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Statistical Yearbook 2019
STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema -
Blake Morrison in the Contemporary Theatrical Scene
58 BLAKE MORRISON IN THE CONTEMPORARY THEATRICAL SCENE Valter Henrique de Castro Fritsch Universidade Federal do Rio Grande ABSTRACT: This article discusses issues related to the various aesthetics that compose contemporary British dramaturgy. I point to features that divide the way theatre is viewed today in at least two aesthetic strands - one allied with more traditional patterns of writing for the theatre that derives from the Aristotelian model, and another that aims to cause a break with dramatic action, characters and all that constitutes the most classic view of dramatic text. This article also aims to place the poet and playwright Blake Morrison in the panorama of contemporary British theatre and show how the author fits into the many varying aspects of contemporary dramaturgy. KEYWORDS: Contemporary British Theatre; Blake Morrison; Imagery Studies; Contemporary Dramaturgy RESUMO: O presente artigo discute questões relacionadas às diferentes estéticas que compõe a dramaturgia contemporânea britânica. Aponto características que dividem a forma como o teatro é encarado hoje em pelo menos duas vertentes estéticas – uma aliada a padrões mais tradicionais da escrita para o teatro que deriva do modelo Aristotélico e outra que visa causar uma ruptura com a ação dramática, personagens e tudo que constitui a visão mais clássica de texto dramático. Ainda é do interesse deste artigo localizar o poeta e dramaturgo Blake Morrison no panorama do teatro britânico contemporâneo e de que forma o autor se enquadra em vertentes tão distintas da dramaturgia contemporânea. PALAVRAS-CHAVE: Teatro Britânico Contemporâneo; Blake Morrison; Estudos do Imaginário; Dramaturgia Contemporânea I can take any empty space and call it a bare stage. -
The Face of an Angel Synopsis
THE FACE OF AN ANGEL SYNOPSIS The brutal murder of a Bri1sh student in Tuscany leads to the trial and convic1on of her American flatmate and Italian boyfriend in controversial circumstances. The media feeding frenzy around the case aracts once successful, but now struggling filmmaker Thomas, to be commissioned to write a film - 'The Face of an Angel', based on a book by Simone Ford an American journalist who covered the case. From Rome they head to Siena to research the film. Thomas has recently separated from his wife in a bi=er divorce and leI his 9-year-old daughter in Los Angeles. This unravelling of his own life, and the dark mediaeval atmosphere surrounding the case, begins to drag him down into his own personal hell. Like Dante journeying through the Inferno in the Divine Comedy, with Simone as his guide to the tragedy of the murder, Thomas starts a relaonship with a student Melanie. This is a beau1ful, unrequited love, where she acts as a guide to his own heart. He comes to realise the most important thing in his life is not solving an unsolvable crime, or wri1ng the film, but returning to the daughter he has leI behind. | THE FACE OF AN ANGEL | 1 SHEET | 15.10.2013 | 1!5 THE FACE OF AN ANGEL CAST DANIEL BRÜHL KATE BECKINSALE In 2003 Daniel Brühl took the leading role in the box office smash Good English actress Kate Beckinsale is revealing herself to be one of films’ Bye Lenin!, which became one of Germany’s biggest box office hits of all most versale and charismac actresses. -
Issue # 157 28 June 2019 Cold Feet to Return to ITV for a Ninth Series
04/08/2020 Media Weekly Broadcast Issue # 157 28 June 2019 Cold Feet to return to ITV for a ninth series ITV confirmed that BAFTA winning comedy drama, Cold Feet, has been recommissioned for a ninth series from acclaimed creator and writer Mike Bullen and award-winning producers Big Talk Productions. Six further episodes of the Manchester-based series will begin shooting later this year. The Association of Commercial Read more Television in Europe (ACT) is a trade body for the commercial broadcasting sector in Europe. Formed in 1989, the ACT has 27 member companies active in 37 Mediaset’s online channel TgCom24 is the European countries, operating and distributing several most followed online newsroom in Italy thousand free-to-air and pay-tv channels and new media services. With 13% of Italian viewers accessing it at least three times a week and 24% visiting it in the last week, Mediaset’s channel TgCom24 ranks number one online newsroom in Italy in 2019. Looking at the Groups’s news channels as a whole, Mediaset is the favoured choice for 74% of Italians viewers. As trust in online news is undermined by the disinformation phenomenon, Mediaset proves to be a reliable source of information for its viewers. Read more RTL Group: My Brilliant Achievement On 18 June 2019, My Brilliant Friend, a production from Fremantle label Wildside, won the outstanding Drama TV Series award at the 2019 Golden Nymph awards in Monte Carlo. oy99madskp.preview.infomaniak.website/oldsite/acte.be/_old/newsletters/164/50/Issue-157bf6b.html?cntnt01template=webversion-newsletter 1/3 04/08/2020 Media Weekly Broadcast Read more Sky awards £125,000 to five new Women in Technology Scholars Sky has announced its second cohort of Women in Technology Scholars, awarding five talented women a total of £125,000 to accelerate a business idea which harnesses technology innovation. -
Curtis Brown
CURTIS BROWN Literary and talent agency Haymarket House, 28-29 Haymarket, London SWIY 4SP ! www.curtisbrown.co.uk [email protected] IT +44 (0) 20 7393 4400 I F +44 (0) 20 7393 4401 KIRSTY KINNEAR CASTING CDG Kate Staddon ACTORS + 44 (0)20 7393 4472, [email protected] CURTIS BROWN FILM THE SONG OF NAMES (Post-prod) (Casting Director) Producer: Robert Lantos, Lyse Lafontaine Director: Francois Girard BLINDED BY THE LIGHT (2019) (Casting Director) Producer: Jane Barclay, Gurinder Chadha Director: Gurinder Chadha DUMBO (2019) (Casting Associate) Producer: Derek Frey, Katterli Frauenfelder, Justin Springer Director: Tim Burton BOHEMIAN RHAPSODY (2018) (Casting Associate) Producer: Graham King Director: Bryan Singer CURTIS BROWN GROUP LTD Registered Office: Haymarket House, 28-29 Haymarket, London SW1Y 4SP. Registered in London: 679620 THE LIE OF YOU (Post-prod) (Casting Director) Producer: Jennifer Handorf Director: Richard Redwine THE GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY (2018) (Casting Associate) Producers: Graham Broadbent, Peter Czemin, Paula Mazur Director: Mike Newell TOMB RAIDER (2018) (Casting Associate) Producer: Graham King Director: Roar Uthaug COLETTE (2018) (Casting Associate) Producers: Elizabeth Karlsen and Pamela Koffler Director: Wash Westmoreland THE WATCHER IN THE WOODS (2017) (Casting Director) Producer: Paula Hart Director: Melissa Joan Hart PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES (2017) (Casting Associate UK) Producer: Jerry Bruckheimer Director: Joachim Ronning, Epsen Sandberg THE -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
Praesens-Film AG Präsentiert PRODUCTION NOTES
Praesens-Film AG präsentiert X + Y PRODUCTION NOTES Ab 9. April im Kino Dauer: 111 Minutes Pressekontakt: Filmbüro, Valerio Bonadei, [email protected], +41 79 653 65 03 1 CAST Asa Butterfield……………………………..……………………….... Nathan Ellis Rafe Spall………………………………………….……………Martin Humphreys Sally Hawkins…………………………………………………………………Julie Ellis Eddie Marsan……………………………………………………….Richard Grieve Jo Yang……………………………………………………………………….Zhang Mei Martin McCann……………………………………………………….Michael Ellis Jake Davies…………………………………………..…………………Luke Shelton Alex Lawther…………………………………………………………..Isaac Cooper Alexa Davies…………………………………….……………………Rebecca Dunn Orion Lee…………………………………………………………………Deng Laoshi Percelle Ascott………………………………………………………….Ben Morgan Suraj Rattu……………………………..…………………………………Pav Kamdar Edward Baker-Close…….………………………………Nathan (9 years old) 2 X+Y Synopsis A young maths genius sees logic thwarted by one truly baffling equation: love. Teenage maths prodigy Nathan (Asa Butterfield) struggles when it comes to building relationships with other people, not least with his mother, Julie (Sally Hawkins). In a world difficult to comprehend, he finds comfort in numbers. And when Nathan is taken under the wing of unconventional and anarchic teacher, Mr. Humphreys (Rafe Spall), the pair forge an unusual friendship. Eventually, Nathan’s talents win him a place on the UK National team at the International Mathematics Olympiad (IMO) and the team travel to a training camp in Taiwan, under the supervision of squad leader Richard (Eddie Marsan). In unfamiliar surroundings, Nathan is confronted by a series of unexpected challenges — not least the unfamiliar feelings he begins to experience for his Chinese counterpart, the beautiful Zhang Mei (Jo Yang), feelings that develop when the young mathematicians return to England for the IMO, held at Trinity College, Cambridge. From suburban England to bustling Taipei and back again, this original and heart-warming film tracks the funny and complex relationships that Nathan builds, as he is confronted by the irrational nature of love. -
The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 Min.)
March 19, 2013 (XXVI:9) Mike Leigh, NAKED (1994, 131 min.) Best Director (Leigh), Best Actor (Thewliss), Cannes 1993 Directed and written by Mike Leigh Written by Mike Leigh Produced by Simon Channing Williams Original Music by Andrew Dickson Cinematography by Dick Pope Edited by Jon Gregory Production Design by Alison Chitty Art Direction by Eve Stewart Costume Design by Lindy Hemming Steadicam operator: Andy Shuttleworth Music coordinator: Step Parikian David Thewlis…Johnny Lesley Sharp…Louise Clancy Jump, 2010 Another Year, 2008 Happy-Go-Lucky, 2004 Vera Katrin Cartlidge…Sophie Drake, 2002 All or Nothing, 1999 Topsy-Turvy, 1997 Career Girls, Greg Cruttwell…Jeremy G. Smart 1996 Secrets & Lies, 1993 Naked, 1992 “A Sense of History”, Claire Skinner…Sandra 1990 Life Is Sweet, 1988 “The Short & Curlies”, 1988 High Hopes, Peter Wight…Brian 1985 “Four Days in July”, 1984 “Meantime”, 1982 “Five-Minute Ewen Bremner…Archie Films”, 1973-1982 “Play for Today” (6 episodes), 1980 BBC2 Susan Vidler…Maggie “Playhouse”, 1975-1976 “Second City Firsts”, 1973 “Scene”, and Deborah MacLaren…Woman in Window 1971 Bleak Moments/ Gina McKee…Cafe Girl Carolina Giammetta…Masseuse ANDREW DICKSON 1945, Isleworth, London, England) has 8 film Elizabeth Berrington…Giselle composition credits: 2004 Vera Drake, 2002 All or Nothing, 1996 Darren Tunstall…Poster Man Secrets & Lies, 1995 Someone Else's America, 1994 Oublie-moi, Robert Putt...Chauffeur 1993 Naked, 1988 High Hopes, and 1984 “Meantime.” Lynda Rooke…Victim Angela Curran...Car Owner DICK POPE (1947, Bromley, -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
9 SONGS-B+W-TOR
9 SONGS AFILMBYMICHAEL WINTERBOTTOM One summer, two people, eight bands, 9 Songs. Featuring exclusive live footage of Black Rebel Motorcycle Club The Von Bondies Elbow Primal Scream The Dandy Warhols Super Furry Animals Franz Ferdinand Michael Nyman “9 Songs” takes place in London in the autumn of 2003. Lisa, an American student in London for a year, meets Matt at a Black Rebel Motorcycle Club concert in Brixton. They fall in love. Explicit and intimate, 9 SONGS follows the course of their intense, passionate, highly sexual affair, as they make love, talk, go to concerts. And then part forever, when Lisa leaves to return to America. CAST Margo STILLEY AS LISA Kieran O’BRIEN AS MATT CREW DIRECTOR Michael WINTERBOTTOM DP Marcel ZYSKIND SOUND Stuart WILSON EDITORS Mat WHITECROSS / Michael WINTERBOTTOM SOUND EDITOR Joakim SUNDSTROM PRODUCERS Andrew EATON / Michael WINTERBOTTOM EXECUTIVE PRODUCER Andrew EATON ASSOCIATE PRODUCER Melissa PARMENTER PRODUCTION REVOLUTION FILMS ABOUT THE PRODUCTION IDEAS AND INSPIRATION Michael Winterbottom was initially inspired by acclaimed and controversial French author Michel Houellebecq’s sexually explicit novel “Platform” – “It’s a great book, full of explicit sex, and again I was thinking, how come books can do this but film, which is far better disposed to it, can’t?” The film is told in flashback. Matt, who is fascinated by Antarctica, is visiting the white continent and recalling his love affair with Lisa. In voice-over, he compares being in Antarctica to being ‘two people in a bed - claustrophobia and agoraphobia in the same place’. Images of ice and the never-ending Antarctic landscape are effectively cut in to shots of the crowded concerts. -
The Curious Incident of the Dog in the Night-Time Embarks on a Third Uk and Ireland Tour This Autumn
3 March 2020 THE NATIONAL THEATRE’S INTERNATIONALLY-ACCLAIMED PRODUCTION OF THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME EMBARKS ON A THIRD UK AND IRELAND TOUR THIS AUTUMN • TOUR INCLUDES A LIMITED SEVEN WEEK RUN AT THE TROUBADOUR WEMBLEY PARK THEATRE FROM WEDNESDAY 18 NOVEMBER 2020 Back by popular demand, the Olivier and Tony Award®-winning production of The Curious Incident of the Dog in the Night-Time will tour the UK and Ireland this Autumn. Launching at The Lowry, Salford, Curious Incident will then go on to visit to Sunderland, Bristol, Birmingham, Plymouth, Southampton, Liverpool, Edinburgh, Dublin, Belfast, Nottingham and Oxford, with further venues to be announced. Curious Incident will also play for a limited run in London at Troubadour Wembley Park Theatre in Brent - London Borough of Culture 2020 - following the acclaimed run of War Horse in 2019. Curious Incident has been seen by more than five million people worldwide, including two UK tours, two West End runs, a Broadway transfer, tours to the Netherlands, Canada, Hong Kong, Singapore, China, Australia and 30 cities across the USA. Curious Incident is the winner of seven Olivier Awards including Best New Play, Best Director, Best Design, Best Lighting Design and Best Sound Design. Following its New York premiere in September 2014, it became the longest-running play on Broadway in over a decade, winning five Tony Awards® including Best Play, six Drama Desk Awards including Outstanding Play, five Outer Critics Circle Awards including Outstanding New Broadway Play and the Drama League Award for Outstanding Production of a Broadway or Off Broadway Play.