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University of Copenhagen Excentriske slægtsskaber En mobilitetsbevidst gentænkning af danske kvindelige kunstnere ca. 1880-1910 Bierlich, Emilie Boe Publication date: 2020 Document version Også kaldet Forlagets PDF Document license: CC BY-NC-ND Citation for published version (APA): Bierlich, E. B. (2020). Excentriske slægtsskaber: En mobilitetsbevidst gentænkning af danske kvindelige kunstnere ca. 1880-1910. Det Humanistiske Fakultet, Københavns Universitet. Download date: 25. sep.. 2021 Ph.d.-afhandling Excentriske slægtskaber En mobilitetsbevidst gentænkning af danske kvindelige kunstnere ca. 1880-1910 af Emilie Boe Bierlich Afhandlingen er indleveret til bedømmelse ved Københavns Universitet i november 2019 Den er financieret af Novo Nordisk i form af et Mads Øvlisen-stipendium og huset af Statens Museum for Kunst i perioden 2015-2019 Hovedvejleder: Anne Ring Petersen, professor ved Københavns Universitet, Institut for Kunst- og Kulturvidenskab Bivejleder: Peter Nørgaard Larsen, overinspektør, seniorforsker på Statens Museum for Kunst 2 Indhold Forord ............................................................................................................................................................. 5 Introduktion .................................................................................................................................................... 7 Motivation. Fra gut feeling til konceptualisering ......................................................................................... 7 Motiveret problemformulering: at svare logisk på et paradoks .................................................................. 7 Forankringen. Køn som selektionskriterium ................................................................................................ 9 Forskningsfelt og positionering .................................................................................................................. 12 Begrebsafklaring. Erindringsmaskinen og kanonbegrebet ......................................................................... 15 Introduktion af kildematerialet. Fra filosofiske antagelser til æstetiske objekter ..................................... 21 Struktur og identitet. Ex-centriske slægtskaber ......................................................................................... 24 En akkumulering af indsigter: Migration, identitet og transnational cirkulation....................................... 26 Afhandlingens opbygning ........................................................................................................................... 30 Spidsformulering af min problemformulering ........................................................................................... 32 Kap. 1. Forskningsstatus. At gøre køn til genstand for forskning ................................................................. 34 Det forskningshistoriske narrativ ............................................................................................................... 35 Kanon og arkiv ............................................................................................................................................ 41 ”Et teknologisk quickfix på et større samfundsproblem.” Den kønsvidenskabelige kunstforskning herhjemme .................................................................................................................................................................... 45 Kønsteoretisk metodologi. Et skandinavisk Disneyland ............................................................................. 51 Kap. 2. Historiens magt og mytologier. Utydelige grænser i kønsriget ........................................................ 54 ”Det er sandt – peintre har intet Hunkjøn – ” Gennembrudskvinderne og den nordiske kønsdebat i anden halvdel af 1800-tallet.................................................................................................................................. 54 Opløsning og konstruktion omkring århundredeskiftet ............................................................................. 66 Køn og karakter .......................................................................................................................................... 72 En strategisk absence. Modernistisk revisionisme i Danmark ................................................................... 75 Modernitet og feminisme. Den sociale organisering mellem køn og magt ............................................... 79 Kap. 3. Genopdagelsen. Kønsforskellen og visionen om et nomadisk projekt ............................................ 93 In the belly of the monster. Feministisk teori og historisk bevidsthed ...................................................... 94 Kønsforskellen som historisk magtkamp og politisk projekt ...................................................................... 99 Kønsforskningen som genstandsområde ................................................................................................. 103 Kritiske resignifieringer af køn. Det queerteoretiske standpunkt ............................................................ 105 Intersektionalismen .................................................................................................................................. 108 At omsætte teoretiske diskussioner til operationelle metoder ............................................................... 109 3 Nomadisk vision om subjektivitet ............................................................................................................ 113 Afrunding. At balancere postdisciplinaritet og faglig bagage .................................................................. 116 Ekskurs. Mikrofortællinger afslører ex-centriske slægtskaber ................................................................. 120 Kap. 4. Mobilitet og strategisk essentialisme som kunstnerisk strategi. Billedhuggeren Anne Marie Carl- Nielsen (1863-1945) ................................................................................................................................... 123 Rammesætningen. Forsøget på at finde vej ud af patriarkatets rolle indefra. ........................................ 123 Prolog ....................................................................................................................................................... 126 Udgangspunktet. Mobiliseringen af en strategisk essentialisme ............................................................. 127 Studietid. Camouflage og mimesis som modstandskraft ......................................................................... 130 ”Beundringsværdigere endnu end fliden er dog Intelligensen i dette…” Det internationale gennembrud133 Betydninger. Analyse af den stilistiske placering. Antaster til det moderne ........................................... 140 Modstand imod traditionalismen. Mobilitet og migration ...................................................................... 144 ”[…] jeg strøg ikke Flag uden Sværdslag”. Efterskrift. Dobbeltheden i hendes udviklingshistorie. ......... 149 Kap. 5. Køn, kunst og national identitet. Bertha Wegmann (1847-1926) og den nomadiske vision om subjektivitet ................................................................................................................................................ 151 Passager. En biografisk ramme ................................................................................................................ 153 Det ontologiske rammeværk. Intersektionelle identitetsmarkører i Wegmanns oeuvre ........................ 159 Omskiftelighed og tilfældighed. Den historiske legemliggørelse ............................................................. 162 Bayersk dårskab. Sygdom, sundhed og nationalitet ................................................................................ 167 Kvinder uden skygge. Korrespondance- og kosmopolitanisme. München som fristed ........................... 171 Migrant, eksil, nomade. Det professionelle behov for at blive rykket op med rode. Appliceringen af det nomadiske på Wegmanns livsbane .......................................................................................................... 175 Afslutning. Nomaden som polyglot .......................................................................................................... 183 Konklusion .................................................................................................................................................. 186 ”At stryge historien imod hårene”. En genforhandling af historien og det kvindelige subjekt ................ 186 Transnational feminisme. Mobilitetsbevidst paradigmer som operationelt greb ................................... 188 Bibliografi .................................................................................................................................................... 190 Resumé ....................................................................................................................................................... 215 Summary ..................................................................................................................................................... 216 4 Forord Meget har ændret sig på de år, der er gået fra jeg indsendte ansøgningen til jeg indleverede afhandlingen. Fra at få projektet afvist af museer og professionelle som et nicheprojekt til undervejs at blive bedt om at skrive to større udstillingskoncepter om de involverede kunstnere samt være vidne til
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