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Records of the Medieval Sword Free
FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. -
The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
The Norse Influence on Celtic Scotland Published by James Maclehose and Sons, Glasgow
i^ttiin •••7 * tuwn 1 1 ,1 vir tiiTiv^Vv5*^M òlo^l^!^^ '^- - /f^K$ , yt A"-^^^^- /^AO. "-'no.-' iiuUcotettt>tnc -DOcholiiunc THE NORSE INFLUENCE ON CELTIC SCOTLAND PUBLISHED BY JAMES MACLEHOSE AND SONS, GLASGOW, inblishcre to the anibersitg. MACMILLAN AND CO., LTD., LONDON. New York, • • The Macmillan Co. Toronto, • - • The Mactnillan Co. of Canada. London, • . - Simpkin, Hamilton and Co. Cambridse, • Bowes and Bowes. Edinburgh, • • Douglas and Foults. Sydney, • • Angus and Robertson. THE NORSE INFLUENCE ON CELTIC SCOTLAND BY GEORGE HENDERSON M.A. (Edin.), B.Litt. (Jesus Coll., Oxon.), Ph.D. (Vienna) KELLY-MACCALLUM LECTURER IN CELTIC, UNIVERSITY OF GLASGOW EXAMINER IN SCOTTISH GADHELIC, UNIVERSITY OF LONDON GLASGOW JAMES MACLEHOSE AND SONS PUBLISHERS TO THE UNIVERSITY I9IO Is buaine focal no toic an t-saoghail. A word is 7nore lasting than the world's wealth. ' ' Gadhelic Proverb. Lochlannaich is ànnuinn iad. Norsemen and heroes they. ' Book of the Dean of Lismore. Lochlannaich thi'eun Toiseach bhiir sgéil Sliochd solta ofrettmh Mhamiis. Of Norsemen bold Of doughty mould Your line of oldfrom Magnus. '' AIairi inghean Alasdair Ruaidh. PREFACE Since ever dwellers on the Continent were first able to navigate the ocean, the isles of Great Britain and Ireland must have been objects which excited their supreme interest. To this we owe in part the com- ing of our own early ancestors to these isles. But while we have histories which inform us of the several historic invasions, they all seem to me to belittle far too much the influence of the Norse Invasions in particular. This error I would fain correct, so far as regards Celtic Scotland. -
Swordplay Through the Ages Daniel David Harty Worcester Polytechnic Institute
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects April 2008 Swordplay Through The Ages Daniel David Harty Worcester Polytechnic Institute Drew Sansevero Worcester Polytechnic Institute Jordan H. Bentley Worcester Polytechnic Institute Timothy J. Mulhern Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Harty, D. D., Sansevero, D., Bentley, J. H., & Mulhern, T. J. (2008). Swordplay Through The Ages. Retrieved from https://digitalcommons.wpi.edu/iqp-all/3117 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. IQP 48-JLS-0059 SWORDPLAY THROUGH THE AGES Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by __ __________ ______ _ _________ Jordan Bentley Daniel Harty _____ ________ ____ ________ Timothy Mulhern Drew Sansevero Date: 5/2/2008 _______________________________ Professor Jeffrey L. Forgeng. Major Advisor Keywords: 1. Swordplay 2. Historical Documentary Video 3. Higgins Armory 1 Contents _______________________________ ........................................................................................0 Abstract: .....................................................................................................................................2 -
Beach School, STEM Vote Set
PANAMA CITY LOCAL & STATE | A3 IT’S OFFICIAL Rick Scott launches bid for U.S. Senate Tuesday, April 10, 2018 www.newsherald.com @The_News_Herald facebook.com/panamacitynewsherald 75¢ Beach school, STEM vote set School district staff technology center. Allstate Construction Inc. recommends board hire After interviewing offi- were interested in handling 2 local contractors cials from four firms per the elementary school proj- project, staff have recom- ect, while Ajax Building By John Henderson mended hiring Reliant South Corp., Allstate, GAC and 522-5108 | @PCNHjohn Construction Group as the Reliant South were vying for [email protected] construction manager for the the STEM building contract. elementary school, set to be Lee Walters, the director of PANAMA CITY — Bay built alongside the planned operational support services District Schools staff have sports park off U.S. 98 at an for the school, said Monday recommended local firms estimated cost of $35 mil- the 125,000-square-foot oversee the construction of lion. They also would like to Beach school is sorely needed. two major upcoming capital see GAC Contractors hired “As growth is continu- projects. as contract manager for the ing to explode out there, it is The school board at its 1 new Science, Technology, proven to be really needed,” p.m. meeting today will vote Engineering and Mathematics he said. “We are at capacity on whether to go along with building at Bay High, which in all of our other schools on those recommendations doesn’t have a set price yet. the Beach. We expect to have for a new Beach elemen- Reliant South, GAC it open in 2020 at the start of A construction worker demolishes a brick wall of the old Bay High tary school and Bay High Contractors, Lord & Son School cafeteria. -
Viking Age Arms and Armor Originating in the Frankish Kingdom
The Hilltop Review Volume 4 Issue 2 Spring Article 8 April 2011 Viking Age Arms and Armor Originating in the Frankish Kingdom Valerie Dawn Hampton Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/hilltopreview Part of the European History Commons Recommended Citation Hampton, Valerie Dawn (2011) "Viking Age Arms and Armor Originating in the Frankish Kingdom," The Hilltop Review: Vol. 4 : Iss. 2 , Article 8. Available at: https://scholarworks.wmich.edu/hilltopreview/vol4/iss2/8 This Article is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in The Hilltop Review by an authorized editor of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. 36 VIKING AGE ARMS AND ARMOR ORIGNINATING IN THE FRANKISH KINGDOM By Valerie Dawn Hampton Department of History [email protected] The export of Carolingian arms and armor to Northern regions outside the Frankish Empire from the 9th and early 10th century is a subject which has seen a gradual increase of interest among archaeologists and historians alike. Recent research has shown that the Vikings of this period bore Frankish arms, particularly swords, received either through trade or by spolia that is plunder.1 In the examination of material remains, illustrations, and capitularies, the rea- son why Carolingian arms and armor were prized amongst the Viking nations can be ascertained and evidence found as to how the Vikings came to possess such valued items. The material remains come from a variety of archaeological sites, which have yielded arms and sometimes even well preserved armor. -
The Serpent in the Sword: Pattern-Welding in Early Medieval Swords
The Serpent in the Sword: Pattern-welding in Early Medieval Swords by LEE A. JONES From the time of its first appearance about 4,000 years ago, the sword soon became the pre-eminent weapon of personal defense and has been a preferred vehicle for technological and artistic expression even since its relatively recent decline. Within what at first seems to be merely a simple variation of that basic tool, the inclined plane, metallurgical studies have revealed complex piled structures in iron swords dating from as early as Celtic times13 (500 BC). Being composed of several rods welded together and running the length of the blade, such piled structures allowed the smith st to localize desired properties by empirically joining 1. Detail of the blade of a Celtic sword from the 1 cen- tury BC, in an area presumably bent prior to inhumation together irons with differing properties owing to dif- and later straightened. Differential corrosion discloses ferent origins and concentrations of trace elements. separate elements for the cutting edges and vague linear- Additionally, small rods could be carburized to increase ity parallel to the long axis suggests piled construction. A hardness by increasing carbon content. Ideally, steel parallel stress fracture is seen to the left and may be along (which is an alloy of iron with small amounts of car- a welded boundary (Private collection). bon) would be chosen to provide hardness at the edge. However, since an increased carbon content concomi- presentation grade sabers and daggers, including those tantly causes brittleness, softer and more malleable of the Third Reich14. -
Sample File Gladius: Double-Edged Sword of Roman Design Between 65 and 70 Cm Long
he sword has been an iconic weapon in role-playing games from the earliest days. Who Thasn’t played a game where at least one player played a character wielding a mighty sword — be it a simple longsword, heavy bastard sword, versatile short sword, massive two-handed sword, or dextrous rapier? Swords, in their many flavors and varieties have filled the pages of role-playing games, fantasy books, and other writings for generations. But when you play your games, whether set in far off fantasy lands or in Norman England, do your swords all look alike? What sets one longsword apart from another? Sure, they all do the same amount of damage, but what makes them special? Swords have been around in human history since the Bronze Age, or maybe even earlier. They reached their height of variety and versatility in the European Middle Ages and have found a place among the armies of the world, stretching across Europe, Africa, and Asia. In basic terms, a sword is a bladed (edged) weapon used for cutting and thrusting. The exact definition, style, and name depends on which age of history you are examining and the culture that created the weapon. From saifs, daos, khopesh, katanas, spatha, talwar, and Viking swords to Norman Longswords, Zweihanders, scimitars, rapiers, epee, and cavalry sabers, swords have found a place in our history. These weapons were all designed to meet a specific need for the wielder - whether functional or emotional or both. From purely utilitarian functionality to great works of art, swords run the gamut of form and function, which is probably why they are so important in role-playing games. -
Charisma, Violence and Weapons the Broken Swords of the Vikings
CHAPTER 7 CHARISMA, VIOLENCE AND WEAPONS THE BROKEN SWORDS OF THE VIKINGS Hanne Lovise Aannestad There are few groups of prehistoric objects that have such allure as the Viking sword. In movies and literature, the Viking sword is described and depicted, drawing on both written sources and archaeological material. This contempo rary fascination mirrors Early Medieval written sources in which swords are portrayed as the most important weapon. Approximately 350013 swords dated to the Viking Age have been found in Norway, the majority in graves. A number of these swords were severely damaged and rendered unusable before deposi tion in the grave. The blades were beaten, bent or twisted, sometimes folded together in a way that needs preparation, expertise and equipment. The fact that these swords were subjected to special treatment, handled in a different 13 There have not been any comprehensive studies done on the swords of the Viking Age on a national level since Jan Petersen De norske vikingesverd (1919). This number is an estimation based on the assumption that the Museum of Cultural History holds roughly half of the archaeological colle- ctions on a national level. See also Martens (2003). manner than the rest of the grave goods, underscores the distinctive role of swords in Norse society. In this article I will discuss the deliberate destruc tion of swords and other weapons from a cultural historical point of view. The irregular treatment of these swords is embedded both in the cultural histor ical perception of swords and in funerary rituals. A survey of Early Medieval written sources and archaeological material is essential for a more profound understanding of the phenomenon. -
INTRODUCTION to the HISTORY of the EUROPEAN SWORD By
Gladius, I (1961), pp. 30-75 Ada Bruhn Hoffmeyer ISSN 0435-029X INTRODUCTION TO THE HISTORY OF THE EUROPEAN SWORD By Dr. Ada Bruhn Hoffmeyer. Weapons and Conditions of LifcLife Most races, tribes or civilizations have weapons of their own, characteristic of them and made in accordance to the particular methods of war which suit their mentality and conditions of living. In the types, shapes and methods of using the different specimens, nations or races reveal something of their character, temperament, social conditions and civilizations. The different categories of weapweap- ons, the combination of arms in war and the tactical organization are products of their conditions of life and their social conditions. An examination of the interaction between weapons and civilizatcivilizat- ions in general is important as a means to solve problems concerconcer- ning the various culture-centres in antiquity as well as in later epochs. Nomad tribes and peoples living on the steppes or in desdes- erts with long distances, as a rule are mounted and need weapons corresponding to their particular manner of living, weapons which are practical and handy, when used from a horse back (or on a camel). Bow and arrows must be considered an importantImportant weapon to horse breeding nomad tribes, just as for instance javelins or light spears may be easy for them to use. The sword is of less importance to the warrior, when he is fighting from horseback, though we see it now and then. When he has dismounted and is fighting on foot, the sword, particularly the short sword, becomes a useful help in a hand-to-hand-fight.hand-to-hand-fight, Barbarous peoples living in mountainous disdis- tricts often use other kinds of weapons, such as lances, knives, hafthaft- ed weapons, which they can easily bring with them in an impassable terrain, just as we see it among the primitive Slavonic mountain tribes of the Balkans in early Middle Ages. -
 the Serpent in the Swordâ Some Thoughts Regarding the Sword During
“The serpent in the sword” Some thoughts regarding the sword during the Viking Age (8th-11th century) by Florian Messner ”At kveldi skal dag leyfa, konu, er brennd er, mæki, er reyndr er, mey, er gefin er, ís, er yfir kemr, öl, er drukkit er“1 Havamal, stanza 81 The Vikings were not a cruel, uneducated and scruffy group of heavily armed warriors as often claimed today. Instead, a highly complex society developed in Scandinavia in the early Middle Ages with an autonomous culture, mythology and craftsmanship. The warrior had an important role in this community and thus so had his most important attribute, the sword. Figure 1: Common illustration of Viking warriors2 1 Translation : “Praise day at even, a wife when dead, a sword when tried, a maid when married, ice when it’s crossed, and ale when it’s drunk.” 2 Source: http://cdn.pcwallart.com/images/viking-warrior-symbols-wallpaper-2.jpg, accessed 08.08.2016 1 The problem of “the Vikings” Before we get to the sword itself, it is necessary to explain a term more closely which today is often used incorrectly, namely “Viking”. Not all Scandinavians were Vikings and not all Vikings were from Scandinavia. “Go on viking“ itself means nothing else than “go for looting” (Fig. 23). Therefore, the contemporaries hardly speak of Vikings as an ethnicity, but rather of “Northmen” or “Danes”. The most famous saying about these Northmen derives from the hand of an Anglo-Saxon monk of the 9th century: “A furore Normannorum libera nos, Domine.“4 (“From the fury of the Northmen deliver us, O Lord”). -
Blade Patterns Intrinsic to Steel Edged Weapons by Lee A
Blade Patterns Intrinsic to Steel Edged Weapons by Lee A. Jones In examining objects made from modern the natural background grain and layering to industrially produced steel little or no texture produce a desired pattern. Important to is readily apparent to the naked eye, even if consider within this parameter for layered the objects have been weathered or corroded. structures will be the planes of subsequent Earlier iron and steel artifacts will frequently stock removal (grinding) and how the angle show a pronounced texture. Such textures may of intersection of the created surface interacts arise from heterogeneous composition and or with the existing grain and layer structure to impurities such as slag stringers that are form a visible surface pattern. Fourth are the banished from or tightly regulated in the further effects obtainable in a blade made up production of modern steels. Additionally, in of several components welded together, the case of antique edged weapons, smiths whether it be merely a piled structure necessary frequently manipulated naturally occurring to achieve the desired blade mass and perhaps textures and or ingeniously joined together never intended to be noticed by the customer dissimilar materials to achieve desired or a deliberate decoration. The term ‘pattern- performance and or aesthetic appearance. welded’ or ‘twist core Damascus’ is applied Whether deliberate or intentional, such to a technique exemplified in Europe by patterns often yield clues to how such items Migration Period and Viking Age swords, but were made. This article will show a sampling also seen in work from many cultures in Asia. of such patterns as are found in swords and An extreme of this final parameter in the other edged weapons from a diversity of welding together of many components will be cultures and times.