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Records of the Medieval Sword Free
FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. -
The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
Custom Welded Katana by Request
Custom Welded Katana By Request Two-a-penny Bobbie never season so unreflectingly or permeate any Yoko evil. Rhett retreading obviously as formable deciduate.Melvyn dishallows her reviewer snowball corruptibly. Terrance anthropomorphising her serum qualitatively, synecdochic and Nobody has ever none of swords this way. Battling Blades designs and sells swords, machetes, axes and knives. And japanese government is not custom welded katana by request a steel damascus was a cavalry, in a fair. Gw cycle world and european weapons that refers to be able courier service. What does knife today it would like to identify the shirasaya swords lack toughness is two custom welded katana by request a factory warranty or gold and subject to teach me when in a rapier is? Every item we sell is handmade and we hold some in stock. Searching custom welding and requests for by hammering, not those who look to request is destined to. Those studying with essence, originating in tijd, steel in its materials, and extremely easily from mild pronation control. The custom welded katana by request, by a request information! Thank you dear friend Daniel of Nebraska. Please note free time ask could you drill further questions. Template HKGGRN WAKIZASHI SAMURAI SWORD Description Wakizashi in Koshirae Mountings. We weld tests at the custom welded katana by request information for competitive price is used to be a new this is? The cost is irrelevant. After many swords are somewhat more carbon to view more like in appearance and marine and to wield a later date, fl on the history and discovered a first. -
Kingdom of Northshield Rules for Rapier Combat
Kingdom of Northshield Rules for Rapier Combat Published Summer 2018 Table of Contents 1. RULES OF THE LIST AND OF COMBAT.................................................................................. 1 1.1. Rules of the List .......................................................................................................................2 1.2. Rules of Combat ......................................................................................................................3 2. EQUIPMENT SPECIFICATIONS ............................................................................................. 7 2.1 General Standards ....................................................................................................................7 2.2. Weapons and Parrying Devices ................................................................................................7 2.3. Protective Equipment ............................................................................................................ 10 3. AUTHORIZATIONS ............................................................................................................ 14 3.1. General Requirements ........................................................................................................... 14 3.2. Combat Authorization ............................................................................................................ 15 4. MARSHALLING RAPIER ..................................................................................................... 17 4.1. -
Swordsmanship and Sabre in Fribourg
Acta Periodica Duellatorum, Hands-on section, articles 103 Hands-on section, articles Sweat and Blood: Swordsmanship and sabre in Fribourg Mathijs Roelofsen, PhD Student, University of Bern [email protected], and Dimitri Zufferey, Independant Researcher, GAFSchola Fribourg, [email protected] Abstract – Following a long mercenary tradition, Switzerland had to build in the 19th century its own military tradition. In Cantons that have provided many officers and soldiers in the European Foreign Service, the French military influence remained strong. This article aims to analyze the development of sabre fencing in the canton of Fribourg (and its French influence) through the manuals of a former mercenary (Joseph Bonivini), a fencing master in the federal troops (Joseph Tinguely), and an officer who became later a gymnastics teacher (Léon Galley). These fencing manuals all address the recourse to fencing as physical training and gymnastic exercise, and not just as a combat system in a warlike context. Keywords – Sabre, Fribourg, Valais, Switzerland, fencing, contre-pointe, bayonet I. INTRODUCTION In military history, the Swiss are known for having offered military service as mercenaries over a long time period. In the 19th century, this system was however progressively abandoned, while the country was creating its own national army from the local militias. The history of 19th century martial practices in Switzerland did not yet get much attention from historians and other researchers. This short essay is thus a first attempt to set some elements about fencing in Switzerland at that time, focusing on some fencing masters from one Swiss Canton (Fribourg) through biographical elements and fencing manuals. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
Swords and Sabers During the Early Islamic Period
Gladius XXI, 2001, pp. 193-220 SWORDS AND SABERS DURING THE EARLY ISLAMIC PERIOD POR DAVID ALEXANDER ABSTRACT - RESUMEN The present article offers a discussion on early swords and sabers during the Early Islamic Period, from the Topkapí Sarayi collection to written, iconographic and archeological sources. El presente artículo trata las espadas y sables utilizados en los primeros tiempos del Islam a partir de la co- lección del Topkapí Sarayi y de las fuentes escritas, iconográficas y arqueológicas. KEY WORDS - PALABRAS CLAVE Swords. Sabers. Islam. Topkapí Sarayi, Istambul. Espadas. Sables. Islam. Topkapí Sarayi. Estambul. SWORDS DURING THE EARLY ISLAMIC PERIOD The recent discovery in Spain of a ninth century sword represents a remarkable advance in our knowledge of early Islamic swords. This archaeological find is discussed in detail by Alberto Canto in this volume, the present article offers a discussion of early swords and sa- bers in general. Reference is also made to the so called saif badaw^ used in the investiture of ¿Abbasid caliphs under the Mamluks; and to the origins of the saber which represents an eastern influence on the Islamic world A sword is a weapon with a straight double-edged blade, generally pointed at its tip, and can be used for both cutting and thrusting; the hilt of a sword is generally symmetrical in form. A s ab er ca n b e de fi n ed a s a we a p on wi th a s i ng le - ed ge d b la de , s omet i me s s ha rp en e d a dd it io n al ly al on g t he l o we r pa r t of it s ba c k ed g e, d es i gn ed fo r cu t ti ng an d sl a sh in g .1 Al th ou g h s ab er s a re u s ua ll y c ur ve d , ea rl i er e x ampl es ar e l es s so an d s ome ar e v ir t ua ll y s tr ai g ht . -
THE HISTORY of the RAPIER the Culture and Construction of the Renaissance Weapon
THE HISTORY OF THE RAPIER The Culture and Construction of the Renaissance Weapon An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science By Robert Correa Andrew Daudelin Mark Fitzgibbon Eric Ostrom 15 October 2013 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen Abstract At the end of the Middle Ages, weapons began to be used not only on the battlefield, but for civilian use as well. The rapier became the essential self-defense weapon of the “Renaissance man.” This project explores the evolution and manufacture of the rapier through history. This cut-and-thrust sword was manufactured by artisans who had to develop new methods of crafting metal in order to make the thin, light blade both durable and ductile. To study this process, a rapier was constructed using classical methods. Upon the completion of the replica, its material properties were studied using a surface microscope. The project also included contributing to the WPI Arms and Armor website. ii Acknowledgements The authors would like to thank Professor Diana Lados and Mr. Tom Thomsen for creating the Evolution of Arms and Armor Interactive Qualifying Project. Their guidance and assistance were invaluable throughout the project experience. A huge thanks also to Josh Swalec and Ferromorphics Blacksmithing. The expertise of Mr. Swalec and others at Ferromorphics was key to learning smithing techniques and using them to construct a replica of a rapier in the Renaissance style. Mr. Swalec opened the doors of his shop to us and was welcoming every step of the way. -
Welcome to the Wonderful World of Latex Weaponry
Knighthawk Armoury Handsome, Safe, Durable, Realistic Latex-Foam Weaponry Welcome to the wonderful world of latex-foam weaponry. These superb and beautiful latex/foam weapons are designed to be used in Live Action Role-Playing (LARP) combat and last for years in a LARP environment. They are equally at home in a theater, a video, a martial arts dojo, or for you and your friends just having fun! Accessories These products are designed to complement the already great experience of owning one of our fabulous latex- foam weapons. From great looking ways to carry your weapons, to sword tips to allow even safer thrusting, to your very own “Mr. Pointy” – we’ve got your LARP weapon accessories covered! Axe Hanger Axe Holder, Small Black, Brown 3 Throwing Knife Holder 5 Throwing Knife Holder Adventurer Frog $9 $30 $22 $36 $38 Basic Sword Frog Celtic Triskel Sword Dagger Frog Diagonal Frog Double Sword Frog $20 Frog $14 $28 $80 $30 Double Sword Harness King’s Sword Frog Victory Sword Frog Black, Brown, Green, Dual Sword Back $30 $30 Scabbard, Dagger Red - $48 Harness $38 $62 Scabbard, Noble Holster, Geared Holster, Western Scabbard, IF Scabbard, Legend & mounting straps $65 $60 Med $87 Large $92 Short $95 Long $105 $120 120 East FM 544, Suite 72 (148), Murphy, TX 75094-3808 972-979-8753 www.latex-weaponry.com www.knighthawkarmoury.com Knighthawk Armoury Handsome, Safe, Durable, Realistic Latex-Foam Weaponry Accessories - pg 2 Knife Leg Harness Pirates Single Pistol Pirates Triple Pistol Baldric, Musketeer’s Baldric, Pirate's $35 Holster $65 $105 -
Tenaga Dalam Volume 2 - August 1999
Tenaga Dalam Volume 2 - August 1999 The Voice of the Indonesian Pencak Silat Governing Board - USA Branch Welcome to the August issue of Tenaga Dalam. A lot has occurred since May issue. Pendekar Sanders had a very successful seminar in Ireland with Guru Liam McDonald on May 15-16, a very large and successful seminar at Guru Besar Jeff Davidson’s school on June 5-6 and he just returned from a seminar in England. The seminar at Guru Besar Jeff Davidson’s was video taped and the 2 volume set can be purchased through Raja Naga. Tape 1 consists of blakok (crane) training and Tape 2 has about 15 minutes more of blakok training followed by a very intense training session in various animal possessions including the very rare Raja Naga possession. Guru Besar Davidson and his students should be commended on their excellent portrayal of the art. Tape 1 is available to the general public, but due to the intense nature of tape 2 you must be a student. It is with great sadness that I must report that Guru William F. Birge passed away. William was a long time personal student of Pendekar Sanders and he will be missed by all of the people that he came into contact with. 1 Tribute to Guru William F. Birge Your Memory Will Live On In Our Hearts. 2 DJAKARTA aeroplane is a lead-coloured line of sand beaten by EX ‘PEARL OF THE EAST’ waves seeping into a land as flat as Holland. The Dutch settlers who came here in 1618 and founded The following is a passage from the wonderful Batavia must have thought it strangely like their book Magic and Mystics of Java by Nina Epton, homeland. -
The Connoisseur (Sir Gerald Ryan
1 TheConnoisseur An Illustrated Magazine For Collectors Edited by C. Reginald Grundy Vol. LIX. (JANUARY—APRIL. 1921) LONDON Published by the Proprietor, W. CLAUDE JOHNSON, at tiii., Editorial and Advertisement Okkices of The Connoisskuu, AT I, Duke Street, St. James's, S.W. i 192 1 MROSE AND SONS 1 DERIIY AND I.ONDO 8(i 1)656 NDEX ARTICLES AND NOTES A Beautiful Jacobean Hanging (Note) .Authors and Contributors—coiilinucd. "A Citv Banquet," by Fred Roc, K.I., R.B.C. Richardson, Mrs. Herbert. The Fashion Plates '(Note) of Horace Vernet (Art.) ... ... ... yy Adam and other Furniture (Note) ... Roberts, C. Clifton. Salopian China (Art.) ... 2.( Aitken, John E., Drawings by (Note) Roe. F. Gordon. The Life and Work of F. W. An Outpost of London, by Criticus (Note) Hayes, A.R.C.A., F.R.G.S. (Art.) 103 Angelica Kautfmann and Her .Art. by Lady Victoria Rusconi, Art. Jahn. The Tapestries of Mantua Manners (.\rt.) by Raphael (Art.) 77 Another New Gallery (Note) Williamson, Dr. G. C. Some Notes on the Portraits of Sir Pliilip Sidney (Art) ... Antique Business Extension (Note) 217 Antiques at Waring's (Note) Books Reviewed. Aquatints. Old (Note) A Bookseller's igo Authors and Contributor.s. Catalogue " A Catalogue of Etchings by Augustus John, Andrews, Cyril Bruyn. The Valencia Altar-piece 1901-1914." by Campbell Dodgson ... 5S (Art.) " A Dweller in Mcsnpntamia," by Donald Maxwell 1S7 Brochner, Georg. Old Danish Furniture (.Art.)... " A Hamll.".i. ..I Imlini Art," by E. B. Havell ... 188 Brockwell. Maurice W. Frans Hals Pictures at " Haarlem (Note) A Histiii\ <\ I \ri\,l,iy Things in England," by M. -
COLD ARMS Zoran Markov Dragutin Petrović
COLD ARMS Zoran Markov Dragutin Petrović MUZEUL BANATULUI TIMIŞOARA 2012 PREFACE Authors of the catalog and exhibition: Zoran Markov, Curator, Banat Museum of Timisoara Dragutin Petrović, Museum - Consultant, The City Museum of Vršac Associates at the exhibition: Vesna Stankov, Etnologist, Senior Curator Dragana Lepir, Historian Reviewer: “Regional Centre for the Heritage of Banat — Concordia” is set adopted a draft strategy for long-term research, protection and pro- Eng. Branko Bogdanović up with funds provided by the EU and the Municipality of Vršac, motion of the cultural heritage of Banat, where Banat means a ge- Catalog design: as a cross-border cooperation project between the City Museum ographical region, which politically belongs to Romania, Hungary Javor Rašajski of Vršac (CMV) and Banat Museum in Timisoara (MBT). In im- and Serbia. Photos: plementation of this project, the reconstruction of the building of All the parts of the Banat region have been inextricably linked Milan Šepecan Concordia has a fundamental role. It will house the Regional Centre by cultural relations since the earliest prehistoric times. Owing to Ivan Kalnak and also be a place for the permanent museum exhibition. its specific geographical position, distinctive features and the criss- Technical editor: The main objective of establishing the Regional Centre in crossing rivers Tisza, Tamis and Karas, as the ways used for spread- Ivan Kalnak Concordia is cross-border cooperation between all institutions of ing influence by a number of different cultures, identified in archae- COLD ARMS culture and science in the task of production of a strategic plan ological research, the area of Banat represents today an inexhaust- and creation of best conditions for the preservation and presenta- ible source of information about cultural and historic ties.