Cambridge University Press 978-1-107-17141-1 — The Cambridge History of the Graphic Novel Edited by Jan Baetens , Hugo Frey , Stephen E. Tabachnick Index More Information 659 Index (À Suivre) see also Adèle Blanc- Sec (Tardi) ; Corto anime, Japanese Maltese (Pratt) adaptations of Tezuka’s works, 597 – 598 comics as literature, 252 – 253 , 266 – 267 Akira (Otomo), 331 – 332 , 546 , 598 retelling of genre i ction, 251 – 252 , 253 Astro Boy (Tezuka), 324 , 326 , 333 The World of Edena cycle (Moebius), domestication of, 333 264 – 266 foreignization strategies and, 331 – 333 (L’)Association, 69 subtitles and foreignization, 326 Abdelrazaq, Leila transculturation of texts, 326 Baddawi , 416 – 417 arabesque romanticism, 26 – 27 , 30 , 32 Abel, Robert W., 372 Archie , 103 , 305 , 357 – 358 , 469 Abirached, Zeina art brut, 136 , 140 – 141 A Game for Swallows: to Die, to Leave, to Atwood, Margaret, 492 Return , 415 – 416 author–artist teams Abouet, Marguerite complete author remit of graphic Aya de Yopugon , 601 novels, 54 Adams, Jef , 398 , 400 creative output, 11 Adèle Blanc- Sec (Tardi) Moore and Gibbons, 226 – 227 narrative structure, 260 – 261 negative capability, 201 noir tradition in, 258 rise in, 219 otherness in, 258 – 260 on Sandman (Gaiman), 345 – 346 urban environment of, 258 – 260 Töpf er’s embodiment of, 32 – 33 and World War I, 261 – 262 authorship adult comic strips see also Barbarella (Forest) ; auterist model, 219 Grove Press of comix, 159 – 160 debates over, 133 – 134 creative expression and underground in France, 134 – 135 , 263 comics, 156 – 157 , 158 , 161 – 162 , 269 , 304 inl uence of Barbarella on, 135 – 136 Daniel Clowes’ author– reader relationship, scholarship on, 6 – 7 366 – 368 Adult Comics (Sabin), 5 , 6 , 380 Eisner’s portrait of the artist at work, Aldama, F. L., 468 199 – 200 Aldridge, Alan, 126 and the Marvel method, 117 Alexie, Sherman Neil Gaiman’s writing strategies, 342 – 344 The Absolutely True Diary of a Part- Time traditional editorial controls and, 156 – 158 Indian , 568 – 569 , 570 autobiographical graphic novels see also alternative comics A Contract with God: A Graphic Novel creators of color and, 305 (Eisner) ; Maus (Spiegelman) emergence of, 276 , 428 “Thrilling Adventure Stories (I Guess)” and third- wave feminism, 276 – 279 (Ware), 510 – 511 659 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-17141-1 — The Cambridge History of the Graphic Novel Edited by Jan Baetens , Hugo Frey , Stephen E. Tabachnick Index More Information 660 Index autobiographical graphic novels (cont.) Barbarella 2 (Forest), 124 , 126 , 131 – 132 autographics, 206 Barounis, Cynthia, 279 Binky Brown Meets the Holy Virgin Mary Barry, Lynda (Green), 160 – 161 , 162 and the alternative comics movement, confessional, 160 – 161 303 , 305 by creators of color, 311 – 312 as feminist author, 280 – 281 early form in travel notes, 35 – 36 One! Hundred! Demons! , 281 , 311 Eisner, Will, 192 , 193 published by Drawn and quarterly, 437 “Goldie” (Kominsky- Crumb), 271 – 272 Barthes, Roland, 82 , 400 Jewish graphic novels, 447 Bartier, Pierre overview of, 9 The Adventures of Jodelle , 124 , 125 performativity in, 208 – 209 Bartley, Aryn, 399 Persepolis (Satrapi), 408 Batman and portrayals of communities, 9 – 10 Arkham Asylum , 1 3 published by Drawn and quarterly, 433 Batman (i lm), 546 – 547 self- i guration of the autobiographer’s Batman Begins (i lm), 547 own self, 215 – 216 Batman: Death by Design , 13 , 14f1.2 self- representation, feminist comics Batman: The Dark Knight Returns (Miller), creators, 277 – 279 5 , 39 , 107 , 326 – 327 , 378 , 462 , 492 – 493 , serial memoirs, 207 – 208 499 , 547 underground comics (comix), 160 – 163 , 165 Batman: The Killing Joke (Moore), 224 , 500 – Wimmen’s Comix , 162 , 290 – 291 501 , 549 , 551 Azzarello, Brian Batman: Year One (Miller), 462 – 463 , 503 , 547 100 Bullets , 466 superhero identity and, 114 Beat literature Baetens, Jan, 53 , 54 , 55 , 56 , 96 , 102 – 103 , 172 , 305 , and the graphic narrative, 136 382 , 410 , 564 , 575 , 577 reimagination of vintage popular culture, Bagge, Peter see also Hate (Bagge) 128 – 130 , 136 career, 242 Beaton, Kate, 431 , 434 political views, 246 Beatty, Terry style of, 243 , 247 Ms. Tree , 460 – 461 Bakhtin, Mikhail, 27 – 28 Beaty, Bart, 94 , 172 – 173 , 203 – 205 , 207 , 379 , 406 , Ball, David M., 559 550 – 551 bande dessinée Beaurichard, David (David B.), 406 , 407 , 596 Asterix the Gaul and Tintin , 372 – 373 Bechdel, Alison and the French tradition, 595 – 596 Are You My Mother? 530.40, 298 as hybrid genre, 407 – 408 Dykes to Watch Out For , 278 , 287 , 296 , 299 imports to the United States, 376 Fun Home: A Family Tragi- Comic , 2 7 8 – 2 7 9 , literary aspects of, 409 286 – 287 , 296 – 299 Marjane Satrapi and, 405 , 406 Bendis, Brian Michael parallels with manga, 599 Alias , 4 9 5 – 4 9 6 use of black and white, 410 crime genre work, 464 Barbarella (Forest) see also Forest, Jean- Claude Bennett, Tamryn, 527 , 539 – 540 Evergreen Review readers’ feedback on, 133 Benson, John, 173 – 174 , 374 i lm adaptation, 127 Berger, Karen, 345 , 348 Forest’s cultural inl uences and, 126 – 128 Beronä, David A., 62 – 63 , 64 inl uence on American adult comics Beyer, Mark, 236 strips, 135 Bilal, Enki, 5 , 550 publication in the Evergreen Review , 124 , Bochoráková- Dittrichová, Helena, 64 125 – 126 Bodé, Vaughn, 161 , 162 publication of in the United States, 130 – 131 , Boilet, Frédéric, 324 – 325 1 3 6 – 1 3 7 Bollard, Brian, 342 reception in France, 134 – 135 Boudissa, Magali, 581 , 582 660 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-17141-1 — The Cambridge History of the Graphic Novel Edited by Jan Baetens , Hugo Frey , Stephen E. Tabachnick Index More Information 661 Index Bourdieu, Pierre, 430 , 431 narrative style, 353 , 359 Bousi eld, Neil, 68 new comic format and, 356 Brabner, Joyce, 274 satire of, 16 Brienza, Casey, 324 Collins, Gail, 276 Britton, David, 239 – 242 Collins, Jim, 562 Brooke- Rose, Christine, 477 Collins, Max Allan Brubaker, Ed Ms. Tree , 460 – 461 Criminal , 4 6 9 – 4 7 0 Comics Code Authority Sleeper , 468 – 469 Code- exempt magazines, 157 Brunner, Edward, 534 , 535 – 536 crime comics and, 458 – 459 Buhle, Paul, 179 , 181 , 382 impact on the comic industry, 94 – 95 , 155 , Bukatman, Scott, 583 156 – 157 Burns, Charles, 5 , 11 , 149 , 151 , 509 and Mad ’s magazine format, 101 Busiek, Kurt Marvel during, 107 Astro City , 504 and the superhero genre, 503 Butler, Jack The Comics Journal , 5 , 178 – 179 , 184 , 374 – 375 , Jujitsu for Christ , 558 , 564 – 565 , 566 378 – 379 comics see also Golden Age of comic strips ; Campbell, Eddie wordless comics on A Contract with God: A Graphic Novel American mainstream (1960s), 155 , 156 – 157 (Eisner), 191 l oppies, 337 , 338 – 339 From Hell , 230 , 232 , 471 graphic novel as specii c form of, 1 Campbell, Stuart historical relationship with the graphic These Memories Won’t Last , 581 – 582 novel, 1 , 2 , 21 – 22 Canif , Milton Hollywood reinvention of, 5 stereotypical depictions in, 50 invention of the comic strip, 22 – 23 Terry and the Pirates , 4 1 , 4 7 , 5 1 – 5 2 , 5 3 , 5 4 , kidnap- orphan narratives and, 147 – 149 127 , 559 mainstream (1980s) , 4 – 5 , 7 , 355 Cantor, Jay new narrative modes for Great Neck , 565 – 567 superheroes, 13 – 14 Krazy Kat: A Novel in Five Panels , 561 – 562 nineteenth- century image- making, 22 Caran d’Ache (Emmanuel Poiré), 62 overlap of content with graphic caricature, 25 novels, 13 – 15 cartoon novels, 65 – 67 people of color in, 303 Castellucci, Cecil speculator markets for, 344 , 349 – 351 , 462 The Year of the Beasts , 567 as subversive (1950s), 94 – 95 Chabon, Michael traditional form of, 363 – 364 The Amazing Adventures of Kavalier & Clay , Comics Studies 563 – 564 , 567 academic conferences, 379 – 380 Cham (Charles Amédée de Noé), 23 , 25 , 28 , 34 on academic curricula, 380 Chaney, Michael, 210 academic journals, 380 Charlie Hebdo , 3 , 420 , 591 comics archives, 376 Chase, Alisia Grace, 280 and The Comics Journal , 378 – 379 Chaykin, Howard, 135 early scholarship, 371 – 372 Chudolinska, Marta, 68 focus on literary graphic novels, 382 Chute, Hilary, 92 , 102 , 176 , 271 , 272 , 277 , 278 , formalization of, 376 280 , 390 , 396 , 397 , 528 – 529 scholarship 1960s/ 70s, 373 , 375 – 376 Clowes, Daniel see also Ghost World (Clowes) scholarship on graphic novels, 6 – 7 , author– reader relationship, 366 – 368 376 – 377 , 526 Eightball , 354 – 355 A Contract with God: A Graphic Novel (Eisner) Ice Haven , 367 “Cookalein,” 196 – 197 inl uence of J. D. Salinger, 356 – 357 Eddie character, 195 Lloyd Llewellyn , 355 ethnic tensions in, 200 – 201 , 444 – 445 661 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-17141-1 — The Cambridge History of the Graphic Novel Edited by Jan Baetens , Hugo Frey , Stephen E. Tabachnick Index More Information 662 Index A Contract with God: A Graphic Novel crime genre (Eisner) (cont.) 100 Bullets (Azzarello and Risso), 466 explicit material of, 197 and adult audiences, 459 Frimme Hersh character, 194 – 196 Brian Michael Bendis’ work, 464 front stoop imagery, 195 – 196 and comics, 457 – 458 , 462 , 466 Gil Kane on, 175 and the Comics Code, 458 – 459 impact of, 191 Criminal (Brubaker and Phillips), 469 – 470 lighting in, 197 – 198 Detectives Inc. series (McGregor), 460 literary material, 196 genre crossovers, 470 rain imagery, 194 Gilbert Hernandez’s graphic novels,