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7A Temporada 4.- El Rayo Mortal / Mr. Wonderful Daniel Clowes Gener 2014

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7A Temporada 4.- El Rayo Mortal / Mr. Wonderful Daniel Clowes Gener 2014 7a Temporada 4.- El Rayo Mortal / Mr. Wonderful Daniel Clowes Gener 2014 Índex: Club de Lectura: L’autor: Daniel Clowes ......................................................................................................................................... 1 La seva obra .............................................................................................................................................................. 1 El Rayo Mortal / Daniel Clowes Random House Mondadori, 2013 El Rayo Mortal / Ressenya / Gerardo Vilches.......................................................................................... 2 El Rayo Mortal / Article / Juanjo Villalba................................................................................................... 3 Mr. Wonderful / Daniel Clowes Random House Mondadori, 2012 Mr. Wonderful / Ressenya / Gerardo Vilches........................................................................................... 5 Mr. Wonderful / Article / Antonio Fraguas ................................................................................................ 6 “Wilson es una respuesta triste a Mr. Wonderful ” / Entrevista / Noel Murray ........................................ 8 “El Rayo Mortal no trata de mostrar un mundo, sino insinuarlo” / Entrevista / Albert Fernández .. 9 Altres Recomanacions ....................................................................................................................................................... 10 Novetats de la tardor / Secció Còmics d’Adults / Bib. Tecla Sala.......................................................................... 11 Notícies Miguelanxo Prado gana el Nacional de Cómic con Ardalén .............................................................. 12 Premi I’Il·lustrad’Or a Joost Swarte ................................................................................................................ 12 XIX Saló del Manga de Barcelona .................................................................................................................... 13 L’autor: Daniel Clowes Informació extreta de viquipèdia ( http://ca.wikipedia.org/wiki/Daniel_Clowes ): Daniel Gillespie Clowes (1961, Chicago) és un guionista i dibuixant de còmics nord-americà. Adscrit per la crítica especialitzada en els moviments undergrouds de la vinyeta als Estats Units, és especialment conegut per obres com la seva revista Eightball en què va publicar una sèrie d'històries que després van esdevenir la seva obra més coneguda Ghost World , còmic que ha estat portat també al cinema amb guió del mateix Clowes ( www.youtube.com/watch?v=MKI- Krc1oA4 ) Va estudiar art a l'Institut Pratt de Brooklyn, Nova York. En acabar els seus estudis va intentar infructuosament aconseguir treball com a il·lustrador a Nova York, Entre 1985 i 1989 va realitzar tant textos com dibuixos per a la revista Cracked , on va desenvolupar sobretot una secció titulada " The Uggly Family ". El 1985 va debutar en el còmic publicant en Love & Rockets (la revista dels "Hernandez Bros.", Gilbert i Jaime) una historieta protagonitzada pel personatge Lloyd Llewellyn. Posteriorment es va publicar una sèrie de sis comic books en blanc i negre consagrats al personatge, a més d'un especial, The All-New Lloyd Llewellyn Special (1988). En 1989 va aparèixer el primer número d'un nou comic book realitzat per Clowes, Eightball . A més de diverses historietes curtes autoconclusives, Clowes ha desenvolupat en esta publicació diversos relats de major extensió: la surrealista Like a Velvet Glove Cast In Iron , (en els números 1-10); Ghost World (números 11-18), que va ser portada al cine per Terry Zwigoff; i David Boring (19-21). Tots aquests títols van ser posteriorment publicats com a novel·les gràfiques. Les últimes entregues d' Eightball són els números 22 (" Ice Haven ", 2001) i 23 (" The Death-Ray ", 2004), concebuts com a narracions independents i publicats a tot color i en format de grans mides. Clowes ha fet incursions també en el món del cine, i ha adaptat els seus propis guions per a la pantalla (és el cas de la pel·lícula Ghost World , dirigida per Terry Zwigoff el 2000). A més, ha realitzat il·lustracions per a un gran nombre de revistes, com The New Yorker , Details , Esquire o Village Art , entre moltes altres; cartells per al cine (entre ells el de la pel·lícula de Todd Solondz, Happiness ); i fins i tot dibuixos animats (el vídeo " I don't wanna grow up " de The Ramones). La web de l’autor: http://danielclowes.com/ i el seu bloc: http://danielclowes.blogspot.com.es/ La seva obra A Tebeosfera ( http://www.tebeosfera.com/autores/daniel_clowes.html ) hem trobat un llistat de les seves obres publicades a Espanya (i que podeu trobar a les biblioteques): • Como un guante de seda forjado en hierro. Editat per La Cúpula en cinc comic books al 1995 i posteriorment com a àlbum l’any 2004. • Pussey. Publicat per La Cúpula com a comic book l’any 1998 i com a àlbum al 2006. • Bola Ocho. 11 Comic books editats per La Cúpula l’any 1999. • David Boring. La Cúpula, 2003. • Ghost World. La Cúpula, 2005. • Ice Haven. Random House Mondadori, 2006. • Twentieth Century Bola Ocho. La Cúpula,2007. • Wilson. Random House Mondadori, 2010. • Mr. Wonderful. Random House Mondadori, 2012. • El Rayo Mortal. Random House Mondadori, 2013. 1 El Rayo Mortal / Daniel Clowes Gerardo Vilches La següent ressenya, obra del Gerardo Vilches la trobareu a Entrecomics ( http://www.entrecomics.com/?p=84107 ): 2013 no podría haber empezado mejor en lo que a cómic se refiere que con la publicación de El rayo mortal de Daniel Clowes. The Death Ray se publicó en 2004 como el número 23 de Eightball , en formato de comic book , por tanto, aunque en 2011 fue reeditado como un libro, y así llega al mercado español, publicado por Random House Mondadori, el material es el mismo, pero el formato afecta irremediablemente a cómo lo percibimos, aunque el propio Clowes ha confesado que El rayo mortal debería haberse publicado desde un primer momento como libro. Pero entremos en harina. En un primer vistazo, podemos decir que El rayo mortal es la historia de Andy, un adolescente a quien su padre lega superpoderes, activados al fumar un cigarro —una de las muchas genialidades de Clowes en este cómic—, y una pistola de aspecto absurdo que vaporiza a los seres vivos sobre los que es disparada. Andy vive con su abuelo y es un paria en el instituto, y su mejor amigo es Louie, el único con el que comparte su secreto. Con estos mimbres y conociendo a Clowes, la cuestión que se plantea es obvia: ¿Homenaje a los superhéroes de su infancia, sátira mordaz o aproximación posmoderna? Y la respuesta es que todo eso a la vez y más. El rayo mortal es uno de los cómics más complejos de Clowes, y en él tienen cabida sus obsesiones habituales y todo tipo de temas, que conforman niveles de lectura diferentes y complementarios. La idea surge de la fascinación de un Clowes adolescente por el cómic de superhéroes, concretamente por los de Steve Ditko , como él mismo ha reconocido. Y de hecho su influencia se deja notar en la composición de varias páginas y en la situación vital de Andy, que remite a Spider-man claramente. Ese modelo está presente en la historia, y como un reflejo deformado del mismo puede leerse, pero también es cierto que Clowes se aleja de forma deliberada de la búsqueda personal y el camino del héroe: no es casualidad que lo primero que haga Andy para probar sus nuevos poderes sea romper por la mitad un ejemplar de La Odisea . No hay por tanto grandes descubrimientos, ni epifanía alguna: lo que Clowes parece decirnos es que los superpoderes no salvarían al hombre de su mediocre mezquindad. Andy intenta en un primer momento utilizar sus poderes para hacer el bien , pero éste es un concepto demasiado comple- jo fuera del mundo de fantasía en cuatro colores de Marvel o DC, y más aún si le corresponde a un adolescente acosado decidir sobre él. Junto a su amigo Louie —convertido en lo más parecido a un sidekick que puede haber en la vida real—, acaba, pese a esas buenas intenciones, enmarañado en venganzas crueles, ajusticiamientos infantiles y fiascos lamentables al intentar evitar crímenes o castigarlos. Sólo es un triunfal superhéroe que salta por los tejados en sus Eightball #23: The death ray ensoñaciones. Y al tiempo, pasa por todos los trances propios de un adolescente conflictivo como buenamente puede. Todo el cómic está estructurado en historias breves de unas pocas páginas, cada una con su propio título, a la manera de lo que luego hará con Wilson . Y como en éste, en El rayo mortal Clowes ya “Cuando las editoriales experimenta con los múltiples cambios de registro en su dibujo y con la composición en función de sus mainstream se preguntan cómo necesidades: a veces la página es una simple plantilla de viñetas uniformes, otras recurre a grandes serían los superhéroes en el espacios y viñetas de presentación que recuerdan a los cómics de superhéroes y al pulp . Maneja el mundo real , la respuesta color con intenciones narrativas claras, introduce flashbacks de manera novedosa e inteligente e es Ultimates . Cuando se lo incluso juega con los globos de texto y las viñetas para ocultar determinadas cosas o buscar otros pregunta un dibujante de cómics efectos concretos, como veremos posteriormente en Mister Wonderful . Es un trabajo sofisticado en lo que no trabaja en el entorno técnico y profundo en lo temático, quizás el más maduro de Clowes, el más consciente de su propia mainstream, la respuesta es que naturaleza. A través de un tópico de género
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