109 108 CVs ÌÈÈÁ†˙¯˜ È·ˆ†Ô·†ÏË

ƉÁ†Ò„¯Ù·†‰Ï„‚†¨˙ÂÓÂχ†ı·Ș·†‰„ÏÂ ±π∂∂ ·È·‡†Ï˙·†˙„·ÂÚ†˙¯¯Â‚˙Ó ¨˙ÂÓ‡‰†˙„ÏÂ˙φ˙ÂӇφ‚ÂÁ‰†¨Ô¢‡¯†¯‡Â˙ ±ππ≤ ‰ÙÈÁ†˙ËÈÒ¯·È‡ ¨˙¯Â˜È·Â†‰È¯Â‡È˙†˙¯ˆÂ‡Ï†˘„Á‰†¯ÈÓÒ‰†˙¯‚· ±ππ∑ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜ Ï·†ÍȯÈȉ†Ô¯˜†È„¯˘Ó·†‰È¯Ï‚‰†˙¯ˆÂ‡ ≤∞∞±≠±ππ∏ ®„ÈÁȆ˙ÂίÚ˙†≤∂©†·È·‡†Ï˙· ÂÙÈ·†˙ÂӇφ¢¯‚‰¢†‰È¯Ï‚†˙¯ˆÂ‡ ≤∞∞≤≠≤∞∞± ¨˙ÈÈËÒÏÙ†˙ÂÓ‡†ÏÚ†È˘†¯‡Â˙φ¯˜ÁÓ†˙„·چ˙·˙ÂΆ‰Ï‡†ÌÈÓÈ· Æ·È·‡†Ï˙†˙ËÈÒ¯·È‡·†ıΆ„„†‰„ÏÂȆ˘¢Ú†˙ÂӇφ‰ËϘٷ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜†˙ÂӇφ¯ÙÒ‰†˙È··†‰ˆ¯Ó ÍȯÈȉ†Ô¯˜¢†¨˙ÂίÚ˙†‰¯˘Ú–˙Á‡† †˘„Á†ÔÂÎÈ˙†Á¯ÊÓ†∫ÌÈÓÂÒ¯Ù ˙‡ˆÂ‰†¨˙ÈÈËÒÏÙ†ÌÈ˘†˙ÂÓ‡†ÈÓˆÚ†Ô˜ÂÈ„†Æ®≤∞∞∞©†·È·‡†Ï˙†¨Ï· ®≤∞∞±©†¨ÒÂÏ„‡

®˙ÂÈ˙ˆÂ·˜†˙ÂίÚ˙©†˙Á¯Â‡†˙¯ˆÂ‡ ¢ÔÈËÒÏÙÓ†ÌÈ˘†˙ÂÓ‡†›†®‰©ÈËÒÏÙ¢ ±ππ∏ ÏÈÓ‡†‰‡ÓÂß‚†¨Ò‡ËÒ‡†Ô˙‡Ù†¨Ïʇ¯†‰È„†¨ÔÒÁ–χ†‰ÊÚ ÏÈÚÓÒȇ†¯È‰ÂÒ†¨‰¯˘·†‰¯†¨¯Â·ß‚†Ï‡Â†¨È¯ÂÁ†‡‡„†¨„Â·Ú ¨·È·‡†Ï˙†¨˙È¢ÎÚ†˙ÂÓ‡†›†ıÈÈÈˢ†ÈÓÚ ÌÈÏ˘Â¯È†Á¯ÊÓ†¨˙ÂӇφÊίӆÈËÈÒ‡ÂÂχ ¢˙ÈÈËÒÏÙ†ÌÈ˘†˙ÂÓ‡†∫ÈÓˆÚ†Ô˜ÂÈ„¢ ≤∞∞∞ ¨‰Ïχ¯Ò†‰„ȇچ¨Ò‡ËÒ†ÈʇنÔ˙‡Ù†¨ÈÏ·È˘†Ì‡ÏÁ‡ ¨„·چÏÈÓ‡†‰‡ÓÂß‚†¨„ÈÓÁ†Â·‡†Ô‡Óȇ†¨ÔÈÈÒÂÁ†Â·‡†Ô‡Á ß‚‡¯Ù†ÏÈÚ‡ÓÒ‡†¯È‰ÂÒ†¨È·ÚÂʆ¯‡Ó†¨Ò˜¯ÂӆχÓ ¨ÈËÒ‡ÂÂχ·†Á˙Ùȉφ‰¯ÂÓ‡†‰˙ȉ†¢ÈÓˆÚ†Ô˜ÂÈ„¢†‰Î¯Ú˙‰ ˙Èȯς·†¨≤∞∞∞†¯·Â˘‡·†¨˙ÈÁ¯ÊÓ‰†ÌÈÏ˘Â¯È·†˙ÂӇφÊÎ¯Ó Êίӷ†≤∞∞±†¯‡Â¯·Ù·Â†≤∞∞∞†¯·Óˆ„·†·È·‡†Ï˙·†¢ıÈÈÈˢ†ÈÓÚ¢ ÈÚ¯ȇ†˙·˜Ú·†ÂÏË·†˙ÂίÚ˙‰†˘ÂÏ˘†ÆÌÁφ˙È··†˙ÂÓ‡Ï ‡ˆ˜‡–χ†˙„‡ÙÈ˙ȇ „¯Á†ÔÈÚ†¨˙ÂӇφÔ΢Ӊ†¨¢Ì‡†˙Ù˘¢ ≤∞∞≤†È‡Ó ÒÈχ†¨‰Ê·Â˜Â·†˜È¯‡†Â‰Èχ†¨ÏËÙ†Èχ†¨ÂÓÁ†˙ȯȇ ¯ÈÓʆ¨ÌÂÏ˘†‰Ù„†¨‡˜È„Ú†„„†¨ÌÁ˘†Í¯·†¨ÔÓ‚ÈϘ ·˜ÚȆ¨Ô˘Â˘†Ïˆ¨ËÁ¢†Ïˆ¨ÁÈψӆψ¨˘È˘†ÔÁ†¨ı˘ Ìȯӆ¨È˘‡˜†˘ÂÓ†¨Ï‚†¯È‡Ó†¨È¯Ê†Ï‡‚Ȇ¨„¯ÂÓ†Ô¯ Ô‚†Ô‰Î†ÒÁÙ†¨ÔÂÓÈÓ†ÈÓ¯†¨Ò†È„Ú†¨È¯¯‰†ÚË†¨‰Ò·Î Á¯Â‡†ÔӇΠÌÁφ˙È··†˙ÂӇφÊίӆ¨¢Ì‡†˙Ù˘¢ ≤∞∞≤†ı¯Ó≠¯‡ÂÈ ª¯ÎÂÓ†‡Ï¢¨ÈÏ·È˘†Ì‡ÏÁ‡†ª¢ÔÈËÒÙ¢†¨Ô„‡†‰„ȇ¯ ¢‰Á·Ò¢†¨‰Ïχ¯Ò†‰„È‡Ú ÂÙÈ·†˙ÂӇφ¯‚‰†‰È¯Ï‚†¨¢Ì‡†˙Ù˘¢ ≤∞∞≤†È‡Ó≠¯‡ÂÈ ‰„‡‡¯†ª¢˙ÂÈÙ˘Â†‰˘Â„˜¢†¨„·چÏÈÓ‡†‰‡ÓÂß‚ ̇ÏÁ‡†ª¢‰Ó¯ÂÙ¢†¨È¯‡ßÁ·†ÈÓÒ†ª¢ÔÈËÒÙ¢†¨Ô„‡ ÒÓÂÚ¢†¨ÈÒ‡˙ÈÓ†Ò‡ËÒ‡†Ô˙‡Ù†ª¢·ÂˆÈÓ¢†¨ÈÏ·È˘ ¢˙‡˜ÂÈ„¢¨‡˜È„Ú†„„†ª¢¯˙È 111 110 111 Tal Ben Zvi Guest Curator (group exhibitions) 1966 Born in Kibbutz Alumot, grew up in Pardes Hanna 1998 “Palestin(a) - Women’s Art from Palestine” Lives and works in Tel Aviv Azza El Hassan, Dina Ghazal, Faten Nastas, Jumana Emil 1992 Graduate of the Departments of Fine Arts and Abboud, Nidaa Khoury, Noel Jabbour, Rana Bishara, Art History (B.A.), Haifa University Suheir Ismail 1997 Graduate of the New Seminar for Visual Culture, Ami Steinitz - Contemporary Art, Tel Aviv, Al-Wasiti Camera Obscura School of Art, Tel Aviv Palestinian Art Center, East Jerusalem 1998-2001 Curator of the gallery atthe Heinrich Böll 2000 “Self Portrait - Palestinian Women’s Art” Foundation offices, Tel Aviv (26 solo exhibitions) Iman Abu Hamid, Faten Fawzy Nastas, Manar Zuabi, 2002 Curator of Hagar Art Gallery, Jaffa Ahlam Shibli, Suheir Ismail Farraj, Jumana Emil Abboud, Hanan Abu Hussein, Manal Murqus, Aida Nasrallah Currently working on her thesis about Palestinian art at the Yolanda and David Katz Faculty of the Arts Graduate School, The exhibition “Self Portrait” was supposed to open at Al-Wasiti Tel Aviv University. Arts Center, East Jerusalem in October 2000; at Ami Steinitz Lectures at the Camera Obscura School of Art, Tel Aviv Gallery, Tel Aviv in December 2000; and at the International Center, Bethlehem in February 2001. All three exhibits have been Publications: “New Middle East - 11 Exhibitions”, Heinrich Böll postponed indefinitely due to the Al-Aqsa Intifada. Foundation, Tel Aviv (2000) ”Self Portrait: Palestinian Women’s Art”, Andalus Publishing May 2002 “Mother Tongue”, Mishkan Le’Omanut Museum (2001) of Art, Ein Harod Adi Nes, Alice Klingman, Baruch Shacham, Chen Shish, Dafna Shalom, David Adika, Eli Petel, Eliahou Aric Bokobza, Irit Hemmo, Meir Franco, Meir Gal, Miriam Cabessa, Mosh Kashi, Neta Harari Navon, Rami Maymon, Tal Matzliah, Tal Shohat , Tal Shoshan, Yaacov Ronen Morad, Yigal Nizri, Zamir Shatz, Pinchas Cohen Gan as guest artist.

January-March 2002 “Mother Tongue”, The International Center, Bethlehem Raeda Adon,“Pasateen”, video art; Ahlam Shibli, “Unrecognized”; Aida Nassrala, “Sabha”, painting January-May 2002 “Mother Tongue”, Hagar Art Gallery, Jaffa Jumana Emil Abboud, “Sainthood & Sanity Hood”, painting; Raeda Adon, “Pasateen”, video art; Sami Bukhari, “Panorama”; Ahlam Shibli, “Positioning”; Faten Nastas, “Overloaded”, video installation; David Adika,“Portraits” ®±πππ©†¢ÌÈÈÓ˘Ó†ÔÓÈÒ¢†È‡ÏÂʇ†‰Ï‡È¯‡†Ï˘†‰È˯҆˙‡†Í¯Ú ˯҆¨¢ÏÂÒÈÁ†˙¯ÈÎÓ¢†ª®±ππ≤©†ß„†≤µ†¨˙ÈÓ˜†‰Ó¯„†¨¢¯˘¢ ˙‡†ÌÈÈ·†∫˯‡†Â‡È„Ȇ‰ÈÊÈÂÂψ¨ÚÂϘ†È˯҆ͯÂÚ†ȇӷ ˙‡Ó†ËҘˆÈÙ–ÏÚ†¢˙¯Ù‡†È˜Á¯ÓÓ¢†ÙÈϘ‰†˙‡†Í¯Ú†ÌÈÈ· ¨¢‚·Ê¢†‰ÈÊÈÂÂÏˉ†˙¯„Ò·†ÌȘ¯Ù†ª®±ππ∂©†ß„†µ∞†¨È˙ÏÈÏÚ ı·Ș†¨Ô˙˘ÂÁ†Èӯ†ȯ‡†˙È·†Ô‡ÈÊÂÓ†¨¢ ˙ÂӇφ‰È¯Ï‚†ª·È·‡†Ï˙†¨ÌÚ‰†˙È·†˙ȯς†¨¢≥≥≠‰†‰˘‰¢ ®„ÈÁÈ©†·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨¢„Ȉ†˙ÂÓÂÏÁ†˙ˆÂ·˜¢ ˙‡†ÌÈÈ·†ª®±πππ≠±ππ∂©†¢‰ÒÈÂÒ–È‚·È‡†Á¢Â„¢Â†¢ÒÂÙËÏÙ¢ Æ®≤∞∞∞©†˙ÂӇφ‰Èψ¯‰†Ô‡ÈÊÂÓ†¨¢‰È¯ÂËÒȉ‰†Í‡ÏӢ †Ï˘†≤†ı¯ڷ†˙˘˜†È¯Â„È˘·†¨È·Èˇȯ˜†Ï‰ÓΆ˘Ó˘Ó ®≤∞∞∞©†‰ÈÈ˘‰†˙¢¯‰†¯Â·Ú†È¯Â˘ÈÓ†˙¯Ù‡†˙¯¯Â˘Ó‰ ·È·‡†Ï˙†˙ËÈÒ¯·È‡†¨‰ÈÊÈÂÂψÚÂϘφ‚ÂÁ‰†¯‚· ¨ß„†±∂†¨Â‡È„Ȇ¨¢˙ÂϘ†¯˙È·†ËÏ˘†„ÎÂÏÓ†‡Ï†ÔÂÓ‰¢ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜†˙ÂӇφ¯ÙÒ‰†˙È·†¯‚· †®„ÈÁÈ©†·È·‡†Ï˙†¨„ÏÙʯ†‰È¯Ï‚†¨¢˙‡ӈډ†ÌÂÈ¢ ≤∞∞±†˙¯ÈÁ··†˜¯·†„‰‡†Ï˘†˙¯ÈÁ·‰†È¯È„˘˙ ·È·‡†Ï˙·†„·ÂÚ†¯¯Â‚˙Ó†Æ˙¯Άı·Ș·†„ÏÂ ˙ÂӇφ·È·‡†Ï˙†Ô‡ÈÊÂÓ†¨¢¥†Â‡È„Ȇ˙ÂÓ‡¢ ·È·‡†Ï˙·†„·ÂÚ†¯¯Â‚˙Ó†ÆÚ·˘†¯‡··†„ÏÂ „¯Á†ÔÈÚ†¨˙ÂӇφÔ΢ӆ¨¢Ì‡†˙Ù˘¢ ®„ÈÁÈ©†·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜ ®„ÈÁÈ©†‰ÙÈÁ†Ô‡ÈÊÂÓ†¨¢ÌÈ˘¯Ó¢ ˙Èχ¯˘È‰†‰ÈÊÈÂÂÏˉ ®„ÈÁÈ©†·˜ÚȆ˙„˘‡ Red Something ÌÁنχ†Ì‡ ÈËÏÈφ·‡Èχ ˙ÂίÚ˙†¯Á·Ó ı˘†¯ÈÓÊ ˙ÂίÚ˙ ¢ ≤∞∞∞ ±ππ≤ ±π∂¥ ≤∞∞∞ ±πππ ±π∂π ≤∞∞± ≤∞∞≤ ¨¢¯·„φÈÓ†ÌÚ†˘È¢†¨¢ÔÂÓ‚‡†·˜ÚȆÌÚ†˙ÂÈ˘È‡†˙Âχ˘¢ ∫Ô‰ÈÈ·†Æ˙ÂÈÎÂ˙†¯Â„È˘†ÈÓȆͯÂÚΆϢ‰ˆ†ÈÏ‚·†˙¯È˘ ‰·˜ÒÂÓ†¨˙ÂӇφ‰ÏÏÎÓ·†ÈÙ¯‚†·ÂˆÈÚφ‰˜ÏÁÓ·†ÌÈ„ÂÓÈÏ ¨® ‰‡Â˘Ï†Ô¯ÎÈʉ†ÌÂȆÔÂȈφ˙ÈÎÂ˙†¨¢˙ȯÂËÒȉ†‰Ú˘¢ ÆÏ¢‰ˆ†ÈÏ‚·†¢˙¯„¢Ӊ†‰ËÈÒ¯·È‡¢‰†Í¯ÂÚ†‰¯Á‡Ï†„Ú ¨ß„†≤≥†¨≤∞∞±†Ï‡¯˘È©†¢ÌÈˆȘ‰¢†¨® ˙ÂӇφ˙Ú‰†·˙η†·˙ÂΆ¢˙È˘ÙÂÁ‰†‰ÈÓ„˜‡¢·†¯·Á ¨≤∞∞≤†Ï‡¯˘È©†¢ÈÏ˘†¯„Á‰¢†∫̉ÈÈ·†¨ÌÈ˯҆ȇӷ ÊίӉ†¨Ë¯‡–‡ȄȆ˙„·چ˙ίÚ˙†¨¢ÌÈÈ·¯Â‡†ÌÈÒÂ˙ÈÓ¢ DigiBeta ˙¯¯Â‚˙ӆƱππ±≠·†Ï‡¯˘Èφ‰¯·Ú†Æ‰·˜ÒÂÓ·†‰„ÏÂ ·ÂˆÈÚ†˙ÂӇφ‰ÈÓ„˜‡‰†¨˙ÂӇφ‰˜ÏÁÓ‰†˙¯‚· Æ® ˙¯Â˘˜˙‰†ÛÒÂӷ†¢˜ËÓÈÒ¢‰†ÔÂ˙ÈÚ·†¨¢ÂÈ„ÂËÒ¢ ¨¯˘ÈϘ†‰È¯Ï‚†¨˙ÈÏËÈ‚È„†˙ÂÓ‡†Ë˜È¯ن¨¢‡¯ÂÏÙÒ˜‡¢ Beta sp ‰È¯Ï‚†ª·È·‡†Ï˙†¨ÌÚ‰†˙È·†˙Èȯς†¨¢‰˘˜‰†„ȉ†„‚¢ ÌÈÏ˘Â¯È†¨Ï‡¯˘È†Ô‡ÈÊÂÓ†¨Ë¯‡–‡ȄȆ˙„·چ˙ίÚ˙ ®„ÈÁÈ©†·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†‰È¯Ï‚†¨¢Úˆ˜Ó†ÈÏÚ·¢ Ï˘†˙ÂӇφÔ΢Ӊ†¨¢¯˜Ò·Èφȯ‡†ÌÚ†È˙·Î˘†È‡¢ ∏†ı¯ڷ†Ô¯˜Â‰©†˙˜ى†Ô¯Â‚†˙ÈÓÚ†¨¢Ì˜Ӣ†Ë˜È¯٠†¨ß„†µµ†¨≤∞∞±†Ï‡¯˘È©†¢ÌÈÚ‚¯¢†¨® †¨ß„†π†¨±πππ†Ï‡¯˘È©†¢ÌÈÈÓ‡φÌÈÁ¯Ê‡¢ ·È·‡†Ï˙·†„·ÂÚ†¯¯Â‚˙ӆƷȷ‡†Ï˙·†„ÏÂ ·È·‡†Ï˙†¨È·‡†ÔÂÎÓ†¨¢˙ÂÂÓ‰†˙‡†˙¢ÚÏ¢ ·È·‡ ®„ÈÁÈ©†·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨¢Û‡¢ ·È·‡†Ï˙†¨¯˙Ò‡†Ïˆ‰È¯Ï‚†¨Â‡È„Ȇ·¯Ú ·È·‡†Ï˙†˜ËÓÈÒ†¨¢·È·‡˜Â„¢†Ï·ÈËÒÙ ¢Ò·ÂÏ‚¢†ÔÂ˙ÈÚ‰†Ï˘†¢‰Ó¯ÈÙ¢ ·È·‡†Ï˙†¨˙ÈÂÏÙ†‰È¯Ï‚†¨¢≤†ÔÂÏÒ¢

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¨±∂†Â˜†‰È¯Ï‚†¨¢ÌÂÈ†Ï˘†Â˜ÂÒÙ¢ ·È·‡†Ï˙†¨˙È˘ÙÂÁ‰†‰ÈÓ„˜‡‰ ÔÂÏÂÁ†¨˙ÈÏËÈ‚È„†˙ÂÓ‡Ï ·È·‡†Ï˙·†˙„·ÂÚ ÌÈÏ˘Â¯È†¨Ï‡Ïˆ· ÌÁنχ†Ì‡†˙ÂÓ‡Ï DigiBeta „ÂÚ†‰¯Â·‚Ï ®ÌÈϷ熉ÈÊÈÂÂÏË· ȘÒ‡ÈÓÂÙ†‰È¯Ó DigiBeta †¨ß„†µ ÔÂÓÈÒ†Ú˘Â‰È ˙ÂίÚ˙†¯Á·Ó ·È·‡†Ï˙ ˙ÂίÚ˙†¯Á·Ó †±ππ∞≠±π∏∂ ≤∞∞∞≠±ππ∑ ±πππ≠Ó †±ππ∏ †±π∑± ±π∑π ≤∞∞≤ ≤∞∞∞ ≤∞∞± †≤∞∞≤ ≤∞∞± ≤∞∞∞ †

113 112 ÈÏ·È˘†Ì‡ÏÁ‡ ¯‰Ê†˙Ïȇ

‰ÙÈÁ·†˙„·ÂÚ†˙¯¯Â‚˙Ó†ÆÈÏ·È˘†¯Ù熉„ÏÂ ±π∑∞ ·È·‡†Ï˙·†˙„·ÂÚ†˙¯¯Â‚˙ӆƷȷ‡†Ï˙·†‰„ÏÂ ±πµ∏ ‰ËÈÒ¯·È‡‰†¨˙È҇Ϙ†˙ÂÓ‡·Â†‰È‚ÂχÈί‡·†Ô¢‡¯†¯‡Â˙ ±ππ≥ ÔÙȆ¨È˘Â¯†‰„‡¯‡‰†Ïˆ‡†‰ÈÙ¯‚ÈϘ†ÂÈ„†¯ÂȈ†È„ÂÓÈÏ ±π∏≤ ÌÈÏ˘Â¯È†¨˙ȯ·Ú‰ Ô¯˘‰†˙Ó¯†¨˙ÂӇφ‰˘¯„Ó‰†˙¯‚· ±π∏∂ ‰ÙÈÁ†˙ËÈÒ¯·È‡†¨˙ÈχȈÂÒ†‰„·ڷ†Ô¢‡¯†¯‡Â˙ ±ππ∂ ¨˙ȯ·Ú‰†‰ËÈÒ¯·È‡‰†¨‰ÈÒ‡†Á¯ÊӆȄÂÓÈÏ·†Ô¢‡¯†¯‡Â˙ ±ππ± ‰ÙÈÁ†¨·ÂˆÈÚφ‰„˜–¢ˆÈ†˙ÏÏÎÓ†¨ÌÂÏȈ†È„ÂÓÈÏ ±ππ∑ ÌÈÏ˘Â¯È †¨‰ÈÊÈÂÂψÚÂϘφ‚ÂÁ·†È˘†¯‡Â˙†˙‡¯˜Ï†˙„ÓÂÏ ‚Èß‚ÈÈ·†¨˙ÂӇφ˙ÈÊίӉ†‰ÈÓ„˜‡·†ÌÈ„ÂÓÈÏ ±ππ∂ ·È·‡†Ï˙†˙ËÈÒ¯·È‡ ®È˙¯ÂÒÓ†ÂÈ„†¯ÂȈφÂÈ„ÂËÒ© ·È·‡ Ï˙†˙ËÈÒ¯·È‡†¨˙¯ÙÒ‰†˙¯Â˙·†È˘†¯‡Â˙ ≤∞∞∞ ˙ÂίÚ˙†¯Á·Ó ª·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨¢ÌÈ¯Ú˘†‰Ú˘˙·†·Èχ҆Ȅ‡Â¢ ±πππ „ÈÁȆ˙ÂίÚ˙†¯Á·Ó ˙ÈÈËÒÏÙ‰†˙¢¯‰†¨‰Ïχӯ†¨˙Ù¯ˆ†˙·¯˙φÊίӉ†˙ȯς ·È·‡†Ï˙†¨˘ÂÏ˘†‰È¯Ï‚†¨¢ÈÏ‚ÂÓ†Ì˙΢ ±ππ∞ ®„ÈÁÈ© ˙ÂӇφÔ‡ÈÊÂÓ‰†¨¢‰„ÂÂÊӆȯÂȈ†‚ÂÙ–‚ÈÙ†˙ÂÁÏ¢¢ ±ππ≥ ª·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨¢¯ÎÂÓ†‡Ï¢ ≤∞∞∞ Ô‚†˙Ó¯†¨˙Èχ¯˘È ®„ÈÁÈ©†˙ÈÈËÒÏÙ‰†˙¢¯‰†¨‰Ïχӯ†¨ÏËӆχ†‰È¯Ï‚ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜†‰È¯Ï‚†¨¢„ȯ·È‰¢ ±ππ∑ „¯Á†ÔÈÚ†¨˙ÂӇφÔ΢ӆ¨¢ÈÏ·‚¢ ≤∞∞± ·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨Â‡È„Ȇ·ˆÈÓ†¨¢‰ÈË‡¯‡˜¢ ≤∞∞∞ ®„ÈÁÈ©†ÂÙȆ¨˙ÂӇφ‰È¯Ï‚†¯‚‰†¨¢Ì˜ÈÓ¢ ≤∞∞≤ „‰†ÔÈÚ†¨‡„‡„–˜ȆÔ‡ÈÊÂÓ†¨Ë¯‡–‡ȄȆ¨¢˙ÂÈ˘·†ÌÈ˷ȉ¢ ≤∞∞± ÂȘˆ¨‰Ê‡ÏÙ†‰È¯Ï‚†ª·È·‡†Ï˙†¨‰Ïȉ†˙Èȯς†¨¢‰È˙ÙÓ‡¢ ¨˙È¢ÎÚ†˙ÂӇφÔ‡ÈÊÂÓ‰†¨¢‰ÙÈÓ†ÂÓΆ˙Á˙Ù†‰¯Î‰†˙˙¢ Espace Auteuil - Place†¨ÌÈÓ‡‰†„ȯȆ¨¢˙ÈÙ¯ȇ†˙ÂÓ‡¢ ‚Èß‚ÈÈ· Êȯن¨de la Porte d’Auteuil ‰˘¯„Ó‰†Ï˘†‰È¯Ï‚‰†¨¯‡Ù†¨Â‡È„Ȇ·ˆÈÓ†¨“Apfelsine” ·È·‡†Ï˙·†˙ÂÓ‡Ï

Ï˘Ù†‰‡¯„‡ ÌÏ˘†˙¯Ù‡

ÏÒȯ··†˙„·ÂÚ†˙¯¯Â‚˙ӆƉÈÓ¯‚†¨‚¯Â·Ó‡‰·†‰„ÏÂ ±π∑∞ ·È·‡†Ï˙·†˙„·ÂÚ†˙¯¯Â‚˙ӆƷȷ‡†Ï˙·†‰„ÏÂ ±π∑≤ ÔÈϯ··Â ‰ÈÓ„‰Â†Â‡È„ȆÌÂÏȈφ‰˜ÏÁÓ‰†¨˙ÂÈÈˈ‰·†˙¯‚· ±ππ∏ ‰Âψ¯·†¨˙ÂӇφ‰ÈÓ„˜‡·†ÌÈ„ÂÓÈÏ ±ππ∂≠±ππ¥ ÌÈÏ˘Â¯È†¨Ï‡Ïˆ·†·ÂˆÈÚφ˙ÂӇφ‰ÈÓ„˜‡‰†¨˙·˘ÁÂÓÓ ¨˙ÂӇφ‰ÈÓ„˜‡·†ÈÙ¯‚†·ÂˆÈÚφ‰˜ÏÁÓ·†ÌÈ„ÂÓÈÏ ±ππ∏≠±ππ∂ ‰ÈÓ„‰Â†Â‡È„ȆÌÂÏȈφ‰˜ÏÁÓ‰†¨¯˜ÁÓ†˙ÂÁÓ˙‰†˙˘ ±πππ ‰ÈÓ¯‚†¨Ì„ÒËÂÙ ÌÈÏ˘Â¯È†¨Ï‡Ïˆ·†·ÂˆÈÚφ˙ÂӇφ‰ÈÓ„˜‡‰†¨˙·˘ÁÂÓÓ ˙ËÈÒ¯·È‡†¨˙¯ÙÒ‰†˙¯Â˙φ‚ÂÁ·†È˘†¯‡Â˙†È„ÂÓÈÏ ≤∞∞∞ ˙ÂίÚ˙†¯Á·Ó ·È·‡†Ï˙ ®„ÈÁÈ©†‰Âψ¯·†¨ †‰È¯Ï‚†¨¢ÌÈÓÂ˘È¯Â†ÌȯÂȈ¢ ±ππµ ˙ËÈÒ¯·È‡†¨‰ÈÊÈÂÂψÚÂϘφ‚ÂÁ·†È˘†¯‡Â˙†È„ÂÓÈÏ ≤∞∞≤ Sala Almirall ·È·‡†Ï˙ ÔÈϯ·†¨Schadow-Haus†‰È¯Ï‚†¨¢¯ÈȈφ˙·ÈÒ¢ ±ππ∂ ®„ÈÁÈ©†ÔÈϯ·†¨ †‰È¯Ï‚†¨¢˙ÂÈ˘È‡¢ ±ππ∏ Berlintokyo ˙ÂίÚ˙†¯Á·Ó ÔÈϯ·†¨ÁÂ˙Ù†¯„Á†‰È¯Ï‚†¨¢„Á‡Ï†ÌÈÈ˙˘¢ ±πππ ®„ÈÁÈ©†·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨¢ÔÈϯ·–·È·‡†Ï˙¢ ≤∞∞∞ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜†‰È¯Ï‚†¨¢·Á¯Ó†ÍÂ˙·†ÏÏÁ¢ ±ππ∏ ®„ÈÁÈ©†ÔÈϯ·†¨ †‰È¯Ï‚†¨¢˙ÂÈχ¯˘È†ÌÈÙ¢ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜†‰È¯Ï‚†¨¢È„†˙Á‡†ÌÚÙ†„ÂÚ†˜¯¢ ±πππ Christof Weber ®„ÈÁÈ© ®„ÈÁÈ©†ÔÈϯ·†¨Aufsturz†‰È¯Ï‚†¨¢ÌÈÈ¯ÈÚ†ÌÈ˘‡¢ ÔÈϯ·†¨ †‰È¯Ï‚†¨¢¯ÁÓφÌÂȉӢ ®„ÈÁÈ©†·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨¢¯ˆÁ†Ô‚¢ ≤∞∞∞ Haus des Lehrers ÌÈÏ˘Â¯È†¨Ï‡¯˘È†Ô‡ÈÊÂÓ†Ï˘†Â‡È„ȉ†˙ÈÎÂ˙ ≤∞∞± ·È·‡ Ï˙ ¨‡‚†‰È¯Ï‚†¨¢ÌÏ˘ÂÓ‰†‚Âʉ¢ ¨Ô·†¨Ifa†‰È¯Ï‚†ÌÚ†ÛÂ˙È˘·†Ô·†˜ËÓÈÒ†“Re-thinking” ‰ÈÓ¯‚ ÌÈÏ˘Â¯È†¨Ï‡¯˘È†Ô‡ÈÊÂÓ†¨¢ÌÈÈ„È¢ ˙ÂÓ‡†ıÈÈÈˢ†ÈÓÚ†¨¢ÏÂÓ˙‡†¨È˘†ÌÂÈ·†¨Ú·˘†ÈÙÏ¢ ·È·‡†Ï˙†¨˙È¢ÎÚ ®„ÈÁÈ©†˙ÂӇφ‰Èψ¯‰†Ô‡ÈÊÂÓ†¨¢‰·¯Ú¢ ≤∞∞≤ ·È·‡ Ï˙ ¨ÂÙ†Ïȇ†Ì˜†¨¢˙È··†ÏÈÁ˙Ó†ÏΉ¢ ˙ÂӇφ·È·‡ Ï˙†Ô‡ÈÊÂÓ†¨¢ÌÂÏȈ‰†ÛÒ‡φ˙Â¯Á‡†˙¢Èί¢ È·‰Â†‰¯ÈÓÒ È·ˆ†Ô·†Ïȇ

ÏӯΆχ†˙ÈÏ„·†˙„·ÂÚ†˙¯¯Â‚˙Ó†ÆÏӯΆχ†˙ÈÏ„·†‰„ÏÂ ±π∑≥ ‰Á†Ò„¯Ù·†„·ÂÚ†¯¯Â‚˙Ó†Æ˙ÂÓÂχ†ı·Ș·†„ÏÂ ±π∂¥ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜†˙ÂӇφ¯ÙÒ‰†˙È·†˙¯‚· ±πππ ÔÓ¯˜Âˆ†È·‡†¨È¯ÒφÔÈÒ¯Ù†ÌÈÓ‡‰†Ïˆ‡†„ÓÏ ±π∏∂≠±π∏µ „‰†ÔÈÚ†ÌÈÓ‡‰†¯Ùη†È˜ˆÈ¯Ê†È„ ˙ÂίÚ˙†¯Á·Ó ‰˘¯„Ó‰†˙¯‚ÒÓ·†˙ÂӇφ‰ÁÂ˙Ù‰†‰˘¯„Ó·†„ÓÏ ±π∏π≠±π∏∑ ¨˙È¢ÎÚ†˙ÂÓ‡†ıÈÈÈˢ†ÈÓÚ†¨¢ÌȘÁ¯Ó†Ï˘†·Á¯Ó¢ ±πππ Ô¯˘‰†˙Ó¯†¨˙ÂÓ‡Ï ·È·‡†Ï˙ ·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨¢È„Ó†˜ÂÁ¯†‡Â‰˘†Ì˜ӆÔȇ¢ ≤∞∞± ˙ÂίÚ˙†¯Á·Ó ®„ÈÁÈ© ®„ÈÁÈ©†ÔÂȈφÔ¢‡¯†¨Ï·¯‡†‰ÈÏÓÚ†‰È¯Ï‚†¨¢˙„·ڢ ±ππ≥ ‰ÙÈÁ†¨ÔÙ‚‰†˙È·†¨¢˙ÂÏÂÏ΢ ≤∞∞≤ ®„ÈÁÈ©†Ï‡ÂÓ˘†Ô‚†ı·Ș·†‰È¯Ï‚‰†¨¢˙„·ڢ ±ππ¥ ‰ÙÈÁ†¨ÔÙ‚‰†˙È·†¨¢ÌÓ„†Ú·Ë¢ ®„ÈÁÈ©†‰¯„Á†¨ÔÓ¯„È·†ÔÂË‡†¨ÔÓ‡†ÂÈ„ÂËÒ†¨¢˙„·ڢ ±ππµ ¨¢ÌÂÏ˘Â†˙‰ʆ¨ÌÂȘ–„φȯËÓ˜„†¯ÈÓÒ†˙ίÚ˙¢ ‰È˙†¨ÈÏÒφ˙ÏÏÎÓ ±πππ ÌÈÏ˘Â¯È†¨‰¯¯ÒÂÓ†ÌÂÏȈφ¯ÙÒ‰†˙È· ·È·‡†Ï˙†¨¯ËÒ†Û‚ÊÈ„†¨¢‰ÓÁÏÓ‰†È¯Á‡¢ ≤∞∞∞ ®„ÈÁÈ©†®Ï·†ÍȯÈȉ†Ô¯˜†¢·ÂÁ¯†Ë˜È¯٢†˙¯‚ÒÓ·© ®„ÈÁÈ©†‰Á†Ò„¯Ù†¨ÌÈ·Ï†„Ȇ˙È·†¨¢˙„·ڢ ÂÏ˘†˙È¯ ‰ÙÈÁ†¨‡¯ËÒ˜†‰È¯Ï‚ ®„ÈÁÈ©†‰ÙÈÁ†¨ÌÁÂω†˙È·†¨¢˙„·ڢ ≤∞∞± Ƙ¯·†˙ÊÂÁ‡·†˙„·ÂÚ†˙¯¯Â‚˙ӆƉ¯Â·„†·˘ÂÓ·†‰„ÏÂ ±π∂∂ ®„ÈÁÈ©†·È·‡†Ï˙†¨ÌÁÂω†˙È·†¨¢‰ÓÁÏÓ‰†È¯Á‡¢ ≤∞∞≤ ¨‰È‚ÂÏÂÙ¯˙‡·Â†‰È‚ÂÏÂȈÂÒ·†¨˙ÂÓ‡·†Ô¢‡¯†¯‡Â˙ ±ππ≤ ‰ÙÈÁ†˙ËÈÒ¯·È‡ ‰ÙÈÁ†˙ËÈÒ¯·È‡†¨ÈÎÂÈÁ†ıÂÚÈÈ·†È˘†¯‡Â˙ ±ππ∏ ȯ¯‰†ÚË ‰ÙÈÁ†˙ËÈÒ¯·È‡†¨‰È‚ÂÏÂÎÈÒÙφ‚ÂÁ·†˙ÈË¯Â˘„

˙ÂίÚ˙†¯Á·Ó ·È·‡†Ï˙·†˙„·ÂÚ†˙¯¯Â‚˙ӆƄ‰ȷ†‰„ÏÂ ±π∑∞ ¨·ÂˆÈÚ†˙ÂӇφ‰ÈÓ„˜‡†Ï‡Ïˆ·†¨˙ÂÓ‡†È„ÂÓÈÏ ±ππ≤≠±ππ± ÔÂڷˆ¨ÌÈ¯Â‡†‰È¯Ï‚†¨¢ÌÈ¯Â‡·†ÌȯÈÚˆ†ÌÈÓ‡¢ ±ππ≥ ÆÌÈÏ˘Â¯È ·È·‡†Ï˙†¨ÌÈÓ‡‰†˙‡„Ò†¨¢ÌÈ¯Â‡·†ÌȯÈÚˆ†ÌÈÓ‡¢ ±ππµ ¨Ô¯ˇÈ˙φ‚ÂÁ‰†¨˙¯‡Ù˙†·ÂˆÈÚ·†Ô¢‡¯†¯‡Â˙ ±ππµ ‰ÙÈÁ†¨‰„ÈÓ¯ÈÙ‰†˙Èȯς†¨¢ÔίˆÏ†ıÏÓÂÓ†¯ÈÁÓ¢ ±ππ∂ ·È·‡†Ï˙†˙ËÈÒ¯·È‡ ‰ÙÈÁ†˙ËÈÒ¯·È‡†‰È¯Ï‚†¨ “Interm” ϯ·†˙È·†˙ÏÏÎÓ†¨˙ÂӇφ‰˘¯„Ó‰†˙¯‚· ±ππ∏≠±ππ∂ ‰ÙÈÁ†¨‰„ÈÓ¯ÈÙ‰†˙Èȯς ®„ÈÁÈ©†·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨“Please Help Me” ≤∞∞∞ ˙ÂίÚ˙†¯Á·Ó ‰ÙÈÁ†¨‰„ÈÓ¯ÈÙ†‰È¯Ï‚†¨¢ÔίˆÏ†ıÏÓÂÓ†¯ÈÁÓ¢ ±ππ∏ ¨¢È¢ÎÚ†Èχ¯˘È†¯ÂȈ†›†˙Â¢†˙„ÓÚ†›†Èٯφ¯˘˜·¢ ·È·‡†Ï˙†¨®¯ÙÂ©†‰˘¯„Ó‰†˙Èȯς ®„ÈÁÈ©†·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨¢˙¯ÂÁ¯Á˘¢ ≤∞∞± „¯Á†ÔÈÚ†¨˙ÂӇφÔ΢ӆ¨¢‰·‰‡†ÔÂÒ‡¢ „¯Á†ÔÈÚ†¨˙ÂӇφÔ΢ӆ¨¢Ì‡†˙Ù˘¢ ≤∞∞≤ ®„ÈÁÈ©†·È·‡†Ï˙†¨„ÏÙʯ†‰È¯Ï‚†¨¢˙Ï˘Â˘¢ ·È·‡†Ï˙†¨È·‡†ÔÂÎÓ†¨¢˙ÂÂÓ‰†˙‡†˙¢ÚÏ¢ 115 114 115 „˘‡†Ï‚ÈÒ ÔÓ‚ÈϘ†ÒÈχ

·È·‡†Ï˙·†˙„·ÂÚ†˙¯¯Â‚˙ӆƷȷ‡†Ï˙·†‰„ÏÂ ±π∂∑ ·È·‡†Ï˙·†˙„·ÂÚ†˙¯¯Â‚˙Ó†ÆÚ·˘†¯‡··†‰„ÏÂ ±π∂≥ ·È·‡†Ï˙†˙ËÈÒ¯·È‡†¨‰ÈÊÈÂÂψÚÂϘφ‚ÂÁ‰†˙¯‚· ±ππ± ¨‰¯Â˜Ò·Â‡†‰¯Ó˜†˙ÂӇφ¯ÙÒ‰†˙È·†¨ÌÂÏȈφ‰˜ÏÁÓ‰†˙¯‚· ±ππ∑ ˙·¯˙‰†Ô¯˜†¨˙¯˘†Ô¯˜†ÌÚËÓ†˙‚ÏÓ†È˙˘†˙ÎÂÊ ·È·‡†Ï˙ ÚÂϘ‰†ÌÂÁ˙·†¨Ï‡¯˘È–‰˜È¯Ó‡ ˙ÂίÚ˙†¯Á·Ó ˙ÂίÚ˙†¯Á·Ó ¨˙ÂӇφ‰˘¯„Ó·†ÌÂÏȈφ‰˜ÏÁÓ‰†¨¢ÔÓ‚ÈϘ†ÒÈχ¢ ±ππ∑ ÌÈÏ˘Â¯È†¨ÌÈÓ‡‰†˙È·†¨¢Ï‡¯˘È·†˙ÂÈÁ¯ÊÓ†˙ÂÈÓ‡†∫È˙ÂÁ‡ †≤∞∞∞ ϯ·†˙È·†˙ÏÏÎÓ ¨Ï·†ÍȯÈȉ†Ô¯˜†¨¢ÌȯÂÙÈÒ†‡ȄȆ∫Ô‡ÓÚ·†‰ÏÈÏ·†È˘È˘ †≤∞∞± ‰È¯Ï‚†¨¢¯È΢‰Ï†‰È·Â˜†∫‰Ó„ӆ˙‰ʆ¨È˘ÁÂÓ†Û‚¢ ®„ÈÁÈ©†·È·‡†Ï˙ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜ ·È·‡†Ï˙†¨ÍÂÈÁ‰†„¯˘Ó†¨¢˙ÈÁ¯ÊÓ†‰‡È¯˜ †≤∞∞≤ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜†‰È¯Ï‚†¨¢·Á¯Ó†ÍÂ˙·†ÏÏÁ¢ ±ππ∏ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜†‰È¯Ï‚†¨¢ÌÈÏÈÓ†‡ÏφÛ‚¢ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜†‰È¯Ï‚†¨¢ÌȯÁ·†Ìȯ‚·†˙ίÚ˙¢ ±πππ ·È·‡†Ï˙†¨˜„ˆ†‰ÂÂ†¨‰Ïȉ†¨¢‚˙ÂÓ‰†˙ÂÓ‡¢ ≤∞∞∞ ®„ÈÁÈ©†·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨¢¯È˜‰†ÏÚ†Ú·˘¢ ÌÈÏ˘Â¯È†¨Ï‡¯˘È†Ô‡ÈÊÂÓ†¨¢˙ÂÈÓ˜ӆ˙ÂÂÓ˙¢ ≤∞∞± ÌÈÏ˘Â¯È†¨Ï‡¯˘È†Ô‡ÈÊÂÓ†¨¢ÌÈÈ„È¢ ˙˘˜†‰Ï¢ ˙ÂÓ‡†ıÈÈÈˢ†ÈÓÚ†¨¢ÏÂÓ˙‡†¨È˘†ÌÂÈ·†¨Ú·˘†ÈÙÏ¢ ·È·‡†Ï˙†¨˙È¢ÎÚ ·È·‡†Ï˙·†˙„·ÂÚ†˙¯¯Â‚˙ӆƷȷ‡†Ï˙·†‰„ÏÂ ±πµπ ˙ÂӇφ‰Èψ¯‰†Ô‡ÈÊÂÓ†¨¢Ìȯ„Á†È¯„Á¢ ≤∞∞≤ Ô¯˘‰†˙Ó¯†¨˙ÂӇφ‰˘¯„Ó‰†˙¯‚· ±π∏∑ „¯Á†ÔÈÚ†¨˙ÂӇφÔ΢ӆ¨¢Ì‡†˙Ù˘¢ ·È·‡†Ï˙†¨ †¨¢˙È··†ÏÈÁ˙Ó†ÏΉ¢ ˙ÂίÚ˙†¯Á·Ó Comme il Faut ®„ÈÁÈ©†ÂÙȆ¨‰ËÓÒ‰†Ô¯ˇÈ˙ ±π∏± ®„ÈÁÈ©†˜¯ÂȆÂÈ†¨ ††±π∏≥ “Dramatis Personae” „·چÏÈÓ‡†‰‡ÓÂß‚ ÂÙȆ¨ÔÏ‚†‰Â†Ò¢˙Ó†¨˙ÂÈ˙Ïȉ˜†˙ÂίÚ˙†˙¯ˆÂ‡ ±ππ≥≠±ππ± ·È·‡†Ï˙†¨˙ÈÊίӉ†‰Á˙‰†¨¢‰Á˙·†‰‡ÁÓ¢ ±ππ∂ ÌÚ¯Ù˘·†˙„·ÂÚ†˙¯¯Â‚˙Ó†ÆÌÚ¯Ù˘·†‰„ÏÂ ±π∑± ·È·‡†Ï˙†¨˙È¢ÎÚ†˙ÂÓ‡†ıÈÈÈˢ†ÈÓÚ†¨¢˜ÂÏ·¢ ±ππ∑ ‰˙ÁÙ˘Ó†ÌÚ†‰„˜·†‰¯¯Â‚˙‰ ±ππ±≠±π∑π ·È·‡†Ï˙†¨˙È¢ÎÚ†˙ÂÓ‡†ıÈÈÈˢ†ÈÓÚ†¨¢·‰ÊÓ†¯˘‚¢ ±ππ∏ ‰„˜†¨ÂË¯Âˆ¨˙ÂӇφÂȯË‡†˙ÏÏÎÓ·†ÌÈ„ÂÓÈÏ ±ππ±≠±π∏π ˙ÂÈÁ¯ÊÓ†˙ÂÈÓ‡†∫È˙ÂÁ‡¢†¨˙ÈӇ†‰Ù˙¢–˙¯ˆÂ‡ ≤∞∞∞≠±πππ ÌÈÏ˘Â¯È†¨Ï‡Ïˆ·†·ÂˆÈÚ†˙ÂӇφ‰ÈÓ„˜‡‰†˙¯‚· ±ππ∂ ÌÈÏ˘Â¯È†¨ÌÈÓ‡‰†˙È·†¨¢Ï‡¯˘È· ˙ÂӇφ‰ÈÓ„˜‡‰†¨Í˘Ó‰†È„ÂÓÈÏφ˙ÈÎ˙‰†˙¯‚· ±πππ ˙ÂÓ‡†ıÈÈÈˢ†ÈÓÚ†¨¢˙ÂÈÁ¯ÊÓ¢†¨˙ÈӇ†˙¯ˆÂ‡ ÌÈÏ˘Â¯È†¨Ï‡Ïˆ·†·ÂˆÈÚ ·È·‡†Ï˙†¨˙È¢ÎÚ ªÔÂڷˆ¨ÌÈ¯Â‡†¯ÈÓÒ†Ï˘†‰È¯Ï‚‰†¨¢ÌÈÈÁ†Ìȯ„Ά±≥¢ ≤∞∞± ˙ÂίÚ˙†¯Á·Ó ®„ÈÁÈ©†·È·‡ Ï˙ ¨Ï·†ÍȯÈȉ†Ô¯˜ ®„ÈÁÈ©†·È·‡†Ï˙†¨Ï·†ÍȯÈȉ†Ô¯˜†¨¢‰ÈÏÊÂÙȯ¢ ±ππ∏ ·È·‡†Ï˙†¨ÍÂÈÁ‰†„¯˘Ó†¨¢˙ÈÁ¯ÊÓ†‰‡È¯˜¢†¨˙ÈӇ†˙¯ˆÂ‡ ≤∞∞≤ ª·È·‡ Ï˙†¨˙È¢ÎÚ†˙ÂÓ‡†ıÈÈÈˢ†ÈÓÚ†¨¢®‰©ÈËÒÏÙ¢ ÌÈÏ˘Â¯È†¨ÍÂÈÁ‰†„¯˘Ó†¨¢˙Â˘Ó†ÌÈ˘¢†¨˙¯ˆÂ‡ ÌÈÏ˘Â¯È†¨˙ÂӇφÈËÒ†χ†ÊÎ¯Ó Ô„Âφ¨Ë¯‡†„È„˜†‰È¯Ï‚†¨¢¯ÂÙÈÒ‰†˙Ú¢ ®„ÈÁÈ©†˙ÂӇφ‰Èψ¯‰†Ô‡ÈÊÂÓ†¨¢ÌÈÓȆ‰Ú·˘¢ ±πππ ÌÈÏ˘Â¯È†¨≥†Ò˜ÂÙ˯‡†¨“Look Mama Look”†††††††† ‰È‚·¯Â†¨ÒÓ¯„†Ô‡ÈÊÂÓ†¨¢ÌÈÈËÒÏÙ†ÌÈÓ‡†˙ίÚ˙¢ Ô„¯È†¨Ô‡ÓÚ†¨˙ÂӇφÈÓ‡ω†Ô‡ÈÊÂÓ‰†¨¢ÌÈ¯Ú˘¢ ‡Ó¯†¨ÌȯÈÚˆ†ÌÈӇφ‰Ï‡È·‰ ‰·Â˜†¨‰‡Â‰†¨˙ÂӇφ‰Ï‡È·‰ ≤∞∞∞ ‰ÈÓ¯‚†¨ÔÈϯ·†¨¢‰È˙ÙÓ‡¢ † ®„ÈÁÈ©†ÂÙȆ¨˙ÂӇφ‰È¯Ï‚†¯‚‰†¨¢˙ÂÈÙ˘Â†‰˘Â„˜¢ ≤∞∞± 117 116

119 118

Ayelet Zohar “Hands,” The Israel Museum, Jerusalem “A Week Ago, On Monday, Yesterday,” Ami Steinitz 1958 Born in Tel Aviv. Lives and works in Tel Aviv. Contemporary Art, Tel Aviv 1982 Calligraphy and ink painting studies, Harada Sekkei Roshi, 2002 “Midland,” Herzliya Museum of Art (solo) Japan “It All Begins at Home”, Comme il Faut, Tel Aviv 1986 Graduate of the Art Teachers’ Training College, “New Acquisitions,” Tel Aviv Museum of Art Ramat Hasharon 1991 B.A. in East-Asian Studies, The Hebrew University, Jerusalem 1996 Studied at the Central Academy of Fine Arts, Beijing Ahlam Shibli 2000 M.A. in Comparative Literature, Tel Aviv University 1970 Born in the village Shibli. Lives and works in Haifa. Selected Solo Exhibitions 1994 Graduate of the Education Department, the Hebrew 1990 “Mongolian Spot,” Chelouche Gallery, Tel Aviv University, Jerusalem 1993 “Ping-Pong Tables and Suitcase Paintings, Museum of B.A. in Classical Art and Islamic Archaeology, the Hebrew Israeli Art, Ramat Gan University, Jerusalem 1997 “Hybrid,” Camera Obscura Gallery, Tel Aviv 1996 Graduate of the Department of Social Work, Haifa 2000 “Quarantine,” video installation, Heinrich Böll University Foundation, Tel Aviv 1997 Photography studies, Wizo College of Art and Design, 2001 “Aspects of Femininity,” video art show, Janco Dada Haifa Museum, Ein Hod Currently studies for M.F.A. in Cinema and Television, “Subconsciousness Opens Like a Fan,” Museum of Tel Aviv University Contemporary Art, Beijing Selected Exhibitions “Apfelsine,” video installation, Peer, The Gallery of the “Midrasha” in Tel Aviv 1999 “Wadi Saleib in Nine Volumes”, Heinrich Böll Foundation, Tel Aviv; French Cultural Center, Ramalla, The Palestinian Authority (solo) Efrat Shalem 2000 “Unrecognized”, Heinrich Böll Foundation, Tel Aviv; El-Katan Foundation, Ramalla, The Palestinian Authority 1972 Born in Tel Aviv. Lives and works in Tel Aviv. (solo) 1998 B.F.A. (with excellence), Department of Video and 2001 “Liminal”, Mishkan Le’omanut, Museum of Art, Computer Imaging, Bezalel Academy of Art and Design, Ein Harod Jerusalem 2001-2002 “Empathie”, The Villa Gallery, Tel Aviv; Plaza 1999 Research year, Department of Video and Computer Gallery, Tokyo Imaging, Bezalel Academy of Art and Design, Jerusalem 2002 “Positioning”, Hagar Art Gallery, Jaffa (solo) 2000 M.A. studies in Comparative Literature, Tel Aviv University “European Art”, Nouveau Salon D’art Contemporain, 2002 M.F.A. studies in the Department of Film and Television, Espace Auteuil, Paris Tel Aviv University

Selected Exhibitions 1999 “Once More unto the Breach, and Die,” Camera Obscura Gallery, Tel Aviv (solo) “Void Space,” Camera Obscura Gallery, Tel Aviv 2000 “Yard Garden,” Heinrich Böll Foundation, Tel Aviv (solo) 2001 “The Video Program,” The Israel Museum, Jerusalem “The Perfect Couple,” Noga Gallery of Contemporary Art, Tel Aviv “Re-Thinking,” Bonner Cinematheque in collaboration with Ifa Gallery, Bonn, Germany 121 120 121 Joshua Simon Eliav Lilti

1979 Born in Tel Aviv. Lives and works in Tel Aviv. 1964 Born in Be’er Sheva. Lives and works in Tel Aviv. Until recently, editor of “University on Air” at the IDF 1992 B.A., Department of Cinema & Television, Tel Aviv Broadcasting Station (Galei Zahal) University 1997-2000 As part of his compulsory military service, edited numerous cultural programs, among them: Currently works as creative director at Keshet “Historical Hour,” “Yaacov Agmon Hosts,” Broadcasting – Israeli Channel 2 Television Holocaust memorial day program, etc. Since 1999 Filmmaker: “My Room” (Israel 2001, 5min.); “The Director and editor of TV and cinema movies and video Radicals” (Israel 2001, 23 min.); “Moments” (Israel art pieces, including: “Kutner,” comic drama, 25 min 2001, 55 min.); “City Hole” (Israel 1999, 9 min.). (1992); “The Sale,” fiction film, 50 min (1996); episodes Member of The Free Academy, Israel. for the Israeli TV series “Zbeng,” “Platfus,” & “The Writes for “Studio Israeli Art Magazine,” the Ivgi-Swissa Report” “Cinematheque Review,” and “Firma” – the media Director of Ehud Barak’s election campaigns (2001) supplement of the Israeli business daily “Globes” Editor of Ariella Azoulay’s films “A Sign from Heaven” (1999) and “The Angel of History” (2000) for the Selected Exhibitions Herzliya Museum of Art 2000 “The Professionals,” Heinrich Böll Foundation, Tel Aviv Director and editor of experimental videos: (solo) “Wegotsomething” and “3 Minutes to 4 O’clock” 2001 “I Slept with Ari Libsker,” The Free Academy Pavilion of Art, Tel Aviv Exhibitions “Against the Strong Hand,” Beit Ha’am Gallery, Tel Aviv; 2000 “Divided Crowd is Dominated More Easily,” video, Um el-Fahem Art Gallery 16 min, Heinrich Böll Foundation, Tel Aviv (solo) 2002 “Death Doing,” Avni Institute Gallery, Tel Aviv “Salon 2,” Plonit Art Gallery, Tel Aviv

Zamir Shatz Maria Pomiansky 1969 Born in Kibbutz Kineret, the Jordan Valley, Israel. Lives and works in Tel Aviv. 1971 Born in Moscow. Moved to Israel in 1991. 1999 Graduate of Camera Obscura School of Art, Tel Aviv Lives and works in Tel Aviv. 1986-1990 Studied in the Department of Graphic Design, Selected Exhibitions Moscow Art College 2000 “4 Video Artists,” Tel Aviv Museum of Art 1998 Graduate of the Department of Fine Art, Bezalel “Dreams Group and Hunter,” Heinrich Böll Academy of Art and Design, Jerusalem Foundation, Tel Aviv (solo) Selected Exhibitions 2001 “The 33rd Year,” Um el-Fahem Art Gallery; Beit Ha’am Gallery, Tel Aviv 2000 Video night, Tal Esther Gallery, Tel Aviv “Red Something”, Beit Uri and Rami Nechushtan, “Industika,” Heinrich Böll Foundation, Tel Aviv Kibbutz Ashdot Ya’acov (solo) 2001 “The Daily Verse,” Kav 16 Gallery, Tel Aviv “Independence Day,” Rosenfeld Gallery, Tel Aviv (solo) “New Video Works,” The Israel Museum, Jerusalem “Marshim,” Haifa Museum of Art (solo) “Urban Myths,” The Digital Art Lab Center, Holon 2002 “Mother Tongue,” Mishkan Le’omanut Museum of Art, “Nose,” Heinrich Böll Foundation, Tel Aviv (solo) Ein Harod 2002 DocAviv Documentary Film Festival, The Tel Aviv Cinematheque The 4th Gwangju Biennial, South Korea “Explora” Digital Art Project, Kalisher Gallery, Tel Aviv “The Place,” video projects, The Israel Museum, Jerusalem Ronit Shalev Jumana Emil ‘Abboud

1966 Born in Moshav Devora Lives and works in Ahuzat Barak. 1971 Born in Shefa-Amer, Galilee. Lives and works in 1992 B.A. in Fine Arts, Sociology and Anthropology, Haifa Shefa-Amer. University 1979-1991 Lived with her family in Ontario, Canada 1998 M.A. in Educational Counseling, Haifa University 1989-1991 Studied Art at the Ontario College of Art, Toronto Studies for Ph.D. in Psychology, Haifa University 1991 Returned to live in the Galilee 1996 BFA, Bezalel Academy of Art and Design, Jerusalem Selected Exhibitions 1999 Post-graduate studies in the Young Artists’ program, 1993 “Young Artists at Oranim,“ Oranim Art Institute, Tivon Bezalel Academy of Art and Design, Jerusalem 1995 “Young Artists at Oranim,” Artists’ Studios Gallery, Tel Aviv Selected Exhibitions 1996 “Retail Price,” Pyramid Art Gallery, Haifa 1998 “Story Time,” Candid Arts, London “Interm,” Haifa University Art Gallery “Rapunzelina,” Heinrich Böll Foundation, Tel Aviv (solo) Pyramid Art Gallery, Haifa “Palestin(a): Eight Woman Artists,” Al Wasiti Art Center, 2000 “Please Help Me,” Heinrich Böll Foundation, Tel Aviv Jerusalem; Ami Steinitz Contemporary Art, Tel Aviv (solo) “Story Time,” Candid Arts, London 1999 “Look Mama Look,” ArtFocus 3, Jerusalem “Palestinian Artists Today,” Drammens Museum, Drammen, Norway “Gateway,” National Gallery of Fine Arts, Amman, Jordan Alice Klingman “Mediterranean Biennial for Young Artists,” Rome, Italy “Seven Days,” Herzliya Museum of Art (solo) 1963 Born in Be’er Sheva. Lives and works in Tel Aviv. 2000 “La Havana International Biennial,” Cuba 1992-1997 Studied at the Photography Department, Camera “Empathy,” Galerie im Kornerpark, Berlin Obscura School of Art, Tel Aviv 2001 “Sainthood & Sanity-hood,” Hagar Art Gallery, Jaffa (solo) Selected Exhibitions 1997 “Real Body, Imaginary Identity: Block for Hire,” Camera Obscura Gallery, Tel Aviv Sigal Eshed “Alice Klingman,” Department of Photography, Beit Berl Art College 1967 Born in Tel Aviv. Lives and works in Tel Aviv. 1998 “Tel Baruch Region,” Camera Obscura Gallery, Tel Aviv 1991 B.A., The Department of Film and Television, Tel Aviv “Body without Words,” Camera Obscura Gallery, University Tel Aviv Two-time recipient of the Sharet Scholarship, America- 1999 “Chosen Graduates,” Camera Obscura Gallery, Tel Aviv Israel Cultural Foundation, in the field of cinema Anber Fellowship Recipients’ Exhibition, Tel Aviv Municipality Selected Exhibitions 2000 “Seven on the Wall”, Heinrich Böll Foundation, Tel Aviv 2000 “Sister: Mizrahi Women Artists in Israel,” The Artist’ (solo) House, Jerusalem “Brand Art,” The Villa Gallery, Neve Zedek, Tel Aviv 2001 “Friday Night in Amman: Video and Stories,” 2001 “Hands,” The Israel Museum, Jerusalem Heinrich Böll Foundation, Tel Aviv (solo) “Local Scenes,” The Israel Museum, Jerusalem 2002 “A Mizrahi Reading,” the Ministry of Education, Tel Aviv “A Week Ago, On Monday, Yesterday,” Ami Steinitz Contemporary Art, Tel Aviv 2002 “Mother Tongue,” Mishkan Le’omanut, Museum of Art, Ein Harod “Chambers,” Herzliya Museum of Art “It All Begins At Home,” Comme il Faut, Tel Aviv 123 122 123 Andrea Peschel Neta Harari Navon

1970 Born in Hamburg, Germany. Lives and works in 1970 Born in Yahud, Israel. Lives and works in Tel Aviv Berlin and Brussels. 1991 Art studied, Bezalel Academy of Art and Design, Jerusalem 1992-1994 Graduate of the Department of Graphic Design, 1995 B.A. in Theater and Set Design, Tel Aviv University FH Trier 1998 Graduate of the Beit Berl Art College 1994-1996 Fine Arts and Painting Studies, Massana Escola d’Art i Disseny, Barcelona Selected Exhibitions 1996-1998 Graphic Design Studies, FH Potsdam, Germany 1998 “Retail Price,” Pyramid Gallery, Haifa “Apropos Raffi,” Hamidrasha (Nofar) Gallery, Tel Aviv Selected Exhibitions 2000 “Brunette,” Heinrich Böll Foundation, Tel Aviv (solo) 1995 “Painting and Drawing,” Sala Almirall, Barcelona (solo) “Love Disaster,” Mishkan Le’omanut Museum of Art, 1996 “Reason to Paint,” Schadow-Haus, Berlin Ein Harod 1998 “Personality,” Galerie Berlintokyo, Berlin (solo) 2002 “Mother Tongue,” Mishkan Le’omanut, Museum of Art, 1999 “Two to One,” Galerie Open Room, Berlin Ein Harod 2000 “Tel Aviv-Berlin,” Heinrich Böll Foundation, Tel Aviv “Dynasty,” Rosenfeld Gallery, Tel Aviv (solo) (solo) “Death Doing,” Avni Institute Gallery, Tel Aviv “Israel’s Faces,” Galerie Christof Weber, Berlin (solo) “Urban People,” Aufsturz, Berlin (solo) “From Today Till Tomorrow,” Haus des Lehrers, Berlin

Eyal Ben Zvi Samira Wahaby

1964 Born in Kibbutz Alumot, Israel. Lives and works in 1973 Born in Daliat el-Carmel. Pardes Hanna Lives and works in Daliat el-Carmel. 1985-1986 Studied with artists Francin Lassri, Avi Zuckerman, 1999 Graduate of the Department of Photography, Camera and Danny Zritskie, at the Artists’ village Ein Hod Obscura School of Art, Tel Aviv 1987-1989 Studied in the Open Studies Program, the Art Selected Exhibitions College, Ramat Hasharon 1999 “Region of Distances”, Ami Steinitz Contemporary Art, Selected Exhibitions Tel Aviv 1993 “Works”, Amalia Arbel Art Gallery, Rishon Lezion 2001 “There is No Such Place as Faraway”, Heinrich Böll “Works”, The Art Gallery at Kibbutz Gan Shmuel (solo) Foundation, Tel Aviv (solo) 1995 “Works”, Anton Biederman Gallery, Hadera (solo) 2002 “Matrimony,” Beit HaGefen, Haifa 1999 Lesley College, Israeli Extension, Netanya “In Animate – Nature,” Beit HaGefen, Haifa 2000 “After the War”, Dizengoff Center, Tel Aviv (as part of “Identity and Peace,” Musrara School of Photography, Heinrich Böll Foundation’s “Street Project”) (solo) Jerusalem “Works,” Yad LaBanim, Pardes Hanna (solo) Castra Art Gallery, Haifa 2001 “Works”, Beit Halochem, Haifa (solo) 2002 “After the War,” Beit Halochem, Tel Aviv (solo) Shula Keshet

1959 Born in Tel Aviv. Lives and works in Tel Aviv. 1987 Gradate of the Art Teachers’ Training College, Ramat Hasharon

Selected Exhibitions 1983 “Dramatis Personae”, New York (solo) Hasimta Theater, Jaffa (solo) 1991-1993 Curator of communal exhibitions, Neve Golan Community Center, Jaffa 1996 “Protest in the Central Station”, The New Central Bus Station, Tel Aviv 1997 “Block”, Ami Steinitz Contemporary Art, Tel Aviv 1998 “A Golden Bridge”, Ami Steinitz Contemporary Art, Tel Aviv 1999-2000 Curator & artist, “Sister: Mizrahi Women Artists in Israel”, Artists’ House, Jerusalem Curator & artist, “Mizrahiyot,” Ami Steinitz Contemporary Art, Tel Aviv 2001 “13 Live Bullets,” Oranim Collage Gallery, Tivon; Heinrich Böll Foundation, Tel Aviv (solo) 2002 Curator & artist, “Mizrahi Reading,” The Ministry of Education, Tel Aviv Curator, “Women who Make a Difference,” The Ministry of Education, Jerusalem 125 124 125