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Statistical Yearbook 2019
STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema -
Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory
DANGEROUSLY FREE: OUTLAWS AND NATION-MAKING IN LITERATURE OF THE INDIAN TERRITORY by Jenna Hunnef A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Jenna Hunnef 2016 Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory Jenna Hunnef Doctor of Philosophy Department of English University of Toronto 2016 Abstract In this dissertation, I examine how literary representations of outlaws and outlawry have contributed to the shaping of national identity in the United States. I analyze a series of texts set in the former Indian Territory (now part of the state of Oklahoma) for traces of what I call “outlaw rhetorics,” that is, the political expression in literature of marginalized realities and competing visions of nationhood. Outlaw rhetorics elicit new ways to think the nation differently—to imagine the nation otherwise; as such, I demonstrate that outlaw narratives are as capable of challenging the nation’s claims to territorial or imaginative title as they are of asserting them. Borrowing from Abenaki scholar Lisa Brooks’s definition of “nation” as “the multifaceted, lived experience of families who gather in particular places,” this dissertation draws an analogous relationship between outlaws and domestic spaces wherein they are both considered simultaneously exempt from and constitutive of civic life. In the same way that the outlaw’s alternately celebrated and marginal status endows him or her with the power to support and eschew the stories a nation tells about itself, so the liminality and centrality of domestic life have proven effective as a means of consolidating and dissenting from the status quo of the nation-state. -
The Face of an Angel Synopsis
THE FACE OF AN ANGEL SYNOPSIS The brutal murder of a Bri1sh student in Tuscany leads to the trial and convic1on of her American flatmate and Italian boyfriend in controversial circumstances. The media feeding frenzy around the case aracts once successful, but now struggling filmmaker Thomas, to be commissioned to write a film - 'The Face of an Angel', based on a book by Simone Ford an American journalist who covered the case. From Rome they head to Siena to research the film. Thomas has recently separated from his wife in a bi=er divorce and leI his 9-year-old daughter in Los Angeles. This unravelling of his own life, and the dark mediaeval atmosphere surrounding the case, begins to drag him down into his own personal hell. Like Dante journeying through the Inferno in the Divine Comedy, with Simone as his guide to the tragedy of the murder, Thomas starts a relaonship with a student Melanie. This is a beau1ful, unrequited love, where she acts as a guide to his own heart. He comes to realise the most important thing in his life is not solving an unsolvable crime, or wri1ng the film, but returning to the daughter he has leI behind. | THE FACE OF AN ANGEL | 1 SHEET | 15.10.2013 | 1!5 THE FACE OF AN ANGEL CAST DANIEL BRÜHL KATE BECKINSALE In 2003 Daniel Brühl took the leading role in the box office smash Good English actress Kate Beckinsale is revealing herself to be one of films’ Bye Lenin!, which became one of Germany’s biggest box office hits of all most versale and charismac actresses. -
Sofia Coppola and the Significance of an Appealing Aesthetic
SOFIA COPPOLA AND THE SIGNIFICANCE OF AN APPEALING AESTHETIC by LEILA OZERAN A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Leila Ozeran for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2016 Title: Sofia Coppola and the Significance of an Appealing Aesthetic Approved: r--~ ~ Professor Priscilla Pena Ovalle This thesis grew out of an interest in the films of female directors, producers, and writers and the substantially lower opportunities for such filmmakers in Hollywood and Independent film. The particular look and atmosphere which Sofia Coppola is able to compose in her five films is a point of interest and a viable course of study. This project uses her fifth and latest film, Bling Ring (2013), to showcase Coppola's merits as a filmmaker at the intersection of box office and critical appeal. I first describe the current filmmaking landscape in terms of gender. Using studies by Dr. Martha Lauzen from San Diego State University and the Geena Davis Institute on Gender in Media to illustrate the statistical lack of a female presence in creative film roles and also why it is important to have women represented in above-the-line positions. Then I used close readings of Bling Ring to analyze formal aspects of Sofia Coppola's filmmaking style namely her use of distinct color palettes, provocative soundtracks, car shots, and tableaus. Third and lastly I went on to describe the sociocultural aspects of Coppola's interpretation of the "Sling Ring." The way the film explores the relationships between characters, portrays parents as absent or misguided, and through film form shows the pervasiveness of celebrity culture, Sofia Coppola has given Bling Ring has a central ii message, substance, and meaning: glamorous contemporary celebrity culture can have dangerous consequences on unchecked youth. -
MELHOR FILME 127 HOURS Christian Colson, Danny Boyle
MELHOR FILME 127 HOURS Christian Colson, Danny Boyle, John Smithson BLACK SWAN Mike Medavoy, Arnold Messer, Brian Oliver, Scott Franklin GREENBERG Scott Rudin, Jennifer Jason Leigh THE KIDS ARE ALL RIGHT Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Taplin Lundberg, Philippe Hellmann WINTER´S BONE Alix Madigan-Yorkin, Anne Rosellini MELHOR DIRETOR DARREN ARONOFSKY Black Swan DANNY BOYLE 127 Hours LISA CHODOLENKO The Kids are all right DEBRA GRANIK Winter´s Bone JOHN CAMERON MITCHELL Rabbit Hole MELHOR PRIMEIRO FILME EVERYTHING STRANGE AND NEW Frazer Bradshaw, Laura Techera Francia, A.D Liano GET LOW Aaron Schneider, Dean Zanuck, David Gundlach THE LAST EXORCISM Daniel Stamm, Eric Newman, Eli Roth, Marc Abraham, Thomas A. Bliss NIGHT CATCHES US Tanya Hamilton, Ronald Simons, Sean Costello, Jason Orans TINY FURNITURE Lena Dunham, Kyle Martin, Alicia Van Couvering PREMIO JOHN CASSAVETES DADDY LONGLEGS Josh Safdie, Benny Safdie, Casey Neistat, Tom Scott THE EXPLODING GIRL Bradley Rust Gray, So Yong Kim, Karin Chien, Ben Howe LBS Matthew Bonifacio, Carmine Famiglietti LOVERS OF HATE Bryan Poyser, Megan Gilbride OBSELIDIA Diane Bell, Chris Byrne, Matthew Medlin MELHOR ROTEIRO LISA CHOLODENKO, STUART BLUMBERG The Kids are all right DEBRA GRANIK, ANNE ROSELLINI Winter´s Bone NICOLE HOLOFCENER Please Give DAVID LINDSAY-ABAIRE Rabbit Hole TODD SOLONDZ Life during wartime MELHOR PRIMEIRO ROTEIRO DIANE BELL Obselidia LENA DUNHAM Tiny Furniture NIK FACKLER Lovely, Still ROBERT GLAUDINI Jack goes boating DANA ADAM SHAPIRO, EVAN M. WIENER Monogamy MELHOR ATRIZ ANNETTE BENING The Kids are all right GRETA GERWIG Greenberg NICOLE KIDMAN Rabbit Hole JENNIFER LAWERENCE Winter´s Bone NATALIE PORTMAN Black Swan MICHELLE WILLIAMS Blue Valentine MELHOR ATOR RONALD BRONSTEIN Daddy Longlegs AARON ECKHART Rabbit Hole JAMES FRANCO 127 Hours JOHN C. -
Over the Past Ten Years, Good Machine, a New York-Based
MoMA | press | Releases | 2001 | Good Marchine: Tenth Anniversary Page 1 of 4 For Immediate Release February 2001 THE MUSEUM OF MODERN ART TO CELEBRATE TENTH ANNIVERSARY OF GOOD MACHINE, NEW YORK-BASED PRODUCTION COMPANY Good Machine: Tenth Anniversary February 13-23, 2001 The Roy and Niuta Titus Theatre 1 Over the past ten years, Good Machine, a New York-based production company helmed by Ted Hope, David Linde and James Schamus, has become one of the major forces in independent film culture worldwide. Dedicated to the work of emerging, innovative filmmakers, Good Machine has produced or co-produced films by, among others, Ang Lee, Todd Solondz, Nicole Holofcener, Ed Burns, Cheryl Dunye and Hal Hartley. Beginning with Tui Shou (Pushing Hands) (1992), the first collaboration between Good Machine and director Ang Lee, The Museum of Modern Art presents eight feature films and five shorts from February 13 through 23, 2001 at the Roy and Niuta Titus Theatre 1. "Good Machine proves that audiences do want to be entertained intelligently and engaged substantively," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the series. "Their achievements are reflected in this Tenth Anniversary series and are, in large part, due to Good Machine's collaborations with filmmakers and its respect for the creative process." In addition to producing and co-producing films, Good Machine has gone on to establish an international sales company involved in distributing diverse and unusual works such as Joan Chen's Xiu Xiu: The Sent-Down Girl (1998) and Lars Von Trier's Dancer in the Dark (2000). -
New Bfi Filmography Reveals Complete Story of Uk Film
NEW BFI FILMOGRAPHY REVEALS COMPLETE STORY OF UK FILM 1911 – 2017 filmography.bfi.org.uk | #BFIFilmography • New findings about women in UK feature film – percentage of women cast unchanged in over 100 years and less than 1% of films identified as having a majority female crew • Queen Victoria, Sherlock Holmes and James Bond most featured characters • Judi Dench is now the most prolific working female actor with the release of Victoria and Abdul this month • Michael Caine is the most prolific working actor • Kate Dickie revealed as the most credited female film actor of the current decade followed by Jodie Whittaker, the first female Doctor Who • Jim Broadbent is the most credited actor of the current decade • Brits make more films about war than sex, and more about Europe than Great Britain • MAN is the most common word in film titles • Gurinder Chadha and Sally Potter are the most prolific working female film directors and Ken Loach is the most prolific male London, Wednesday 20 September 2017 – Today the BFI launched the BFI Filmography, the world’s first complete and accurate living record of UK cinema that means everyone – from film fans and industry professionals to researchers and students – can now search and explore British film history, for free. A treasure trove of new information, the BFI Filmography is an ever-expanding record that draws on credits from over 10,000 films, from the first UK film released in cinemas in 1911 through to present day, and charts the 250,000 cast and crew behind them. There are 130 genres within the BFI Filmography, the largest of which is Drama with 3,710 films. -
Kathryn J. Schubert Editor
Kathryn J. Schubert Editor Selected Film | TV WHAT BREAKS THE ICE (Post-Production) Producers | Michael Cuomo, Dustin Duke Dlouhy, Rebecca Eskreis & Michael W. Gray Credit Copy Meals Director | Rebecca Eskreis Cast | Sofia Hublitz, Brett Zimmerman, Shakira Barrera, Lukas Gage, Catherine Curtin ABOVE TO SHADOWS [Post-Production] Producers | Rob Baunoch III, Khris Baxter, Robyn K. Bennett, Mark Schacknies, Tara Sickmeier HIPZEE Director | Claudia Meyers. Producer: Rob Baunoch, Tara Sicmeier Cast | Alan Ritchson, Megan Fox, Jim Gaffigan, Olivia Thirlby DRIVER ED Producers | Helen Waters, Trish Harnetiaux Director | Amanda Cowper Cast | Jacob Ware *Premiered at Tribeca N.O.W. Showcase 2018* RUSSIAN AMERICAN [Post-Production] Producers | Michelle Booso, Molly Conners, Giulio Marantonio, Jane Oster Phiphen Pictures Director | David Gutnik Cast | FKA Twigs, Costa Ronin, Barney Harris, Sofia Vassilieva BEYOND THE NIGHT Producers | Robin C. Garvick, Erik S. Weigel NewAley Pictures, Reckless Productions Director | Jason Noto Cast | Azhy Robertson, Zane Holtz, Tommy Blanchard, Chance Kelly MARJORIE PRIME Producers | Michael Almereyda, Uri Singer Passage Pictures, FilmRise Director | Michael Almereyda. Cast | Lois Smith, Jon Hamm, Geena Davis, Tim Robbins *Premiered at Sundance Film Festival 2017* THE TRANSFIGURATION Producer | Susan Leber Transfiguration Productions, Strand Releasing Director | Michael O’Shea. Producer: Susan Leber. Cast | Eric Ruffin, Chloe Levin, Aaron Moten *Premiered at Cannes Film Festival 2016 – Un Certain Regard selection* -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
MARCELO EDUARDO MARCHI META-TERROR: O Uso Da Metalinguagem Como Recurso Narrativo No Slasher Movie
UNIVERSIDADE FEDERAL DE SÃO CARLOS CENTRO DE EDUCAÇÃO E CIÊNCIAS HUMANAS DEPARTAMENTO DE ARTES E COMUNICAÇÃO MARCELO EDUARDO MARCHI META-TERROR: o uso da metalinguagem como recurso narrativo no slasher movie SÃO CARLOS - SP 2020 MARCELO EDUARDO MARCHI META-TERROR: o uso da metalinguagem como recurso narrativo no slasher movie Dissertação apresentada ao Programa de Pós-Graduação em Imagem e Som, da Universidade Federal de São Carlos, para obtenção do título de Mestre em Imagem e Som. Orientador: Prof. Dr. Alessandro Constantino Gamo São Carlos-SP 2020 Dedicado aos arquitetos desse fascinante universo que é o gênero terror. Que sua inesgotável imaginação e ousadia estejam sempre grudadas em mim, como o sangue de porco na doce Carrie. AGRADECIMENTOS Nem mesmo as cento e tantas páginas desta dissertação seriam suficientes para expressar minha gratidão às mulheres que, todos os dias, fazem de mim o que eu sou. Elas permanecem zelando para que eu alcance os meus sonhos, e, mais importante ainda, para que eu nunca deixe de sonhar. Minha mãe, Dirce, minhas irmãs, Márcia e Marta, e minha sobrinha, Júlia, amo vocês com todas as minhas forças! Ao meu falecido pai, Benedito: sei que sua energia ainda está conosco. Agradeço também aos meus colegas de mestrado. Tão precioso quanto o conhecimento adquirido nessa jornada é o fato de tê-la compartilhado com vocês. Desejo-lhes um futuro sempre mais e mais brilhante. Aos amigos de tantos anos, obrigado por me incentivarem a abraçar mais essa etapa e por estarem presentes também nos momentos de esfriar a cabeça e jogar conversa fora: Jefferson Galetti e Vanessa Bretas, Dú Marques, Vitão Godoy, Led Bacciotti e Giovana Bueno, Nico Stolzel e Paulinha Gomes, Miller Guglielmo, e a galera da república Alcatraz em São Carlos. -
"T2 Trainspotting" Review
CHICAGOLAWBULLETIN.COM FRIDAY, MARCH 31, 2017 ® Volume 163, No. 63 Serving Chicago’s legal community for 162 years also ready to avenge Renton’s be- t r a y a l . ‘T2’d o e s n’t pack “Sick Boy”Simon has traded his heroin addiction for cocaine. He runs his late aunt’s pub (where customers are scarce) as a side- RE B E C CA line to his pornography blackmail the same rush as L. FORD business. His accomplice and sometime romantic partner is a young prostitute from Bulgaria, Rebecca L. Ford is counsel at Scharf Veronika (Anjela Nedyalkova). Banks Marmor LLC, and concentrates her Though half the men’s age, its 1996 precursor practice on complex litigation, compliance, board governance and specialized Veronika is clearly the adult employment issues. She is the former among them. Renton, Simon and executive vice president for litigation and Spud are all besotted by her. Riotous ‘Trainspotting ’came out 21 years intellectual property at MGM. She can be Everything is not immediately reached at [email protected]. forgiven between Simon and Ren- ago, and its characters didn’t age so well ton. When Renton offers Simon the share of the money he filched locomotive wallpaper. that “r i g h t f u l l y ”belongs to Simon, ven the worst things with Mark Renton (Ewan McGre- Broke and broken, no one from the realization of the lost oppor- that happen in one’s gor, the “Star Wars”p r e q u e l s ) the old gang has aged well. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor.