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Tal Rosenblum
PROJECT SAMPLES EXPERIENCE Promax TAL Task & Purpose We Are The Mighty ROSENBLUM Douglas Elliman Hi, I’m Tal. A multimedia designer with a background in CONCEPT WORK visual design, technology, and film. I’m passionate about art, philosophy, and well-being. Ruty Pentax K-02 I believe good craft is simply good process. And for me the process starts with questioning assumptions to get to the root issue. That way the solution addresses a core issue and not patch a temporary one. I’m always on the lookout for a culture that shares my values for life-long learning and excellence. TAL ROSENBLUM [email protected] PROJECT GRAPHIC DESIGN \ MARKETING Design and created assets spanning print, such as signage; SAMPLES and digital, such as social media and email marketing. Promax Additionally pitched notes on brand strategy moving forward. EXPERIENCE EMAIL BLASTS - SAMPLES 36’ X 20’ ESCALATOR WALL SIGNAGE SOCIAL MEDIA CAMPAIGN - Promax SAMPLE Task & Purpose We Are The Mighty Douglas Elliman CONCEPT WORK Ruty Pentax K-02 7.5’ X 5’ PRINT SIGNAGE AWARDS PAMPHLET - SAMPLE PROMAX AWARDS: NORTH AMERICA STATION 2019. WINNERS PROMAX AWARDS: NORTH AMERICA STATION 2019. JUDGES PROMAX AWARDS: NORTH AMERICA STATION 2019. JUDGES ANDREW LENNIE JASON DOYLE SHAWN DICKERMAN DIRECTING USE OF MUSIC WITH ORIGINAL LYRICS ARI PITCHENIK JEFF PITNER SHERRY CARPENTER GOLD JORDAN SANDLER WEATHER GOLD BOB ST CHARLES JOHN KUKLA STEVE BAILEY JINGLE DEAR NEIGHBOR KADN NEWS15 MEGATRAX CUSTOM BRANDON HEYBURGH KATRINA KEHOE SUE DOBMEIER CHLOE HOUSER KELLEN DARGLE SUSAN TRACY-DURANT -
Quick Reference Guide To: How to Deliver Content to ITV Your Programme Has Been Commissioned and You Have Been Asked by ITV to Deliver a Piece of Content
July 2020 Quick Reference Guide To: How to Deliver Content to ITV Your programme has been commissioned and you have been asked by ITV to deliver a piece of content. What do you need to do and who are the contacts along the journey?..... Firstly, you will need to know who your Compliance Advisor is. If you’ve not been provided with a contact then email [email protected]. Your Advisor will be able to provide you with legal advice along the journey and will be able to provide you with lots of key information such as your unique Production Number. Another key contact is your Commissioner. They may require some deliverables from you so it’s best to have that discussion directly with them. Within this guide you will find a list of frequently asked questions with links to more detailed documents. 1. My programme will be transmitted live. Does this make a difference? 2. My programme isn’t live; so what exactly am I delivering? 3. Where do I get my Production/Clock Numbers from? 4. Where can I get my tech spec to file deliver? 5. Where do I deliver my DPP AS-11 file to? 6. I need to ensure that my programme has the ITV ‘Look & Feel’. How do I make this happen? 7. Can I make amendments to my programme after I’ve delivered it to Content Delivery? 8. Where do I send my Post Productions Scripts to? 9. What do I do if I have queries around part durations and the total runtime of my programme? 10. -
CONVERGENCE OR COLLISION? Navigating the Creative, Commercial and Regulatory Challenges Facing Media Over the Next Decade
WEDNESDAY 19 JANUARY 2011 SAÏD BUSINESS SCHOOL, UNIVERSITY OF OXFORD CONVERGENCE OR COLLISION? Navigating the creative, commercial and regulatory challenges facing media over the next decade guardian.co.uk/oxfordmediaconvention Event partner Event organisers PROGRAMME 08:50 REGISTRATION AND COFFEE 09:45 INTRODUCTION AND WELCOME Nick Pearce, director, ippr 09:50 A CITIZEN’S COMMUNICATION ACT: WHAT THE PUBLIC WANT FROM OUR MEDIA A short vox pop film 10:00 KEYNOTE SPEECH MEDIA POLICY: THE COALITION’S 10 YEAR PLAN Rt Hon Jeremy Hunt MP, secretary of state, culture, Olympics, media and sport 10:40 PLENARY PANEL MEDIA 2011: WHAT NEEDS TO CHANGE? A conversation between the public and providers In this, the Oxford Media Convention’s ninth year, we ask a panel of public representatives and a panel of providers to discuss and debate the current and future course of Britain’s media and creative industries. • How will public service provision, diversity, plurality and media literacy be preserved and promoted over the next decade? • How can public and private entities secure the UK’s position in the global media market place? • What does the future look like? How will audiences be consuming content, how will businesses be making money and what role will government have in shaping media policy and facilitating the creation of growth and infrastructure? In little over an hour and a half can these figures plot out a blueprint for creating an effective environment for growth and public provision? Moderator: Jon Snow, presenter, Channel 4 News Panel 1: Dawn Airey, president, CLT-UFA UK TV (part of the RTL Group) Richard Halton, chief executive, YouView Ashley Highfield, managing director & vice president, consumer & online UK, Microsoft Caroline Thomson, chief operating officer, BBC Panel 2: Sam Conniff, co-founder, Livity Mark Damazer, master, St. -
Channel 4 Playout Red Bee Media
CASE STUDY Channel 4 Playout Red Bee Media Summary Red Bee Broadcast Centre in White City, London is dedicated to providing a centralised playout facility for UK broadcasters. Custom built in 2003, its clients include the BBC and BBCHD, Channel Five, Virgin Media and Channel 4. One of the IDS displays in the new playout facility. The brief In 2009, Red Bee Media won the contract to host the playout services for Channel 4 and its family of channels including Film 4, E4 and More4. To fulfil the operational requirements, a large new central playout area was commissioned, supplemented by two reactive playout suites, each with an associated continuity booth with a third continuity booth situated outside the main area. We were asked to install an IDS system that met two main requirements: 1. Provide a visual link between network directors in the various playout positions and continuity announcers in their isolated booths. 2. Develop an IDS interface for the Snell Morpheus automation system to derive and display relevant next-event count-down information for in excess of 20 simultaneous channels. CASE STUDY What is IDS? The Network Director’s playout screen showing live streams from two continuity booths and a Continuity IDS is an extendable, network-based Announcer’s screen with visual link to Playout. control and display system designed specifically for the broadcast industry. The solution Consisting of dedicated software and Providing the visual link between the network directors in playout and the isolated hardware devices that use a standard TCP/IP backbone, IDS can be scaled continuity announcers was a straightforward exercise using our configuration software, to suit any installation, delivering IDS Core. -
Channel Guide August 2018
CHANNEL GUIDE AUGUST 2018 KEY HOW TO FIND WHICH CHANNELS YOU HAVE 1 PLAYER PREMIUM CHANNELS 1. Match your ENTERTAINMENT package 1 2 3 4 5 6 2 MORE to the column 100 Virgin Media Previews 3 M+ 101 BBC One If there’s a tick 4 MIX 2. 102 BBC Two in your column, 103 ITV 5 FUN you get that 104 Channel 4 6 FULL HOUSE channel ENTERTAINMENT SPORT 1 2 3 4 5 6 1 2 3 4 5 6 100 Virgin Media Previews 501 Sky Sports Main Event 101 BBC One HD 102 BBC Two 502 Sky Sports Premier 103 ITV League HD 104 Channel 4 503 Sky Sports Football HD 105 Channel 5 504 Sky Sports Cricket HD 106 E4 505 Sky Sports Golf HD 107 BBC Four 506 Sky Sports F1® HD 108 BBC One HD 507 Sky Sports Action HD 109 Sky One HD 508 Sky Sports Arena HD 110 Sky One 509 Sky Sports News HD 111 Sky Living HD 510 Sky Sports Mix HD 112 Sky Living 511 Sky Sports Main Event 113 ITV HD 512 Sky Sports Premier 114 ITV +1 League 115 ITV2 513 Sky Sports Football 116 ITV2 +1 514 Sky Sports Cricket 117 ITV3 515 Sky Sports Golf 118 ITV4 516 Sky Sports F1® 119 ITVBe 517 Sky Sports Action 120 ITVBe +1 518 Sky Sports Arena 121 Sky Two 519 Sky Sports News 122 Sky Arts 520 Sky Sports Mix 123 Pick 521 Eurosport 1 HD 132 Comedy Central 522 Eurosport 2 HD 133 Comedy Central +1 523 Eurosport 1 134 MTV 524 Eurosport 2 135 SYFY 526 MUTV 136 SYFY +1 527 BT Sport 1 HD 137 Universal TV 528 BT Sport 2 HD 138 Universal -
Technical Specification for the Delivery of Live Television Programmes To
TECHNICAL SPECIFICATION FOR THE DELIVERY OF LIVE TELEVISION PROGRAMMES TO This document outlines the technical requirements for the delivery of Live programmes, as agreed by the Digital Production Partnership Broadcasters: BBC, BT Sport, Channel 4, Channel 5, ITV, Sky, STV and TG4 The document includes the technical parameters that all Ultra-High Definition (UHD)1, High Definition (HD) and Standard Definition (SD) file delivered programmes must meet to be acceptable by the DPP broadcasters. It is set out as follows: • Part 1 Picture and sound quality and QC requirements; • Part 2 Additional technical requirements for Live programme delivery; • Part 3 Broadcaster specific requirements that are unique to ITV; Please ensure you are using the current version of this document, available here ITV Notes This section is for broadcasters to highlight updates, special requirements or specific issues. 1 Ultra-High Definition programmes can only be delivered as Files or Live. Tape cannot be used. TECHNICAL SPECIFICATION FOR THE DELIVERY OF LIVE TELEVISION PROGRAMMES Contents PART 1 – GENERAL REQUIREMENTS 4 1. Video Technical Requirements ..................................................................................................................... 5 1.1. Video Formats ............................................................................................................................................................. 5 1.1.1. Ultra-High Definition ............................................................................................................................................. -
Discovery Communications to Launch First Channel on Freeview in UK
Discovery Communications to Launch First Channel on Freeview in UK October 17, 2008 - Company Wins Competitive Auction for Position on SDN Multiplex - LONDON, Oct. 17 /PRNewswire-FirstCall/ -- Discovery Communications today announced it has secured a channel position on Freeview, the UK's digital terrestrial television (DTT) platform. The deal with UK multiplex operator, SDN Ltd, a wholly owned subsidiary of ITV plc, will see the channel launch in early 2009. (Logo: http://www.newscom.com/cgi-bin/prnh/20080918/NETH035LOGO ) The channel will draw upon Discovery Communications' vast library of high-quality factual, entertainment and lifestyle programming and also includes scripted acquisitions especially for the new channel. Discovery Communications launched its first international channel in the UK in 1989. The UK business has grown to a robust portfolio of 11 pay-TV channels available through SKY, Virgin Media and other platforms. David Zaslav, president and CEO of Discovery Communications, said, "Discovery Communications is very proud to bring its first channel to Freeview. Our first international channel launched in the UK nearly 20 years ago and the company always has been 'platform neutral' in its distribution strategy. Discovery Communications' Freeview channel will both complement and enhance our offerings and portfolio position in the critical UK market." Dan Brooke, managing director of Discovery Networks UK, added, "The UK now has the most competitive and diverse TV market in the world and the launch of a Freeview channel is an important element in expanding consumer reach. We have talked to Freeview viewers: they love our programming, and once they have sampled it, we are confident they will want to experience the richness and variety of our content on other media platforms." Jeff Henry, managing director, ITV Consumer, said: "SDN is delighted to be working with Discovery Communications to enhance Freeview's channel offering even further. -
SIMPLESTREAM SECURES FURTHER £2M FUNDING to GROW INTERNATIONALLY and ROLLOUT TVPLAYER Submitted By: Simplestream Thursday, 5 February 2015
SIMPLESTREAM SECURES FURTHER £2m FUNDING TO GROW INTERNATIONALLY AND ROLLOUT TVPLAYER Submitted by: SimpleStream Thursday, 5 February 2015 LONDON, 5th February 2015 – Simplestream, a leading provider of ‘Over-the-Top’ (OTT) live streaming services for broadcast TV channels, is pleased to announce it has secured an additional £2m in equity funding from a consortium including Beringea, a leading growth capital firm with a focus on media and technology companies, and YOLO Leisure and Technology, an AIM listed investment company. The investment will accelerate the expansion of Simplestream’s video streaming platform in the UK and internationally, and the continued development of TVPlayer, Simplestream’s B2C live TV streaming service, which is to be made available on a white-label basis. Simplestream is a leading provider of live streaming and live-to-VOD services, whose broadcast clients include Discovery Networks, Scripps Networks, Box Television, QVC, At The Races and Turner Broadcasting amongst others. Simplestream’s cloud-based Media Manager solution enables broadcasters to securely live stream broadcast content to any device with minimal latency and gain significant workflow efficiencies through the automated creation of multi-bitrate, multi-platform video files from the live stream. The generation of long-form “catchup” programming, with or without ad-breaks, and the creation of short-form video clips are supported via a single system. Such is the growth in demand for live streaming services; Simplestream has seen 100% revenue growth year on year since its Media Manager was introduced to the UK market in 2012. The company now delivers services across Europe and North America, with a focus on sport, music, news, faith and teleshopping channels. -
Highlights December 2012
If you do not currently receive our monthly highlights and would like to, please email: [email protected] Click here for press office contacts Click on logo to go directly to channel Highlights December 2012 Ben Fogle has battled scorching sands in the they try their hand at the ultimate rock climbing Sahara, taken on the seas to row the Atlantic and experience at the world famous Castleton Tower Ben Fogle’s has crossed the frozen wastes of the Antarctic in Utah. Along the way Ben will even tackle his to reach the South Pole. Now, he’s ready for his personal fears of heights with adventures such next mission as he explores the world’s greatest as cliff diving as well as a solo skydive from Year of Adventures adventures. He will take himself to towering 10,000 feet. In the first episode Ben heads to the heights and down to plunging lows as well as to Australian wilderness to take part in the world’s UK SERIES PREMIERE extreme regions where temperatures soar and largest adventure race, where he will run, bike, THURSDAYS FROM 7TH FEBRUARY, 9.00PM never see the light of day. Although all of his swim and kayak to the finishing line. To prepare he exploits are spectacular and breath taking, he is takes on an urban assault course in London and determined that they will all be adventures that attempts to swim from the infamous island prison anyone can experience. of Alcatraz in San Francisco. With his enthusiasm and determination, this action packed series is all Ben embarks on a series of challenges all across about the voyage into the unknown, facing fear the world, from ice climbing and scuba diving in and the thrill of the new. -
Can the BBC Survive the Digital Age?
Can the BBC survive the digital age? Laura Payne Neo: A Journal of Student Research March 2010 Abstract The BBC is a public service broadcaster that is highly regarded by the British television audience. However, it is subject to increasing threats to its continuing viability from digital private sector television providers. A part of the threat to the BBC is the way in which it is funded through the TV licence. This article examines the threats to the survival of the BBC through a review of relevant literature and with reference to a survey conducted by the author. The research confirms the high regard in which the BBC is held by the British public and argues for its continuing existence. 2 The BBC has been an extremely successful broadcasting company. However in the approach to the Digital Switchover it faces increasing uncertainty because of competition with new digital commercial channels which hold niche audiences. The future of broadcast television such as the BBC is uncertain, and there are many reasons why it may not survive; ‘the predictions of the death of broadcast television are every bit as loud now as were those of the end of cinema in the face of competition from television’ (Ellis, 2002, p.175). The BBC sees its purpose to support British interests in the world and has a reputation for its impartiality. The BBC is committed to the concept of public broadcasting, providing a platform for local and national debate. It has three main aims; to inform, educate and entertain. In 2001 and 2002 the BBC started operating four free to air digital television channels: ‘BBC 3, a mixed genre, entertainment-led youth channel; BBC 4, a channel for culture, science, the arts and ideas; and two children’s channels’ (Brown, 2004, p.486). -
An “Insourcing” First for the Broadcast Industry?
dB Broadcast at Red Bee Media An “insourcing” first for the Broadcast Industry? Red Bee Media and dB Broadcast established a framework agreement back in 2011, which in itself is not unusual. What is unusual, however, Some of dB Broadcast’s work is the unique way the agreement has developed at Red Bee into one which provides Red Bee with a range • Red Bee: the consolidation and of “insourcing” benefits which would be difficult technical refresh of core elements of to obtain without the investment of time and the broadcast infrastructure including the installation of a new AVID ISIS energy in relationship building that both system companies have shared in. • BBC World News: design, build and Insourcing is where a third party is brought in to test of a completely new playout system and control suite. work inside a company's facilities. Red Bee, one of the world’s leading media services • New channel BT Sport: design, build companies, has an impressive client list across and test new playout facilities for the leading broadcasters: from the BBC, UKTV, new sports channel. and Ch4 to Orange and Nike and, most • recently, BT Sport. New channel 4Seven (for Channel Four): the development and build of the continuity booth, and integration of “In October 2011 it was clear that the the new channel into the existing company’s business model needed to change Channel Four infrastructure. to manage and implement an increasing number of technical projects ,” says David • BBC Worldwide: a technical refresh of playout technology and support in Popper, Red Bee’s Head of Technology launching new service. -
TV & Radio Channels Astra 2 UK Spot Beam
UK SALES Tel: 0345 2600 621 SatFi Email: [email protected] Web: www.satfi.co.uk satellite fidelity Freesat FTA (Free-to-Air) TV & Radio Channels Astra 2 UK Spot Beam 4Music BBC Radio Foyle Film 4 UK +1 ITV Westcountry West 4Seven BBC Radio London Food Network UK ITV Westcountry West +1 5 Star BBC Radio Nan Gàidheal Food Network UK +1 ITV Westcountry West HD 5 Star +1 BBC Radio Scotland France 24 English ITV Yorkshire East 5 USA BBC Radio Ulster FreeSports ITV Yorkshire East +1 5 USA +1 BBC Radio Wales Gems TV ITV Yorkshire West ARY World +1 BBC Red Button 1 High Street TV 2 ITV Yorkshire West HD Babestation BBC Two England Home Kerrang! Babestation Blue BBC Two HD Horror Channel UK Kiss TV (UK) Babestation Daytime Xtra BBC Two Northern Ireland Horror Channel UK +1 Magic TV (UK) BBC 1Xtra BBC Two Scotland ITV 2 More 4 UK BBC 6 Music BBC Two Wales ITV 2 +1 More 4 UK +1 BBC Alba BBC World Service UK ITV 3 My 5 BBC Asian Network Box Hits ITV 3 +1 PBS America BBC Four (19-04) Box Upfront ITV 4 Pop BBC Four (19-04) HD CBBC (07-21) ITV 4 +1 Pop +1 BBC News CBBC (07-21) HD ITV Anglia East Pop Max BBC News HD CBeebies UK (06-19) ITV Anglia East +1 Pop Max +1 BBC One Cambridge CBeebies UK (06-19) HD ITV Anglia East HD Psychic Today BBC One Channel Islands CBS Action UK ITV Anglia West Quest BBC One East East CBS Drama UK ITV Be Quest Red BBC One East Midlands CBS Reality UK ITV Be +1 Really Ireland BBC One East Yorkshire & Lincolnshire CBS Reality UK +1 ITV Border England Really UK BBC One HD Channel 4 London ITV Border England HD S4C BBC One London