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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
312826-Sample.Pdf
Fox Features was one of the earliest comic-book publishers during the golden age of comics. Started by Victor Fox and Bob Farell in 1939, reportedly after Fox was working as an accountant for National Periodicals (DC Comics) and saw the sales figures for Action Comics #1. Fox initially hired the the Eisner-Iger studios to produce the creative content for their anthology books including: Mystery Men, Fantastic Comics and Wonderworld Comics. The latter of these titles was re-titled from Wonder Comics after National sued Fox for allegedly copying the Cover feature, Wonderman from Superman. Legendary comics creator Will Eisner, the creator of the character and his one and only (golden age) appearence, was called to testify. Eisner testified that Wonderman was an original creation but that Victor Fox had directly asked him to “Make him his own Superman” Fox lost the case and ceased publication of Wonderman. He also cut ties with the Iger-Eisner studio and hired another comics legend to edit and produce the companies creative work, Joe Simon. Sample file The Dart The Eagle The Moth Dynamo Dynamite thor Created by: Louis Cazeneuve (both the Dart and the Eagle), Jim Mooney, SampleRobert Webb, file Grieg Chapian and Wright Lincoln. The Linx National (DC) sued Victor Fox in late 1939, claiming that the character Wonderman was a direct copy of Superman. Wonderman’s creator, comics legend Will Eisner, testified that though the character was an original creation, Victor Fox had asked him to “make me my own Superman.” Hiring Joe Simon’s fledgling studio to provide content, Fox Features continued to build on the characters they had started the year before as the 1940s began. -
Superman-The Movie: Extended Cut the Music Mystery
SUPERMAN-THE MOVIE: EXTENDED CUT THE MUSIC MYSTERY An exclusive analysis for CapedWonder™.com by Jim Bowers and Bill Williams NOTE FROM JIM BOWERS, EDITOR, CAPEDWONDER™.COM: Hi Fans! Before you begin reading this article, please know that I am thrilled with this new release from the Warner Archive Collection. It is absolutely wonderful to finally be able to enjoy so many fun TV cut scenes in widescreen! I HIGHLY recommend adding this essential home video release to your personal collection; do it soon so the Warner Bros. folks will know that there is still a great deal of interest in vintage films. The release is only on Blu-ray format (for now at least), and only available for purchase on-line Yes! We DO Believe A Man Can Fly! Thanks! Jim It goes without saying that one of John Williams’ most epic and influential film scores of all time is his score for the first “Superman” film. To this day it remains as iconic as the film itself. From the Ruby- Spears animated series to “Seinfeld” to “Smallville” and its reappearance in “Superman Returns”, its status in popular culture continues to resonate. Danny Elfman has also said that it will appear in the forthcoming “Justice League” film. When word was released in September 2017 that Warner Home Video announced plans to release a new two-disc Blu-ray of “Superman” as part of the Warner Archive Collection, fans around the world rejoiced with excitement at the news that the 188-minute extended version of the film - a slightly shorter version of which was first broadcast on ABC-TV on February 7 & 8, 1982 - would be part of the release. -
The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH
DOCUMENT RESUME ED 425 108 SO 029 595 AUTHOR Heitzmann, William Ray TITLE The Power of Political Cartoons in Teaching History. Occasional Paper. INSTITUTION National Council for History Education, Inc., Westlake, OH. PUB DATE 1998-09-00 NOTE 10p. AVAILABLE FROM National Council for History Education, 26915 Westwood Road, Suite B-2, Westlake, OH 44145-4657; Tel: 440-835-1776. PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Cartoons; Elementary Secondary Education; Figurative Language; *History Instruction; *Humor; Illustrations; Instructional Materials; *Literary Devices; *Satire; Social Studies; United States History; Visual Aids; World History IDENTIFIERS *Political Cartoons ABSTRACT This essay focuses on the ability of the political cartoon to enhance history instruction. A trend in recent years is for social studies teachers to use these graphics to enhance instruction. Cartoons have the ability to:(1) empower teachers to demonstrate excellence during lessons; (2) prepare students for standardized tests containing cartoon questions;(3) promote critical thinking as in the Bradley Commission's suggestions for developing "History's Habits of the Mind;"(4) develop students' multiple intelligences, especially those of special needs learners; and (5) build lessons that aid students to master standards of governmental or professional curriculum organizations. The article traces the historical development of the political cartoon and provides examples of some of the earliest ones; the contemporary scene is also represented. Suggestions are given for use of research and critical thinking skills in interpreting editorial cartoons. The caricature and symbolism of political cartoons also are explored. An extensive reference section provides additional information and sources for political cartoons. -
FAHRENHEIT 451 by Ray Bradbury This One, with Gratitude, Is for DON CONGDON
FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I: THE HEARTH AND THE SALAMANDER IT WAS A PLEASURE TO BURN. IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, Does% burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his Montag% face muscles, in the dark. -
The Impact of the Male Gaze and the Final Girl on Theatrical Conflict
Murray State's Digital Commons Liberal Arts Capstones College of Humanities and Fine Arts 12-2016 Rivalry in Toyer: The Impact of the Male Gaze and the Final Girl on Theatrical Conflict Sento Ashby Murray State University Follow this and additional works at: https://digitalcommons.murraystate.edu/lbacapstone Part of the Dramatic Literature, Criticism and Theory Commons Recommended Citation Ashby, Sento, "Rivalry in Toyer: The Impact of the Male Gaze and the Final Girl on Theatrical Conflict" (2016). Liberal Arts Capstones. 6. https://digitalcommons.murraystate.edu/lbacapstone/6 This Dissertation/Thesis is brought to you for free and open access by the College of Humanities and Fine Arts at Murray State's Digital Commons. It has been accepted for inclusion in Liberal Arts Capstones by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. Rivalry in Toyer : The Impact of the Male Gaze and the Final Girl on Theatrical Conflict D. Vincent “Sento” Ashby Transcribed by Ardee Tebeal LBA 438 December 2016 ________________________________________ Matthew Crider, Mentor, Theatre ________________________________________ Dr. Barbara Cobb, Mentor, LBA Coordinator Table of Contents Selective Perceptions Influenced by Gender Norms 1 Phallocentrism, Iron Man 2, and Acting Method 2 Iron Man 2 3 Selective Perception and Gender Roles in “The Legends of Tomorrow” 8 Selective Perception 8 Feminism and Superheroes 13 The Final Girl 13 Batman v. Superman 14 Advertisement for X-Men: Apocalypse 16 Relevance of Current Literature to Stage Combat 16 Introduction to Toyer 17 Peter 17 Maude 21 The Male Gaze versus the Final Girl 24 References 27 Abstract Although much progress has been made in recent years, traditional gender roles still permeate society. -
Ocean-Themed Resort Atlantis, the Palm, Gives
OCEAN-THEMED RESORT ATLANTIS, THE PALM, GIVES GUESTS AND VISITORS THE CHANCE TO LIVE LIKE THE SUPER HERO WITH THE ULTIMATE “AQUAMAN” MOVIE- INSPIRED PACKAGE As the official hotel partner of the Warner Bros. Pictures action adventure “Aquaman”, Atlantis is giving fans the chance to “breathe”, walk and live underwater, just like the aquatic DC Super Hero DUBAI, United Arab Emirates – Atlantis, The Palm in Dubai has partnered with Warner Bros. Pictures for the “Aquaman” movie launch, to give guests and visitors a taste of what it’s like to live the life of the aquatic Super Hero. The ocean-themed entertainment resort is offering fans a chance to harness Aquaman’s superpowers by “breathing” underwater and exploring the deep, with 20% off general online admission prices on all dive activities in The Ambassador Lagoon on visits from 12th December until 31st January 2019. Guests simply need to present an Aquaman movie ticket/receipt to redeem on activities including Atlantis Aquatrek, Ray Feeding, Shark Safari, Ultimate Snorkel, Dive Discovery, Dive Explorer and the chilling Predator Dive. Bookings can be made at The Lost Chambers Aquarium Ticketing Plaza or by calling 04 426 1040. As the official hotel partner of the movie, the iconic entertainment resort destination—which majestically rises from the Arabian Gulf—has also pulled together the ultimate “Aquaman Package”, giving guests the chance to live just like the half-surface dweller, half-Atlantean and heir to the throne of the underwater city of Atlantis. Worth an impressive AED 50,200, the ultimate “Aquaman Package” includes: • A stay for two adults in an Underwater Suite for two nights. -
Dove, Inc. July 2021 Dovetales
DoveTales the newsletter of Dove, Inc. July 2021 Barbara Blakey Editor Issue 2021 • 07 Published Monthly In Loving Memory of Ray Batman July 16, 1944 ~ June 29, 2021 As we were finishing this July newsletter, we heard the news that our beloved Ray Batman had Dove, Inc. passed away on June 29. Ray had been the first employee of Dove and key to the process of work- ing with the congregations founding this organization. Ray had retired from Dove in December 302 S. Union of 2011. Decatur, IL 62522 As many of us now mourn our leader-boss-mentor-friend, we want to share of his passing and 217.428.6616 send our heartfelt prayers to Missy and his family. Board, staff, supporters and friends will come [email protected] together to begin a process for memorializing Ray. But for now, we would like for you to consider sharing a remembrance of Ray; it may be a few lines or a few paragraphs. We will only be sharing stories in relationship with Dove. Some may be posted in an upcoming newsletter or on our blog. Please send any submissions to [email protected] Dove's Mission Dove is an organization that engages religious institutions, volunteers, and advocates seeking to coordinate efforts to address unmet needs and social injustices. These needs are met through coordinated programs focusing on domestic violence, homelessness, education, volunteer and community empowerment, and individual emergency need fulfillment. Dove works for justice, equality, and understanding among all people. Leadership Team In anticipation of the eviction moratorium ending soon, Tamara Wilcox, Executive Director the City of Decatur and Dove will host an Barbara Blakey, Director of Volunteers & Community Relations informational meeting between area landlords and service providers to be better prepared for the upcoming evictions. -
The Very Handy Bee Manual
The Very Handy Manual: How to Catch and Identify Bees and Manage a Collection A Collective and Ongoing Effort by Those Who Love to Study Bees in North America Last Revised: October, 2010 This manual is a compilation of the wisdom and experience of many individuals, some of whom are directly acknowledged here and others not. We thank all of you. The bulk of the text was compiled by Sam Droege at the USGS Native Bee Inventory and Monitoring Lab over several years from 2004-2008. We regularly update the manual with new information, so, if you have a new technique, some additional ideas for sections, corrections or additions, we would like to hear from you. Please email those to Sam Droege ([email protected]). You can also email Sam if you are interested in joining the group’s discussion group on bee monitoring and identification. Many thanks to Dave and Janice Green, Tracy Zarrillo, and Liz Sellers for their many hours of editing this manual. "They've got this steamroller going, and they won't stop until there's nobody fishing. What are they going to do then, save some bees?" - Mike Russo (Massachusetts fisherman who has fished cod for 18 years, on environmentalists)-Provided by Matthew Shepherd Contents Where to Find Bees ...................................................................................................................................... 2 Nets ............................................................................................................................................................. 2 Netting Technique ...................................................................................................................................... -
Blockchain Technology: Local Government Applications and Challenges
BLOCKCHAIN TECHNOLOGY: LOCAL GOVERNMENT APPLICATIONS AND CHALLENGES An International City/County Management Association (ICMA) and Government Finance Officers Association (GFOA) White Paper November 2018 Contents Executive Summary .................................................................................................................................................3 Introduction ...............................................................................................................................................................3 Blockchain Basics .....................................................................................................................................................4 Improving Local Government Services and Empowering Communities with Blockchain ........................6 Applications of Blockchain in Local Government – Case Studies .................................................................7 Risks and Challenges Associated with Government Use of Blockchain Technology ..............................13 Conclusion ...............................................................................................................................................................14 References ...............................................................................................................................................................15 ICMA Governmental Affairs and Policy Committee 2018–2019 ................................................................17 A policy issue white paper -
GENIUS BRANDS INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): July 15, 2020 GENIUS BRANDS INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) Nevada 001-37950 20-4118216 (State or other jurisdiction (Commission File Number) (IRS Employer of incorporation) Identification No.) 190 N. Canon Drive, 4th Fl. Beverly Hills, CA 90210 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (310) 273-4222 ________________________________________________________ (Former name or former address, if changed since last report) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2 below): o Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) o Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) o Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) o Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered Common Stock, par value $0.001 per share GNUS The Nasdaq Capital Market Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter). -
MLJ's Silver Age Revivals
ASK MR. SHUTTSILVER AGE “Too Many Super Heroes” doesn’t really do this group justice MLJ’s Silver Age revivals by CRAIG SHUTT Dear Mr. Silver Age, I’m a big fan of The Fly and Fly Girl, and I understand they were members of a super-hero team. Do you know who else was a member? Betty C. Riverdale Mr. Silver Age says: I sure do, Bets, and you’ll be happy to hear that a few of those stalwart super-heroes are returning to the pages of DC’s comic books. The first to arrive are The Shield, The Web, The Hangman, and Inferno. They’re being touted as the heroes from Archie Comics’ short-lived Red Circle line of the 1980s, but they all got their start much earlier than that, including brief appearances in the Silver Age. During those halcyon days, they all were members of (or at least tried out for) The Mighty Crusaders! And, if the new adventures prove popular, there are plenty more heroes awaiting their own revival. The Mighty Crusaders, Archie’s response to the mid-1960s success of super-hero teams, got their start in Fly Man #31 (May 65). The team consisted of The Shield, Black Hood, The Comet, Fly Man (né The Fly), and Fly Girl. The first three were revived versions of Golden Age characters, while the latter two starred in their own Silver Age series. The heroes teamed up for several issues and then began individual back-up adventures through #39. They also starred in seven issues of Mighty Crusaders starting with #1 (Nov 65) and then took over Fly Man in various combinations, when it became Mighty Comics with #40 (Nov 66).