Red Bee IBC 2019 Interactive
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Superman-The Movie: Extended Cut the Music Mystery
SUPERMAN-THE MOVIE: EXTENDED CUT THE MUSIC MYSTERY An exclusive analysis for CapedWonder™.com by Jim Bowers and Bill Williams NOTE FROM JIM BOWERS, EDITOR, CAPEDWONDER™.COM: Hi Fans! Before you begin reading this article, please know that I am thrilled with this new release from the Warner Archive Collection. It is absolutely wonderful to finally be able to enjoy so many fun TV cut scenes in widescreen! I HIGHLY recommend adding this essential home video release to your personal collection; do it soon so the Warner Bros. folks will know that there is still a great deal of interest in vintage films. The release is only on Blu-ray format (for now at least), and only available for purchase on-line Yes! We DO Believe A Man Can Fly! Thanks! Jim It goes without saying that one of John Williams’ most epic and influential film scores of all time is his score for the first “Superman” film. To this day it remains as iconic as the film itself. From the Ruby- Spears animated series to “Seinfeld” to “Smallville” and its reappearance in “Superman Returns”, its status in popular culture continues to resonate. Danny Elfman has also said that it will appear in the forthcoming “Justice League” film. When word was released in September 2017 that Warner Home Video announced plans to release a new two-disc Blu-ray of “Superman” as part of the Warner Archive Collection, fans around the world rejoiced with excitement at the news that the 188-minute extended version of the film - a slightly shorter version of which was first broadcast on ABC-TV on February 7 & 8, 1982 - would be part of the release. -
Quick Reference Guide To: How to Deliver Content to ITV Your Programme Has Been Commissioned and You Have Been Asked by ITV to Deliver a Piece of Content
July 2020 Quick Reference Guide To: How to Deliver Content to ITV Your programme has been commissioned and you have been asked by ITV to deliver a piece of content. What do you need to do and who are the contacts along the journey?..... Firstly, you will need to know who your Compliance Advisor is. If you’ve not been provided with a contact then email [email protected]. Your Advisor will be able to provide you with legal advice along the journey and will be able to provide you with lots of key information such as your unique Production Number. Another key contact is your Commissioner. They may require some deliverables from you so it’s best to have that discussion directly with them. Within this guide you will find a list of frequently asked questions with links to more detailed documents. 1. My programme will be transmitted live. Does this make a difference? 2. My programme isn’t live; so what exactly am I delivering? 3. Where do I get my Production/Clock Numbers from? 4. Where can I get my tech spec to file deliver? 5. Where do I deliver my DPP AS-11 file to? 6. I need to ensure that my programme has the ITV ‘Look & Feel’. How do I make this happen? 7. Can I make amendments to my programme after I’ve delivered it to Content Delivery? 8. Where do I send my Post Productions Scripts to? 9. What do I do if I have queries around part durations and the total runtime of my programme? 10. -
The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH
DOCUMENT RESUME ED 425 108 SO 029 595 AUTHOR Heitzmann, William Ray TITLE The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH. PUB DATE 1998-09-00 NOTE 10p. AVAILABLE FROM National Council for History Education, 26915 Westwood Road, Suite B-2, Westlake, OH 44145-4657; Tel: 440-835-1776. PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Cartoons; Elementary Secondary Education; Figurative Language; *History Instruction; *Humor; Illustrations; Instructional Materials; *Literary Devices; *Satire; Social Studies; United States History; Visual Aids; World History IDENTIFIERS *Political Cartoons ABSTRACT This essay focuses on the ability of the political cartoon to enhance history instruction. A trend in recent years is for social studies teachers to use these graphics to enhance instruction. Cartoons have the ability to:(1) empower teachers to demonstrate excellence during lessons; (2) prepare students for standardized tests containing cartoon questions;(3) promote critical thinking as in the Bradley Commission's suggestions for developing "History's Habits of the Mind;"(4) develop students' multiple intelligences, especially those of special needs learners; and (5) build lessons that aid students to master standards of governmental or professional curriculum organizations. The article traces the historical development of the political cartoon and provides examples of some of the earliest ones; the contemporary scene is also represented. Suggestions are given for use of research and critical thinking skills in interpreting editorial cartoons. The caricature and symbolism of political cartoons also are explored. An extensive reference section provides additional information and sources for political cartoons. -
FAHRENHEIT 451 by Ray Bradbury This One, with Gratitude, Is for DON CONGDON
FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I: THE HEARTH AND THE SALAMANDER IT WAS A PLEASURE TO BURN. IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, Does% burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his Montag% face muscles, in the dark. -
Ocean-Themed Resort Atlantis, the Palm, Gives
OCEAN-THEMED RESORT ATLANTIS, THE PALM, GIVES GUESTS AND VISITORS THE CHANCE TO LIVE LIKE THE SUPER HERO WITH THE ULTIMATE “AQUAMAN” MOVIE- INSPIRED PACKAGE As the official hotel partner of the Warner Bros. Pictures action adventure “Aquaman”, Atlantis is giving fans the chance to “breathe”, walk and live underwater, just like the aquatic DC Super Hero DUBAI, United Arab Emirates – Atlantis, The Palm in Dubai has partnered with Warner Bros. Pictures for the “Aquaman” movie launch, to give guests and visitors a taste of what it’s like to live the life of the aquatic Super Hero. The ocean-themed entertainment resort is offering fans a chance to harness Aquaman’s superpowers by “breathing” underwater and exploring the deep, with 20% off general online admission prices on all dive activities in The Ambassador Lagoon on visits from 12th December until 31st January 2019. Guests simply need to present an Aquaman movie ticket/receipt to redeem on activities including Atlantis Aquatrek, Ray Feeding, Shark Safari, Ultimate Snorkel, Dive Discovery, Dive Explorer and the chilling Predator Dive. Bookings can be made at The Lost Chambers Aquarium Ticketing Plaza or by calling 04 426 1040. As the official hotel partner of the movie, the iconic entertainment resort destination—which majestically rises from the Arabian Gulf—has also pulled together the ultimate “Aquaman Package”, giving guests the chance to live just like the half-surface dweller, half-Atlantean and heir to the throne of the underwater city of Atlantis. Worth an impressive AED 50,200, the ultimate “Aquaman Package” includes: • A stay for two adults in an Underwater Suite for two nights. -
Channel 4 Playout Red Bee Media
CASE STUDY Channel 4 Playout Red Bee Media Summary Red Bee Broadcast Centre in White City, London is dedicated to providing a centralised playout facility for UK broadcasters. Custom built in 2003, its clients include the BBC and BBCHD, Channel Five, Virgin Media and Channel 4. One of the IDS displays in the new playout facility. The brief In 2009, Red Bee Media won the contract to host the playout services for Channel 4 and its family of channels including Film 4, E4 and More4. To fulfil the operational requirements, a large new central playout area was commissioned, supplemented by two reactive playout suites, each with an associated continuity booth with a third continuity booth situated outside the main area. We were asked to install an IDS system that met two main requirements: 1. Provide a visual link between network directors in the various playout positions and continuity announcers in their isolated booths. 2. Develop an IDS interface for the Snell Morpheus automation system to derive and display relevant next-event count-down information for in excess of 20 simultaneous channels. CASE STUDY What is IDS? The Network Director’s playout screen showing live streams from two continuity booths and a Continuity IDS is an extendable, network-based Announcer’s screen with visual link to Playout. control and display system designed specifically for the broadcast industry. The solution Consisting of dedicated software and Providing the visual link between the network directors in playout and the isolated hardware devices that use a standard TCP/IP backbone, IDS can be scaled continuity announcers was a straightforward exercise using our configuration software, to suit any installation, delivering IDS Core. -
Werner Herzog Interview with a Legend
July/August 2019 Werner Herzog Interview with a legend David Harewood | Alex Scott | The South Bank Show CREATE MAXIMUM IMPACT WITH MUSIC A collection of epic music composed, recorded and produced specifically for film trailers and broadcast programming, from stirring emotional drama to apocalyptic action. AVAILABLE FOR LICENCE AT AUDIONETWORK.COM/DISCOVER/MAXIMUMIMPACT FIND OUT MORE: Rebecca Hodges [email protected] (0)207 566 1441 1012-RTS ADVERTS-MAX_IMPACT-V2.indd 1 25/06/2019 09:31 Journal of The Royal Television Society July/August 2019 l Volume 56/7 From the CEO We have just enjoyed We had a full house as some of televi- creative icon, Werner Herzog. His new two outstanding sion’s most successful storytellers BBC Arena film, focusing on his rela- national RTS events, shared their approaches to their craft. tionship with Bruce Chatwin, is some- the RTS Student Tele- I am very grateful to the event’s joint thing to look forward to this autumn. vision Awards and a organisers, Directors Cut Productions, Don’t miss Simon Shaps’s incisive live South Bank Show Sky Arts and Premier. review of a new book that analyses the special devoted to the I am thrilled that Alex Scott found the recent battle to own Sky, and Stewart art of screenwriting. Many thanks to time to write this edition’s Our Friend Purvis’s account of how the politics of all of you who worked hard to make column. The Women’s World Cup Brexit are challenging news broadcast- these happen. Congratulations to all really did capture and hold the pub- ers and what impartiality means in a the nominees and winners of the lic’s imagination: England’s semi-final fragmenting political landscape. -
Technical Specification for the Delivery of Live Television Programmes To
TECHNICAL SPECIFICATION FOR THE DELIVERY OF LIVE TELEVISION PROGRAMMES TO This document outlines the technical requirements for the delivery of Live programmes, as agreed by the Digital Production Partnership Broadcasters: BBC, BT Sport, Channel 4, Channel 5, ITV, Sky, STV and TG4 The document includes the technical parameters that all Ultra-High Definition (UHD)1, High Definition (HD) and Standard Definition (SD) file delivered programmes must meet to be acceptable by the DPP broadcasters. It is set out as follows: • Part 1 Picture and sound quality and QC requirements; • Part 2 Additional technical requirements for Live programme delivery; • Part 3 Broadcaster specific requirements that are unique to ITV; Please ensure you are using the current version of this document, available here ITV Notes This section is for broadcasters to highlight updates, special requirements or specific issues. 1 Ultra-High Definition programmes can only be delivered as Files or Live. Tape cannot be used. TECHNICAL SPECIFICATION FOR THE DELIVERY OF LIVE TELEVISION PROGRAMMES Contents PART 1 – GENERAL REQUIREMENTS 4 1. Video Technical Requirements ..................................................................................................................... 5 1.1. Video Formats ............................................................................................................................................................. 5 1.1.1. Ultra-High Definition ............................................................................................................................................. -
Claimed Studios Self Reliance Music 779
I / * A~V &-2'5:~J~)0 BART CLAHI I.t PT. BT I5'HER "'XEAXBKRS A%9 . AFi&Lkz.TKB 'GMIG'GCIKXIKS 'I . K IUOF IH I tt J It, I I" I, I ,I I I 681 P U B L I S H E R P1NK FLOWER MUS1C PINK FOLDER MUSIC PUBLISH1NG PINK GARDENIA MUSIC PINK HAT MUSIC PUBLISHING CO PINK 1NK MUSIC PINK 1S MELON PUBL1SHING PINK LAVA PINK LION MUSIC PINK NOTES MUS1C PUBLISHING PINK PANNA MUSIC PUBLISHING P1NK PANTHER MUSIC PINK PASSION MUZICK PINK PEN PUBLISHZNG PINK PET MUSIC PINK PLANET PINK POCKETS PUBLISHING PINK RAMBLER MUSIC PINK REVOLVER PINK ROCK PINK SAFFIRE MUSIC PINK SHOES PRODUCTIONS PINK SLIP PUBLISHING PINK SOUNDS MUSIC PINK SUEDE MUSIC PINK SUGAR PINK TENNiS SHOES PRODUCTIONS PiNK TOWEL MUSIC PINK TOWER MUSIC PINK TRAX PINKARD AND PZNKARD MUSIC PINKER TONES PINKKITTI PUBLISH1NG PINKKNEE PUBLISH1NG COMPANY PINKY AND THE BRI MUSIC PINKY FOR THE MINGE PINKY TOES MUSIC P1NKY UNDERGROUND PINKYS PLAYHOUSE PZNN PEAT PRODUCTIONS PINNA PUBLISHING PINNACLE HDUSE PUBLISHING PINOT AURORA PINPOINT HITS PINS AND NEEDLES 1N COGNITO PINSPOTTER MUSIC ZNC PZNSTR1PE CRAWDADDY MUSIC PINT PUBLISHING PINTCH HARD PUBLISHING PINTERNET PUBLZSH1NG P1NTOLOGY PUBLISHING PZO MUSIC PUBLISHING CO PION PIONEER ARTISTS MUSIC P10TR BAL MUSIC PIOUS PUBLISHING PIP'S PUBLISHING PIPCOE MUSIC PIPE DREAMER PUBLISHING PIPE MANIC P1PE MUSIC INTERNATIONAL PIPE OF LIFE PUBLISHING P1PE PICTURES PUBLISHING 882 P U B L I S H E R PIPERMAN PUBLISHING P1PEY MIPEY PUBLISHING CO PIPFIRD MUSIC PIPIN HOT PIRANA NIGAHS MUSIC PIRANAHS ON WAX PIRANHA NOSE PUBL1SHING P1RATA MUSIC PIRHANA GIRL PRODUCTIONS PIRiN -
The Very Handy Bee Manual
The Very Handy Manual: How to Catch and Identify Bees and Manage a Collection A Collective and Ongoing Effort by Those Who Love to Study Bees in North America Last Revised: October, 2010 This manual is a compilation of the wisdom and experience of many individuals, some of whom are directly acknowledged here and others not. We thank all of you. The bulk of the text was compiled by Sam Droege at the USGS Native Bee Inventory and Monitoring Lab over several years from 2004-2008. We regularly update the manual with new information, so, if you have a new technique, some additional ideas for sections, corrections or additions, we would like to hear from you. Please email those to Sam Droege ([email protected]). You can also email Sam if you are interested in joining the group’s discussion group on bee monitoring and identification. Many thanks to Dave and Janice Green, Tracy Zarrillo, and Liz Sellers for their many hours of editing this manual. "They've got this steamroller going, and they won't stop until there's nobody fishing. What are they going to do then, save some bees?" - Mike Russo (Massachusetts fisherman who has fished cod for 18 years, on environmentalists)-Provided by Matthew Shepherd Contents Where to Find Bees ...................................................................................................................................... 2 Nets ............................................................................................................................................................. 2 Netting Technique ...................................................................................................................................... -
Hawkman in the Bronze Age!
HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C. -
Superwoman Syndrome
January 2015 Superwoman Syndrome Upcoming Thursday, January 22nd AWL Meetings 5:30-7:00 p.m. & Special Events Marquette University Law School Ray & Kay Eckstein Hall Community Outreach 1215 W. Michigan Street, 4th Floor Conference Center Committee Meeting Thursday, January 8 Complimentary visitor parking available in the underground structure Noon-1:30 p.m. Join AWL and Marquette Law School’s student organization for a networking event, in- Walny Legal Group cluding appetizers and cash bar, followed by a one-hour presentation by Rhonda Noordyk, 751 N. Jefferson St. certified women’s leadership coach and founder of the Women’s Financial Wellness Center. Rhonda will talk about the “Superwoman Syndrome” and discuss ways to communicate Estate Planning more effectively with peers and clients and to gain confidence in working with others. For Discussion Group more information about Rhonda or the Women’s Financial Wellness center, visit her website. Intellectual Property Issues Wednesday, January 21 The charge for members is $15 before January 12 and $20 after. Noon-1:30 p.m. Non-members are welcome at $20 before January 12 and $25 after. Law students Godfrey & Kahn, S.C. may attend at no cost. Please RSVP with payment by Monday, January 19 at 5 p.m. 780 N. Water St. using the form below or register and pay online at www.associationforwomenlawyers.org. The Superwoman Syndrome Rhonda Noordyk Thursday, January 22 Networking Event: Superwoman Syndrome 5:30-7 p.m. Name Firm Member? Marquette University Law School __________________________________________________________________________________ yes no Women Judges’ Night __________________________________________________________________________________ yes no Keynote speaker: __________________________________________________________________________________ yes no Hon.