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Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 1 of 30 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF PENNSYLVANIA DISNEY ENTERPRISES, INC., et al., Plaintiffs, Case No: 5:13-cv-05570 (JSL) VS. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE; JAMES D. MARTIN; FREDERICK W. STEUDLER, JR.; and DWIGHT H. BRUBAKER, Defendants, and STAN LEE MEDIA, INC., Defendant / Intervenor. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE, Counterclaim-Plaintiff, and Case No: 5:13-cv-05570 (JSL) STAN LEE MEDIA, INC. Counterclaim-Plaintiff/Intervenor, -against- DISNEY ENTERPRISES, INC.; and MARVEL CHARACTERS, INC., Deadline.comCounterclaim-Defendants. DEFENDANTS' OPPOSITION IN RESPONSE TO PLAINTIFFS' MOTION TO DISMISS AMENDED COUNTERCLAIMS AND INTERVENOR COMPLAINT AND TO STRIKE AMENDED AFFIRMATIVE DEFENSES Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 2 of 30 Table of Contents Page I. INTRODUCTION 1 II. BACKGROUND 3 III. ARGUMENT 6 A. Legal Standard 6 B. Res Judicata Does Not Bar AMT's Counterclaims And Affirmative Defenses As The Causes Of Action At Issue In This Litigation Are Not The Same Causes Of Action At Issue In The Prior SLMI-Related Litigations. 7 1. The Present Litigation Does Not Involve The Same Cause Of Action As The Prior SLMI-Related Litigations. 8 2. AMT Is Not In Privity With SLMI Or The Abadin Plaintiffs And, Thus, AMT Cannot Be Bound By The Decisions Reached In The Prior SLMI-Related Litigations. 12 C. Collateral Estoppel Or Issue Preclusion Does Not Bar AMT's Counterclaims As Identical Issues Are Not Present And The Issue Of Ownership Has Never Been Actually Litigated 15 D. -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
Brendan Lacy M.Arch Thesis.Indb
The Green Scare: Radical environmental activism and the invention of “eco-terror- ism” in American superhero comics from 1970 to 1990 by Brendan James Lacy A thesis presented to the University of Waterloo in fulfi llment of the thesis requirement for the degree of Master of Architecture Waterloo, Ontario, Canada, 2021 © Brendan James Lacy 2021 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required fi nal revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract American environmentalism became a recognizable social move- ment in the 1960s. In the following two decades the movement evolved to represent a diverse set of philosophies and developed new protest methods. In the early 1990s law enforcement and govern- ment offi cials in America, with support from extraction industries, created an image of the radical environmental movement as danger- ous “eco-terrorists.” Th e concept was deployed in an eff ort to de-val- ue the environmental movement’s position at a time of heightened environmental consciousness. With the concept in place members of the movement became easier to detain and the public easier to deter through political repression. Th e concept of “eco-terrorism” enters popular media relatively quickly indicated by the proliferation of superhero comics in the ear- ly 1990s that present villainous environmental activists as “eco-ter- rorists.” Th is imagery contrasts comics from 1970 which depicted superheroes as working alongside activists for the betterment of the world. -
Hulk Smash! September, 2020, Vol
Journal of Criminal Justice and Popular Culture Hulk Smash! September, 2020, Vol. 20 (Issue 1): pp. 28 - 42 Clevenger and Acquaviva Copyright © 2020 Journal of Criminal Justice and Popular Culture All rights reserved. ISSN: 1070-8286 Hulk Smash! Violence in The Incredible Hulk Comics Shelly Clevenger Sam Houston State University & Brittany L. Acquaviva Sam Houston State University 28 Journal of Criminal Justice and Popular Culture Hulk Smash! September, 2020, Vol. 20 (Issue 1): pp. 28 - 42 Clevenger and Acquaviva Abstract “Hulk smash!” is one of the most iconic phrases uttered in the pages of comic books. The Incredible Hulk is one of comics’ most violent characters as the Hulk smashes first and asks questions later. The popularity of the comic book genre has exploded within past decades and the interest in comics has increased. But exactly how violent is The Incredible Hulk and what does that mean for readers? This research examines the occurrence of violence in the Incredible Hulk comics through a thematic content analysis of 248 issues. Specifically, such themes as violence against men and women, unpunished violence, formal punishments of violence, interventions to stop violence and the justification provided for violence were assessed. The goal of the research was to determine the amount and level of violence within the comic and in what context it occurred. Results indicate that there is a large amount of violence occurring within the pages of the Incredible Hulk, but that this violence is often justified and committed by the Hulk to protect himself and others. A discussion is provided regarding the potential impact this may have on a reader and their view of violence, crime and justice. -
Limits, Malice and the Immortal Hulk
https://lthj.qut.edu.au/ LAW, TECHNOLOGY AND HUMANS Volume 2 (2) 2020 https://doi.org/10.5204/lthj.1581 Before the Law: Limits, Malice and The Immortal Hulk Neal Curtis The University of Auckland, New Zealand Abstract This article uses Kafka's short story 'Before the Law' to offer a reading of Al Ewing's The Immortal Hulk. This is in turn used to explore our desire to encounter the Law understood as a form of completeness. The article differentiates between 'the Law' as completeness or limitlessness and 'the law' understood as limitation. The article also examines this desire to experience completeness or limitlessness in the work of George Bataille who argued such an experience was the path to sovereignty. In response it also considers Francois Flahault's critique of Bataille who argued Bataille failed to understand limitlessness is split between a 'good infinite' and a 'bad infinite', and that it is only the latter that can ultimately satisfy us. The article then proposes The Hulk, especially as presented in Al Ewing's The Immortal Hulk, is a study in where our desire for limitlessness can take us. Ultimately it proposes we turn ourselves away from the Law and towards the law that preserves and protects our incompleteness. Keywords: Law; sovereignty; comics; superheroes; The Hulk Introduction From Jean Bodin to Carl Schmitt, the foundation of the law, or what we more readily understand as sovereignty, is marked by a significant division. The law is a limit in the sense of determining what is permitted and what is proscribed, but the authority for this limit is often said to derive from something unlimited. -
University Microfilms. Inc., Ann Arbor, Michigan
7 0 -m -,1 1 9 WILLIS, Craig Dean, 1935- THE TUDORS AND THEIR TUTORS: A STUDY OF SIXTEENTH CENTURY ROYAL EDUCATION IN BRITAIN. The Ohio State University, Ph.D., 1969 Education, history University Microfilms. Inc., Ann Arbor, Michigan © Copyright by Craig Dean W illis 1970 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE TUDORS AND THEIR- TUTORS: A STUDY OF SIXTEENTH CENTURY ROYAL EDUCATION IN BRITAIN DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University SY Craig Dean W illis, B.A., M.A. IHt- -tttt -H-H- The Ohio State U niversity 1969 Adviser t School of Education ACKNOWLEDGMENTS To Dr. Robert B. Sutton, my major adviser, I owe a major debt of gratitude for his guidance, encouragement, and scholarly qualifies* I also wish to thank the members of the reading committee for their contribution; and in particular, I want to express appreciation to Dr. Richard J. Frankie and the late Dr. Earl Anderson for their professional and meaningful assistance. It is appropriate to thank the administrative officers at Ohio Wesleyan University for their encouragement and willingness to let me arrange my work around my graduate studies. Persons of particular help were Dr, Allan C. Ingraham, Dr. Elden T. Smith, Dr. Emerson C. Shuck, and Dr. Robert P. Lisensky. My family has been of invaluable assistance to me, and it is to them that I dedicate the study of the education of the Tudor family. My parents, J. Russell and Glenna A. W illis, have helped in many ways, both overt and subtle. -
Atsisiųsti Iš Čia Stan Lee.Jpg
„Kažkada man buvo gėda dėl to, kad buvau tik komiksų rašytojas, kai tuo tarpu kiti žmonės statė tiltus ar rengėsi medicinos karjerai. Bet tada pradėjau suprasti – pramoga yra vienas iš svarbiausių dalykų gyvenime. Be jos, žmonės tiesiog patektų į neviltį. Aš manau, kad jei tu sugebi suteikti pramogą, tai tu atlieki gerą darbą.“ Stenas Ly (Stan Lee) Kiekvienas šiuolaikinis vaikas žino, kas yra Žmogus Voras, X-menai, Geležinis Žmogus ar Halkas. Šių (ir daugelio kitų) išgalvotų personažų dėka, „Marvel Comics“ iš mažyčio komiksų padalinio leidybos kompanijoje, per du dešimtmečius tapo gigantiška medijos korporacija. Bet pasikeitė ne tik kompanijos apimtis. Galima sakyti, kad perversmą patyrė visa JAV komiksų industrija ir už to slypi vienas žmogus – Stenas Ly. Tai legendinis autorius atgaivinęs herojinį komiksų žanrą, sugriovęs nusistovėjusias normas ir visiems laikams pakeitęs komiksų tendencijas. Stenlis Martinas Lyberis Stenlis Martinas Lyberis (Stanley Martin Lieber) gimė 1922 gruodžio 28 Manhetene (Niujorke). Jo tėvai – iš Rumunijos kilę žydai imigrantai. Stenlis turėjo ir brolį – Larį Lyberį (Larry Lieber). Tėvas buvo suknelių sukirpėjas, tad Didžiosios depresijos laikotarpiu neturėjo pastovaus darbo. Kadangi šeima nebuvo pasiturinti, broliai dalinosi vienu miegamuoju, o tėvai miegodavo ant sulankstomos sofos. Stenlis mėgo skaityti ir tai skamba kiek per švelniai, turint omenyje, kad jau būdamas 10 metų amžiaus skaitė Šekspyrą, Edgaro Raiso Borouso, Marko Tveno knygas, o taip pat Artūro Konano Doilio noveles (kai tuo tarpu jo bendraamžiai buvo visa galva pasinėrę į komiksus). Turėdamas šiek tiek kišenpinigių, juos mielai išleisdavo naujoms knygoms įsigyti. Berniuko akutės tarsi pačios ieškodavo teksto, todėl jis skaitydavo net valgydamas. Jei kramtydamas šalia neturėdavo knygos, tada skaitydavo pakuočių etiketes. -
P 28 P 0: 35 607 FOURTEENTHSTREET, N W WASHINGTON, D C 20005-20?Q[11 SF,- TELEPHONE202 628-6600 FACSIMILE202 434-I690
p 28 p 0: 35 607 FOURTEENTHSTREET, N W WASHINGTON, D C 20005-20?Q[11 SF,- TELEPHONE202 628-6600 FACSIMILE202 434-I690 September 28,2001 Lawrence Norton, Esq. General Counsel Federal Election Commission 999 E Street, N.W. Washington, DC 20463 Re: MUR5225 Dear Mr. Norton: This letter constitutes tie response of New I ark Senate 201 0 and.kndrew Grossman, as Treasurer (collectively, "the Committee"), to the complaint in the above-referenced matter. The complaint is baseless and should be dismissed. INTRODUCTION The signer of the complaint was a fugitive when it was filed. In summer 2000, Peter F. Paul was known as a prominent businessman and co-founder of Stan Lee Enterprises, an Internet company associated with the creator of Spiderman and the Fantastic Four. Paul helped the Committee organize an August 12,2001, fundraising event in Los Angeles; California. 1 The Committee disclosed nonfederal in-kind contributions totaling $366,564.69 from Stan Lee Media, Paul's fm,in connection with the event. Shortly after the 2000 general election, Stan Lee Media plummeted in value and went bankrupt. The reason was soon clear. On June 12,2001, the U.S. Attorney for the Eastern District of New York indicted Paul on two felony counts of securities fraud. According to prosecutors, Paul had bilked the company and manipulated its stock price, while deceiving investors, the public and prominent fmslike Merrill Lynch and Co. The scheme allegedly involved large, secret cash payments fiom Paul to a stock analyst and promoter. See U.S. Department of Justice, Press Release, Co- The Committee is a jomt hndraismg committee orgamzed under 11 C.F R o 102 17. -
1. Declaratory Judgment; 13 2
1 ADAM D.H. GRANT (SBN rs327t) JENNTFER LEVIN STEARNS (SBN 2s2420) 2 ALPERT, BARR & GRANT A Professional Law Corporation J 6345 Balboa Boulevard, Suite I-300 Encino, California 9 13 | 6-1523 4 PHONE: (818) 881-5000; FAX: (818) 881-1150 5 Attorneys for Plaintiff STAN LEE 6 7 8 SUPERIOR COURT OF THE STATE OF CALIFORNIA 9 COUNTY OF LOS ANGELES, WESTERN DISTRICT 10 STAN LEE, an individual; CASE NO. 11 Plaintiff, COMPLAINT F'OR: t2 VS. 1. DECLARATORY JUDGMENT; 13 2. RESCISSION; POW! ENTERTAINMENT, INC., a Delaware 3. FRAUD IN THE EXECUTION; I4 company, GILL CHAMPION, an individual 4. CONVERSION. SHANE DUFFY, an individual and DOES 1 to l5 30, inclusive, T6 Defendants. t7 l8 Plaintiff Stan Lee ("Plaintiff' or "Lee") alleges as follows: I9 DeadlinePARTIES 20 1. Lee has been and now is an individual residing in Los Angeles County, 2t He is 95-years old and the creator of hundreds of iconic superheroes, such as Spider-ManrM, Iron 22 Mantt, The HulkrM, ThorrM, X-MenrM, The Black-PantherrM, and The Avengersrtvt. He 23 an American Hollywood executive, producer, comicbook writer, editor, actor, publisher, 24 personality, and the former Editor in Chief, Publisher of Marvel Comics, where he is 25 Chairman Emeritus. 26 27 )R I Snn Lee v. POW! Entertainment, Inc. e/ al; Case No. COMPLAINT 141171 1 1 2. Lee is informed and believes that Defendant POW! Entertainment, Inc. (ooPO 2 Inc."), is a Delaware company, operating out of and conducting business in Los Angeles County J California. 4 3. Lee is informed and believes that Defendant Shane Duffy ("Duffy") is an indi 5 who resides and conducts business in Los Angeles County, California. -
X-Men: Mutant Massacre Ebook Free Download
X-MEN: MUTANT MASSACRE PDF, EPUB, EBOOK Chris Claremont | 320 pages | 12 Feb 2013 | Marvel Comics | 9780785167419 | English | New York, United States X-men: Mutant Massacre PDF Book Even with the medical treatment, more and more of the Morlocks are dying. Nightcrawler and Shadowcat get severely wounded in the process. New Mutants : After they return from the fight with Magus, Karma soon leaves the team to search for her missing siblings. Jun 06, Alex9 rated it it was amazing. On Sale Date: November 07, The fourth issue is worse: Stern is abruptly kicked off because his final issue made Magneto too malevolent and the replacement authors write a heavy-handed story that doesn't feel like it matches well with the rest though it turns out, it hits most of the same major plot points as Stern's original script. While Shadowcat might be saved with the Fantastic Four's help, the Angel contemplates a much bleaker fate! Scalphunter, unwilling to let his former teammates remain zombies, killed each of them and then shot Madelyne Pryor in the heart. This aspect of the story was satirized in What The--?! Sinister only cares about his work. While I think the crossover renders the story just a little bit too cluttered to be compared to The Dark Phoenix Saga , it does represent something of a highlight in an impressive run. However, it's no less important to the FF because of a plot line questioning Reed's motives before their initial spaceflight. This crossover is more impressive for introducing a number of significant shake-ups that actually mattered. -
POW! ENTERTAINMENT, INC. a Delaware Corporation March 15
POW! ENTERTAINMENT, INC. A Delaware Corporation March 15, 2005 Information Provided Pursuant to Rule 15c2-11 of the Securities and Exchange Act of 1934, as Amended DISCLOSURE STATEMENT PURSUANT TO RULE 15c2-11 OF THE SECURITIES AND EXCHANGE ACT OF 1934 Current Information Regarding POW! ENTERTAINMENT, INC. The following information is provided to assist securities brokerage firms with “due diligence” compliance. This information is set forth below as to POW! Entertainment, Inc. (referred to as “We” or “the Company”). We were incorporated on August 17, 1998, in the State of Delaware. This information is provided for the purpose of providing information to broker-dealers trading in the securities of the Issuer in compliance with Rule 15c2-11(a)(5) of the Securities Exchange Act of 1934, as amended. The information provided follows the same numbering system found in the rule to wit: Item 1. Exact Name of Issuer and Predecessor: Issuer: POW! Entertainment, Inc. Previous Names: Megatek Legacy Systems, Inc. (August 1998 to June 1999) Alta Pacific Minerals, Inc. (June 1999 to August 2002) Arturion Entertainment, Inc. (August 2002 to June 2004) Item 2. Address of Issuer’s Principal Executive Offices: 9440 Santa Monica Boulevard, Suite 620 Beverly Hills, CA 90210 Telephone No.: (310) 275-9933 Facsimile No.: (310) 285-9955 Item 3. State and Date of Incorporation: We were incorporated on August 17, 1998, in the State of Delaware. 2 Item 4. Exact Title and Class of Securities: We are currently authorized to issue two classes of stock, common stock and preferred stock. The CUSIP for our common stock is 738754 10 0. -
Stan Lee - Wikipedia
Stan Lee - Wikipedia https://en.wikipedia.org/wiki/Stan_Lee Stan Lee Stan Lee[1] (born Stanley Martin Lieber Stan Lee /ˈliːbər/; December 28, 1922 – November 12, 2018) was an American comic book writer, editor, publisher, and producer. He rose through the ranks of a family-run business to become Marvel Comics' primary creative leader for two decades, leading its expansion from a small division of a publishing house to a multimedia corporation that dominated the comics and movie industries. In collaboration with others at Marvel—particularly co-writers/artists Jack Kirby and Steve Ditko—he co-created numerous popular fictional characters, including superheroes Spider-Man, the X-Men, Iron Man, Thor, the Hulk, Ant-Man, the Wasp, the Fantastic Four, Black Panther, Daredevil, Doctor Strange, Scarlet Witch, the Black Widow and Captain Marvel. These and other characters' Lee during the Phoenix Comicon 2014 introductions in the 1960s pioneered a more Born Stanley Martin Lieber naturalistic approach than previously applied to December 28, 1922 superhero comics, and in the 1970s Lee challenged New York City, New York, U.S. the restrictions of the Comics Code Authority, indirectly leading to changes in its policies. In the Died November 12, 2018 (aged 95) 1980s he pursued the development of Marvel Los Angeles, California, U.S. properties in other media, with mixed results. Area(s) Comic book writer · editor · Following his retirement from Marvel in the 1990s, publisher · producer he remained a public figurehead for the company, and frequently made cameo appearances in films Collaborators Jack Kirby · Steve Ditko · and television shows based on Marvel characters, John Romita Sr.