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Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 1 of 30 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF PENNSYLVANIA DISNEY ENTERPRISES, INC., et al., Plaintiffs, Case No: 5:13-cv-05570 (JSL) VS. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE; JAMES D. MARTIN; FREDERICK W. STEUDLER, JR.; and DWIGHT H. BRUBAKER, Defendants, and STAN LEE MEDIA, INC., Defendant / Intervenor. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE, Counterclaim-Plaintiff, and Case No: 5:13-cv-05570 (JSL) STAN LEE MEDIA, INC. Counterclaim-Plaintiff/Intervenor, -against- DISNEY ENTERPRISES, INC.; and MARVEL CHARACTERS, INC., Deadline.comCounterclaim-Defendants. DEFENDANTS' OPPOSITION IN RESPONSE TO PLAINTIFFS' MOTION TO DISMISS AMENDED COUNTERCLAIMS AND INTERVENOR COMPLAINT AND TO STRIKE AMENDED AFFIRMATIVE DEFENSES Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 2 of 30 Table of Contents Page I. INTRODUCTION 1 II. BACKGROUND 3 III. ARGUMENT 6 A. Legal Standard 6 B. Res Judicata Does Not Bar AMT's Counterclaims And Affirmative Defenses As The Causes Of Action At Issue In This Litigation Are Not The Same Causes Of Action At Issue In The Prior SLMI-Related Litigations. 7 1. The Present Litigation Does Not Involve The Same Cause Of Action As The Prior SLMI-Related Litigations. 8 2. AMT Is Not In Privity With SLMI Or The Abadin Plaintiffs And, Thus, AMT Cannot Be Bound By The Decisions Reached In The Prior SLMI-Related Litigations. 12 C. Collateral Estoppel Or Issue Preclusion Does Not Bar AMT's Counterclaims As Identical Issues Are Not Present And The Issue Of Ownership Has Never Been Actually Litigated 15 D. -
Atsisiųsti Iš Čia Stan Lee.Jpg
„Kažkada man buvo gėda dėl to, kad buvau tik komiksų rašytojas, kai tuo tarpu kiti žmonės statė tiltus ar rengėsi medicinos karjerai. Bet tada pradėjau suprasti – pramoga yra vienas iš svarbiausių dalykų gyvenime. Be jos, žmonės tiesiog patektų į neviltį. Aš manau, kad jei tu sugebi suteikti pramogą, tai tu atlieki gerą darbą.“ Stenas Ly (Stan Lee) Kiekvienas šiuolaikinis vaikas žino, kas yra Žmogus Voras, X-menai, Geležinis Žmogus ar Halkas. Šių (ir daugelio kitų) išgalvotų personažų dėka, „Marvel Comics“ iš mažyčio komiksų padalinio leidybos kompanijoje, per du dešimtmečius tapo gigantiška medijos korporacija. Bet pasikeitė ne tik kompanijos apimtis. Galima sakyti, kad perversmą patyrė visa JAV komiksų industrija ir už to slypi vienas žmogus – Stenas Ly. Tai legendinis autorius atgaivinęs herojinį komiksų žanrą, sugriovęs nusistovėjusias normas ir visiems laikams pakeitęs komiksų tendencijas. Stenlis Martinas Lyberis Stenlis Martinas Lyberis (Stanley Martin Lieber) gimė 1922 gruodžio 28 Manhetene (Niujorke). Jo tėvai – iš Rumunijos kilę žydai imigrantai. Stenlis turėjo ir brolį – Larį Lyberį (Larry Lieber). Tėvas buvo suknelių sukirpėjas, tad Didžiosios depresijos laikotarpiu neturėjo pastovaus darbo. Kadangi šeima nebuvo pasiturinti, broliai dalinosi vienu miegamuoju, o tėvai miegodavo ant sulankstomos sofos. Stenlis mėgo skaityti ir tai skamba kiek per švelniai, turint omenyje, kad jau būdamas 10 metų amžiaus skaitė Šekspyrą, Edgaro Raiso Borouso, Marko Tveno knygas, o taip pat Artūro Konano Doilio noveles (kai tuo tarpu jo bendraamžiai buvo visa galva pasinėrę į komiksus). Turėdamas šiek tiek kišenpinigių, juos mielai išleisdavo naujoms knygoms įsigyti. Berniuko akutės tarsi pačios ieškodavo teksto, todėl jis skaitydavo net valgydamas. Jei kramtydamas šalia neturėdavo knygos, tada skaitydavo pakuočių etiketes. -
Disney-Marvel-Stan-Lee-Copyright-Infringement-Suit__121010000839.Pdf
IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLORADO Civil Action No. ______________1:12-cv-02663 STAN LEE MEDIA, INC. Plaintiff, v. THE WALT DISNEY COMPANY, Defendant. COMPLAINT FOR COPYRIGHT INFRINGEMENT INTRODUCTION 1. Spider Man, Iron Man, The Incredible Hulk, Thor, The X-Men, The Fantastic Four, and most of The Avengers are among the best known comic book characters of all time and all were created by the comic book genius Stan Lee. Motion pictures starring these characters released within the past three (3) years have generated box office receipts in excess of $3 billion. Defendant The Walt Disney Company has represented to the public that it, in fact, owns the copyright to theseDEADLINE.com characters as well as to hundreds of other characters created by Stan Lee. Those representations made to the public by The Walt Disney Company are false. The true facts are that Stan Lee Media, Inc. owns the copyrights to Stan Lee’s creations. Accordingly, Plaintiff Stan Lee Media, Inc. is entitled to the billions of dollars of profits that have been kept by Defendant Disney. THE PARTIES 2. Stan Lee Media, Inc. (“SLMI”) is a Colorado corporation authorized to sue to recover damages to its assets. The Walt Disney Company (“Disney”) is a Delaware corporation which improperly claims ownership to the Stan Lee characters. JURISDICTION AND VENUE 3. This is a civil action seeking damages and injunctive relief for copyright infringement under the Copyright Laws of the United States, 17 U.S.C. §101 et seq. This Court has subject matter jurisdiction pursuant to 28 U.S.C. -
P 28 P 0: 35 607 FOURTEENTHSTREET, N W WASHINGTON, D C 20005-20?Q[11 SF,- TELEPHONE202 628-6600 FACSIMILE202 434-I690
p 28 p 0: 35 607 FOURTEENTHSTREET, N W WASHINGTON, D C 20005-20?Q[11 SF,- TELEPHONE202 628-6600 FACSIMILE202 434-I690 September 28,2001 Lawrence Norton, Esq. General Counsel Federal Election Commission 999 E Street, N.W. Washington, DC 20463 Re: MUR5225 Dear Mr. Norton: This letter constitutes tie response of New I ark Senate 201 0 and.kndrew Grossman, as Treasurer (collectively, "the Committee"), to the complaint in the above-referenced matter. The complaint is baseless and should be dismissed. INTRODUCTION The signer of the complaint was a fugitive when it was filed. In summer 2000, Peter F. Paul was known as a prominent businessman and co-founder of Stan Lee Enterprises, an Internet company associated with the creator of Spiderman and the Fantastic Four. Paul helped the Committee organize an August 12,2001, fundraising event in Los Angeles; California. 1 The Committee disclosed nonfederal in-kind contributions totaling $366,564.69 from Stan Lee Media, Paul's fm,in connection with the event. Shortly after the 2000 general election, Stan Lee Media plummeted in value and went bankrupt. The reason was soon clear. On June 12,2001, the U.S. Attorney for the Eastern District of New York indicted Paul on two felony counts of securities fraud. According to prosecutors, Paul had bilked the company and manipulated its stock price, while deceiving investors, the public and prominent fmslike Merrill Lynch and Co. The scheme allegedly involved large, secret cash payments fiom Paul to a stock analyst and promoter. See U.S. Department of Justice, Press Release, Co- The Committee is a jomt hndraismg committee orgamzed under 11 C.F R o 102 17. -
1. Declaratory Judgment; 13 2
1 ADAM D.H. GRANT (SBN rs327t) JENNTFER LEVIN STEARNS (SBN 2s2420) 2 ALPERT, BARR & GRANT A Professional Law Corporation J 6345 Balboa Boulevard, Suite I-300 Encino, California 9 13 | 6-1523 4 PHONE: (818) 881-5000; FAX: (818) 881-1150 5 Attorneys for Plaintiff STAN LEE 6 7 8 SUPERIOR COURT OF THE STATE OF CALIFORNIA 9 COUNTY OF LOS ANGELES, WESTERN DISTRICT 10 STAN LEE, an individual; CASE NO. 11 Plaintiff, COMPLAINT F'OR: t2 VS. 1. DECLARATORY JUDGMENT; 13 2. RESCISSION; POW! ENTERTAINMENT, INC., a Delaware 3. FRAUD IN THE EXECUTION; I4 company, GILL CHAMPION, an individual 4. CONVERSION. SHANE DUFFY, an individual and DOES 1 to l5 30, inclusive, T6 Defendants. t7 l8 Plaintiff Stan Lee ("Plaintiff' or "Lee") alleges as follows: I9 DeadlinePARTIES 20 1. Lee has been and now is an individual residing in Los Angeles County, 2t He is 95-years old and the creator of hundreds of iconic superheroes, such as Spider-ManrM, Iron 22 Mantt, The HulkrM, ThorrM, X-MenrM, The Black-PantherrM, and The Avengersrtvt. He 23 an American Hollywood executive, producer, comicbook writer, editor, actor, publisher, 24 personality, and the former Editor in Chief, Publisher of Marvel Comics, where he is 25 Chairman Emeritus. 26 27 )R I Snn Lee v. POW! Entertainment, Inc. e/ al; Case No. COMPLAINT 141171 1 1 2. Lee is informed and believes that Defendant POW! Entertainment, Inc. (ooPO 2 Inc."), is a Delaware company, operating out of and conducting business in Los Angeles County J California. 4 3. Lee is informed and believes that Defendant Shane Duffy ("Duffy") is an indi 5 who resides and conducts business in Los Angeles County, California. -
POW! ENTERTAINMENT, INC. a Delaware Corporation March 15
POW! ENTERTAINMENT, INC. A Delaware Corporation March 15, 2005 Information Provided Pursuant to Rule 15c2-11 of the Securities and Exchange Act of 1934, as Amended DISCLOSURE STATEMENT PURSUANT TO RULE 15c2-11 OF THE SECURITIES AND EXCHANGE ACT OF 1934 Current Information Regarding POW! ENTERTAINMENT, INC. The following information is provided to assist securities brokerage firms with “due diligence” compliance. This information is set forth below as to POW! Entertainment, Inc. (referred to as “We” or “the Company”). We were incorporated on August 17, 1998, in the State of Delaware. This information is provided for the purpose of providing information to broker-dealers trading in the securities of the Issuer in compliance with Rule 15c2-11(a)(5) of the Securities Exchange Act of 1934, as amended. The information provided follows the same numbering system found in the rule to wit: Item 1. Exact Name of Issuer and Predecessor: Issuer: POW! Entertainment, Inc. Previous Names: Megatek Legacy Systems, Inc. (August 1998 to June 1999) Alta Pacific Minerals, Inc. (June 1999 to August 2002) Arturion Entertainment, Inc. (August 2002 to June 2004) Item 2. Address of Issuer’s Principal Executive Offices: 9440 Santa Monica Boulevard, Suite 620 Beverly Hills, CA 90210 Telephone No.: (310) 275-9933 Facsimile No.: (310) 285-9955 Item 3. State and Date of Incorporation: We were incorporated on August 17, 1998, in the State of Delaware. 2 Item 4. Exact Title and Class of Securities: We are currently authorized to issue two classes of stock, common stock and preferred stock. The CUSIP for our common stock is 738754 10 0. -
Stan Lee - Wikipedia
Stan Lee - Wikipedia https://en.wikipedia.org/wiki/Stan_Lee Stan Lee Stan Lee[1] (born Stanley Martin Lieber Stan Lee /ˈliːbər/; December 28, 1922 – November 12, 2018) was an American comic book writer, editor, publisher, and producer. He rose through the ranks of a family-run business to become Marvel Comics' primary creative leader for two decades, leading its expansion from a small division of a publishing house to a multimedia corporation that dominated the comics and movie industries. In collaboration with others at Marvel—particularly co-writers/artists Jack Kirby and Steve Ditko—he co-created numerous popular fictional characters, including superheroes Spider-Man, the X-Men, Iron Man, Thor, the Hulk, Ant-Man, the Wasp, the Fantastic Four, Black Panther, Daredevil, Doctor Strange, Scarlet Witch, the Black Widow and Captain Marvel. These and other characters' Lee during the Phoenix Comicon 2014 introductions in the 1960s pioneered a more Born Stanley Martin Lieber naturalistic approach than previously applied to December 28, 1922 superhero comics, and in the 1970s Lee challenged New York City, New York, U.S. the restrictions of the Comics Code Authority, indirectly leading to changes in its policies. In the Died November 12, 2018 (aged 95) 1980s he pursued the development of Marvel Los Angeles, California, U.S. properties in other media, with mixed results. Area(s) Comic book writer · editor · Following his retirement from Marvel in the 1990s, publisher · producer he remained a public figurehead for the company, and frequently made cameo appearances in films Collaborators Jack Kirby · Steve Ditko · and television shows based on Marvel characters, John Romita Sr. -
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
Case 2:07-cv-00225-SVW-SS Document 130 Filed 01/20/2009 Page 1 of 14 1 2 3 4 5 6 7 UNITED STATES DISTRICT COURT 8 CENTRAL DISTRICT OF CALIFORNIA 9 10 QED PRODUCTIONS, LLC, et al., ) CV 07-0225 SVW (SSx) 11 ) ) ORDER DENYING PLAINTIFFS’ 12 Plaintiffs, ) MOTION FOR PARTIAL SUMMARY ) JUDGMENT AS TO STANDING [95, 13 ) 108, 121] v. ) 14 ) ) 15 JAMES NESFIELD, et al., ) ) 16 ) Defendants. ) 17 ) 18 19 20 I. INTRODUCTION 21 22 Plaintiffs Stan Lee, QED Productions, LLC (“QED”), and POW! 23 Entertainment, Inc. (“POW!”) claim that they have interests in the 24 copyrights and trademarks at issue sufficient to confer standing on 25 Plaintiffs to bring this suit.1 However, because the purported transfer 26 1 27 The intellectual property rights at issue here are copyrights in entertainment projects known as The Accuser, Stan’s Evil Clone (Evil 28 Clone), and The Drifter. (SAC, at 40-41.) The trademarks at issue in this case are “Stan Lee Presents,” “Excelsior!,” “The Accuser (and Accuser),” “The Drifter,” “Stan Lee Media,” “Stan Lee,” and “Stan Lee Case 2:07-cv-00225-SVW-SS Document 130 Filed 01/20/2009 Page 2 of 14 1 of the Properties from the chapter 11 bankruptcy estate of Stan Lee 2 Media, Inc. (“SLMI”) was not authorized by the bankruptcy court, any 3 such transfer was void as a matter of law. Thus, Plaintiffs QED and 4 POW! cannot assert an interest in the Properties on this basis. 5 Plaintiffs, however, assert an ownership interest in the 6 Properties on a separate basis. -
The Temporalities and Radical Possibilities of American Comics" (2020)
UnUniivveersrsiittyy of WiWissconconssiinn MiMillwawaukukeeee UWM DDiigigittaall CCommonommonss Theses and Dissertations May 2020 Historical Dissidence: The Temporalities and Radical PossibiliPossibilities ties of AmeAmeriricacann CComiomicscs Jeremy M. Carnes University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, Comparative Literature Commons, and the United States History Commons RReecommecommennddeedd CCiittaattiionon Carnes, Jeremy M., "Historical Dissidence: The Temporalities and Radical Possibilities of American Comics" (2020). Theses and Dissertations. 2361. https://dc.uwm.edu/etd/2361 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. HISTORICAL DISSIDENCE: THE TEMPORALITIES AND RADICAL POSSIBILITIES OF AMERICAN COMICS by Jeremy M. Carnes A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2020 ABSTRACT HISTORICAL DISSIDENCE: THE TEMPORALITIES AND RADICAL POSSIBILITIES OF AMERICAN COMICS by Jeremy M. Carnes The University of Wisconsin-Milwaukee, 2020 Under the Supervision of Professor Jason Puskar Formal criticism of comics has often focused on the importance of sequence and the filling of gutters with causative logics. Practitioner-theorists like Will Eisner and Scott McCloud have focused on “sequentiality” and “closure” to conceive of how readers connect the disparate panels of a given comic. More contemporary scholars of the form have followed Eisner and McCloud, foregrounding the causative logics that create narrative progression in the comics form. -
Superheroes & Stereotypes: a Critical Analysis of Race, Gender, And
SUPERHEROES & STEREOTYPES: A CRITICAL ANALYSIS OF RACE, GENDER, AND SOCIAL ISSUES WITHIN COMIC BOOK MATERIAL Gabriel Arnoldo Cruz A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2018 Committee: Alberto González, Advisor Eric Worch Graduate Faculty Representative Joshua Atkinson Frederick Busselle Christina Knopf © 2018 Gabriel Arnoldo Cruz All Rights Reserved iii ABSTRACT Alberto González, Advisor The popularity of modern comic books has fluctuated since their creation and mass production in the early 20th century, experiencing periods of growth as well as decline. While commercial success is not always consistent from one decade to the next it is clear that the medium has been and will continue to be a cultural staple in the society of the United States. I have selected this type of popular culture for analysis precisely because of the longevity of the medium and the recent commercial success of film and television adaptations of comic book material. In this project I apply a Critical lens to selected comic book materials and apply Critical theories related to race, class, and gender in order to understand how the materials function as vehicles for ideological messages. For the project I selected five Marvel comic book characters and examined materials featuring those characters in the form of comic books, film, and television adaptations. The selected characters are Steve Rogers/Captain America, Luke Cage, Miles Morales/Spider-Man, Jean Grey, and Raven Darkholme/Mystique. Methodologically I interrogated the selected texts through the application of visual and narrative rhetorical criticism. -
Cómic, Intertextualidad E Intermedialidad. Para Una Crítica Coeducativa 177
175 Cómic, intertextualidad e intermedialidad para una crítica coeducativa Análisis de la feminidad (anti)superheróica de Jean Grey/Phoenix Jorge Belmonte Arocha Recibido: 15.05.2021 — Aceptado: 08.06.2021 Titre / Title / Titolo The mythology of the American superhero comic book figure, character- ized by a global and cross-cultural circulation, expanded its original space of Bande dessinée, intertextualité et intermédialité pour une critique co-édu- comic vignettes with the arrival of its plots and characters in the universe cative: analyse de la féminité (anti)super-héroïque de Jean Grey/Phoenix of audiovisual media, an intermedial expansion that has continued and in- st Comics, intertextuality and intermediality for a coeduational critique: creased significantly in the 21 century. In addition to appreciating the open- ing of the comic to the expressive space of other media, we will stress the Analysis of the (anti)superheroic femininity of Jean Grey/Phoenix necessity of such opening for the academic and educational reflective spaces, Fumetto, intertestualità e intermedialità per una critica coeducativa: anali- by analysing, critically and intertextually, the (anti)superheroic femininity of sis della femminilità (anti)supereroica di Jean Grey/Phoenix one of Marvel’s character with coeducational purposes: Jean Grey, a char- acter from the long-lived X-Men comic book (Stan Lee y Jack Kirby, 1963), Resumen / Résumé / Abstract / Riassunto recently brought to the screen in in Dark Phoenix (Simon Kinberg, 2019). La mitología propia del cómic -
Stan Lee: in Memoriam
History in the Making Volume 12 Article 16 January 2019 Stan Lee: In Memoriam Galilea Navarro CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the American Popular Culture Commons Recommended Citation Navarro, Galilea (2019) "Stan Lee: In Memoriam," History in the Making: Vol. 12 , Article 16. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol12/iss1/16 This In Memoriam is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Stan Lee: In Memoriam By Galilea Navarro It is unarguable that Stan Lee transformed the comic book landscape into what it was, what it is, and what it will be for years to come. As one of the most important and influential figures in American pop culture, he revolutionized the idea, the notion, of what it means to be a hero. Lee was a relentless spirit with a work ethic to match, who used his impoverished upbringing to pull himself from the shadows of an uncertain future to become the man he is remembered as today. And though he did achieve exactly that, it was not without the help of a collective of brilliant minds from writers to artists that helped Marvel’s “Method Man” establish his legacy. It is difficult to think of a world without Stan Lee, as his knack for spotting—and oftentimes exploiting—talent gave the world some of its most beloved characters, and his cameos in the films have endeared him to fans all over the world.