The Arousal of Emotion in Plato's Dialogues Author(S): David L. Blank Source: the Classical Quarterly, New Series, Vol
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Vernon W
Philosophy Faculty Publications Philosophy 4-2014 Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Vernon W. Cisney Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/philfac Part of the Philosophy of Mind Commons Share feedback about the accessibility of this item. Cisney, Vernon W. "Becoming-Other: Foucault, Deleuze, and the Nature of Thought." Foucault Studies 17 Special Issue: Foucault and Deleuze (April 2014). This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/philfac/37 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Abstract In this paper I employ the notion of the ‘thought of the outside’ as developed by Michel Foucault, in order to defend the philosophy of Gilles Deleuze against the criticisms of ‘elitism,’ ‘aristocratism,’ and ‘political indifference’—famously leveled by Alain Badiou and Peter Hallward. First, I argue that their charges of a theophanic conception of Being, which ground the broader political claims, derive from a misunderstanding of Deleuze’s notion of univocity, as well as a failure to recognize the significance of the concept of multiplicity in Deleuze’s thinking. From here, I go on to discuss Deleuze’s articulation of the ‘dogmatic image of thought,’ which, insofar as it takes ‘recognition’ as its model, can only ever think what is already solidified and sedimented as true, in light of existing structures and institutions of power. -
From Opinions to Images: Essays Towards a Sociology of Affects Ulus S
FROM OPINIONS TO IMAGES: ESSAYS TOWARDS A SOCIOLOGY OF AFFECTS ULUS S. BAKER EDITED BY ARAS ÖZGÜN AND ANDREAS TRESKE A SERIES OF READERS PUBLISHED BY THE INSTITUTE OF NETWORK CULTURES ISSUE NO.: 37 FROM OPINIONS TO IMAGES: ESSAYS TOWARDS A SOCIOLOGY OF AFFECTS ULUS S. BAKER EDITED BY ARAS ÖZGÜN AND ANDREAS TRESKE FROM OPINIONS TO IMAGES 2 Theory on Demand #37 From Opinions to Images: Essays Towards a Sociology of Affects Ulus S. Baker Edited by Aras Özgün and Andreas Treske Cover design: Katja van Stiphout Design and EPUB development: Eleni Maragkou Published by the Institute of Network Cultures, Amsterdam, 2020 ISBN print-on-demand: 978-94-92302-66-3 ISBN EPUB: 978-94-92302-67-0 Contact Institute of Network Cultures Phone: +31 (0)20 595 1865 Email: [email protected] Web: http://www.networkcultures.org This publication is available through various print on demand services. EPUB and PDF edi- tions are freely downloadable from our website: http://www.networkcultures.org/publications. This publication is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivatives 4.0 International. FROM OPINIONS TO IMAGES 3 Cover illustration: Diagram of the signifier from Deleuze, Gilles and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press. 1987. 4 THEORY ON DEMAND CONTENTS PASSING THROUGH THE WRITINGS OF ULUS BAKER 5 1. A SOCIOLOGY OF AFFECTS 9 2. WHAT IS OPINION? 13 3. WHAT IS AN AFFECT? 59 4. WHAT IS AN IMAGE? 86 5. TOWARDS A NEO-VERTOVIAN SENSIBILITY OF AFFECTS 160 6. ON CINEMA AND ULUS BAKER 165 BIBLIOGRAPHY 180 BIOGRAPHIES 187 FROM OPINIONS TO IMAGES 5 We have lived at least one century within the idea of opinion which determined some of the major themes in social sciences.. -
The Roles of Solon in Plato's Dialogues
The Roles of Solon in Plato’s Dialogues Dissertation Presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Samuel Ortencio Flores, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Bruce Heiden, Advisor Anthony Kaldellis Richard Fletcher Greg Anderson Copyrighy by Samuel Ortencio Flores 2013 Abstract This dissertation is a study of Plato’s use and adaptation of an earlier model and tradition of wisdom based on the thought and legacy of the sixth-century archon, legislator, and poet Solon. Solon is cited and/or quoted thirty-four times in Plato’s dialogues, and alluded to many more times. My study shows that these references and allusions have deeper meaning when contextualized within the reception of Solon in the classical period. For Plato, Solon is a rhetorically powerful figure in advancing the relatively new practice of philosophy in Athens. While Solon himself did not adequately establish justice in the city, his legacy provided a model upon which Platonic philosophy could improve. Chapter One surveys the passing references to Solon in the dialogues as an introduction to my chapters on the dialogues in which Solon is a very prominent figure, Timaeus- Critias, Republic, and Laws. Chapter Two examines Critias’ use of his ancestor Solon to establish his own philosophic credentials. Chapter Three suggests that Socrates re- appropriates the aims and themes of Solon’s political poetry for Socratic philosophy. Chapter Four suggests that Solon provides a legislative model which Plato reconstructs in the Laws for the philosopher to supplant the role of legislator in Greek thought. -
The Ostensible Author of Ps.-Aeschines Letter 10 Reconsidered
Journal of Hellenic Studies 139 (2019) 210–221 doi:10.1017/S0075426919000703 © The Society for the Promotion of Hellenic Studies 2019 THE OSTENSIBLE AUTHOR OF PS.-AESCHINES LETTER 10 RECONSIDERED ZILONG GUO Northeast Normal University* Abstract: This article examines the alleged author, or first-person narrator, of the tenth pseudonymous letter in the Corpus Aeschineum. It argues that the forger, in a short epistolary novel that describes the seduction of a certain Callirhoe in Troy, uses puns (αἰσχύνειν, ἀναισχυντία, etc.) on the name of the fourth-century BC orator Aeschines. It notes that αἰσχρός-words recur in ancient works and, as a rhetorical device, are attested in Demosthenes. The forger’s aims are, first, to serialize the ‘Aeschinean’ letters as a whole by relating them to the same author and, second, to create an ‘aischro- logic’ counterpart of the Callirhoe, which is attributed to Chariton (Χαρίτων/‘The Graceful’). Thus there is less likelihood of suggesting other figures such as the eponymous Aeschines Socraticus. Keywords: pseudonymous letters, authorship, Aeschines, Chariton, pun In the manuscript tradition of Aeschines we find a collection of 12 letters that purport to describe the orator’s exile from Athens after the ‘crown trial’ in 330 BC. These letters are called ‘pseudony- mous’ because of their questionable authenticity: Letters 2, 3, 7, 11 and 12 imitate the letters of Demosthenes and are reminiscent of the historical declamations and progymnasmata familiar from Hellenistic times onward; Letters 1, 5, 6, 8, 9 and 10 reconstruct a fictitious narrative of Aeschines’ exile, and have traditionally been accepted as products of the so-called Second Sophistic. -
Citations in Classics and Ancient History
Citations in Classics and Ancient History The most common style in use in the field of Classical Studies is the author-date style, also known as Chicago 2, but MLA is also quite common and perfectly acceptable. Quick guides for each of MLA and Chicago 2 are readily available as PDF downloads. The Chicago Manual of Style Online offers a guide on their web-page: http://www.chicagomanualofstyle.org/tools_citationguide.html The Modern Language Association (MLA) does not, but many educational institutions post an MLA guide for free access. While a specific citation style should be followed carefully, none take into account the specific practices of Classical Studies. They are all (Chicago, MLA and others) perfectly suitable for citing most resources, but should not be followed for citing ancient Greek and Latin primary source material, including primary sources in translation. Citing Primary Sources: Every ancient text has its own unique system for locating content by numbers. For example, Homer's Iliad is divided into 24 Books (what we might now call chapters) and the lines of each Book are numbered from line 1. Herodotus' Histories is divided into nine Books and each of these Books is divided into Chapters and each chapter into line numbers. The purpose of such a system is that the Iliad, or any primary source, can be cited in any language and from any publication and always refer to the same passage. That is why we do not cite Herodotus page 66. Page 66 in what publication, in what edition? Very early in your textbook, Apodexis Historia, a passage from Herodotus is reproduced. -
The Ontological Plurality of Digital Voice: a Schizoanalysis of Rate My Professors and Rate My Teachers
The ontological plurality of digital voice: a schizoanalysis of Rate My Professors and Rate My Teachers This is a post-peer-review, pre-copyedit version of a paper published in Principles of transversality in globalization and education: Mayes, Eve 2018, The ontological plurality of digital voice: a schizoanalysis of Rate My Professors and Rate My Teachers. In Cole, David R and Bradley, Joff PN (ed), Principles of transversality in globalization and education, Springer, Singapore, pp.195-210. The final authenticated version is available online at: https://doi.org/10.1007/978-981-13-0583- 2_12 This is the accepted manuscript. ©2018, Springer Nature Singapore Pte Ltd. Reprinted with permission. Downloaded from DRO: http://hdl.handle.net/10536/DRO/DU:30105103 DRO Deakin Research Online, Deakin University’s Research Repository Deakin University CRICOS Provider Code: 00113B Book: Principles of Transversality in Globalization and Education The ontological plurality of digital voice: A schizoanalysis of Rate My Professors and Rate My Teachers Eve Mayes Deakin University, Geelong, Victoria, Australia Abstract Online evaluations (like Rate My Professors and Rate My Teachers) have been celebrated as forming wider publics and modes of accountability beyond the institution, and critiqued as reinforcing consumeristic pedagogical relations. This chapter takes up the websites Rate My Professors and Rate My Teachers as empirical entry points to a conceptual discussion, after Félix Guattari, of the ontological plurality of digital voice, and its associated refrains and universes of reference. I turn attention from analysis of the effects of these digitized student evaluations to the moment of their formation – for example, when a student’s finger clicks on a particular star rating. -
Rethinking Athenian Democracy.Pdf
Rethinking Athenian Democracy A dissertation presented by Daniela Louise Cammack to The Department of Government in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Political Science Harvard University Cambridge, Massachusetts January 2013 © 2013 Daniela Cammack All rights reserved. Professor Richard Tuck Daniela Cammack Abstract Conventional accounts of classical Athenian democracy represent the assembly as the primary democratic institution in the Athenian political system. This looks reasonable in the light of modern democracy, which has typically developed through the democratization of legislative assemblies. Yet it conflicts with the evidence at our disposal. Our ancient sources suggest that the most significant and distinctively democratic institution in Athens was the courts, where decisions were made by large panels of randomly selected ordinary citizens with no possibility of appeal. This dissertation reinterprets Athenian democracy as “dikastic democracy” (from the Greek dikastēs, “judge”), defined as a mode of government in which ordinary citizens rule principally through their control of the administration of justice. It begins by casting doubt on two major planks in the modern interpretation of Athenian democracy: first, that it rested on a conception of the “wisdom of the multitude” akin to that advanced by epistemic democrats today, and second that it was “deliberative,” meaning that mass discussion of political matters played a defining role. The first plank rests largely on an argument made by Aristotle in support of mass political participation, which I show has been comprehensively misunderstood. The second rests on the interpretation of the verb “bouleuomai” as indicating speech, but I suggest that it meant internal reflection in both the courts and the assembly. -
L'abecedaire De Gilles Deleuze, Avec Claire Parnet
1 L'Abécédaire de Gilles Deleuze, avec Claire Parnet Directed by Pierre-André Boutang (1996) Translation & Notes: Charles J. Stivale Credits (shown at the end of each tape): Conversation: Claire Parnet Direction: Pierre-André Boutang, Michel Pamart Image: Alain Thiollet Sound: Jean Maini Editing: Nedjma Scialom Sound Mix: Vianney Aubé, Rémi Stengel Images from Vincennes: Marielle Burkhalter --------------------------------------------------------------------------- Translated and edited by Charles J. Stivale --------------------------------------------------------------------------- Prelude \1 A short description of the trailer and then of the interview "set" is quite useful: the black and white trailer over which the title, then the director’s credit are shown, depicts Deleuze lecturing to a crowded, smoky seminar, his voice barely audible over the musical accompaniment. The subtitle, “Université de Vincennes, 1980,” appears briefly at the lower right, and Deleuze’s desk is packed with tape recorders. A second shot is a close-up of Deleuze chatting with the students seated closest to him. Then another shot shows students in the seminar listening intently, most of them (including a young Claire Parnet in profile) smoking cigarettes. The final shot again shows Deleuze lecturing from his desk at the front of the seminar room, gesticulating as he speaks. The final gesture shows him placing his hand over his chin in a freeze-frame, punctuating the point he has just made. As for the setting in Deleuze’s apartment during the interview, the viewer sees Deleuze seated in front of a sideboard over which hangs a mirror, and opposite him sits Parnet, smoking constantly throughout. On the dresser to the right of the mirror is his trademark hat perched on a hook. -
Schizo)Analysis of Value in the ‘Age of Innovation’
7 The (schizo)analysis of value in the ‘Age of Innovation’ Maria Hynes At a time when a well-branded concept is celebrated as an innovation, it is tempt- ing to consider this the ‘Age of Innovation’. We daily hear talk of innovation nations and innovation economies, and everywhere the value of innovative ideas, technologies, and practices are extolled. Amidst the hyperbolic claims made in the name of innovation, what is evident is that contemporary economies are mining ideas with the same fervour that they had previously mined the earth. New institu- tions are born – innovation hubs, networks, and virtual ecosystems – with an eye to cultivating the kind of problem-based research that universities are still learn- ing to produce. The conventional bounds set by disciplinary thinking are deemed a hindrance to the innovation paradigm. Such a paradigm recognises experimen- tation in the production of both ideas and things as value-adding at the level of process, as well as outcome. The interdisciplinary hybrid now familiarly known as ‘Art-Science’ is a case in point, with the meeting of art and science increas- ingly acclaimed as precisely the kind of cross-perspectival thinking necessary for solving complex problems ( Wilson et al., 2014 ). It is the disparate nature of art and science that is celebrated in popular formulations of such interdisciplinarity, since heterogenous knowledges are identifi ed as the source of the ‘creative leaps’ so crucial to innovation (Hacklin and Wallin, 2013). Of course, we know how readily such interdisciplinarity can be reterritorialised in line with those uncompromisable social axioms that make the opportunistic mutations of capitalism work. -
The Regime of Demetrius of Phalerum in Athens, 317–307
Th e Regime of Demetrius of Phalerum in Athens, 317–307 BCE Mnemosyne Supplements History and Archaeology of Classical Antiquity Edited by Susan E. Alcock, Brown University Th omas Harrison, Liverpool Willem M. Jongman, Groningen H.S. Versnel, Leiden VOLUME 318 Th e Regime of Demetrius of Phalerum in Athens, 317–307 BCE A Philosopher in Politics By Lara O’Sullivan LEIDEN • BOSTON 2009 On the cover: Detail of the Parthenon. Photo: Author. Th is book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data O’Sullivan, Lara. Th e rule of Demetrius of Phalerum in Athens, 317-307 B.C. : a philosopher in politics / by Lara O’Sullivan. p. cm. — (Mnemosyne supplements. History and archaeology of classical antiquity, ISSN 0169-8958 ; v. 318) Includes bibliographical references and index. ISBN 978-90-04-17888-5 (hbk. : alk. paper) 1. Demetrius, of Phaleron, b. ca. 350 B.C. 2. Demetrius, of Phaleron, b. ca. 350 B.C.—Political and social views. 3. Governors—Greece—Athens—Biography. 4. Statesmen—Greece—Athens— Biography. 5. Orators—Greece—Athens—Biography. 6. Philosophers, Ancient— Biography. 7. Athens (Greece)—Politics and government. 8. Philosophy, Ancient. 9. Athens (Greece)—Relations—Macedonia. 10. Macedonia—Relations—Greece— Athens. I. Title. II. Series. DF235.48.D455O87 2009 938’.508092—dc22 [B] 2009033560 ISSN 0169-8958 ISBN 978 90 04 17888 5 Copyright 2009 by Koninklijke Brill NV, Leiden, Th e Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
The Principles of Deleuzian Philosophy
Plateaus – New Directions in Deleuze Studies ‘It’s not a matter of bringing all sorts of things together under a single concept but rather of relating each concept to variables that explain its mutations.’ Gilles Deleuze, Negotiations Series Editors Ian Buchanan, University of Wollongong Claire Colebrook, Penn State University Editorial Advisory Board Keith Ansell Pearson, Ronald Bogue, Constantin V. Boundas, Rosi Braidotti, Eugene Holland, Gregg Lambert, Dorothea Olkowski, Paul Patton, Daniel Smith, James Williams Titles available in the series Christian Kerslake, Immanence and the Vertigo of Philosophy: From Kant to Deleuze Jean-Clet Martin, Variations: The Philosophy of Gilles Deleuze, translated by Constantin V. Boundas and Susan Dyrkton Simone Bignall, Postcolonial Agency: Critique and Constructivism Miguel de Beistegui, Immanence – Deleuze and Philosophy Jean-Jacques Lecercle, Badiou and Deleuze Read Literature Ronald Bogue, Deleuzian Fabulation and the Scars of History Sean Bowden, The Priority of Events: Deleuze’s Logic of Sense Craig Lundy, History and Becoming: Deleuze’s Philosophy of Creativity Aidan Tynan, Deleuze’s Literary Clinic: Criticism and the Politics of Symptoms Thomas Nail, Returning to Revolution: Deleuze, Guattari and Zapatismo François Zourabichvili, Deleuze: A Philosophy of the Event with The Vocabulary of Deleuze edited by Gregg Lambert and Daniel W. Smith, translated by Kieran Aarons Frida Beckman, Between Desire and Pleasure: A Deleuzian Theory of Sexuality Nadine Boljkovac, Untimely Affects: Gilles Deleuze -
Notes on Absence, Nothingness and the Black Prisoner Theorist
McDougall, T 2019 Left Out: Notes on Absence, Nothingness and the Black Prisoner Theorist. Anthurium, 15(2): 8, 1–10. DOI: https://doi.org/10.33596/anth.391 ARTICLE Left Out: Notes on Absence, Nothingness and the Black Prisoner Theorist Taija McDougall University of California, Irvine, US [email protected] Despite his incarceration in 1961 on a one-year-to-life sentence, George Jackson was a pro- lific Marxist theorist, with two books published. His autobiographical epistolary text Soledad Brother, published the year before his death in 1971, contains letters to family, friends, and supporters that are at once deeply personal and broadly theoretical. These letters consider and analyze the ways that he finds himself (re)captured and thus caught in the machinery of the US- American carceral apparatus. Jackson’s theory of revolutionary politics, linked to American and global struggles against imperialism, was of particular interest to Gilles Deleuze, whose conceptualization of the Line of Flight is furnished by a crucial quotation of Jackson’s: “I may run, but all the time that I am, I’ll be looking for a stick” (328). This quotation from Soledad Brother, with minor variations, winds through Deleuze’s collaborative oeuvre, from Anti-Oedipus with Felix Guattari to Dialogues II with Claire Parnet, and forms a key aspect of the notion of the line of flight, which has been further mobilized by recent scholars. Despite the importance of this quotation, it goes uncited throughout all of Deleuze’s work, in all editions, in multiple languages, in both print and digital mediums. There is no included bibliographic information and no editor’s note or translator’s note as to why this is the case.