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Art of the Mountain
Wang Wusheng, Disciples of Buddha and Fairy Maiden Peak, taken at Peak Lying on the Clouds June 2004, 8 A.M. ART OF THE MOUNTAIN THROUGH THE CHINESE PHOTOGRAPHER’S LENS Organized by China Institute Gallery Curated by Willow Weilan Hai, Jerome Silbergeld, and Rong Jiang A traveling exhibition available through summer 2023 ART OF THE MOUNTAIN: THROUGH THE CHINESE PHOTOGRAPHER’S LENS Organized by China Institute Gallery Curated by Willow Weilan Hai, Jerome Silbergeld, and Rong Jiang A traveling exhibition available through summer 2023 In Chinese legend, mountains are the pillars that hold up the sky. Mountains were seen as places that nurture life. Their veneration took the form of rituals, retreat from social society, and aesthetic appreciation with a defining role in Chinese art and culture. Art of the Mountain will consist of three sections: Revered Mountains of China will introduce the geography, history, legends, and culture that are associated with Chinese mountains and will include photographs by Hou Heliang, Kang Songbai and Kang Liang, Li Daguang, Lin Maozhao, Li Xueliang, Lu Hao, Zhang Anlu, Xiao Chao, Yan Shi, Wang Jing, Zhang Jiaxuan, Zhang Huajie, and Zheng Congli. Landscape Aesthetics in Photography will present Wang Wusheng’s photography of Mount Huangshan, also known as Yellow Mountain, to reflect the renowned Chinese landscape painting aesthetic and its influence. New Landscape Photography includes the works of Hong Lei, Lin Ran, Lu Yanpeng, Shao Wenhuan, Taca Sui, Xiao Xuan’an, Yan Changjiang, Yang Yongliang, Yao Lu, Zeng Han, Gao Hui, and Feng Yan, who express their thoughts on the role of mountains in society. -
3 Days Datong Pingyao Classical Tour
[email protected] +86-28-85593923 3 days Datong Pingyao classical tour https://windhorsetour.com/datong-pingyao-tour/datong-pingyao-classical-tour Datong Pingyao Exploring the highlights of Datong and Pingyao's World Culture Heritage sites gives you a chance to admire the superb artistic attainments of the craftsmen and understand the profound Chinese culture in-depth. Type Private Duration 3 days Theme Culture and Heritage, Family focused, Winter getaways Trip code DP-01 Price From € 304 per person Itinerary This is a 3 days’ culture discovery tour offering the possibility to have a glimpse of the profound culture of Datong and Pingyao and the outstanding artistic attainments of the craftsmen of ancient China in a short time. The World Cultural Heritage Site - Yungang Grottoes, Shanhua Monastery, Hanging Monastery, as well as Yingxian Wooden Pagoda gives you a chance to admire the rich Buddhist culture of ancient China deeply. The Pingyao Ancient City, one of the 4 ancient cities of China and a World Cultural Heritage site, displays a complete picture of the prosperity of culture, economy, and society of the Ming and Qing Dynasties for tourists. Day 01 : Datong arrival - Datong city tour Arrive Datong in the early morning, your experienced private guide, and a comfortable private car with an experienced driver will be ready (non-smoking) to serve for your 3 days ancient China discovery starts. The highlights today include Shanhua Monastery, Nine Dragons Wall, as well as Yungang Grottoes. Shanhua Monastery is the largest and most complete existing monastery in China. The Nine Dragons Wall in Datong is the largest Nine Dragons Wall in China, which embodies the superb carving skills of ancient China. -
The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
Imperial Mobility and the Kangxi Emperor's Construction Of
Investigating things under Heaven: imperial mobility and the Kangxi emperor’s construction of knowledge Catherine Jami To cite this version: Catherine Jami. Investigating things under Heaven: imperial mobility and the Kangxi emperor’s construction of knowledge. Individual itineraries and the Spatial Dynamics of Knowledge: Science, Technology and Medicine in China, 17th-20th centuries, Collège de France, pp.173-205, 2017, 978-2- 85757-077-6. halshs-02319149 HAL Id: halshs-02319149 https://halshs.archives-ouvertes.fr/halshs-02319149 Submitted on 24 Oct 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. BIBLIOTHÈQUE DE L’INSTITUT DES HAUTES ÉTUDES CHINOISES VOLUME XXXIX INDIVIDUAL ITINERARIES AND THE SPATIAL DYNAMICS OF KNOWLEDGE SCIENCE, TECHNOLOGY AND MEDICINE IN CHINA, 17TH-20TH CENTURIES EDITED BY Catherine JAMI PARIS — 2017 COLLÈGE DE FRANCE INSTITUT DES HAUTES ÉTUDES CHINOISES 5 INVESTIGATING THINGS UNDER HEAVEN: IMPERIAL MOBILITY AND THE KANGXI EMPEROR’S CONSTRUCTION OF KNOWLEDGE Catherine JAMI During the late imperial period, emperors played a major role in the pro- duction and circulation of knowledge in China. From the early fifteenth century, they promoted the teachings of the Cheng-Zhu school of philoso- phy (named after the Song dynasty philosophers Cheng Yi 程頤 [1033- 1107] and Zhu Xi 朱熹 [1130-1200]) and its interpretation of the Confucian teachings to the status of state orthodoxy, a status retained for almost five centuries, until the end of the imperial examination system. -
Research on a Projected Brand and Perceived Personality Differentiation of Tourist Destination: a Case Study of Shandong, China
Vol. 10(3), pp. 20-28, May 2019 DOI: 10.5897/JHMT2019.0267 Article Number: 44ABE7B61081 ISSN 2141-6575 Copyright © 2019 Journal of Hospitality Management and Author(s) retain the copyright of this article http://www.academicjournals.org/JHMT Tourism Full Length Research Paper Research on a projected brand and perceived personality differentiation of tourist destination: A case study of Shandong, China Jun Wu*, Weilong Sun, Fanglei Wang, Zhaoli Xu and Yuanyuan Xu School of Geography and Tourism, Qufu Normal University, China Received 23 February, 2019; Accepted 13 May, 2019 Due to the accelerated pace of modern life, consumers reduce time of purchase decisions and tend to choose services that match their own personality. The development of the brand of tourist destination needs to introduce new, appropriate extension to meet the needs of tourists in order to maintain exuberant vitality. So, what the perception of the brand personality of tourist destination is and whether it has an impact on the effectiveness of tourists’ evaluation of extended brand are needed to research. Based on a tourism website on visitors’ reviews and advertisements on scenic areas, this paper examined Shandong Province and discussed differences in regional tourism brands. Firstly, tourists’ comments were collected from the tourism website and high-frequency words that describe individual characteristics using the content analysis method were extracted. Secondly, the characteristics of vocabulary acquisition were summarized; the tourism brand personality dimension scale was used, put corresponding data into cross-contingency tables and obtains visitors’ destination personality perception differences. Thirdly, after using group discussions and the Delphi method to obtain the Shandong tourism projected brand personality and this was compared with tourists’ brand personalities, it was revealed that the perception of Shandong promulgated by its marketers differs from visitors’ perceptions. -
Knowing the Paths of Pilgrimage the Network of Pilgrimage Routes in Nineteenth-Century China
review of Religion and chinese society 3 (2016) 189-222 Knowing the Paths of Pilgrimage The Network of Pilgrimage Routes in Nineteenth-Century China Marcus Bingenheimer Temple University [email protected] Abstract In the early nineteenth century the monk Ruhai Xiancheng 如海顯承 traveled through China and wrote a route book recording China’s most famous pilgrimage routes. Knowing the Paths of Pilgrimage (Canxue zhijin 參學知津) describes, station by station, fifty-six pilgrimage routes, many converging on famous mountains and urban centers. It is the only known route book that was authored by a monk and, besides the descriptions of the routes themselves, Knowing the Paths contains information about why and how Buddhists went on pilgrimage in late imperial China. Knowing the Paths was published without maps, but by geo-referencing the main stations for each route we are now able to map an extensive network of monastic pilgrimage routes in the nineteenth century. Though most of the places mentioned are Buddhist sites, Knowing the Paths also guides travelers to the five marchmounts, popular Daoist sites such as Mount Wudang, Confucian places of worship such as Qufu, and other famous places. The routes in Knowing the Paths traverse not only the whole of the country’s geogra- phy, but also the whole spectrum of sacred places in China. Keywords Knowing the Paths of Pilgrimage – pilgrimage route book – Qing Buddhism – Ruhai Xiancheng – “Ten Essentials of Pilgrimage” 初探«參學知津»的19世紀行腳僧人路線網絡 摘要 十九世紀早期,如海顯承和尚在遊歷中國後寫了一本關於中國一些最著名 的朝聖之路的路線紀錄。這本「參學知津」(朝聖之路指引)一站一站地 -
Seeing with the Mind's Eye: the Eastern Jin Discourse of Visualization and Imagination Author(S): TIAN XIAOFEI Source: Asia Major , 2005, THIRD SERIES, Vol
Seeing with the Mind's Eye: The Eastern Jin Discourse of Visualization and Imagination Author(s): TIAN XIAOFEI Source: Asia Major , 2005, THIRD SERIES, Vol. 18, No. 2 (2005), pp. 67-102 Published by: Academia Sinica Stable URL: http://www.jstor.com/stable/41649906 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Academia Sinica is collaborating with JSTOR to digitize, preserve and extend access to Asia Major This content downloaded from 206.253.207.235 on Mon, 13 Jul 2020 17:58:56 UTC All use subject to https://about.jstor.org/terms TIAN XIAOFEI Seeing with the Mind's Eye: The Eastern Jin Discourse of Visualization and Imagination This with with paper the thephysical physical world, explores or more world, specifically, a series with or more landscape, of acts dur- specifically, of the mind with in landscape, its interaction dur- ing the intellectually coherent hundred-year period coinciding with the dynasty known as the Eastern Jin (317-420). Chinese landscape poetry and landscape paintings first flourished in the Six Dynasties. Landscape was an essential element in the so-called "poetry of arcane discourse" ( xuanyan shi 3CHHÍ) of the fourth century, a poetry drawing heavily upon the vocabulary and concerns of the Daoist philosophy embodied in Laozi and ZJiuangzi as well as upon Buddhist doctrine; the earliest known record of landscape painting also dates to the Eastern Jin.1 How was landscape perceived by the Eastern Jin elite, and how was this unique mode of perception informed by a complex nexus of contemporary cultural forces? These are the questions to be dealt with in this paper. -
Origin Narratives: Reading and Reverence in Late-Ming China
Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”). -
The Image of China As a Tourist Destination and Its Market in Spain
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio Universidad de Zaragoza FACULTAD DE EMPRESA Y GESTIÓN PÚBLICA Máster en Dirección y Planificación de Turismo The Image of China as a Tourist Destination and its Market in Spain Hao Zhang Huesca, January, 18th, 2013 The Image of China as a Destination and Its Market in Spain Content I Abstract...........................................................................................5 1. INTRODUCTION..........................................................................6 1.1. OBJECTIVES...............................................................................................7 1.2. STRUCTURE...............................................................................................8 1.3. METHODOLOGY........................................................................................9 2. LITERATURE REVIEW..............................................................10 2.1. TOURIST DESTINATION IMAGE.........................................................10 2.2. COGNITIVE IMAGE DIMENSIONS......................................................13 2.2.1. Dimensionality........................................................................................13 2.2.2. The Image of China as Tourist Destination……………………..…...17 2.2.2.1. General Introduction of China…………...…………………………..17 2.2.2.2. Natural Resources……...………………………………………………18 2.2.2.3. Infrastructures…………...……………………………………………20 2.2.2.4. Tourist leisure and recreation…………….…………..………………22 -
Recording the Imperial Southern Inspection Tour Scrolls
Recording the Grandeur of the Qing: The Southern Inspection Tour Scrolls ASIAN TOPICS IN WORLD HISTORY of the Kangxi and Qianlong Emperors Asia for Educators | Columbia University RECORDING THE IMPERIAL SOUTHERN INSPECTION TOUR SCROLLS Maxwell K. Hearn, Consultant The imperial inspection tours of the Kangxi and Qianlong SUBTOPICS emperors were unique in Chinese history. Other emperors in • THE KANGXI EMPEROR'S SOUTHERN INSPECTION other eras had from time to time completed a single inspection TOUR OF 1689 tour of the empire or made the epic journey to Mount Tai to ÙMap (Online Only): Southern Inspection Tour Routes worship Heaven, but the Qing emperors were the first to • THE QIANLONG EMPEROR'S SOUTHERN undertake multiple tours of inspection to all corners of the INSPECTION TOUR OF 1751 empire. In fact, these personal inspection tours were part of a ÙPop-up (Online Only): Location of all twenty- four Inspection Tour Scrolls strategy for extending and solidifying Manchu rule throughout • HOW THE INSPECTION TOUR SCROLLS WERE the empire. During his 60-year reign, the Kangxi Emperor PRODUCED completed six southern inspection tours. The Kangxi Emperor's • VIEWING THE SCROLLS IN LIGHT OF THEIR INTENDED PURPOSE grandson, the Qianlong Emperor, followed his example and ÙSidebar: Handscrolls in Chinese Art also made six southern tours. • IMPERIAL LEGITIMACY AND THE COSMIC ORDER: THE KANGXI EMPEROR'S VISIT TO MT. TAI ÙInteractive (Online Only): Kangxi Emperor's Southern Inspection Tour, Scroll 3: Ji'nan to Mt. Tai THE KANGXI EMPEROR’S SECOND SOUTHERN INSPECTION TOUR • CONTROLLING THE WATERS: THE QIANLONG OF 1689, DOCUMENTED BY WANG HUI AND HIS ASSISTANTS EMPEROR'S INSPECTION OF WATER CONTROL MEASURES AT HUAI AND YELLOW RIVERS ÙInteractive (Online Only): Qianlong Emperor's Politically, the Kangxi Emperor's first two southern tours were Southern Inspection Tour, Scroll 4: Confluence of the most significant. -
Formation of the Traditional Chinese State Ritual System of Sacrifice To
religions Article Formation of the Traditional Chinese State Ritual System of Sacrifice to Mountain and Water Spirits Jinhua Jia 1,2 1 College of Humanities, Yangzhou University, Yangzhou 225009, China; [email protected] 2 Department of Philosophy and Religious Studies, University of Macau, Macau SAR, China Abstract: Sacrifice to mountain and water spirits was already a state ritual in the earliest dynasties of China, which later gradually formed a system of five sacred peaks, five strongholds, four seas, and four waterways, which was mainly constructed by the Confucian ritual culture. A number of modern scholars have studied the five sacred peaks from different perspectives, yielding fruitful results, but major issues are still being debated or need to be plumbed more broadly and deeply, and the whole sacrificial system has not yet drawn sufficient attention. Applying a combined approach of religious, historical, geographical, and political studies, I provide here, with new discoveries and conclusions, the first comprehensive study of the formational process of this sacrificial system and its embodied religious-political conceptions, showing how these geographical landmarks were gradually integrated with religious beliefs and ritual-political institutions to become symbols of territorial, sacred, and political legitimacy that helped to maintain the unification and government of the traditional Chinese imperium for two thousand years. A historical map of the locations of the sacrificial temples for the eighteen mountain and water spirits is appended. Keywords: five sacred peaks; five strongholds; four seas; four waterways; state ritual system of sacrifice; Chinese religion; Chinese historical geography Citation: Jia, Jinhua. 2021. Formation of the Traditional Chinese State Ritual System of Sacrifice to Mountain and Water Spirits. -
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Advances in Social Science, Education and Humanities Research, volume 507 Proceedings of the 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020) Study on Literary Space in the Landscape of "Eight Views" Li Hou1 Jianjun Kang1,2,* 1"Belt and Road" Region Non-common Languages Studies Centre of Liaocheng University, Liaocheng, Shandong 252059, China 2Institute of Literature of Jiangxi Academy of Social Sciences, Nanchang, Jiangxi 330077, China * Corresponding author. Email: [email protected] ABSTRACT Poems in ancient dynasties involve relatively typical local landscapes and cultural regions, which can be reflected in the writings of ancient poets many times. With regard to the poems on regions, a lot of contents are related to the study of landscape, so the poetry text will show a certain regularity, which enables the study on the geographical landscape and literary space of the "Eight Views". This thesis focuses on the study of the literary space in the landscape of "Eight Views". Taking the Eight Views in DongChang as an example, each of them incorporates its unique historical and cultural connotations. The "Eight Views of DongChang" are almost all humanistic landscapes, reflecting the interaction between humanistic landscapes and canal landscapes. The full text elaborates the basic situation of the Shandong Canal’s geographic landscape and literary space in the Ming Dynasty. It is believed that the opening of the Shandong Canal and the changes and development of the landscape have affected the creation of poetry and literature, and in turn the literary works has also reflected the landscape of the Shandong Canal.