DOCSLIB.ORG

Now That the Party's Started

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Now That the Party's Started Proudly printed in the Theatre and Circus Fields of Glastonbury Festival NOW THAT THE PARTY’S STARTED GO WITH THE FLO! Twenty years after Pulp stood in for The Stone Roses (and John Squire’s The life & soul of the farm broken collarbone) as Pyramid Stage headliners, Jarvis Cocker gives As the gates open, we chat to Michael Eavis Florence + The Machine a few words of advice Underground Piano Bar. “They Chris Salmon arrived straight from the ferry were headlining the Pyramid Stage own Glastonbury – maybe they would prevent from me from being from Ireland. They’re absolutely Dear Florence, that night and we caught some of wouldn’t hear everything properly, able to take the stage. I decided I t’s like the tide coming in fantastic people and they put on The folks at the Glastonbury Free their performance. It was windy, maybe they’d be distracted, maybe needed to sit down to minimise with all those bubbles on such a wonderful show, so I wanted Press thought that maybe I could the sound kept coming and going, they might be (gasp!) slightly the chance of injuring myself. the front of the sealine,” to welcome them. It’s the incredible give you some useful tips on how people were talking, but somehow intoxicated, maybe some of them The only chairs available in the saysI Michael Eavis, leaning on his enthusiasm of people like them to step into the shoes of a headline it didn’t matter because… would think we WERE The Stone backstage enclosure were those trusty red Land Rover, watching who build this show that makes the band that have had to cancel their white plastic garden furniture- the crowds flood through the gates whole thing work. There’s nothing performance due to broken bones. type things, which are unstable on Wednesday morning: some else like it anywhere in the world.” I told them I don’t reckon you need “I was nervous about performing at the best of times. Do yourself actually running, despite being So will Michael actually get any advice – from me or anyone in front of that many people and no a favour: bring something sturdy laden with camping gear. “It’s all to enjoy himself at the event he else – but here goes anyway: with you. (Maybe even a small so full of life and anticipation and spends his entire year working on? doubt you will be too” throne?) fun. They’re all incredibly excited “Enjoyment is the wrong word,” ARRIVE EARLY to be here. That is the best thing.” he says. “I can’t really relax and NO ONE IS BIGGER Roses. The main thing is, I suddenly Not that the Festival’s founder watch a whole performance. I’ll When Pulp were summoned to fill realised that IT DIDN’T MATTER. BREAK A LEG and co-organiser can relax at always be thinking ‘What should in for The Stone Roses in 1995, THAN GLASTONBURY As long as we didn’t kill anyone’s Just kidding! Whoever decided this point. “Oh my work’s just I be doing now?’. But the sense of we had to camp on site because That was a major realisation: buzz, it would all be alright. this phrase should mean “good begun, to be honest with you. My achievement is immense.” all hotels in the area had been when you’re getting ready for a luck!” needs to have a word with main concern now is the weather The 79-year-old smiles as booked up months before – you big performance you can get too FIND A ROBUST CHAIR himself – especially in the present and making sure that things are another group of Festival goers won’t have that problem because caught up in yourself and lose sight circumstances. Please DON’T working on the roads and in the car skips giddily past on their way to you were already on the bill – and of the bigger picture. As we walked Even after this epiphany, I still have break a leg. (You broke your foot parks. And I’ve got to personally the campsites. “We went to look at this ended up being the best thing through the Festival it dawned on to admit that I was nervous about at Coachella anyway, so what thank about 20,000 people myself Block9 last night,” he says. “And that could have happened. We me that Glastonbury itself was the performing in front of that many are the odds?) Please DO have a over the Festival. That takes a lot driving along that ridge, seeing had to set up camp on Friday and biggest character in this drama – if people and no doubt you will be fantastic show. of time. It’s a big job and I have to the whole valley so full of energy got to wander around the Festival we broke a string or fluffed a line too. This is where the chair comes keep up the enthusiasm.” and beauty and creativity, I was site. We managed to pick up the it wasn’t such a big deal. People in handy. In the hours immediately That meeting and greeting speechless. It’s better than it’s ever atmosphere of Glastonbury during were here for an experience and we preceding our show, I became Yours sincerely, role included being up at 6am been, it really is. Even after all these that time – I suggest you try and were just part of it. Out there in the utterly convinced that I was going on Tuesday morning to greet the years, to be stunned to silence. Isn’t do the same. In our case, Oasis dark, people were having their very to have some kind of accident that Mr Cocker crew from the Festival’s fabled that incredible?” 2 The Glastonbury Free Press Thursday, 25 June, 2015 Do you remember the first time? Glastonbury staff, performers and broadcasters share memories of their debut at Worthy Farm LIZ ELIOT (GREEN FIELDS a white veil – to protect myself the feeling of anticipation way to the tour bus to watch the and the Glastonbury CND Festival in what felt like two minutes and CO-ORDINATOR) 1981 from the sun, in the manner of built and built. Slowly, the site coverage on TV. At the end of Rod’s provided a rallying point for all just like that it was all over – we’d a Victorian lady. That’s what begins to tease you with little set, John Peel was summarising of us opposed to the Thatcher played our first Glasto. I remember arriving at night I thought I looked like. glimpses through hedges the day’s events when he government. I played on the Friday, John Peel Stage, 6.25pm looking down from the top of A friend who later and farm gates. When announced that his highlight of the Pyramid Stage at 2pm on Friday, Muddy Lane. The air was thick saw photos of that we finally arrived, this day had been Belle & Sebastian, then spent the rest of the weekend FELIX MARTIN with wood smoke and the light weekend pointed out that amazing alternative town “With a lot more muscle live than roaming the site. The highlights of (HOT CHIP) 2000 from hundreds of individual I actually looked like was stretched below us, you would expect.” We could not my weekend were provided by Dr bonfires revealed cars, tents and a bee-keeper. buzzing with excitement and have been happier. John, Elvis Costello and whoever Simultaneous clockwise and lots of hairy, happy, pretty people I walked around the site looking industry. I still get that anticipatory Sunday, Other Stage, 6.45pm was running the reggae blues anti-clockwise sharing of spliffs, crammed together in the fields that like a beatifically stoned teenage thrill of seeing the Festival from the tent. I spent a lot of time enjoying showering and watching live music ran up from the Pyramid Stage. It bride who’d lost her bees, in love hill above, imagining everything LAUREN LAVERNE their heavy dub sound system and optional. Wellies only necessary was lovely. I can’t remember much with how beautiful it all was: the held within. (BBC PRESENTER) 1997 plentiful supply of Red Stripe. for The Glade. Black bin bags more about it, probably because lavish midsummer meadows; the Sunday, Other Stage, 9.45pm Friday, the Left Field, 9pm an inadequate replacement for a I had such a good time. traveller-girls in faded rainbow I am living proof that if for some forgotten outer layer of our tent. skirts; the stall selling tiny, candle- TOM FINDLAY reason your first Glastonbury GEMMA CAIRNEY Profound sunrises. Commercialism JESSIE WARE powered tin boats. I sat at the Stone (GROOVE ARMADA) 1997 experience doesn’t work out, (BBC RADIO 1 DJ) 2007 and authority in short supply – (SINGER-SONGWRITER) 2007 Circle and looked down, and was it doesn’t mean you shouldn’t freedom of the body and mind! astonished to see I was actually Glastonbury has always been try again. The first year I I remember arriving Bowie’s wicked hair and effortless My first Glastonbury was in 2007 in the middle of a city – that a big part of Groove Armada’s came to Glastonbury I was 19 belligerently in a pair of brilliance – a celestial messenger and it POURED down most of the Glastonbury has roads, and markets, history. We may have started our and our band (Kenickie) were white, mod ankle boots. picked out by a stunning spotlight, time. We got there on Wednesday and hospitals, and ambulances – own festival but three shows at supposed to be playing, but They were plastic and rising out of the darkness and evening and left Monday.
Load more

Recommended publications
  • Some Albums to Keep Your Toes Warm This October
    Some Albums To Keep Your Toes Warm This October Bittles‘ Magazine | Record Review As Autumn wraps her chilly arms around the country we look to music for the comfort that we can no longer get from happiness or the sun. Luckily, this time of year tends to be when great new bands get off their asses and go out on tour, while it also seems like there is another fantastic new album to delight us every single day. By JOHN BITTLES In fact, there are so many great new releases this month that there is absolutely no chance of squeezing them into one single article. This week alone I will be reviewing Caribou, Gui Boratto, The 2 Bears, A Winged Victory For The Sullen, and tons more. While, next week we’ll have new albums by Slam, Distal, Huxley, DJ Koze among others. So, make yourself comfy, turn off the phone, geta nice glass of wine, and let us begin. As lead single ›Can’t Do Without You‹ won both our hearts and minds this summer it is only fair to commence with ›Our Love‹, the much anticipated follow-up to ›Swim‹ by Caribou. The aforementioned ›Can’t Do Without You‹ opens proceedings in, sadly, edited form, yet that doesn’t stop it from being one of the most touchingly beautiful four minute pop song you are likely to hear all year. Next track ›Silver‹ keeps the emotional trance elements to the fore, while alternate sounds are explored with ›All I Ever Need‹ utilizing UK Garage style bass over Dan’s falsetto and the title track›‹ recalling a time when the Es were good, and hugging strangers was par for the course.
    [Show full text]
  • V&A Acquires the Glastonbury Festival Archive
    V&A acquires the Glastonbury Festival Archive The V&A is delighted to announce a collaboration with Glastonbury Festival to create an archive reflecting more than 40 years of diverse and creative performance. Glastonbury Festival is the longest-running popular music and performing arts festival in the world. Set up in 1970 by Michael Eavis on Worthy Farm in Pilton, Somerset – the Eavis’s family farm for four generations - the Festival is now attended by around 175,000 people annually. It has a long and unique history of hosting music, dance, comedy, theatre, circus, cabaret and other arts and collaborating with artists, set designers and craftspeople. Many distinguished names have performed at the summer festival over the last four decades including Beyoncé, Bjork, Blondie, Marc Bolan, Coldplay, The Cure, Jay-Z, Paul McCartney, Van Morrison, New Order, Oasis, Radiohead, The Rolling Stones, Toots and the Maytals, Velvet Underground and Amy Winehouse. This eclectic archive includes a range of material, from programmes and posters from every festival since 1970, designs for the Festival identity, interviews, unseen film and photographs, correspondence, t-shirts, tickets and other memorabilia. Personal accounts and documents trace the origins of the Festival and festival maps reveal how it has grown and developed within the landscape. Press cuttings document the relationship of the Festival with the local community and stories that captured the nation. The working processes of the Festival will be captured in the archive with original backstage passes, photographs and performers’ set-lists. The archive also includes photographs that reveal the evolution of the legendary Pyramid stage since its creation in 1971 to a permanent stage – also briefly used as a cattle shed in 1981.
    [Show full text]
  • Issue 199.Pmd
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 199 February Oxford’s Music Magazine 2012 Asher Oxford’sDust maverick MC on his incredible lifetime of music making plus all your local music news, reviews and upcoming gigs. photo: Zahra Tehrani NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net TRUCK FESTIVAL is set to return this summer after founders Robin and Joe Bennett handed the event over to new management. Truck, which had been the centrepiece of Oxford’s live music calendar since 1998, surviving both floods and foot and mouth crises, succumbed to financial woes last year, going into administration in September. However, the event has been taken over by the organisers of Y-Not Festival in Derbyshire, which won Best Grassroots Festival 2011 at the UK Festival Awards. The new organisers hope to take Truck back to its roots as a local community festival. In a statement on the Truck website, Joe and Robin announced, ““We have always felt a great responsibility for the integrity and sustainability of Truck Festival, which grew so quickly and with such enthusiasm from very humble beginnings in 1998. Via Truck’s unique catering arrangements with the Rotary Club, tens of thousands of pounds have been raised for charities and good causes every year, including last year, and many great bands have taken their first steps to international prominence. BONNIE ‘PRINCE’ BILLY makes visits Oxford in May when he “However, after a notoriously difficult summer of trading for Truck teams up with alt.folk band Trembling Bells.
    [Show full text]
  • Worksheet- the Boat That Rocked (Film Trailer) Watch the Video 3 Times
    Worksheet- The Boat that Rocked (film trailer) Watch the video 3 times VIEWING 1: Write down all the words you understand : VIEWING 2: Fill in the blanks Richard Curtis, creator of Notting Hill, Four Weddings and a Funeral and Love Actually was __________ by the true story of how the _________ _____________ tried to _____ rock ‘n’ roll music from the _________ to bring us his latest comedy : __________ ________ In 1964, all anybody could ______ on _______ radio of ____ music was about _____ hours a week and this was the ________ time for British pop music. That’s the whole point of being the government, if you don’t like something, you simply make it ________ until one __________ DJ and a band of __________ took to the sea to begin __________ _______-_______ hours a day. You had the right to _______ to this music _________ you wanted… They became known as _________, loved by _________ and despised by the ____________. 22 million _____ used to ____ in every day, and then of course they got ________ status, which was even ________ VIEWING 3: Interview Richard Curtis ! What type of film is it according to Richard Curtis ? A comedy A romance A romantic comedy What’s the serious message out of this film ? ………………………………………………………………………. EE : Would you like to watch this film ? Why ? (30 words) …………………………………………..…………………………………………………..…………………………………… ….…………………………………………..…………………………………………………..………………………………… ……. Toolbox : exciting/ hilarious/ based on true events… Activity 3 : Let’s recap ! Using the trailer and your asnwers, write the synopsis (=plot) of the film The Boat that Rocked is a film by……………………………………………………………………………………….
    [Show full text]
  • Copyright by Jessica Lyle Anaipakos 2012
    Copyright by Jessica Lyle Anaipakos 2012 The Thesis Committee for Jessica Lyle Anaipakos Certifies that this is the approved version of the following thesis: Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age APPROVED BY SUPERVISING COMMITTEE: Supervisor: Shanti Kumar Janet Staiger Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age by Jessica Lyle Anaipakos, B.S. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2012 Dedication To G&C and my twin. Acknowledgements This thesis would not have been possible without the guidance, encouragement, knowledge, patience, and positive energy of Dr. Shanti Kumar and Dr. Janet Staiger. I am sincerely appreciative that they agreed to take this journey with me. I would also like to give a massive shout out to the Radio-Television-Film Department. A big thanks to my friends Branden Whitehurst and Elvis Vereançe Burrows and another thank you to Bob Dixon from Seven Artist Management for allowing me to use Harper Smith’s photograph of Skrillex from Electric Daisy Carnival. v Abstract Celebrity and Fandom on Twitter: Examining Electronic Dance Music in the Digital Age Jessica Lyle Anaipakos, M.A. The University of Texas at Austin, 2012 Supervisor: Shanti Kumar This thesis looks at electronic dance music (EDM) celebrity and fandom through the eyes of four producers on Twitter. Twitter was initially designed as a conversation platform, loosely based on the idea of instant-messaging but emerged in its current form as a micro-blog social network in 2009.
    [Show full text]
  • An Investigation of the Effects Glastonbury Festival Has on the Day-To-Day Lives of the Communities of Local Villages
    An investigation of the effects Glastonbury Festival has on the day-to-day lives of the communities of local villages. Jessica Dyer ST20063194 BA (Hons) Events Management Cardiff Metropolitan University May 2018 i ii Abstract: The study explores how Glastonbury Festival has a social impact on its surrounding communities and investigates how this affects the resident’s day-to-day lives using Small’s model of social impact (Small, 2007, cited in Bladen et al., 2012, p.369). In order to achieve this, the researcher created realistic and achievable aims and objectives, which were used to critically analyse and evaluate information on the social impacts of festival’s and large-scale events and in particular, how Glastonbury Festival affects its local communities. An evaluation of secondary data was conducted, investigating the effects festivals and events have on their local residents within and how these related to the Small’s model. The literature on the subject chosen, was critically reviewed and analysed to highlight any themes and patterns between the existing literature and the project in question. The project provided evidence that the literature is minimal on the social impact of communities alone, as most is in connection to economic impact. The primary data collected within the study was qualitative data, in the form of six semi- structured interviews, with participants who lived within the four chosen areas surrounding Glastonbury (West Pennard, Shepton Mallet, Pilton and Glastonbury town). Letters were sent to residents to recruit potential participants for the project. The six participants selected were of the ages 18-30 years old, 31-50 years old and 51 and over (two participants from each age group).
    [Show full text]
  • Lost in Vagueness
    LOST IN VAGUENESS THE ULTIMATE UNTOLD GLASTONBURY FESTIVAL STORY www.lostinvagueness.com A debut music feature documentary by Sofia Olins Presented by Dartmouth Films The cultural crucible for the UK’s alternative arts scene Featuring Fatboy Slim, Suggs (Madness), Keith Allen and Kate Tempest SYNOPSIS // Short The film of Roy Gurvitz, creator of Lost Vagueness at Glastonbury and who, as Michael Eavis says, reinvigorated the festival. Exploring the dark, self-destructive side of creative talent. Medium Lost In Vagueness: The Ultimate Untold Glastonbury Festival Story The film of Roy Gurvitz, who created Lost Vagueness, at Glastonbury and who, as Michael Eavis says, reinvigorated the festival. With the decadence of 1920’s Berlin, but all in a muddy field. A story of the dark, self-destructive side of creativity and the personal trauma behind it. Long Lost In Vagueness: Lost In Vagueness: The Ultimate Untold Glastonbury Festival Story The film of Roy Gurvitz, who invented the Lost Vagueness area at Glastonbury and who, as Michael Eavis says, reinvigorated the festival. It’s a story of the dark, self-destructive side of creative talent and the personal trauma behind it. Anti-hero, Roy, and Glastonbury founder, Michael, became friends in the early 1990’s. Through their story, we retrace Britain’s sub-culture history, to see how a band of troublesome new age travellers came together to create Lost Vagueness. It was a place of opulence and decadence, and reminiscent of a permissive 1920’s Berlin, but all in a muddy field. As an anarchic, punk traveller, Roy scoured Europe searching for a community where he could escape his oppressive upbringing.
    [Show full text]
  • We Are Saying Is... Give Peace a Chance…
    SUPPORTING GREENPEACE EAVIS DAUGHTER WATERAID NOT FOR SHALE OXFAM STOP PRESS Twin Atlantic replace Chromeo for John Peel set, Sat 9.15pm Thursday, 26 June, 2014 Proudly printed in the Theatre and Circus Fields of Glastonbury Festival FREE ALL WE ARE SAYING IS... GIVE PEACE A CHANCE… Yoko Ono wait until 2015 I didn’t want to wait featuring members of the amazing The wishes will then all be collect- collective desire for peace in the and also to think of a day when we that long! Why not now?! So I was Yo La Tengo, I will also be installing ed, sent to me and then will be kept world. will have world peace. Together we really thrilled when the Festival I have never been to Glastonbury, arlier this year I played two wish trees at the Green Kids Field. I underneath Imagine Peace Tower in can make it! organisers said that they not only and I can’t wait! Who knows what Esmall shows in Dalston in And I came to tell you what fun wanted me this year but that they I will see! The line-up is amazing it is to work for world peace. It’s London and another musician who wanted to give me a really good slot and, for me, coming from the avant came said to me that he would love on Sunday night on the Park stage. I “I came to tell you what fun it grade world, it’s so great to see so the most fun work there is now in to see me do a similar type of show, was a happy girl! much diversity and experimenta- our planet.
    [Show full text]
  • A Real Love Story Camila Batmanghelidjh, Founder of Kids Company, Talks About Neuroplasticity
    MUSE.09/10/12 A Real Love Story Camila Batmanghelidjh, founder of Kids Company, talks about neuroplasticity The Pride of the North How Gay Pride in York is changing perceptions Freshers’ Week 1964 What the crazy kids of York were up to in the Sixties M2 www.ey.com/uk/careers 09/10/12 Muse. M10 M12 M22 Features. Arts. Film. M4. Flamboyant psychotherapist Camila Bat- M18. Mary O’Connor speaks to poet and rap- M22. James Tyas interviews Sally El Hosaini, manghelidjh speaks to Sophie Rose Walker per Kate Tempest about love and we look back Director of My Brother the Devil, premiering at about the work of her charity Kids Company. at the legacy of Gustav Klimt. the BFI’s London Film Festival this October. M6. What is the frankly rather cool history of Freshers at York? Bella Foxwell investigates Fashion. Food & Drink. what’s changed and what hasn’t. M16. Ben Burns interviews fashion illustra- M23. Ward off Freshers Flu with Hana Teraie- M8. Gay Pride is out and thriving in York. tor Richard Kilroy, Miranda Larbi goes crazy for Wood’s delicous Ratatouille and Irish Coffee. Stefan Roberts and Tom Witherow looks at jacquard, and the ‘Whip-ma-Whop-ma’ shoot on Plus our review of Jamie Oliver’s new restaurant. the Northern scene’s dynamic. M12. M10. Young girls in Sri Lanka are prime Music. Image Credits. targets for terrorism training. Laura Hughes investigates why. M20. Death-blues duo Wet Nuns talk to Ally Cover: Kate Treadwell, Kids Company Swadling about facial hair, and there are stories Photoshoot: All photos credit to the marvellous from Pale Seas.
    [Show full text]
  • Little Italy Artwalk Welcomes All Integrates People Who Have Struggled with Homelessness and Mental Heath Condi- Tions with Those Who Have Not
    P.O. BOX 633031, San Diego, CA, 92163 • T 619 269 8001 • F 619 839 3118 www.mancecreative.com VOLUME 13 ISSUE 4 April 2012 Columbia • Core/Civic • Cortez Hill • East Village • Gaslamp/Horton Plaza • Little Italy • Marina ➤➤ EAST VILLAGE BLOCK PARTY P. 13 Cedar Gateway complex hosts CLIENT PROJECT VERSION CLIENT APPROVAL DATE SAN DIEGO Logo Design DOWNTOWN NEWS FINAL X 1/9/12 grand opening Supportive Housing Model, integrating affordable housing and supportive East Village celebrates Padres services, opens in Cortez Hill opener with block party April 5 By Ashley Mackin ➤➤ DINING P. 17 Downtown News On March 21, the Cedar Gateway Multifamily Apartments, an afford- able housing community for families and individuals, celebrated its grand opening. Cedar Gateway has 42 units of affordable housing in addition to 23 units designated for accommodating supportive services for seniors and adults with mental health disabilities. The apartment complex is located Attendees at last year’s Mission Federal Credit Union ArtWalk in Little Italy cheer on one of the musicians. at 1612 Sixth Ave., bounded by Cedar Gaslamp’s Red Light This year’s event is April 28 – 29. (Photo by Paul Nestor) street and Fifth and Sixth avenues. Gary Squier, president of Squier Prop- erties LLC, the project’s developer, said ➤➤ MUSIC P. 22 the model implemented at Cedar Gateway is called a Supportive Housing Model and Little Italy ArtWalk welcomes all integrates people who have struggled with homelessness and mental heath condi- tions with those who have not. Celebrating its 28th year, the free arts festival offers art, music and dance Squier said the Supportive Hous- ing Model has “proven to be effective wherever it’s been tried, by layering By Bart Mendoza Despite the large number of attendees, it is a tes- on community services [and] social Downtown News tament to event organizers that ArtWalk rarely feels services.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Proudly Printed in the Theatre and Circus Fields of Glastonbury Festival Heavy Metal Rules
    Sunday 25th June 2017 PROUDLY PRINTED IN THE THEATRE AND CIRCUS FIELDS OF GLASTONBURY FESTIVAL FREE • LIBERA • GRATIS IT’S THE FINAL DAY OF “THE BEST GLASTONBURY YET”, SO FILL UP ON MEMORIES AND WE’LL... HEAVY METAL RULES JOHN LEWIS investigates the great grindcore and anarcho-thrash invasion of Glastonbury Festival 2017 It might have invited the likes the indie kids who are the complacent Sex Pistol Glenn Matlock and San of Metallica and Motörhead to apolitical ones, while metal bands Francisco anarcho punks the Dead perform, but Glastonbury has like Rage Against The Machine, Kennedys (sans Jello Biafra). The traditionally had a bit of a blindspot Sepultura and System Of A Down Truth Stage has become the unlikely SEE YOU IN when it comes to metal. It’s have been nailing their colours to centrepiece of Shangri-La, the South something that Nottingham-based the mast, with militant, defiantly East Corner’s hidden-away late- hardcore label Earache Records internationalist anthems that night club culture gem. The stage is attempting to redress this year explicitly support the fight against is surrounded by anti-globalisation as it brings some of its favourite globalisation, war and corporate banners (“Build The World That You acts to Shangri-La’s Truth Stage corruption. Want To Belong To”, “They Starve, and their own Earache Express And it’s this insurrectionary We Carry On Shopping”, “Don’t Be – Glastonbury’s first ever metal metal spirit that Shangri-La A Dick”, “If You Don’t Like The 731 DAYS venue, set in a battered old London is harnessing, with slots Music, F-Off” , and its audience is CHRIS SALMON catches up with Emily and Michael Eavis ) Underground tube carriage.
    [Show full text]