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Brian Baker “Here on the Outside”: Mobility and Bio-Politics in Michael
MOBILITY AND BIO-POLITICS IN CODE 46 115 Brian Baker “Here on the Outside”: Mobility and Bio-politics in Michael Winterbottom’s Code 46 This article takes as its focus the representation of mobility and bio-politics in contemporary sf cinema. Globalized networks of mobility in late capitalism have been haunted by the figure of the globally mobile terrorist and by the possibility of global pandemics such as the SARS epidemic of 2002-03 or the H1N1 swine flu panic of 2009 which resulted in the UK government stockpiling anti-viral drugs in case of the spread of a “killer virus.” In an increasingly mobilized world, anxieties about movement of people, transmission of data and disease, and terrorism produce systems for policing and regulating mobility. These anxieties are articulated in contemporary spy thrillers, zombie films, and outbreak or transmission narratives.1 In what follows, Michael Winterbottom’s Code 46 (2003) serves as a diagnostic text for the analysis of figurations of globalized mobility and bio-politics, and this article uses the work of Giorgio Agamben, Michel Foucault, and Hannah Arendt to investigate Code 46’s mapping of exclusion and inclusion, of the refugee and the citizen, within regulatory systems for the control of mobility in a near-future, post-catastrophic world of globalized capital. Code 46 begins with shots of the desert, of roads, and of dispersed settlements taken from a low-flying airplane. These vertical shots (desert analogues of the vertical shots of Manhattan or other North American cities that are a staple of contemporary crime film and television) render landscape as geometry, not as lived space from a human perspective (using perspective) but from an impersonal, “God’s eye” point of view. -
Statistical Yearbook 2019
STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema -
Current Film Slate
CURRENT PROJECTS Updated 06 August 2021 For more information on any of the projects listed below, please contact the Premier film team as follows: • Email: [email protected] • Visit our website: https://www.premiercomms.com/specialisms/film/public-relations UK DISTRIBUTION NIGHT OF THE KINGS UK release date: 23 July 2021 (in cinemas) Directed by: Philippe Lacôte Starring: Koné Bakary, Barbe Noire, Steve Tientcheu, Rasmané Ouédraogo, Issaka Sawadogo, Digbeu Jean Cyrille Lass, Abdoul Karim Konaté, Anzian Marcel Laetitia Ky, Denis Lavant Running time: 93 mins Certificate: 12A UK release: 23 July 2021 Premier contacts: Annabel Hutton, Simon Bell, Josh Glenn When a young man (first-timer Koné Bakary) is sent to an infamous prison, located in the middle of the Ivorian forest and ruled by its inmates, he is chosen by the boss 'Blackbeard' (Steve Tientcheu, BAFTA and Academy-Award nominated LES MISÉRABLES) to take part in a storytelling ritual just as a violent battle for control bubbles to the surface. After discovering the grim fate that awaits him at the end of the night, Roman begins to narrate the mystical life of a legendary outlaw to make his story last until dawn and give himself any chance of survival. JOLT UK release date: 23 July 2021 (Amazon Prime Video) Directed by: Tanya Wexler Starring: Kate Beckinsale, Bobby Cannavale, Jai Courtney, Laverne Cox, David Bradley, Ori Pfeffer, Susan Sarandon, Stanley Tucci Running time: 91 mins Certificate: TBC UK release: Amazon Studios Premier contacts: Matty O’Riordan, Monique Reid, Brodie Walker, Priyanka Gundecha Lindy is a beautiful, sardonically-funny woman with a painful secret: Due to a lifelong, rare neurological disorder, she experiences sporadic rage-filled, murderous impulses that can only be stopped when she shocks herself with a special electrode device. -
A Pinewood Dialogue with Kenneth Branagh and Michael Caine
TRANSCRIPT A PINEWOOD DIALOGUE WITH KENNETH BRANAGH AND MICHAEL CAINE The prolific and legendary actor Michael Caine starred in both the 2007 film version of Sleuth (opposite Jude Law) and the 1972 version (opposite Laurence Olivier). In the new version, an actors’ tour de force directed by Kenneth Branagh and adapted by playwright Harold Pinter, Caine took the role originally played by Olivier. A riveting tale of deception and deadly games, this thriller about an aging crime novelist and a young actor in love with the same woman is essentially about the mysteries of acting and writing. In this discussion, Branagh and Caine discussed their collaboration after a special preview screening. A Pinewood Dialogue following a screening BRANAGH: Rubbish, of course. Rubbish. of Sleuth, moderated by Chief Curator David Schwartz (October 3, 2007): SCHWARTZ: Well, we’ll see, we’ll see. Tell us about how this project came about. It’s an interesting MICHAEL CAINE: (Applause) pedigree, because in a way, it’s a new version, an Good evening. adaptation, of a play. It seems like it’s going to be a remake of the film, but Harold Pinter, of course, KENNETH BRANAGH: Good evening. is the author here. DAVID SCHWARTZ: Welcome and congratulations BRANAGH: As you may have seen from the credits, on a riveting, very entertaining movie. one of the producers is Jude Law. He was the one who had the idea of making a new version, BRANAGH: Thank you. and it was his idea to bring onboard a man he thought he’d never get to do it, but Nobel Prize- CAINE: Thank you. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
9 SONGS-B+W-TOR
9 SONGS AFILMBYMICHAEL WINTERBOTTOM One summer, two people, eight bands, 9 Songs. Featuring exclusive live footage of Black Rebel Motorcycle Club The Von Bondies Elbow Primal Scream The Dandy Warhols Super Furry Animals Franz Ferdinand Michael Nyman “9 Songs” takes place in London in the autumn of 2003. Lisa, an American student in London for a year, meets Matt at a Black Rebel Motorcycle Club concert in Brixton. They fall in love. Explicit and intimate, 9 SONGS follows the course of their intense, passionate, highly sexual affair, as they make love, talk, go to concerts. And then part forever, when Lisa leaves to return to America. CAST Margo STILLEY AS LISA Kieran O’BRIEN AS MATT CREW DIRECTOR Michael WINTERBOTTOM DP Marcel ZYSKIND SOUND Stuart WILSON EDITORS Mat WHITECROSS / Michael WINTERBOTTOM SOUND EDITOR Joakim SUNDSTROM PRODUCERS Andrew EATON / Michael WINTERBOTTOM EXECUTIVE PRODUCER Andrew EATON ASSOCIATE PRODUCER Melissa PARMENTER PRODUCTION REVOLUTION FILMS ABOUT THE PRODUCTION IDEAS AND INSPIRATION Michael Winterbottom was initially inspired by acclaimed and controversial French author Michel Houellebecq’s sexually explicit novel “Platform” – “It’s a great book, full of explicit sex, and again I was thinking, how come books can do this but film, which is far better disposed to it, can’t?” The film is told in flashback. Matt, who is fascinated by Antarctica, is visiting the white continent and recalling his love affair with Lisa. In voice-over, he compares being in Antarctica to being ‘two people in a bed - claustrophobia and agoraphobia in the same place’. Images of ice and the never-ending Antarctic landscape are effectively cut in to shots of the crowded concerts. -
Wakana Yoshihara Hair and Make up Designer
WAKANA YOSHIHARA HAIR AND MAKE UP DESIGNER FILM & TELEVISION THE MARVELS Director: Nia DaCosta Production Company: Marvel Cast: Brie Larson, Zawe Ashton, Teyonah Parris, Iman Vellani SPENCER Director: Pablo Larraín Production Company: Fabula Films, Komplizen Film, Shoebox Films Cast: Kristen Stewart, Sally Hawkins, Timothy Spall, Sean Harris Official Selection, Venice Film Festival (2021) BELFAST Director: Kenneth Branagh Production Company: Focus Features Cast: Caitriona Balfe, Judi Dench, Jamie Dornan, Ciaran Hinds, Jude Hill Official Selection, Toronto Film Festival (2021) DEATH ON THE NILE Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Annette Bening, Gal Gadot, Armie Hammer, Letitia Wright, Tom Bateman EARTHQUAKE BIRD Director: Wash Westmoreland Production Company: Netflix & Scott Free Productions Cast: Alicia Vikander, Riley Keough, Jack Huston Official Selection, London Film Festival (2019) ARTEMIS FOWL Director: Kenneth Branagh Production Company: Walt Disney Pictures Cast: Judi Dench LUX ARTISTS | 1 FARMING Director: Adewale Akinnuoye-Agbaje Production Company: Groundswell Productions Cast: Kate Beckinsale, Gugu Mbatha-Raw, Adewale Akinnuoye-Agbaje Winner, Michael Powell Award for Best British Feature Film, Edinburgh Film Festival (2019) Official Selection, Toronto Film Festival (2018) MURDER ON THE ORIENT EXPRESS (Head of Hair & Make-up) Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Johnny Depp, Daisy Ridley, Judi Dench BLACK MIRROR: PLAYTEST Director: Dan Trachtenberg -
Jim Sturgess & Koji Yakusho to Star in “Defending The
! JIM STURGESS & KOJI YAKUSHO TO STAR IN “DEFENDING THE ENEMY” ! Los Angeles, CA, May 16, 2014– Producer Jonathan Sanger announced today Jim Sturgess & Koji Yakusho will star in the new feature film, “Defending the Enemy.” James Moll is attached to direct. Based on the book “A Trial of Generals,” the story follows the widely publicized war crimes trial of General Matsaharu Homma at the end of WWII. Accused of organizing the brutal death march in Bataan, Philippines, Homma‘s destiny appears doomed when General MacArthur assigns the neophyte defense attorney John Skeen to prepare his defense. Based on actual events, the story is not so much about a trial as it is about the nobility of two very different soldiers. Principal photography is set for August. Executive Producer, Ellen Wander, along with her company, Film Bridge International, is overseeing the financing and worldwide distribution for “Defending the Enemy.” ! The UK actor, Jim Sturgess had his breakthrough role as “Jude” in the feature film, “Across the Universe.” He soon followed played opposite Natalie Portman, Scarlett Johansson and Eric Bana in "The Other Boleyn Girl” and starred opposite Kevin Spacey and Laurence Fishburne in "21." Sturgess also received critical acclaim in the Ridley Scott’s award winning, “Heartless” and most recently starred with Geoffrey Rush in Giuseppe Tornatore’s “La migliore offerta” and opposite Patricia Arquette and Chloë Sevigny as a furniture salesman turned bank robber in the feature film, “Electric Slide.” ! Kôji Yakusho, one of Japan's most gifted and popular leading men, starred along side Brad Pitt and Cate Blanchett in Alejandro Inarritu’s “Babel.” Yakusho first gained international success with his portrayal of a struggling young executive trying to master ballroom dancing in the original Japanese version of “Shall We Dance?," The film went on to become one of the highest-grossing Japanese movies in the world. -
Tracing the Production of Alleged Female Killers Through Discourse, Image, and Speculation by Emily Hiltz
The Notorious Woman: Tracing the Production of Alleged Female Killers through Discourse, Image, and Speculation by Emily Hiltz A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Communication Carleton University Ottawa, Ontario © 2018, Emily Hiltz Abstract This dissertation examines the visual and discursive production of female notoriety through the multi-mediated circulation of five images of Amanda Knox and Jodi Arias, who were both convicted of murder; Knox was eventually acquitted. This project employs visual discourse analysis to trace the movement and cultural use of widely shared and debated photographic images by consulting a broad visual corpus of mainstream American media content produced from 2007 to 2016. I argue notoriety is produced out of a necessary general relation of speculation that is (re)produced in processes of mass mediation. I illustrate the visual formation of notoriety by following the cultural use and spread of the selected digital images. Here I claim contemporary notoriety is fueled by repeated calls to speculate and judge images that seemingly resist full understanding while they are also used as evidence of perceived legal and sexual transgressions. This continual play to investigate, interpret, and define ambiguous imagery are key cultural practices that generate notoriety, for these relations compel further judgment and scrutiny. The dissertation draws critical attention to the cultural and visual practices tied to the creation of notoriety in contexts of digital mass media circulation, and questions the types of knowledge and spectatorship that are encouraged as images circulate over time and medium. -
Presents a Film by Michael Winterbottom 104 Mins, UK, 2019
Presents GREED A film by Michael Winterbottom 104 mins, UK, 2019 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis GREED tells the story of self-made British billionaire Sir Richard McCreadie (Steve Coogan), whose retail empire is in crisis. For 30 years he has ruled the world of retail fashion – bringing the high street to the catwalk and the catwalk to the high street – but after a damaging public inquiry, his image is tarnished. To save his reputation, he decides to bounce back with a highly publicized and extravagant party celebrating his 60th birthday on the Greek island of Mykonos. A satire on the grotesque inequality of wealth in the fashion industry, the film sees McCreadie’s rise and fall through the eyes of his biographer, Nick (David Mitchell). Cast SIR RICHARD MCCREADIE STEVE COOGAN SAMANTHA ISLA FISHER MARGARET SHIRLEY HENDERSON NICK DAVID MITCHELL FINN ASA BUTTERFIELD AMANDA DINITA GOHIL LILY SOPHIE COOKSON YOUNG RICHARD MCCREADIE JAMIE BLACKLEY NAOMI SHANINA SHAIK JULES JONNY SWEET MELANIE SARAH SOLEMANI SAM TIM KEY FRANK THE LION TAMER ASIM CHAUDHRY FABIAN OLLIE LOCKE CATHY PEARL MACKIE KAREEM KAREEM ALKABBANI Crew DIRECTOR MICHAEL WINTERBOTTOM SCREENWRITER MICHAEL WINTERBOTTOM ADDITIONAL MATERIAL SEAN GRAY EXECUTIVE PRODUCER DANIEL BATTSEK EXECUTIVE PRODUCER OLLIE MADDEN PRODUCER -
Relationships & Sexuality
A HANDBOOK FOR AND BY AUTISTIC PEOPLE relationships & sexuality Edited by Elesia Ashkenazy & Melanie Yergeau A project produced by Autism NOW, a national initiative of The Arc, and the Autistic Self Advocacy Network Copyright 2013 Autistic Self Advocacy Network and individual authors Requests for permission to use materials from this project in new publications should be directed to the Autistic Self Advocacy Network: Autistic Self Advocacy Network PO Box 66122 Washington, DC 20035 http://autisticadvocacy.org DESIGN Typeset in Arial Book and cover design: Melanie Yergeau | 2 Acknowledgments This book is but a first. In the months we spent planning and editing and poring over pages, we realized, all too quickly, how little has been said about autism and sexuality. And again, all too quickly, we recognized that any anthology on autistic relationships would represent but a sampling of our community’s diversity. And so, this book is a first. We are proud to say that it will not be the last. A truly collective effort, Relationships & Sexuality represents the skills, wisdom, and labor of many. First, we wish to thank our project’s sponsors, the Autistic Self Advocacy Network, The Arc, and the Autism NOW Center. Throughout the project, members from each organization lent time and advice. In particular, we’d like to thank Tonia Ferguson, Melody Latimer, and Ari Ne’eman for their continued expertise. We also thank Melanie Yergeau, who served as our typesetter, collator, and copy editor. Bethany Stevens, our inimitable reviewer, guided us through early drafts. Her always incisive comments shaped the direction and scope of this project, for which we cannot thank her enough. -
Cast of the Best Offer
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