Iwan Fals, Music, and the Voice of Resistance
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Carita Orang Basudara Kisah-Kisah Perdamaian Dari Maluku
Carita Orang Basudara Kisah-kisah Perdamaian dari Maluku Editor: Jacky Manuputty • Zairin Salampessy Ihsan Ali-Fauzi • Irsyad Rafsadi CARITA ORANG BASUDARA CARITA ORANG BASUDARA Kisah-kisah Perdamaian dari Maluku Editor: Jacky Manuputty • Zairin Salampessy Ihsan Ali-Fauzi • Irsyad Rafsadi LEMBAGA ANTAR IMAN MALUKU (LAIM), AMBON PUSAT STUDI AGAMA DAN DEMOKRASI (PUSAD) YAYASAN PARAMADINA, JAKARTA 2014 Perpustakaan Nasional: Katalog Dalam Terbitan (KDT) Manuputty, Jacky et al. CARITA ORANG BASUDARA; Kisah-kisah Perdamaian dari Maluku/Jacky Manuputty et al. — Ambon: Lembaga Antar Iman Maluku & PUSAD Paramadina, 2014 xvi + 404 hlm, 14 cm x 21 cm Editor: Jacky Manuputty - Zairin Salampessy Ihsan Ali-Fauzi - Irsyad Rafsadi Penulis: Abidin Wakano - Aholiab Watloly - Almudatsir Sangadji Dian Pesiwarissa - Dino Umahuk - Elifas T. Maspaitella Gerry van Klinken - Hasbollah Toisuta - Helena M. Rijoly Hilary Syaranamual - Inggrid Silitonga - I.W.J. Hendriks Jacky Manuputty - M. Azis Tunny - M. Noor Tawainela M.J. Papilaja - Nancy Soisa - Novi Pinontoan - Rudi Fofid Rizal Panggabean - Sandra Lakembe - Steve Gaspersz Thamrin Ely - Theofransus Litaay - Tiara Melinda A.S Weslly Johanes - Zainal Arifin Sandia - Zairin Salampessy Penyelaras Naskah: Hanna M.W. Parera Husni Mubarok, Siswo Mulyartono Foto sampul: Agus Lopuhaa Desain sampul: Embong Salampessy Tata Letak: Ivon Silitonga Diterbitkan oleh: Lembaga Antar Iman Maluku Jl. Christina Martha Tiahahu No.17 RT. 003 RW. 01 Kelurahan Amantelu Kecamatan Sirimau - Ambon 97122 bekerjasama dengan Pusad Studi -
Serat Pawukon Mawi Rinenggo Ing Gambar (Composed N.P., N.D.; Inscribed by R
Serat Pawukon mawi Rinenggo ing Gambar (composed n.p., n.d.; inscribed by R. Atmarujita, Surakarta, 1863-64). MS. Rekso Pustoko 'Cat.No. 11; Cornell University Surakarta Manuscript Project Cat.No. MN 594B, p. 26. Illuminated manuscript concerning Javanese calendrical divination. Quadratic Karaton Surakarta script. Of note is the unusual border motif featuring crystal service for brandy and wine. READING THE UNREAD IN TRADITIONAL JAVANESE LITERATURE* Nancy K. Florida For the most part traditional Javanese literature* remains something imagined rather than something read. Why this is the case and what might happen if it were not so, will be the issues addressed in this article. No doubt the dominant image among Javanese today, of traditional literature (particularly in manuscript form) is that of an acknowledged "classic"— an untarnished emblem of high culture, a mysteriously inscribed jewel from a vast cultural inheritance. As is probably true of acknowledged classics anywhere, such an exalted status is a testimonial to its not being read. In modern Java, the logic of the "classic" has achieved peculiar perfection in the form of traditional Javanese literature: an image of ideal illegibility, a sort of treasured inaccessibility. This image has a history in what might be called the "classical" tradition of Dutch philology. This is a Colonial philological tradition preoccupied with the quest for golden ages, those periods of alleged literary florescence suc ceeded by periods of decline or decadence. The philological imagination charac teristically situates the epoch of flower in a distant precolonial past, which past is presumed productive of the genuine literary original. For Dutch philol ogy, the closest thing to genuine originals in Javanese literature are the Old Javanese kakaw-Cn, poetic texts composed mostly in East Java from the ninth to the fifteenth century. -
TEMA EKSISTENSIALISME DALAM LAGU-LAGU IWAN FALS Ade Nina Purnama NIM: 1111033100019 PROGRAM STUDI AQIDAH FALSAFAH FAKULTAS USHU
TEMA EKSISTENSIALISME DALAM LAGU-LAGU IWAN FALS Skripsi Disusun untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Theologi Islam ( S.Th.I ) Oleh: Ade Nina Purnama NIM: 1111033100019 PROGRAM STUDI AQIDAH FALSAFAH FAKULTAS USHULUDDIN UNIVERSITAS ISLAM NEGERI ( UIN ) SYARIF HIDAYAHTULLAH JAKARTA 1437 H. / 2016 M. LEMBAR PERSETUJUANPE1\1BIMBING SKRlPSI "TEMA EKSISTENSIALISME DALAM LAGU-LAGU I\\/AN FALS" Diajukan kepada Fakultas Ushuluddin Universitas Islam Negeri (UIN) Syarif Hidayatull ah ·Jakarta Sebagai Syarat untuk Mendapatkan Gelar Sarjana Strata Satu (S 1) Oleh : Ade Nina Pumama N1M. 1111 033 100019 Dosen Pembimbing Drs. Fakh ddin. MA NIP. 19580714 198703 1 002 PROGRAM STUD! AQIDAH FALSAFAT FAKULTAS USHULUDDIN UNIVERSITAS ISLAIVI NEGERI (UIN) SYARIF HIDAYATULLAH JAKARTA 1437 H./2016 M. LE MBAR PERNY ATAAN KEASLIAN SKRIPSI Yang bertanda tangan di bawah ini: Nama : Ade Nina Purnama NIM : 1111 033 100019 Tempat/Tanggal Lahir : Muara Enim, 4 Juni 1993 Menyatakan bahwa skripsi dengan judul Terna Eksistensialisme Dalam Lagu Lagu Iwan Fals adalah benar-benar asli karya saya yang diajukan untu.k memenuhi salah satu persyaratan memperoleh gelar strata 1 di UIN Syarif Hidayatullah Jakarta, terkecuali kutipan-kutipan yang telah disebutkan sumbernya. Kesalahan dan kekurangan dalam skripsi ini sepenuhnya rnenjadi tanggung jawab saya. Jakarta, 7 Maret 2016 Ade Nina Pun ama 11 PENGESAHAN PANITIA U.JIAN SKRIPSI Skripsi yang berjudul TEMA EKSISTENSIALISME DALAM LA GU LAGU IWAN FALS telah diujikan dalam sidang munaqasyah Fakultas Ushuluddin Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta pada tanggal 24 Maret 20 16. Skripsi ini telah diterima sebagai salah satu syarat memperoleh gelar sarjana Strata Satu (S 1) pada Program Studi Aqidah dan Filsafat. -
Chap. 12 to Reader
Tink A pi: Harry Roesli, M usic, and Politics in Bandung, Indonesia Adam D. Tyson' On June 5, 2009, a memorial concert was held at the Institute of Technology in Bandung (Institut Teknologi Bandung, hereafter ITB). Celebrated was the lifework of Djauhar Zaharsjah Fahrudin Roesli, popularly known as Harry Roesli. Harry Roesli was considered to be at the forefront of the so-called tradisi baru, or "new tradition," of Indonesian artists committed to experimentation with traditional culture in order to address contemporary society.1 2 For a variety of reasons, however, Roesli did not enjoy the level of popular success that other tradisi baru artists achieved, particularly playwright Willibrordus Surendra Broto Rendra (hereafter W. S. Rendra), director Putu Wijaya, novelist Remy Sylado, and musicians Guruh Soekarno Putra, Franki Raden, Leo Kristi, Slamet Abdul Syukur, Jack Lesmana, Nano Suratno, and, later, Iwan Gunawan.3 1 "Titik Api" in my title is borrowed from the name of one of Roesli's music albums and can be translated "Point of Fire." My sincere gratitude is expressed to the Roesli family for their patience and generosity in providing me access to the Harry Roesli archive, as well as their willingness to discuss with me many of the finer points regarding his artistic career. I am also grateful to Michael Bodden, Barbara Hatley, Indra Ridwan, R. Anderson Sutton, Jeremy Wallach, and Andrew N. Weintraub for their critical comments on earlier versions of this article, which has been significantly improved as a result of their insights and notes. With that said, any remaining shortcomings are solely my responsibility. -
Sexism Towards Women in English Tempo Online Art and Culture
SEXISM TOWARDS WOMEN IN ENGLISH TEMPO ONLINE ART AND CULTURE ARTICLES Neschya Hertian Taher 2225126256 A “Skripsi” Submitted in Partial Fulfillment of the Requirement for the Degree of “Sarjana Sastra” ENGLISH DEPARTMENT FACULTY OF LANGUAGES AND ARTS STATE UNIVERSITY OF JAKARTA 2016 i ii LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH UNTUK KEPENTINGAN AKADEMIS Sebagai civitas akademik Universitas Negeri Jakarta, saya bertanda tangan di bawah ini: Nama : Neschya Hertian Taher No. Reg : 2225126256 Program Studi : Sastra Inggris Jurusan : Bahasa dan Sastra Inggris Fakultas : Bahasa dan Seni Judul Skripsi : SEXISM TOWARDS WOMEN IN ENGLISH TEMPO ONLINE ART AND CULTURE ARTICLES Demi mengembangkan ilmu pengetahuan, saya menyetujui untuk memberikan kepada Universitas Negeri Jakarta Hak Bebas Royalti Non-Eksklusif (Non- Exclusive Royalty Free Right) atas karya ilmiah saya. Dengan Hak Bebas Royalti Non-Eksklusif ini, Universitas Negeri Jakarta berhak menyimpan, mengalih media/formatkan, mengelola dalam bentuk pangkalan data (database), mendistribusikan, dan menampilkan/mempublikasikannya di internet atau media lainnya untuk kepentingan akademis tanpa perlu meminta izin dari saya selama tetap mencantumkan nama saya sebagai penulis/pencipta dan sebagai pemilik Hak Cipta. Segala bentuk tuntutan hukum yang timbul atas pelanggaran Hak Cipta dalam karya ilmiah ini menjadi tanggung jawab pribadi. Demikian pernyataan ini saya buat dengan sebenarnya. Dibuat di Jakarta Pada tanggal 29 Juli 2016 Yang menyatakan, Neschya Hertian Taher 2225126256 iii ABSTRAK Neschya Hertian Taher. 2016. Bahasa Seksis Terhadap Wanita di Tempo Online Berbahasa Inggris Artikel Seni dan Budaya. Skripsi, Jurusan Bahasa dan Sastra Inggris, Fakultas Bahasa dan Seni, Universitas Negeri Jakarta. Penelitian ini bertujuan untuk mendeskripsikan bagaimana linguistik seksis diekspresikan di Tempo Online Berbahasa Inggris Dalam Artikel Seni dan Budaya dan untuk menguraikan bagaimana citra karakter perempuan dan laki-laki dideskripsikan di Tempo Online Berbahasa Inggris Dalam Artikel Seni dan Budaya. -
Serαt Pαwukon Mαwi Rinenggo Ing Gαmbαr (Composed N.P.. N.D.; Inscribed by R
Serαt Pαwukon mαwi Rinenggo ing Gαmbαr (composed n.p.. n.d.; inscribed by R. Atmαrujito, Surαkαrtα, 1863-64). MS. Rekso Pustoko "Cat.No. Π; Cornell University Surakarta Manuscript Project Cat.No. MN 594B, p. 26. Illuminated manuscript concerning Javanese calendrical divination. Quadratic Karaton Surakarta script. Of note is the unusual border motif featuring crystal service for brandy and wine. READING THE UNREAD IN TRADITIONAL JAVANESE LITERATURE* Nancy K. Florida For the most part traditional Javanese literature^ remains something Imagined rather than something read. Why this is the case and what might happen if it were not so, will be the issues addressed in this article. No doubt the dominant image among Javanese today, of traditional literature (particularly in manuscript form) is that of an acknowledged "classic"—an untarnished emblem of high culture, a mysteriously inscribed jewel from a vast cultural inheritance. As is probably true of acknowledged classics anywhere, such an exalted status is a testimonial to its not being read. In modern Java, the logic of the "classic" has achieved peculiar perfection in the form of traditional Javanese literature: an image of ideal illegibility, a sort of treasured inaccessibility. This image has a history in what might be called the "classical" tradition of Dutch philology. This is a Colonial philological tradition preoccupied with the quest for golden ages, those periods of alleged literary florescence suc- ceeded by periods of decline or decadence. The philological imagination charac- teristically situates the epoch of flower in a distant precolonial past, which past is presumed productive of the genuine literary original. For Dutch philol- ogy, the closest thing to genuine originals in Javanese literature are the Old Javanese kakaw<ίn, poetic texts composed mostly in East Java from the ninth to the fifteenth century. -
Ford 2003 Beyond Femina Fantasy.Pdf (PDF, 1.01MB)
Beyond the Femina fantasy: female industrial and overseas domestic labour in Indonesian discourses of women's Work Michele Ford In the late 1990s, scholarly attention turned to glossy publications such as Femina, the premier Indonesian women's magazine, for insights into what it means to be a woman in Indonesia. When Brenner analysed the visual and verbal images of the 'many incarnations' of the modern Indonesian woman, she found that, in addition to being a 'happy consumer-housewife, devoted follower of Islam '" model citizen of the nation-state and alluring sex symbol', the modern Indonesian woman is a wanita kaner, working as a business executive, secretary, lawyer or civil servant (Brenner 1999, 17-24). Sen, too, has noted the increasing dOminance of images of professional, working women in 'official and commercial texts emanating from metropolitan Jakarta' (Sen 1998, 35). Unlike Brenner, however, who argues that the Sum of representations of women in these middle-class texts 'offer[s] a bewildering array of lifestyle possibilities' (Brenner 1999, 17), Sen privileges images of the working woman - asserting not only that 'working woman' has replaced 'housewife' as the 'new paradigmatic female subject in political, cultural and economic discourses in Indonesia', but that the new 'iconic figure' of the 'working woman' is a professional who legitimises Indonesia's position as a modern nation, not a working_ class woman labOUring on the factory floor (Sen 1998, 35). Brenner and Sen deal with similar texts and, indeed, similar themes, but they place a different emphasis on the extent to which their conclusions can be extrapolated. In seeking the modern, Brenner makes only modest claims for broader Indonesian society. -
Analisis Struktur Lagu “Puing” Karya Iwan Fals
ANALISIS STRUKTUR LAGU “PUING” KARYA IWAN FALS Skripsi Disajikan sebagai salah satu syarat untuk memperoleh gelar Sarjana Pendidikan Prodi Pendidikan Seni Musik Oleh Muttaqin Soemanang 2501912019 JURUSAN PENDIDIKAN SENI DRAMA, TARI, DAN MUSIK FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI SEMARANG 2013 ii LEMBAR PENGESAHAN Skripsi dengan judul “Analisiss Struktur Lagu Puing Karya Iwan Fals”Panitia Ujian Skripsi FBS UNNES pada tanggal 18 Agustus 2013 Panitia Ujian Skripsi Ketua Sekretaris Prof. Dr. Agus Nuryatin, M.Hum Joko Wiyoso, S.Kar., M.Hum NIP. 196008031989011001 NIP. 196210041988031002 Penguji I Dra. Siti Aesijah, M.Pd NIP. 196512191991032003 Penguji II/Pembimbing II Penguji III/Pembimbing I Drs Eko Raharjo, M.Hum Drs. Suharto, S.Pd, M.Hum NIP. 196510181992031001 NIP. 196510181990031002 ii iii PERNYATAAN Dengan ini saya : Nama : Muttaqin Soemanang A.Md NIM : 2501912019 Program Studi : Pend. Seni Musik (S1) Jurusan : PSDTM Fakultas : Bahasa dan Seni Menyatakan dengan sesungguhnya bahwa skripsi saya yang berjudul “Analis Struktur Lagu “Puing” Karya Iwan Fals, saya tulis dalam rangka memenuhi salah satu satu persyaratan untuk memperoleh gelar Sarjana Pendidikan , adalah benar-benar merupakan hasil karya sendiri yang dihasilkan setelah melakukan penelitian, bimbingan, diskusi dan pemaparan ujian. Bahwa semua kutipan baik langsung maupun tidak langsung, baik yang diperoleh dari sumber pustaka, media elektronik, wawancara langsung maupun sumber yang lainnya, telah disertai keterangan mengenai identitas narasumbernya. Dengan demikian tim penguju dan pembimbing membubuhkan tanda tangan dalam skripsi ini tetap menjadi tanggung jawab saya pribadi. Jika di kemudian hari ditemukan kekeliruan dalam skripsi ini, maka saya bersedia bertanggung jawab. Demikian pernyataan ini dibuat agar dapat digunakan sebagaimana mestinya. Semarang, Agustus 2013 Yang membuat pernyataan Muttaqin Soemanang NIM. -
A Gamelan Composition Portfolio with Commentary: Collaborative and Solo Processes of Composition with Reference to Javanese Karawitan and Cultural Practice
A Gamelan Composition Portfolio with Commentary: Collaborative and Solo Processes of Composition with Reference to Javanese Karawitan and Cultural Practice. Six Volumes – Volume Number 1 Charlotte Pugh PhD University of York Music August 2014 Abstract This composition portfolio is an exploration of different collaborative compositional processes, and an examination of their outcomes, which include both the actual music produced, and an account of my personal creative development. It is a journey from collaboration to solo composition. It is also an examination of the close connections between karawitan (the traditional Javanese gamelan repertoire) and new music for gamelan, and how the latter can widen the boundaries of karawitan. The portfolio seeks to develop my own style and musical language through collaborations, in different ways. Gamelan music and gamelan instruments are natural resources in view of the collaborative processes that are intrinsic to karawitan, which I have translated into my compositional processes. 2 A Gamelan Composition Portfolio with Commentary: Collaborative and Solo Processes of Composition with Reference to Javanese Karawitan and Cultural Practice. TABLE OF CONTENTS – p.3 Abstract – p.2 List of figures – p.6 Acknowledgements – p.12 Author’s declaration – p.13 Volume 1: Commentary – p.14 Section 1: Introduction and background – p.14 1.1) General collaboration processes and related Indonesian concepts – p.17 1.2) I Wayan Sadra and Sono Seni Ensamble – p.26 1.3) Creative Processes – p.27 1.4) Plaid/Supanggah/Southbank -
Musical Worlds in Yogyakarta Is an Ethnographic Account of Musical Worlds in Yogyakarta a Vibrant Indonesian City During the Turbulent Early Post- Soeharto Years
Musical worlds in Yogyakarta is an ethnographic account of in Yogyakarta Musical worlds a vibrant Indonesian city during the turbulent early post- Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbour- hood through to commercial venues and state environ- ments such as Yogyakarta’s regional parliament, its military institutions, universities and the Sultan’s palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari (‘mixed essences’) and jalanan (‘of the street’). Musical worlds addresses themes of social identity and power, counter- poising Pierre Bourdieu’s theories on class, gender and nation with the author’s alter- native perspectives of inter-group social capital, physical- ity and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time Musical worlds promote peace and intergroup appreciation in culturally- Max M. Richter diverse inner-city settings. in Yogyakarta Max M. Richter is director of the Monash Asia Institute and lecturer in Anthropology at Monash University, Australia. He has published in international journals and edited book Max M. Richter collections, and has given presentations on Indonesian music and society in several countries and forums. His current research focuses on local-level music performance, intellec- tual/power-broker gatherings and centre/region identities in urban Indonesia. www.musicethnography.net ISBN 978-90-6718-390-1 9 789067 183901 MUSICAL WORLDS IN YOGYAKARTA Southeast Asia Mediated This series considers media forms and practices, processes of medi- ation, and the complex evolving and intersecting media ecologies that characterize Southeast Asia whether in contemporary or his- torical circumstances.