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ANNUAL REPORT Report for the Fiscal Year July 1, 2018–June 30, 2019
ANNUAL REPORT Report for the fiscal year July 1, 2018–June 30, 2019 1 ANNUAL REPORT Report for the fiscal year July 1, 2018– June 30, 2019 CONTENTS Director’s Foreword..........................................................3 Milestones ................................................................5 Acquisitions ...............................................................6 Notable Library Acquisitions .................... .............................8 Exhibitions ............................................................... 9 Loans ...................................................................12 Clark Fellows .............................................................14 Scholarly Programs ........................................................15 Publications ..............................................................18 Library ..................................................................19 Education ............................................................... 20 Member Events .......................................................... 21 Public Programs ...........................................................24 New Employee List .........................................................34 Financial Report .......................................................... 35 DIRECTOR’S FOREWORD The Clark Art Institute stands with its historic beauty, welcoming visitors to Williamstown and demonstrating its ability to expand and grow as an institution. This year was marked with some exceptional special exhibitions, exciting -
European Revivals from Dreams of a Nation to Places of Transnational Exchange
European Revivals From Dreams of a Nation to Places of Transnational Exchange EUROPEAN REVIVALS From Dreams of a Nation to Places of Transnational Exchange FNG Research 1/2020 Akseli Gallen-Kallela, Illustration for the novel, Seven Brothers, by Aleksis Kivi, 1907, watercolour and pencil, 23.5cm x 31.5cm. Ahlström Collection, Finnish National Gallery / Ateneum Art Museum Photo: Finnish National Gallery / Hannu Aaltonen European Revivals From Dreams of a Nation to Places of Transnational Exchange European Revivals From Dreams of a Nation to Places of Transnational Exchange European Revivals. From Dreams of a Nation to Places of Transnational Exchange FNG Research 1/2020 Publisher Finnish National Gallery, Helsinki Editors-in-Chief Anna-Maria von Bonsdorff and Riitta Ojanperä Editor Hanna-Leena Paloposki Language Revision Gill Crabbe Graphic Design Lagarto / Jaana Jäntti and Arto Tenkanen Printing Nord Print Oy, Helsinki, 2020 Copyright Authors and the Finnish National Gallery Web magazine and web publication https://research.fng.fi/ ISBN 978-952-7371-08-4 (paperback) ISBN 978-952-7371-09-1 (pdf) ISSN 2343-0850 (FNG Research) Table of Contents Foreword .................................................................................................. vii ANNA-MARIA VON BONSDORFF AND RIITTA OJANPERÄ VISIONS OF IDENTITY, DREAMS OF A NATION Ossian, Kalevala and Visual Art: a Scottish Perspective ........................... 3 MURDO MACDONALD Nationality and Community in Norwegian Art Criticism around 1900 .................................................. 23 TORE KIRKHOLT Celticism, Internationalism and Scottish Identity: Three Key Images in Focus ...................................................................... 49 FRANCES FOWLE Listening to the Voices: Joan of Arc as a Spirit-Medium in the Celtic Revival .............................. 65 MICHELLE FOOT ARTISTS’ PLACES, LOCATION AND MEANING Inventing Folk Art: Artists’ Colonies in Eastern Europe and their Legacy ............................. -
Contemporary Muisca Indigenous Sounds in the Colombian Andes
Nymsuque: Contemporary Muisca Indigenous Sounds in the Colombian Andes Beatriz Goubert Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Beatriz Goubert All rights reserved ABSTRACT Nymsuque: Contemporary Muisca Indigenous Sounds in the Colombian Andes Beatriz Goubert Muiscas figure prominently in Colombian national historical accounts as a worthy and valuable indigenous culture, comparable to the Incas and Aztecs, but without their architectural grandeur. The magnificent goldsmith’s art locates them on a transnational level as part of the legend of El Dorado. Today, though the population is small, Muiscas are committed to cultural revitalization. The 19th century project of constructing the Colombian nation split the official Muisca history in two. A radical division was established between the illustrious indigenous past exemplified through Muisca culture as an advanced, but extinct civilization, and the assimilation politics established for the indigenous survivors, who were considered degraded subjects to be incorporated into the national project as regular citizens (mestizos). More than a century later, and supported in the 1991’s multicultural Colombian Constitution, the nation-state recognized the existence of five Muisca cabildos (indigenous governments) in the Bogotá Plateau, two in the capital city and three in nearby towns. As part of their legal battle for achieving recognition and maintaining it, these Muisca communities started a process of cultural revitalization focused on language, musical traditions, and healing practices. Today’s Muiscas incorporate references from the colonial archive, archeological collections, and scholars’ interpretations of these sources into their contemporary cultural practices. -
E-News from the Danish Immigrant Museum
FEBRUARY 2013 E-News from The Danish Immigrant Museum What's Up at the Museum? Houston/Danevang Board Meeting The museum’s board of directors held its winter meeting, February 7 – 9, in Houston, Texas. On Thursday, board members and staff were invited to tour the Holocaust Museum Houston and enjoy a traditional Danish dinner prepared by Soren Pedersen, chef and co-owner of Sorrel Urban Bistro. Friday, the group traveled to the Danish Heritage Museum of Danevang where committee meetings were held and members of the Danish Heritage Preservation Society served an authentic Texas BBQ lunch. Meetings resumed and Angela Stanford, our Curator of Collections/Registrar, held a workshop entitled “How to Catalog and Care for Artifact Collections” for members of the DHPS board. The musem's 92nd board meeting was held on Saturday morning with a bit of free time following. We were honored to host nearly 50 guests at the evening banquet with representation from Houston members of The Danish Immigrant Museum, the Danish Club of Houston, Danish American Chamber of Commerce of the Southwest, the Danish Saturday School Vikingeskolen, Holocaust Museum Houston and Honorary Consul Ray Daugbjerg. The program for the banquet was “Saving the Hanne Frank” presented by Walter Hansen, a conservator working with the Holocaust Museum Houston to restore the 1940s-era Danish fishing boat, now in their permanent collection, that represents the boats that carried Danish Jews to safety in Sweden in 1943. Also in attendance was museum board member and Vice Consul of Houston, Anna Thomsen Holliday, who was instrumental in securing the boat for the Holocaust Museum. -
The Denver Art Museum to Present National Debut of Her Paris
FOR IMMEDIATE RELEASE MEDIA CONTACTS: Chelsea Beroza, 212-671-5160 [email protected] Juliet Vincente, 212-671-5154 [email protected] Images available upon request. The Denver Art Museum to Present National Debut of Her Paris: Women Artists in the Age of Impressionism Through more than 80 paintings, the fall 2017 exhibition will explore the artistic production of women in Paris between 1850-1900, including Berthe Morisot, Mary Cassatt and Marie Bracquemond DENVER—March 16, 2017—The Denver Art Museum (DAM) is proud to present the national debut of Her Paris: Women Artists in the Age of Impressionism, a traveling exhibition organized by the American Federation of Arts (AFA), from Oct. 22, 2017 to Jan. 14, 2018. The exhibition surveys the remarkable artistic production of women in Paris during the second half of the 19th century, a time of great social, cultural and artistic change, revealing the breadth and strength of their achievements. Her Paris: Women Artists in the Age of Impressionism will feature more than 80 paintings by 37 women artists from across Europe and America, who migrated to Paris to further their artistic careers. They range from well-known artists such as Berthe Morisot (French), Mary Cassatt (American) and Rosa Bonheur (French), to painters who are lesser-known in the United Berthe Morisot (French, 1841-1895), The Lesson in the Garden, 1886. Oil on canvas; 23-9/16 x 28-3/4 in. Collection of Frederic C. Hamilton, bequeathed to the Denver Art States, including Anna Ancher (Danish) and Paula Museum. Courtesy American Federation of Arts. Modersohn-Becker (German). -
SPANISH ECLAC Economic Commission
Distr. RESTRICTED LC/R.572 9 October 1987 ENGLISH ORIGINAL: SPANISH E C L A C Economic Commission for Latin America and the Caribbean CASE STUDY: THE BOGOTA RIVER BASIN */ Summary */ This report was prepared by Mr. Jaime Saldarriaga, Consultant of the project "Horizontal co-operation in water resources management in Latin America and the Caribbean", financed by the Government of the Federal Republic of Germany. The author alone is responsible for the views expressed in this paper, which may not be those of the Organization. 87-10-1478 k * - iii - CONTENTS Page INTRODUCTION 1 I. RESOURCES WITHIN THE WATER SYSTEM 2 A. PHYSICAL FEATURES 2 1. General characteristics of the basin 2 2. Physical boundaries Of the water system 3 B. TECHNICAL FEATURES OF THE WATER SYSTEM 3 1. History 3 2. Reservoirs 5 3. Control structures 6 4. Pumping station 6 5. Water supply systems , 6 6. Sewer systems 6 7. Irrigation and drainage systems 7 8. Hydroelectric power plants 8 C. ECONOMIC AND SOCIAL STRUCTURE OF THE WATER SYSTEM 8 1. Boundaries 8 2. Economic structure of the region 8 D. ADMINISTRATION OF THE WATER SYSTEM 9 1. Administrative agency 9 2. User agencies 10 3. Organizational structure of CAR 10 4. Co-ordination mechanisms 10 E. FINANCIAL RESOURCES OF THE WATER SYSTEM 10 1. Sources of financing for the system 10 2. Income 11 3. investment and expenditures 11 iv Page II. EVALUATION OF THE MANAGEMENT SYSTEM 11 A. EXTERNAL FACTORS . 11 1. Biophysical aspects 11 2. Political aspects 12 3. National economic policy 12 4. -
Scanned by Scan2net
CHIBCHA LEGENDS IN COLOMBIAN LITERATURE A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN SPANISH IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN'S UNIVERSITY COLLEGE OF AR TS AND SCIENCES BY EDWINA TOOLEY MARTIN, B.A . DENTON, TEXAS MAY, 1962 Texas Woman's University University Hill Denton, Texas _________________________ May • _________________ 19 q_g__ __ W e hereby recommend that the thesis prepared under om supervision by -----'E'---'d"-'w"-'1=-· n=-=a ----"'T'--"o'--'o'-'l=-e=-y.,__c...cM-=a-=r-=t-=i'-'-n'-------- entitled Chibcha Legends in Colombian Literature be accepted as fulfilling this part of the requirements for the D egree of Master of Arts. Committee Chairman Accepted: ~f~ ... 1-80411 PREFACE La legende traduit les sentiments reels des peuples. Gustav Le Bon For centuries the golden treasure of the pre-conquest inhabitants of Colombia, South America, has captured man's imagination. The various legends of El DQrado led to the exploration of half of the South Am erican continent and the discovery of the Amazon River. It also lured Sir Walter Raleigh on the ill-fated expedition that finally cost him his head in the tower of London. These legends have inspired Colombia's men of letters and interested such foreign writers as Milton, Voltaire, and Andres/ Bello. Although it is true that the imaginative and psychological aspects of the legends are of particular interest to the student of a foreign culture, a legend may contain elements of historical truth also. Since these legends pro- vide insight into the early history of Colombia, an effort to find and preserve them has been made. -
Copyright by Maria José Afanador-Llach 2016
Copyright by Maria José Afanador-Llach 2016 The Dissertation Committee for Maria José Afanador-Llach Certifies that this is the approved version of the following dissertation: Political Economy, Geographical Imagination, and Territory in the Making and Unmaking of New Granada, 1739-1830 APPROVED BY SUPERVISING COMMITTEE: Supervisor: Jorge Cañizares-Esguerra Susan Deans-Smith Lina del Castillo Nancy Appelbaum Bruce Hunt Political Economy, Geographical Imagination, and Territory in the Making and Unmaking of New Granada, 1739-1830 by Maria José Afanador-Llach, B.A; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2016 Acknowledgements I am grateful with countless people and institutions for supporting me during the long and often difficult road of doctoral life. They supported me in different ways during my first years of graduate school, during archival research and in the writing process. First and foremost I wish to thank the Department of History at the University of Texas at Austin which throughout the years supported me with funding and professional development resources to successfully complete my dissertation. I am also grateful with the Liberal Arts College and its writing support groups which were very beneficial during my last year in graduate school. I want to thank the staff at the Benson Latin American Collection, the library in which I spent endless hours during my graduate studies. The following institutions and their staff members proved crucial in helping me put together my archival material and in some cases provided funding: the Archivo General de la Nación in Bogotá, the Biblioteca Nacional de Colombia, the John Carter Brown Library, the Archivo de Indias de Sevilla, the Archivo del Museo de Ciencias Naturales de Madrid, the Archivo del Jardín Botánico de Madrid and the Huntington Library. -
Opera's Road to the Future Just Might Start in Philadelphia
Opera’s road to the future just might start in Philadelphia The city’s O17 festival gave audiences an immersive and experiential new way to see the art form Provided by Opera Philadelphia By RAY MARK RINALDI October 2, 2017 Opera practices what might be described in the current age as reverse radicalism. When every other engine of 21st century life is telling us to embrace change or die, opera advocates for tradition — preserving the primacy of a certain kind of voice and instrument, of a way of recording notes on a page. The code it writes in was developed centuries ago. Still, it wants to exist with the times, to be relevant and draw young listeners to replace the old ones who will inevitably depart. That means finding ways to position its music in the living, breathing culture of now. The field has tried a lot of things to stay fresh, and many have been successful. There are terrific new works being written to complement the ones everyone has heard a hundred times. Companies broadcast their fare across the world. Sets and lights have gone high-tech; there is an artful boom in the use of projected scenery over the past decade that’s been exciting to watch. Still, the most notable advances, at least with audiences, have been its dips into pop culture. If you want to sell out the theater, to get kids in the door and the mainstream media to even care, you’ve got do what the Minnesota Opera did by translating a grisly Stephen King novel into the language of baritones and sopranos. -
Her Paris: Women Artists in the Age of Impressionism
EXHIBITION REVIEWS Her Paris: Women Artists in the Age of Impressionism Denver Art Museum | Denver, Colorado October 22, 2017–January 15, 2018 er Paris: Women Artists in for the Denver Art Museum, it landscape, the boudoir, and the Age of Impressionism signaled a continued commitment fashion. The first section, “The Art featured works by 37 to women artists following their of Painting,” focused on restricted female artists, from across 2016 exhibition Women of educational opportunities—a text Europe (including the Abstract Expressionism. According panel emphasized the École des HNordic countries) and the United to curator Laurence Madeline, Beaux-Arts’ policy of excluding States, who were active in Paris in the work of the pioneering female women until 1897—and offered the late-nineteenth century.1 Paris, artists included in Her Paris a selection of portraits and however, was simply a starting continues to be underestimated depictions of women painting, point, meant to facilitate the re- today by art historians.2 To address sketching, copying masterpieces, evaluation of the work of these this, the exhibition celebrated or studying at the independent artists, and the exhibition gave their works—but failed to fully ateliers that were becoming equal attention to the artistic avant- explore why they continue to be increasingly popular. The highlight garde as well as to those adhering underestimated. here was Russian-born Marie to academicism and naturalism The works of art were organized Bashkirtseff’s, In the Studio (fig. 1). The opportunity to view thematically, with rooms (1881), a large-scale academic works by lesser-known artists devoted to women’s lives, history painting of women in a life class was a strength of the exhibit, and painting, young women, children, at the Académie Julian, to which 336 • secac Figure 1, left. -
Studies in Reverie Danish Paintings from the Collection of Ambassador John L
Studies in Reverie Danish paintings from the collection of Ambassador John L. Loeb Jr. will be the subject of a major ASF exhibition starting in October. By Kerry Greaves HE INTERNATIONAL APPEAL OF T19th-and early 20th-century Danish art has increased considerably over the last 30 years. In this country, the thirst for Danish art was established by a number of important museum exhibitions during the 1980s and 1990s, as well as the efforts of one visionary collector, Ambassador John L. Loeb Jr. More recently, there has been a flourishing of interest in Scandinavian culture. The Scandinavian art scene was the theme of the 2012 Armory Show, and the Kennedy Center’s 2013 international festival “Nordic Cool” highlighted current artists and designers from the region, while The American-Scandinavian Foundation’s salient 2012 exhibition “Luminous Modernism” show- cased the pioneering legacy of progressive Scandinavian modernists. Rather frustratingly, however, despite the growing popularity of Danish art there is still little opportunity to view Self-Portrait, the Artist’s Last Work, 1910, by Julius Exner (1825-1910). Oil on canvas, c. 26 x 23 ½". 6 SCANDINAVIAN REVIEW SUMMER 2013 SUMMER 2013 SCANDINAVIAN REVIEW 7 This painting by Nicolai Abildgaard (1743-1809), entitled Alexander and Diogenes, dates from Michael Ancher’s Potato Harvest is from 1901. Oil on canvas, 31 ½ x 42 ½". c. 1780-90. Oil on canvas, 17 x 21". it outside of Scandinavia. It is therefore both fortuitous and significant that scholarly research and related publications. The ASF exhibition will reflect a The American-Scandinavian Foundation has chosen to highlight selections very personal selection of paintings chosen by Ambassador Loeb in consultation from Ambassador Loeb’s collection in its current exhibition “From with Dr. -
Turismo Receptivo Turismo Receptivo
Turismo Receptivo Turismo Receptivo Day 1 sightings their active nightlife. Stop at * Bogotá Bogotá, Colombia. such as Bogotá’s Sabana and Pueblito Paisa, where you will the Bridge of the Commoners. have a better view of the city. * Medellín Arrival in the city of Bogotá. The Later, the tour will take you to Overnight at selected hotel. Salt Cathedral of Zipaquirá the surroundings of the EPM * Cartagena was built 190 meters deep in Intelligent Building, Plaza Day 2 a mine Mayor, the Barefoot Park, Bogotá. and is considered the first La Alpujarra administration wonder of Colombia. Inside center, the Lights Park, In the morning, visit to the you can visit the Stations Bolivar Park and the city. Assistance by the of the Cross, the Dome, Metropolitan Cathedral, and guide to start a panoramic and the Ramp, the Choir, the Coltejer Building; emblem tour through the historic the Balconies, the Narthex of the city. Stop at Botero area of Bogotá, passing Complex and the large naves Square, here you can find through Colon Theatre, of the Cathedral. At the end, a 23 monumental sculptures San Carlos Palace, where panoramic tour to the town of donated by the master to the Chancellery operates, Zipaquirá will be given. Return his hometown. Followed by the Presidential Palace of to Bogotá. Includes tickets to a guided visit to the Museum Nariño, Bolivar Square, the the Cathedral. of Antioquia, where the most Capitol, the Town hall and the Included meals: Breakfast, representative work sample Primada Cathedral. Visit the lunch. Overnight at selected from the Colombian artist can gold museum and the Botero hotel.