • Social Belonging and College Adaptation starts July 27th and closes August 21st. • The College Student Inventory starts Aug 10th and closes Sept 4th. 1 Joss Whedon Productions 2 Chapter 1. Syllabus CHAPTER 2 Schedule Table 1: Schedule Date Day Class Activity No 8/24/2020 Monday 1 Go over syllabus, talk about class, introduce Paragraph Writing - Buffy Char- acters assignment. 8/25/2020 Tuesday 2 Watch Buffy S01E01 S01E01 Welcome to the Hellmouth. 8/28/2020 Friday 3 Go over S01E01 Welcome to the Hellmouth discussion questions. 8/31/2020 Monday 4 Story Arc - S01E02 to S01E10 Discuss episodes S01E02-S01E05.
    [Show full text]