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In March, 2002 the Dreamworks
TM The animated feature and the making of by Kate McCallum n March, 2002 the DreamWorks ani- freed from the stress of New York life. mated films as Space Jam and Cool World. mated feature Shrek broke ground by When those plotting penguins sabotage His television work includes directing on I receiving the first official Oscar® for the ship, Alex, Marty, Melman and Gloria The Ren & Stimpy Show, as well as other the newly created Best Animated Feature find themselves washed ashore on the exotic projects for Nickelodeon. Adding their tal- Film category. Now, from DreamWorks island of Madagascar. Now these native New ents to the film were writers Mark Burton Animation SKG comes the new, com- Yorkers have to figure out how to survive in and Billy Frolick. Burton is a U.K.-based puter-animated comedy Madagascar. the wild and discover the true meaning of comedy writer with a varied TV and film Alex the Lion (voiced by Ben Stiller) is the phrase “It’s a jungle out there.” career on both sides of the Atlantic. He has the king of the urban jungle as the main Madagascar was directed by Eric Darnell written extensively for many British comedy attraction at New York’s Central Park Zoo. and Tom McGrath, who are also two of shows, including Clive Anderson Talks Back, He and his best friends Marty the Zebra the writers on this film. Darnell joined Jack Dee’s Happy Hour, Never Mind The (Chris Rock), Melman the Giraffe (David PDI’s (now PDI/DreamWorks Animation) Buzzcocks, 2DTV, Have I Got News For You Schwimmer) and Gloria the Hippo (Jada Character Animation Group in 1991 and and Spitting Image. -
MELHOR FILME 127 HOURS Christian Colson, Danny Boyle
MELHOR FILME 127 HOURS Christian Colson, Danny Boyle, John Smithson BLACK SWAN Mike Medavoy, Arnold Messer, Brian Oliver, Scott Franklin GREENBERG Scott Rudin, Jennifer Jason Leigh THE KIDS ARE ALL RIGHT Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Taplin Lundberg, Philippe Hellmann WINTER´S BONE Alix Madigan-Yorkin, Anne Rosellini MELHOR DIRETOR DARREN ARONOFSKY Black Swan DANNY BOYLE 127 Hours LISA CHODOLENKO The Kids are all right DEBRA GRANIK Winter´s Bone JOHN CAMERON MITCHELL Rabbit Hole MELHOR PRIMEIRO FILME EVERYTHING STRANGE AND NEW Frazer Bradshaw, Laura Techera Francia, A.D Liano GET LOW Aaron Schneider, Dean Zanuck, David Gundlach THE LAST EXORCISM Daniel Stamm, Eric Newman, Eli Roth, Marc Abraham, Thomas A. Bliss NIGHT CATCHES US Tanya Hamilton, Ronald Simons, Sean Costello, Jason Orans TINY FURNITURE Lena Dunham, Kyle Martin, Alicia Van Couvering PREMIO JOHN CASSAVETES DADDY LONGLEGS Josh Safdie, Benny Safdie, Casey Neistat, Tom Scott THE EXPLODING GIRL Bradley Rust Gray, So Yong Kim, Karin Chien, Ben Howe LBS Matthew Bonifacio, Carmine Famiglietti LOVERS OF HATE Bryan Poyser, Megan Gilbride OBSELIDIA Diane Bell, Chris Byrne, Matthew Medlin MELHOR ROTEIRO LISA CHOLODENKO, STUART BLUMBERG The Kids are all right DEBRA GRANIK, ANNE ROSELLINI Winter´s Bone NICOLE HOLOFCENER Please Give DAVID LINDSAY-ABAIRE Rabbit Hole TODD SOLONDZ Life during wartime MELHOR PRIMEIRO ROTEIRO DIANE BELL Obselidia LENA DUNHAM Tiny Furniture NIK FACKLER Lovely, Still ROBERT GLAUDINI Jack goes boating DANA ADAM SHAPIRO, EVAN M. WIENER Monogamy MELHOR ATRIZ ANNETTE BENING The Kids are all right GRETA GERWIG Greenberg NICOLE KIDMAN Rabbit Hole JENNIFER LAWERENCE Winter´s Bone NATALIE PORTMAN Black Swan MICHELLE WILLIAMS Blue Valentine MELHOR ATOR RONALD BRONSTEIN Daddy Longlegs AARON ECKHART Rabbit Hole JAMES FRANCO 127 Hours JOHN C. -
1 Language Skills Worksheet
1 Language Skills worksheet Reading 1 Read about the British actor Daniel Craig. What famous film character does he play? Britain’s Special Secret Agent Life is good now for the British actor Daniel Craig. He is rich and famous. He lives in a fantastic house in London and he owns a luxury apartment in New York. He’s good friends with supermodel Kate Moss and actress Nicole Kidman. He is, of course, James Bond, the word’s most famous spy! Daniel Craig is the sixth actor to play James Bond in the 007 films. He’s also the first actor with fair hair to play the superhero. And a lot of people think he’s amazing in the role. But Daniel wasn’t always so successful. When he was a young actor it wasn’t always easy for him to find any work and for a time he was a waiter in a restaurant. That all changed in 2001 when he became world famous for his role in Lara Croft: Tomb Raider with Angelina Jolie. Since then he has starred in Road to Perdition with Tom Hanks, the British film Layer Cake and Steven Spielberg’s Munich. In late 2005 he signed a contract for three James Bond films. Casino Royale (2006) and Quantum of Solace (2008) were both very successful, but the most successful was Skyfall, which was released in 2012. Spectre (2015) was Daniel’s fourth film as James Bond. In real life, Daniel is quiet and easygoing, and he doesn’t like being famous. He’s a very private man and he’s always cautious when talking about his private life. -
Christian Henson
CHRISTIAN HENSON SELECTED CREDITS HOME (2020) TRAUMA (2018) TUTANKHAMUN (2016) TOMMY’S HONOUR (2016) THE GO BETWEEN (2015) BIOGRAPHY ChristiAn Henson is A multi nominated (including Ivor Novello And World SoundtrAck AwArds) and multi award-winning composer. With over 45 films to his nAme, he hAs proved to be A prodigious And versAtile force within the UK film industry. In 2016 ChristiAn scored Jason Connery’s feAture ‘Tommy’s Honour’ which opened the Edinburgh InternAtionAl Film FestivAl thAt yeAr. Most recently, ChristiAn scored the ITV three- part series ‘TrAumA’ stArring AdriAn Lester And John Simm, As well As their four-part drAmA ‘TutAnkhAmun’ the previous yeAr. Prior to this ChristiAn scored television movie ‘The Go- Between’ for the BBC, stArring VanessA RedgrAve And Jim BroAdbent. ChristiAn composed for Jon Wright's sci-fi epic ‘Robot Overlords’; a posthumous collaboration with Jerry Goldsmith on video gAme ‘Alien IsolAtion’ for SegA of AmericA; the historic conclusion to the ‘Poirot’ frAnchise, for which ChristiAn composed the finAl 9 feAture-length episodes; cult TV series ‘Inside No. 9’ with Reece Sheersmith & Steve Pemberton; and the multi AwArd- winning ‘Fresh MeAt’ for ChAnnel 4. ChristiAn hAs Also worked extensively in Europe. From the heart-rending holocAust epic ‘LA Rafle’, one of the most successful French films of recent times, Dexter Fletcher's BAFTA nominated debut ‘Wild Bill’ and Lee Tamahori's disturbing ‘The Devil's Double’, to A triptych of horror And comedy from director Chris Smith with ‘SeverAnce’, ‘BlAck DeAth’ And ‘TriAngle’. ChristiAn's musicAl bAckground lies in the first-wave Drum And BAss And breAkbeAt music of the 90's with Acts such As LTJ Bukem And The Freestylers. -
Read Book ^ Madagascar: Escape 2 Africa / TKNZIXTAS6A9
7FDWAO06DEBA eBook \ Madagascar: Escape 2 Africa Madagascar: Escape 2 A frica Filesize: 5.28 MB Reviews Completely among the best pdf I actually have possibly read through. It is probably the most awesome pdf we have read. You wont really feel monotony at whenever you want of your time (that's what catalogs are for about in the event you ask me). (Prof. Martine Lesch) DISCLAIMER | DMCA QO2SVENHMT8D < Doc ^ Madagascar: Escape 2 Africa MADAGASCAR: ESCAPE 2 AFRICA To get Madagascar: Escape 2 Africa PDF, make sure you click the button under and save the ebook or have access to other information that are in conjuction with MADAGASCAR: ESCAPE 2 AFRICA book. Alphascript Publishing Feb 2010, 2010. Taschenbuch. Condition: Neu. Neuware - Madagascar: Escape 2 Africa is a 2008 sequel to the 2005 film Madagascar, about the continuing adventures of Alex the Lion, Marty the Zebra, Melman the Girae, and Gloria the Hippo. It is directed by Eric Darnell and written by Etan Cohen. It stars the voices of Ben Stiller, Chris Rock, David Schwimmer, Jada Pinkett Smith, Sacha Baron Cohen, Cedric the Entertainer, and Andy Richter. Also providing voices are Bernie Mac, Alec Baldwin, Sherri Shepherd and will.i.am. It was produced by DreamWorks Animation and distributed by Paramount Pictures, and was released on November 7, 2008. The film starts as a prequel, showing a small part of Alex's early life, including his capture by hunters. It soon moves to shortly aer the point where the original le o, with the animals deciding to return to New York. They board an airplane in Madagascar, but crash- land in Africa, where each of the central characters meets others of the same species; Alex is reunited with his parents. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
Actors Anonymous of Legion the Watching from Thrill Different a Be Will That Me, for But, Audience
NOTES FROM THE DREAM FACTORY BY TOM ROSTON he first met when they were both in the 2002 Broadway play Burn This. And although we’re talking about Burrell, Norton might as well be speaking about his own brilliant debut in 1996’s Primal Fear, when he, seemingly out of nowhere, rocketed to recognition. “It is a very particular kind of excitement,” he says. “There is no sense of the artifice. That’s what’s really thrilling.” I am always hoping for pure moments when I watch a movie: those times when my disbelief is so entirely suspended that I forget that I’m watching one. Going into a theater, I often feel overwhelmed with baggage—who the main actor slept with last week, how the director mortgaged his house to get the movie made, and how the production designer only used three shades of green on the set. It even bugs me that once I like a director or an actor, I expect something from him or her, and so the work has an added layer of self-consciousness. When the lights go down, it’s hard to wash the slate entirely clean and just watch. That’s why my eyes tend to drift toward the margins for something surprising. And, often, I see it in an actor whom I know nothing about, and who brings something deeper and richer to his character even though he may have just two minutes of screen time. This may seem random (and that’s the point), but do you remember in the Will Smith movie Hitch, which I just caught on DVD, that there’s this misogynist asshole who is, well, such an asshole? Actor Jeffrey Donovan gets it just right. -
Walter Latham Biography
Walter Latham Often referred to as "The King of Comedy,” Walter Latham is grateful for the humble upbringing and everyday challenges that shaped his early life, and instilled in him a fierce passion that led to his success as a business mogul and humanitarian. Born to a single mother in East New York, Brooklyn, Latham soon found himself in a similar situation, becoming a father at the young age of 18, and struggling to get by with odd jobs and a brief stint in the United States Air Force. At 20, he caught a break with a permanent position at the American Express Call Center in Greensboro, NC and was thrilled to finally provide healthcare for his son, even though he knew he was bound for something greater. Inspiration soon struck Latham, after attending a performance by his childhood friend, MC Lyte, when he realized his calling was to produce concerts. He borrowed money from his mother and produced his first concert in a nightclub. The headline act didn’t show and Latham had to refund the patrons their money but what he learned from this unfortunate experience would change his path forever. Latham decided to produce more concerts but mitigate his losses by soliciting sponsorships. He wrote and mailed 50 letters to various corporations about promoting a southeast tour with the hottest comedians. When Coors Brewing Company expressed interest, Latham soon found himself, at age 21, standing in a boardroom of top executives pitching his comedy idea. His first comedy tour featured Chris Tucker and Bill Bellamy and Coors was so impressed they asked Latham to do another. -
A Vegan Critique of Sausage Party Matthew Cole and Kate
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nottingham Trent Institutional Repository (IRep) This is a pre-publication author draft. The paper will appear in the fall 2017 issue of ISLE: Interdisciplinary Studies in Literature and Environment Speciesism Party: a vegan critique of Sausage Party Matthew Cole and Kate Stewart Scholarly Article—vegan studies cluster 1 This is a pre-publication author draft. The paper will appear in the fall 2017 issue of ISLE: Interdisciplinary Studies in Literature and Environment Speciesism Party: a vegan critique of Sausage Party This paper provides a critical vegan reading of the comedy animation film Sausage Party (2016), directed by Conrad Vernon and Greg Tiernan and starring Seth Rogen and Kristen Wiig. Such a reading is situated within an emerging vegan studies framework (Wright 2015) that is sensitive to the reproduction of unequal power relations between humans and other species, but also how those power inequalities intersect with intra-human power relations along the lines of gender, sexuality, “race,” age, class, different experiences of embodiment and so on. Sociologist Erika Cudworth argues that “[w]e need as full an analysis of social intersectionality as we are capable of,” so that the critical focus remains on “relational systems of power” (Cudworth 2015, 101). Cudworth (2011) also introduced the concept of anthroparchy, to signify the human domination of nature, with “nature” including but not limited to other animals. In that context, Sausage Party perpetuates anthroparchy, in so far as it normalizes the consumption of “animal products” for the audience. -
HJR 23.1 Sadoff
38 The Henry James Review Appeals to Incalculability: Sex, Costume Drama, and The Golden Bowl By Dianne F. Sadoff, Miami University Sex is the last taboo in film. —Catherine Breillat Today’s “meat movie” is tomorrow’s blockbuster. —Carol J. Clover When it was released in May 2001, James Ivory’s film of Henry James’s final masterpiece, The Golden Bowl, received decidedly mixed reviews. Kevin Thomas calls it a “triumph”; Stephen Holden, “handsome, faithful, and intelligent” yet “emotionally distanced.” Given the successful—if not blockbuster—run of 1990s James movies—Jane Campion’s The Portrait of a Lady (1996), Agniezka Holland’s Washington Square (1997), and Iain Softley’s The Wings of the Dove (1997)—the reviewers, as well as the fans, must have anticipated praising The Golden Bowl. Yet the film opened in “selected cities,” as the New York Times movie ads noted; after New York and Los Angeles, it showed in university towns and large urban areas but not “at a theater near you” or at “theaters everywhere.” Never mind, however, for the Merchant Ivory film never intended to be popular with the masses. Seeking a middlebrow audience of upper-middle-class spectators and generally intelligent filmgoers, The Golden Bowl aimed to portray an English cultural heritage attractive to Anglo-bibliophiles. James’s faux British novel, however, is paradoxically peopled with foreigners: American upwardly mobile usurpers, an impoverished Italian prince, and a social-climbing but shabby ex- New York yentl. Yet James’s ironic portrait of this expatriate culture, whose characters seek only to imitate their Brit betters—if not in terms of wealth and luxury, at least in social charm and importance—failed to seem relevant to viewers The Henry James Review 23 (2002): 38–52. -
S Television Event Texas Rising Brings Texas Revolution to Life
HISTORY®’S TELEVISION EVENT TEXAS RISING BRINGS TEXAS REVOLUTION TO LIFE From The Producer of the Record-Breaking and EMMY® Award- Winning Hatfields & McCoys All-Star Cast Includes EMMY® Award-Nominee Bill Paxton, Brendan Fraser, EMMY® Award-Winner Ray Liotta, Jeffrey Dean Morgan, Thomas Jane, Olivier Martinez, Chad Michael Murray, Christopher McDonald, EMMY® Award-Winner Jeremy Davies and More Series Premieres May 25th at 9pm ET For additional photography and press kit material visit: http://www.shawmedia.ca/Media and follow us on Twitter at @shawmediaTV_PR For Immediate Release TORONTO, April 17, 2015 – HISTORY® announced today that its much anticipated, ten-hour television event series Texas Rising will premiere Monday, May 25th at 9pm ET, coinciding with Memorial Day in the US. The star-studded series details the Texas Revolution against Mexico and the rise of the legendary Texas Rangers. “Texas Rising is a powerful, high quality, scripted historical drama that will bring to life the legendary story of the Texas Revolution,” said Christine Shipton, Senior Vice President and Chief Creative Officer, Shaw Media. “With the gangbuster success of Hatfields & McCoys, and with such A-list cast telling this gripping history through a contemporary lens, this is sure to be the miniseries entertainment event of the year.” Texas Rising is produced by A+E Studios, ITV Studios America and Thinkfactory for HISTORY. Leslie Greif (Hatfields & McCoys) is executive producer. Two-time Oscar-nominated director Roland Joffé (The Killing Fields, The Mission)