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The Comics Grid. Journal of Comics Scholarship. Year One, Edited by Ernesto Priego (London: the Comics Grid Digital First Editions, 2012)

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The Comics Grid. Journal of Comics Scholarship. Year One, Edited by Ernesto Priego (London: the Comics Grid Digital First Editions, 2012) The Comics Grid Journal of Comics Scholarship Year One Contributor Jeff Albertson James Baker Roberto Bartual Tiago Canário Esther Claudio Jason Dittmer Christophe Dony Kathleen Dunley Jonathan Evans Michael Hill Nicolas Labarre Gabriela Mejan Nina Mickwitz Renata Pascoal s Nicolas Pillai Jesse Prevoo Ernesto Priego Pepo Pérez Jacques Samson Greice Schneider Janine Utell Tony Venezia Compiled by Ernesto Priego Peter Wilkins This page is intentionally blank Journal of Comics Scholarship Year One The Comics Grid Digital First Editions • <http://www.comicsgrid.com/> Contents Citation, Legal Information and License ...............................................................................................6 Foreword. Year One ...................................................................................................................................7 Peanuts, 5 October 1950 ............................................................................................................................8 Ergodic texts: In the Shadow of No Towers ......................................................................................10 The Wrong Place – Brecht Evens .........................................................................................................14 Sin Titulo, by Cameron Stewart, page 1 ...............................................................................................16 Gasoline Alley, 22 April 1934 ................................................................................................................ 20 Big Numbers, Small Moments .............................................................................................................. 24 Would you admit it? (On Chris Ware’s Cut-outs) ............................................................................. 28 Jack Survives – Jerry Moriarty .............................................................................................................32 Footnotes in Gaza, by Joe Sacco ...........................................................................................................36 Of Maus and Work-in-progressness .....................................................................................................38 It’s a Bird – Steven T. Seagle and Teddy Kristiansen ...................................................................... 42 Inner Focalization: A Child’s Game ..................................................................................................... 46 Sarnath Banerjee’s Portrait of the Comics Artist as a Collector ............................................... 50 David Boring – Daniel Clowes ............................................................................................................. 54 Ghost World[s] and Non-Places ............................................................................................................58 John Byrne’s White on White ................................................................................................................ 62 4 Marjane Satrapi’s Elaborate Simplicity ............................................................................................... 66 A Face in the Mind ................................................................................................................................... 70 Whaam! Becoming a Flaming Star ........................................................................................................74 Hey, Wait… Jason .....................................................................................................................................78 Seth’s Suspension of Perception in Palookaville #19 ...................................................................... 82 Edited City: London Passagenwerk...................................................................................................... 86 Creation versus interpretation in To Boil a Bear .............................................................................90 The cruel beauty of a world without words: Winshluss’ Pinocchio ............................................ 94 “¡Santo!”: The Stuff of Legend ............................................................................................................... 98 Walking the Dog – David Hughes .......................................................................................................102 “He do the police in different voices”: Martin Rowson’s Pulp Modernism .............................. 106 Berlin: chemistry on and of the page ..................................................................................................110 The not so cold world of Richard McGuire ....................................................................................... 114 Thor’s Comic Opera: Götterdämmerung Revisited ......................................................................... 118 Disrupting the flow: The Authority ...................................................................................................122 Pascal Blanchet’s White Rapids and the Sense of History............................................................126 Scott Pilgrim’s Permeable Little Boundaries ...................................................................................130 The Comics Grid. Year One. 2011–2012 Crossword of emotions: Craig Thompson’s Chunky Rice .............................................................134 Balloon – Kevin Huizenga ....................................................................................................................138 Harvey Pekar’s Anti-epiphanic Everyday ..........................................................................................142 Shortcomings: bridging the page-break ............................................................................................146 Dragon Hurtor: A Hero’s Tale, Satire and a Touch of Scatology .................................................150 Vishwajyoti Ghosh’s homage to Anant Pai ........................................................................................154 Asterix and the Brussels Sprouts ........................................................................................................158 On order and chaos in Brian Chippendale’s Ninja ..........................................................................164 California Gothic: Jaime Hernandez’s Ghost of Hoppers .............................................................166 Kamimura’s Sublime Rain .....................................................................................................................170 Adaptation and Narrative in Ulysses “Seen” ....................................................................................174 The English Bugaboo –Cruikshank to Talbot ...................................................................................178 Ranma ½: Gender and Genre Shifting in Manga ............................................................................184 A Note on Ben Katchor’s Temporal Palimpsests ..............................................................................188 Architecture and comics: Citizens of No Place ............................................................................... 190 Un-holy Alliance: Shatter and the Aesthetics of Cyberpunk .......................................................194 A Map of Hicksville ...............................................................................................................................200 Gridlocking Joann Sfar’s Talking Cat ................................................................................................204 Mel Calman on Oil ..................................................................................................................................208 5 The Batman Adventures: Rendering the Comic Page ..................................................................212 Intimacies in Alison Bechdel’s Fun Home ........................................................................................216 The dog at the door in “There Will Come Soft Rains” ...................................................................220 Gaston Lagaffe: The Archivist as Architect ....................................................................................224 Deadenders: Comics as Virtual Text ................................................................................................. 228 Miller and Varley’s DK2: Supersimulacra ......................................................................................... 232 Branca de Neve: Pregnant Moments ................................................................................................ 236 The Repetition of Haruhi Suzumiya ................................................................................................240 Georgian Projections of French Revolutionary Madness .............................................................244 Art and Illusion in Blutch’s Mitchum ...............................................................................................248 Moving between worlds: The Arrival ............................................................................................... 252 Pluto: Robots and Aesthetic Experience .......................................................................................... 256 Contributors ............................................................................................................................................260
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