Suspense Fills the Eyes of L.Aura Mars

Total Page:16

File Type:pdf, Size:1020Kb

Suspense Fills the Eyes of L.Aura Mars Retriever, September 18, 1978 9 · oo ~ wm~ w~=========================================:~===================== Suspense fills the eyes of l.aura Mars By Paul Strohl case with mysteries. Everytime I had the Faye Dunaway carries a heavy acting more sympathy for the other victims suspect, my villain would be killed--! Amidst the deluge of summer film load and comes across as unrealistic, but then for the heroine. This is a sign of suppose that's why its fun, but still with a good supporting case she still weak characterization, and Laura Mars releases an intriguing film has crept frustrating! looks pretty good. Brad Dourif (thd ,is definitely a weak character. Too bad. out--The Eyes of Laura Mars. Despite ·-The film uses many of the popular the redundant phrasing, ie, 'A Great ·chauffer) and Rene Auberjonois (hel thriller methods: a curvaceous main manager) add the sympathetic touches Tommy Lee Jones is an atypical police Mystery Suspense Thriller,' used to character, scantily-clad fashion models, advertise it, the film tells a good story needed for audience empathy. They are detective who goes through many and does mystify the audience--a changes, and he handles them well. His whodunit of high calibre. love conquers all, and that is refreshing To complement the solid script, the for a police character. acting and directing is above average-­ reminscent of classics~ like Wait Until Visually the film flows weil, Director Dark or A Turn of the Screw. You will Irvin Kershner succeeds in portraying definitely be on the edge of your seat, the interior turmoil of the psychic world and not because of cheap Jaws-type of Laura Mars. We, the audience, are thrillers, but rear psychological sus­ the only ones who can judge what is pense. Of course, there are a few happening. Using mirror shots and questionable holes in the story, but the diffusion filters, Kershner draws us into tiny details are easy to forgive in light of the story by making us curious. Is she the overall high quality of the film. imagining all this, or is something really Faye Dunaway is a fashion photo­ happ9ning? Only the ending tells. ~apher (Laura Mars) whose unique The smooth production works well, photographic images cause a stir in the and although it lacks in individualistic New York art world. Unfortunately it touches, it shows that the suspense also causes someone to want to kill genre may finally make a comeback. her--of course we don't know who or Suspense has been overshadowed by why. It just happens. cheap (though expensive) thrills, like Tommy Lee Jones is a police detective Jaws, Star Wars, and soon Superman, or who is assigned to protect her. He tries by scripted comedy like Murder By to solve the mystery and falls in love with Death, Cheap Detective, and Animal Laura Mars instead. As the film well used and move the plot forward House. Although thrills and comedy progresses the list of suspects dwindles have their merits (?), suspense works as each possible suspect is mysteriously whenever Faye Dunaway gets lost in self-pity. especially well in films because the killed. And to make matters worse, director can direct or misdirect audience Laura discovers that she has psychic blood guts and gore, psychic· powers, · The audience should feel empathy for attention. Look at Hitchcock. Suspense powers and ·can predict the deaths. police action, and a little romance on the the victim of a _film, but Faye Dunaway utilizes the visual medium. Of course Complications arise. , side. All the angles are very slick and leaves you feeling ambivalent. I felt that there is no deep symbolism or heavy As usual the ending is a surprise and though the end result isn't mind-bogg:­ if the only way to solve the mystery was message. This film merely keeps you on is fairly satisfying. I came away feeling a ling, it is surprisingly good. Pure to kill her--fine. The · suspense is so the edge of your seat. If that's all you little ripped off, but that is usually the entertainment. strong that any relief is welcome. I felt want--Laura Mars is a film to see. Just a few more songs / from Lynyrd Skynyrd 's 1First ••• and last' when you have just got in at 2 in the morn­ By BiU Tilghman Daughter," that tell you how to "get ry the song through. down" southern style. Both have a driving The album in general consists of clean ing and want to decompress for a ·while In October of last year while on route to beat and are styled similar to "Searching" simple rock, some southern blues and before crashing or at anytime xou want to a concert in Baton Rouge, Louisiana, and "T for Texas" off of their earlier rhythm that has made Lynyrd Skynyrd hear a little rock & roll. Lynyrd Skynyrd's plane crashed killing album "One More From The Road." great. The album probably will not pro­ lead singer Ronnie Van Zant, guitarist The next song "White Dove" is a com­ duce any "#1 Hits" and it is definitely not The top cuts on the album are "White Steve Gaines and back-up vocaist Cassie plete turn around. It features Rickey Skynyrd's best effort, yet it is a fine album Dove," "Was I Right or Wrong," "Lend a Gaines (Steve Gaines' sister). This tragic Medlocke as lead vocalist and opens up and all the tunes are of high quality. It is a Helpin' Hand," "Comin' Home," and accident marked the end for Lynyrd with a solo by Gimmer Nichols on his ac­ good album to listen to on a Friday after­ "Things GOin' Oli." The only really bad Skynyrd. The surviving members decided coustic guitar. The song is mellow and noon (or Tuesday afternoon) while you are part of th~ album is that it is the ... Last they would never play together again soft, really creating the mood it was in­ preparing for a weekend of partying or of Lynyrd Skynyrd. under that name. tended to. This is one of the top cuts of the RecenUy however the group released a album. The other tune sung by Rickey new MCA labeled album, "Skynyrd's First Medlocke is "The Seasons." It too is and ... Last." The material on the album mellow but is leaning toward the blues. came from tapes Skynyrd started record­ This is not as good a piece as ''White ing back in '71; two years before the Dove" but is still quite pleasant to the ear. release of their first MCA album,Pro­ Ronnie Van Vant in his time has written nounced 'Leh-nerd Skin-nerd.' many songs dealing with problems around Feature writers According to David Marsh in an article us. These -are found on every album he did for Rollipg Stones back in June of Skynyard has ever put out. Songs such as this year Skynyard started recording the "Saturday Night Special," "The Needle album in their spare time while they were and the Spoon," "That Smell" found on still working the bar circuit in no~ previous albums dealt with the problems stop by Hillcrest today, Florida back in '71. It was to be used as of gun control, drug abuse, and alcohol ism. demo tape to help land a recording con­ Several such songs are found in this, their tract but because of damage to part of the latest album. The songs "Wino," "Lend a tape it was never used. So they continued Helpin' Hand," ·"Things Goin' On" all deal to work on the tape after they landed the with the such problems and our need to MCA recording contract and were plann­ work to correct them. All three are good Monday, 1pm ing to release it this year just for ~hat it clean rock with good lyrics and some great was. leads. What it is is an excellent sample of Probably the top cut of the album is Lynyrd Skynyrd's early work. It shows the "Comin' Home." In the style of "Sweet English influence on this southern group a Home Alabama" and "TueSday's Gone" it or call Larry x2224 little more than their latter works. It also typifies Lynyrd Skynyrd. The song is features Rickey Medlocke as a lead singer bright and the vocals demonstrate what a more than the later albums. The first side great singer Ronnie Van Zant was. The • opens up with a couple of rockin' songs, leads by Gary Rossington really help car• "Down South Jukin" and "Preacher's .
Recommended publications
  • Bluegrass Songs with Chords
    The Freebird Fell Intro: C Am C Am I was just a teenage boy on my way to school Mama mad at me for me 'cause I turned on the news Details still uncertain as I put on my shoes Wasn't sure what happened but I knew I had the blues. F GC Cause that's the day the freebird fell Oh, I remember it well F GC So many cried when Ronnie died He never said farewell F G What he'd say in a southern song C Am Stories told still here long F GC The day the freebird fell. CAm Pulled myself together and I went on my way Missed the bus on purpose so I could walk that day Tuesday's Gone and Simple Man Play on in my mind Sweet Home Alabama, Curtis Loew and One More Time 'Cause that's the day the freebird fell Oh, I remember it well So many cried when Ronnie died He never said farewell What he'd say in a southern song Stories told still here long The day the freebird fell. Freebird fell Freebird fell, mmmm. Many years have come and gone, a lot of things have changed Father time has passed me by one thing stayed the same When I'm feeling lonely, when I'm feeling blue I crank up some of that good ol' honkey, Lord I think of you. Back to the day the freebird fell Oh, I remember it well So many cried when Ronnie died Visit www.traditionalmusic.co.uk for more songs.
    [Show full text]
  • Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection
    Search artists, albums and more... ' Explore + Marketplace + Community + * ) + Dashboard Collection Wantlist Lists Submissions Drafts Export Settings Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection Collection Value:* Min $3,698.90 Med $9,882.74 Max $29,014.80 Sort Artist A-Z Folder Keepers (500) Show 250 $ % & " Remove Selected Keepers (500) ! Move Selected Artist #, Title, Label, Year, Format Min Median Max Added Rating Notes Johnny Cash - American Recordings $43.37 $61.24 $105.63 over 5 years ago ((((( #366 on R.S. top 500 List LP, Album Near Mint (NM or M-) US 1st Release American Recordings, American Recordings 9-45520-1, 1-45520 Near Mint (NM or M-) Shrink 1994 US Johnny Cash - At Folsom Prison $4.50 $29.97 $175.84 over 5 years ago ((((( #88 on R.S. top 500 List LP, Album Very Good Plus (VG+) US 1st Release Columbia CS 9639 Very Good Plus (VG+) 1968 US Johnny Cash - With His Hot And Blue Guitar $34.99 $139.97 $221.60 about 1 year ago ((((( US 1st LP, Album, Mic Very Good Plus (VG+) top & spine clear taped Sun (9), Sun (9), Sun (9) 1220, LP-1220, LP 1220 Very Good (VG) 1957 US Joni Mitchell - Blue $4.00 $36.50 $129.95 over 6 years ago ((((( #30 on R.S. top 500 List LP, Album, Pit Near Mint (NM or M-) US 1st Release Reprise Records MS 2038 Very Good Plus (VG+) 1971 US Joni Mitchell - Clouds $4.03 $15.49 $106.30 over 2 years ago ((((( US 1st LP, Album, Ter Near Mint (NM or M-) Reprise Records RS 6341 Very Good Plus (VG+) 1969 US Joni Mitchell - Court And Spark $1.99 $5.98 $19.99
    [Show full text]
  • Since the Idea of Doing a Lynyrd Skynyrd Tribute Was Conceived By
    For over three decades, Whiskey River’s musicians have thrilled audiences all over the West Coast as America's number one tribute to the legendary southern-rock band Lynyrd Skynyrd. Re-creating the image and the music of the southern rock band that took the world by storm in the "70's. Whiskey River not only plays Lynyrd Skynyrd, they personify the group onstage bringing the audience back in time thirty years as they blaze through classics like Sweet Home Alabama, Gimme Three Steps, The Breeze and their phenomenal note-for-note version of Lynyrd Skynyrd’s "Live" guitar opus Freebird. One of the most amazing aspects of Whiskey River’s tribute to Lynyrd Skynyrd is that their fan base literally runs from seven to seventy years old! Whiskey River has performed countless fairs, festivals, casinos and clubs throughout the region including Spokane Interstate Fair, Chehalis Music in the Parks, Darrington Classic Rock Festival, the White River Amphitheater, Key Arena @ Seattle Center, Bite of Seattle, the Emerald Queen, Tulalip, 7 Cedars, Red Wind and Skagit Casinos, the Jackson Prairie Speedway, the Sturgis Black Hills Rally in Sturgis, SD, and many many more. The band has also shared billing with numerous National Artists including Molly Hatchet, Delbert McClinton, Little Feat, Pat Travers, Foghat, Mountain, Grand Funk Railroad, Black Oak Arkansas, Quiet Riot, Dr. John, Savoy Brown, Seattle's own Randy Hansen, Elvin Bishop, Commander Cody, Paul Rodgers, Head East, Janis Joplin's band Big Brother and the Holding Company, Blue Oyster Cult, The Southern Rock All Stars, Iron Butterfly, Steppin Wolf and many others.
    [Show full text]
  • Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
    InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive
    [Show full text]
  • Aryan New Storm Rising Mp3, Flac, Wma
    Aryan New Storm Rising mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: New Storm Rising Country: Poland Released: 2016 Style: Hard Rock, Oi MP3 version RAR size: 1568 mb FLAC version RAR size: 1475 mb WMA version RAR size: 1280 mb Rating: 4.6 Votes: 272 Other Formats: DXD MP3 RA VQF DTS VOC AHX Tracklist Hide Credits A1 Cross & The Sword A2 North American White Man Rapist A3 Written-By – Combat 84 A4 God, Race & Nation Sweet Home Alabama A5 Written-By – Lynyrd Skynyrd A6 True White Canada A7 Fiery Cross A8 You Gotta Go A9 New Storm Rising A10 Coon Shootin' Boogie B1 Cross & The Sword B2 North American White Man Rapist B3 Written-By – Combat 84 B4 God, Race & Nation Sweet Home Alabama B5 Written-By – Lynyrd Skynyrd B6 True White Canada B7 Fiery Cross B8 You Gotta Go B9 New Storm Rising B10 Coon Shootin' Boogie Companies, etc. Licensed To – Lower Silesian Stronghold Notes "Printed in Canada" written on the back cover "All songs © by Aryan except Rapist © by Combat 84, Sweet Home Alabama © by Lynard Skynard and You Gotta Go (music) © by Kingsmen / R.Berry lyrics by Aryan" Misspelling on the cover: Lynard Skynard instead of Lynyrd Skynyrd The same tracks repeat on both sides. Other versions Category Artist Title (Format) Label Category Country Year New Storm Rising (CD, CAY-001A Aryan Resistance Records CAY-001A US 1993 Album) New Storm Rising (CD, CAY-001A Aryan Resistance Records CAY-001A US Unknown Album, RE) New Storm Rising (Cass, 7269 Aryan Resistance Records 7269 US 1994 Album, TP) Related Music albums to New Storm Rising by Aryan Lynyrd Skynyrd - Minos Was There Lynyrd Skynyrd - Sweet Home Alabama Lynyrd Skynyrd - Free Bird / Sweet Home Alabama W.R.
    [Show full text]
  • Venturing in the Slipstream
    VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts.
    [Show full text]
  • WDAM Radio Presents the Rest of the Story
    WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree"
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • Club 20, Wilderness Society Lock Horns
    Registration In with the new, but not out with the old. Mesa's 1978 registration has brought both the old and the new to campus. In addition to the 1,100 students who pre-registered at the end of last year, 1,200 new and returning students regis­ tered for classes on Tuesday. Betsy Sneed, Mesa College registrar, says she expects that 90 per cent of the pre­ registered students will attend Mesa this fall. Included In that figure are 350 freshmen. Concerning total enrollment at Mesa, Sneed says, ''We're hopeful of 2,800 this term in day school students." THE· GRITERION .... Ve>I. 44 No. 33 Mesa College student newspaper Grand Junction, qo. Friday, September 1, 1978 12 Pages Tnis Week .. Club 20, Wilderness Society lock horns by TAM MY FREEBURG be devoted to three minute of the environment-they only meet-ing may submit written ought to be setting the guide­ Criterion Editor testimonies by individuals. understand the extraction of testimony, and it will be added lines and rules" for the areas resources and how.much mon- . to Club 20's report. All corre­ under consideration with The debate on wilderness is 'Not interested' f!'1 can be raised" by extract- spondence· relating to RAREII RARE II, "Not making them warming up. Perry Moyle, the regional . ing those resources. must be received by the Forest black or white." He feels mul"!' As the Oct. 1 deadline nears Service by Oct. I. tiple use of land-such as for submitting all written test- representative of the Wilder­ Vanderhoof says that since , imony concerning the Road­ ness Society for Colorado and the Forest Service will accept only written testimony con­ less Area Review and Evalua­ Kansas, says his organ lzation "Club 20 does not understand the tion, phase two, [RARE II] to Is not making any efforts to cerning RAREII, there will be the U.S.
    [Show full text]
  • Eyes of Laura Mars - Bd
    EYES OF LAURA MARS - BD Short Synopsis: She saw all life through the camera’s eye. Then suddenly she saw death! This riveting tale of murder and suspense stars Faye Dunaway as Laura Mars, New York's most controversial fashion photographer. World renowned for her sensational, erotic portraits of models in settings of glorified urban violence, Laura Mars exhibits a mystifying psychic ability. In her mind's eye, as if through the lens of her camera, she "witnesses" a series of bizarre murders with terrifying clarity. All of the victims are people Laura has known. Police detective John Neville (Tommy Lee Jones) discovers a striking similarity between Laura's works and classified police photographs of the murders and he attempts to unravel the events which have taken control of Laura's mind. the film builds to a spine-tingling climax when the eyes of Laura Mars reveal the identity of the killer. Critic Quotes/Reviews: “a very stylish thriller.” – Variety Target Audience: John Carpenter fans, Mystery buffs Notable Cast/Crew: Faye Dunaway (Network), Tommy Lee Jones (The Fugitive), Brad Dourif (One Flew Over the Cuckoo's Nest), Rene Auberjonois (TV's Benson), Raul Julia (The Addams Family) Key selling points: • Screenplay written by legendary John Carpenter • Directed by Irvin Kershner (The Empire Strikes Back) • Includes audio commentary by Director Irvin Kershner • Features a best-selling soundtrack featuring Barbra Streisand’s “Love Theme From ‘Eyes of Laura Mars’ (Prisoner)” Clip Link: https://youtu.be/kBWxgEZg3R8 Website Link: https://www.millcreekent.com/eyes-of-laura-mars-blu-ray.html Title UPC Item # Format Genre SRP Aspect Ratio Rating Runtime # Disc Eyes of Laura Mars – BD 683904633934 63393 Blu-ray Thriller $14.98 Widescreen R 1 hr 44 min 1.
    [Show full text]
  • October 7, 1976 UMSL Curilent Teasdale Offers His Views to UMSL Students Candidate on the Source of His Now
    O<:tober 7,1976 Issue No. 263 v..... , .,~ ..... 'sa.I"'" Treatment begins; repairs athletic field Earl Swift _ Building has attracted the con­ cerns of many coaches. A four month delay in the Intramural coach Jim Velten treatment of the upper athletic :ommented that the field was field has ended_ Uprooting the not receiving enough water. field by Physical Plant began od "There are only two sprinklers Sept. 24. out on the soccer field," he said. Treatment of the field was The situation was .temporarily scheduled to be completed be­ remedied last weekend when fore August 1 in time for the hoses accidentally left running intramural season. Treatment submerged the west half of the includes aeration, topdressing, field in an inch of water. - fertilization, and reseeding_ The fields were in a similar The delay was attributed to condition as recently as two this summer's dry weather by years ago. UMSL hosted the Paul Kohlberg, assistant super­ NCAA Division II finals on a intendent of Physical Plant. soccer field that was in terrible "Earlier in the summer we were condition, according to Don Dal­ going to do this," he said. "We las, soccer coach. "The grass went out and got a disk to disk was in clumps and bumpy and the field. But then the uneven, and it hasn't improved . weather changed and it stayed much. The field is still in bad dry. Physical l'1ant was also shape." BREAK IT UP: Physical plant workers breaking up the upper athletic Beld; as a part of a series of in the process of moving to the "Sure the field's in bad con­ treatments to recondItion the field.
    [Show full text]
  • University of Florida Thesis Or Dissertation Formatting
    REJECTED WOMEN IN FILM NOIR By CAROLYN A. KELLEY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Carolyn A. Kelley 2 To my mother and father, Elaine and Thomas Kelley 3 ACKNOWLEDGMENTS I want to thank my parents, Thomas and Elaine Kelley, for their unwavering love and support. You are the kindest, most generous people I know. I am proud to be your daughter. To my sister, Christine Kelley-Connors, thank you for always making me laugh and for helping me keep my perspective. I thank my ―second parents,‖ Madeline and Stuart Sheets, for always listening to me and for giving me excellent advice. I thank Ted Kingsbury for introducing me to classic Hollywood films through his Thursday night screenings at the Wellesley library. To Professors Patrick Murphy, Edward O‘Shea, Jean Chambers, and Steven Abraham of Oswego State University, and Julian Wolfreys of Loughborough University, I thank you for your support, friendship, advice and generosity in sharing your knowledge. Thanks also go out to Professors Pamela Gilbert, Kenneth Kidd, and Chris Snodgrass of the University of Florida for your thoughtful guidance, wisdom and patience. To my dissertation committee members, Robert Ray, Marsha Bryant, and Louise Newman, I appreciate your generous devotion to helping me shape this project and your helpful, insightful input. And, to my Dissertation Director, Maureen Turim, I thank you for your guidance, patience, intelligence, and kindness. Finally, to everyone listed on this page, please know this project would not have been possible without you, and I am extremely grateful to you all.
    [Show full text]