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Analyzing the Barometer of Responses
Chapter 6 Don’t Touch My Holocaust – Analyzing the Barometer of Responses Israeli Artists Challenge the Holocaust Taboo Tami Katz-Freiman The national museum in the eternal capital of the Jewish people should encourage many exhibitions attesting that we are indeed liberated from the traumas of the past. If the Israel Museum could get hold of the bones of Holocaust victims, they could invite kindergarten children to build castles. Perhaps the Israel Museum should also import hair from Auschwitz to hang on it postmodern works.1 This sarcastic and radical response, published in Maariv on January 19, 1997, by Holocaust survivor, Knesset member, and journalist Joseph Lapid, following the controversial exhibition of Israeli artist Ram Katzir at the Israel Museum, reflects the problematic nature, the hypersensitivity, and the intricacy of the current Holocaust discourse in Israel. In this essay, I delve into the pressing issues of this highly delicate discourse. I attempt to locate the very root of its problematic nature, wherefrom all taboos and paradoxes stem pertaining to the discourse of Holocaust representation in 188 contemporary Israeli art. The Zionist ethos is informed by two fundamental notions: Holocaust and Heroism and Negation of Exile that are crucial to the understanding of the problematic nature inherent in Holocaust representation in Israel. In the following paragraphs, I trace the implications of these two perceptions on Holocaust representation in art, and attempt to categorize and classify modes of Holocaust representation in contemporary Israeli art in light of, or in relation to, the public sensitivity toward the manipulative use of the Holocaust. In order to elucidate some basic concepts relating to the Israeli black hole, I examine some strategies employed by current Israeli artists who are communicating Auschwitz2 in their work. -
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Columbia University Graduate School of Arts and Sciences Human Rights Studies Master of Arts Program Silencing “Breaking the Silence”: The Israeli government’s agenda respecting human rights NGOs activism since 2009 Ido Dembin Thesis Adviser: Prof. Yinon Cohen Submitted in partial fulfillment of the requirements for the degree of Master of Arts 12 September, 2018 Abstract This research examines a key aspect in the deterioration of Israeli democracy between 2009-2018. Mainly, it looks at Prime Minister Benjamin Netanyahu's Right-wing governments utilization of legislative procedure to limit the right to free speech. The aspects of the right to free speech discussed here pertain to dissenting and critical activism against these government’s policies. The suppression of said right is manifested in the marginalization, delegitimization and ultimately silencing of its expression in Human Rights NGOs activism. To demonstrate this, the research presents a case study of one such NGO – “Breaking the Silence” – and the legal and political actions designed to cause its eventual ousting from mainstream Israeli discourse. The research focuses on the importance and uniqueness of this NGO, as well as the ways in which the government perceives and acts against it. First, it analyzes the NGO’s history, modus operandi and goals, emphasizing the uniqueness that makes it a particularly fascinating case. Then, it researches the government’s specific interest in crippling and limiting its influence. Finally, it highlights the government’s toolbox and utilization thereof against it. By shining a light on this case, the research seeks to show the process of watering down of a fundamental right within Israeli democracy – which is instrumental to understanding the state’s risk of decline towards illiberal democracy. -
Hagar: the Association for the Advancement of Cultural Pluralism
Dr. Tal Ben Zvi CURRICULUM VITAE AND LIST OF PUBLICATIONS 1. Personal Details Dr. Tal Ben Zvi MA Policy and Theory of Arts Bezalel Academy of Arts and Design, Jerusalem 972-54-7696810 [email protected] 2. Education 2010-2011 Post-doc, Truman Institute for the Advancement of Peace The Hebrew University of Jerusalem 2010 PhD Doctoral thesis at Tel Aviv University on "Representations of the Nakba in the Palestinian art of the 1970s and 1980s, as reflected in the work of artists who belong to the Palestinian minority in Israel" [Supervisors: Profs. Hanna Taragan and Moshe Zuckermann] 1999-2004 MA Summa Cum Lauda, The Yolanda and David Katz Faculty of the Arts - Graduate School, Tel Aviv university. her thesis was titled: “Between Nation and Gender: The Representation of the Female Body in Palestinian Art". 1995-1997 The new seminar for visual culture: Criticism and Curatorship program, Camera Obscura College, Tel Aviv. 1989-1992 B.A. fine arts and art history, Art department , Haifa university. 3. Employment History (a) Positions in academic 2015 Lecturer, MA Policy and Theory of Arts Bezalel Academy of Arts and Design, Jerusalem Senior lecturer (Tenured position) [Hebrew: "Martze Bakhir"] 2012-2015 Vice President for Academic Affaires Bezalel Academy of Arts and Design, Jerusalem 2009-2010 Head of the School of Arts, Kibbutzim College of Education Kibbutzim College of Education is the largest teaching college in Israel. The School of Arts includes the fields of theatre, dance, media and cinema, design and art. The school is attended by 600 B.Ed and diploma students. -
The “Gayfication” of Tel Aviv: Investigating Israel's Pro-Gay Brand
UCLA Queer Cats Journal of LGBTQ Studies Title The “Gayfication” of Tel Aviv: Investigating Israel’s Pro-gay Brand Permalink https://escholarship.org/uc/item/0zv7m3m9 Journal Queer Cats Journal of LGBTQ Studies, 3(1) ISSN 2639-0256 Author Snellings, Satchie Publication Date 2019 DOI 10.5070/Q531045991 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The “Gayification” of Tel Aviv: Examining Israel’s Pro-Gay Brand Satchie Snellings New York University, Global Liberal Studies o someone informed on the modern world’s LGBT hot spots, the Tmention of Israeli homosexuality would most often connote images of a crowded pride parade or a rainbow themed beach party packed with same-sex couples and carefree attitudes. This picture, whether in a film, on a poster, or in reality, is one of Tel Aviv, the self-proclaimed “Gay Capital of the Middle East.”1 It is the most popular and well-known image of the Israeli LGBT community. The history of LGBT rights in Israel predates that of many Western nations, including the United States. Israeli gay rights ensure that all LGBT citizens receive many of the same rights to their heterosexual counterparts, albeit with less publicized shortfalls in terms of health, edu- cation and welfare laws. The greatest exception and the most significant encroachment of faith onto the legality of homosexuality is in the lack of legal gay marriage in Israel. Alongside their crafting of legal rights, the Israeli government has invested heavily in the coastal city of Tel Aviv, rebranding it as a globally recognized “gay destination.” This effort resulted in a fiscally beneficial gay tourism industry and a more positive international reputation for Israel. -
The Ethiopian Israeli Artist Whose 'Black Art' Gives Power To
11/05/2019, 1325 Page 1 of 1 Log in Subscribe now Saturday, May 11, 2019. Search Iyyar 6, 5779 Time in Israel: 3:11 PM Israel News All sections Teva - U.S. U.S. - Iran Israel - Gaza 747 Erdogan Iran - U.S. Eurovision 2019 Jerusalem holds off evicting gallery Haaretz | News A photo album Haaretz | News Istanbul shatters Haaretz | News Vicious protests that hosted anti-occupation NGO from the State of Israel’s first Erdogan’s dream at Israeli-Palestinian memorial year are a sign of Israel's demise Recommended by Home > Israel News Trending Now The Ethiopian Israeli Artist Whose 'Black Art' Gives Power to Greedy Jews and Why Does Hannah the People 'Lovely Bitches': Arendt's 'Banality of Nirit Takele says she has always painted about the disadvantaged Israel’s Eurovision Evil' Still Anger Ethiopian community; it’s not some stream of ‘black art’ shown for Video Draws Fire Israelis? the trendy in New York or London Vered Lee | Send me email alerts May 10, 2019 8:51 PM Share Tweet Zen Subscribe 40 U.S. States Sue What Happened Teva for 'Multi-billion When Palestinian Dollar Fraud on the Women Took Charge American People' of Their Village Israeli artist Nirit Takele, April 2019. Credit: Meged Gozani ● The Ethiopian music scene in Israel begins to take center stage ● 'It was meant to be an African party in Tel Aviv. But I was the only African there' ● Hot, black Israeli rap duo bubbles over on YouTube In the past month Nirit Takele secluded herself in the studio of her home in north Tel Aviv and painted intensively for 10 to 16 hours a day. -
Staring Back at the Sun: Video Art from Israel, 1970-2012 an Exhibition and Public Program Touring Internationally, 2016-2017
Staring Back at the Sun: Video Art from Israel, 1970-2012 An Exhibition and Public Program Touring Internationally, 2016-2017 Roee Rosen, still from Confessions Coming Soon, 2007, video. 8:40 minutes. Video, possibly more than any other form of communication, has shaped the world in radical ways over the past half century. It has also changed contemporary art on a global scale. Its dual “life” as an agent of mass communication and an artistic medium is especially intertwined in Israel, where artists have been using video artistically in response to its use in mass media and to the harsh reality video mediates on a daily basis. The country’s relatively sudden exposure to commercial television in the 1990s coincided with the Palestinian uprising, or Intifada, and major shifts in internal politics. Artists responded to this in what can now be considered a “renaissance” of video art, with roots traced back to the ’70s. An examination of these pieces, many that have rarely been presented outside Israel, as well as recent, iconic works from the past two decades offers valuable lessons on how art and culture are shaped by larger forces. Staring Back at the Sun: Video Art from Israel, 1970-2012 traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond. Showcasing 35 works, this program includes documentation of early performances, films and videos, many of which have never been presented outside of Israel until now. Informed by the international 1 history of video art, the program surveys the development of the medium in Israel and explores how artists have employed technology and material to examine the unavoidable and messy overlap of art and politics. -
1 Claudia Gioia
Claudia Gioia - Let’s start with your history. Your artistic education, your cultural references and influences and your personal path. How do you place your research and who were and who are your companions? Nahum Tevet – During my High School I started taking courses in painting and drawing. I was born in a kibbutz, and the kibbutz educational system was very supporting for art. I saw myself as a painter and immediately after the army I was looking for a place to study. I felt that the schools were not good places. I mean at that time the Academy was, only at the beginning, as a contemporary art school. There was actually Raffi Lavie, whose retrospective is now at the Venice Biennial, and in those years, in 1969 and 1970 he magnetized a group of young artists that studied with him mostly on a private basis. I was 23 and he was 33, at that time he was leading a real, I wouldn’t say revolution, but he was the most important figure in creating a new young scene of Israeli art. One could say that it was really the beginning of contemporariness; it was the end of a certain kind of painting that was mainly a local version of French abstraction. There were some three or four wonderful painters that were not known internationally. One of them was extremely important for the new generation: Arie Aroch. He was a painter and an intellectual who served the Israeli ambassador in Sweden at the time of Pontus Hulten, he knew about Duchamp and he saw Jasper Jones and Rauschenberg in real time, and somehow it influenced his work. -
ISRAELISCHE GRAFIK.Pdf
RUBRIK AUSGABE 3 | 2015 21 Yigal Ozeri, geb. 1958 in Israel, lebt in New York Fotos: Slobodan Ciric Fotos: Die INW lädt vom 11. Oktober bis 15. Oktober zu einer Ausstellung ein, welche im Theater Nestroyhof Hamakom, Nestroyplatz 1, 1020 Wien im Rahmen der israelischen Theaterwoche (siehe S. 41) stattfindet und die einen Querschnitt israelischer Grafik bietet. Der Kurator dieser Präsentation ist der in Israel sehr bekannten Kunst- und Kulturmanager Doron Polak. Die Werke sind auch käuflich zu erwerben. Unter dem Titel „Rishumon” gibt es zusätzlich eine bemerkens- werte und berührende Darbietung zweier Künstler, die zeitlose Themen wortlos, begleitet mit Musik von Shaul Ben Amitai, auf die Bühne bringen – schauspielerisch Svetlana Ben und malerische Interpretation Ophira Avisar. Ein Ereignis das man nicht versäumen möge. In der Beilage finden Sie einige Künstler dieser sehenswerten Ausstellung. ISRAELISCHE KUNSTGRAPHIK HENIE WESTBROOK ie führt uns zu einem Rundgang durch Ozeri nützt die Techniken der Graphik, um Lea Nikel lebte und arbeitete in Tel Aviv, bole auf, indem er ihnen über ihren wichtige Stationen der Kunstentwicklung sich neben seinen Collagen wieder seinen Paris und New York, studierte in den Studios Symbolwert hinaus, neue Bedeutung scha. Israels, von den Anfängen in der Man- zeichnerischen Ursprüngen zuzuwenden. mit Streichmann und Stemazky und zeichnet Er situiert sie innerhalb der Modernen Kunst Sdatszeit bis zu zeitgenössischen Arbeiten und Auch Zvika Kantor arbeitet im Druckmedium sich durch einen unverkennbar lyrischen Ex- und platziert sie gleichzeitig innerhalb der is- vermittelt uns die Ausstellung ein who is who parallel zu seinen Computerarbeiten. pressionismus, starker Farbigkeit und kalligra- raelischen Kunst. der israelischen Kunstszene – von der Grün- In der Ausstellung wird eine Graphik von phischen Elementen aus. -
Israeli & International Art Jerusalem 16 April 2009
ISRAELI & INTERNATIONAL ART JERUSALEM 16 APRIL 2009 SPECIAL PESACH AUCTION ISRAELI AND INTERNATIONAL ART KING DAVID HOTEL JERUSALEM THURSDAY, 16 APRIL 2009 9:00 P.M. 1 בס”ד Auction Preview MATSART GALLERY, 21 King David St., Jerusalem April 2 -16 : Sun.-Thu. (including Hol-Hamoed) 11 am - 10 pm Fri. 11 am - 3 pm Sat. and Holidays 9.30 pm - 12 am Wed. April 8 (Erev Pesach) by appointment only Thu. April 16, 11 am - 2 pm Private viewing is available by appointment Online auction on : www.artfact.com Online Catalogue : www.artonline.co.il Auction 111, 16 April 2009 9:00 pm King David Hotel, Jerusalem. Special preview of selected lots Auction 112 (June 2009) on view in the gallery.(See highlights on p. 106 -113) ימי תצוגה גלריה מצארט, דוד המלך 21 ירושלים 16-2 אפריל. ראשון - חמישי ׁׂׂ)כולל חול המועד( 11:00 - 22:00 שישי 11:00 - 15:00, שבת ומוצאי חג 21:30 - 24:00 רביעי, 6 אפריל )ערב פסח( לפי תיאום מראש. חמישי, 16 אפריל 11:00 - 14:00 המכירה גם באתר : www.artfact.co.il הקטלוג און-ליין בכתובת: www.artonline.co.il מכירה 111 16 באפריל 2009, 21:00, מלון המלך דוד, ירושלים מבחר פריטים ממכירה 112 )יוני 2009( יוצגו בגלריה בימי התצוגה המקדימה )ראה יצירות נבחרות בעמ’ 113-106( 3 מנהל ובעלים Director and Owner לוסיאן קריאף Lucien Krief מנכ”ל Executive Director אורי רוזנבך Uri Rosenbach [email protected] [email protected] מומחים Specialists אורן מגדל Oren Migdal מומחה לאמנות ישראלית Expert Israeli Art [email protected] [email protected] לוסיאן קריאף Lucien Krief מומחה לאסכולת פריז Expert Ecole de Paris [email protected] [email protected] שירות לקוחות Client Relations אורי רוזנבך Uri Rosenbach ברברה אפלבאום Barbara Apelbaum [email protected] [email protected] כספים Client Accounts סטלה קוסטה Stella Costa [email protected] [email protected] לוגיסטיקה ומשלוחים Logistics and Shipping רייזי גודווין Reizy Goodwin [email protected] [email protected] MATSART AUCTIONEERS AND APPRAISERS 21 King David St. -
Forgotten Palestinians
1 2 3 4 5 6 7 8 9 THE FORGOTTEN PALESTINIANS 10 1 2 3 4 5 6x 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 36x 1 2 3 4 5 6 7 8 9 10 1 2 3 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 36x 1 2 3 4 5 THE FORGOTTEN 6 PALESTINIANS 7 8 A History of the Palestinians in Israel 9 10 1 2 3 Ilan Pappé 4 5 6x 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 YALE UNIVERSITY PRESS 5 NEW HAVEN AND LONDON 36x 1 In memory of the thirteen Palestinian citizens who were shot dead by the 2 Israeli police in October 2000 3 4 5 6 7 8 9 10 1 2 3 4 5 Copyright © 2011 Ilan Pappé 6 The right of Ilan Pappé to be identified as author of this work has been asserted by 7 him in accordance with the Copyright, Designs and Patents Act 1988. 8 All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright 9 Law and except by reviewers for the public press) without written permission from 20 the publishers. 1 For information about this and other Yale University Press publications, 2 please contact: U.S. -
Jewish and Jewish-Palestinian Feminist Organizations in Israel
Jewish and Jewish-Palestinian Feminist Organizations in Israel Characteristics and Trends Research and Writing: Dorit Abramovitch Jewish and Jewish-Palestinian Feminist Organizations in Israel Characteristics and Trends November 2008 Research and Writing: Dorit Abramovitch Jewish and Jewish-Palestinian Feminist Organizations in Israel Characteristics and Trends November 2008 Research and Writing: Dorit Abramovitch Editing: Romy Shapira Translation: Sagit Porat Many thanks to the organizations’ representatives, who were willing to contribute their time and share information, opinions and thoughts: Roni Aloni-Sadovnik, Sarit Arbel, Idit Avidan, Tova Ben Dov, Roni Benda, Ifat Biton, Naomi Chazan, Yaara Chotzen, Hanna Cohen, Adi Dagan, Michal Dagan, Esther Eilam, Carmel Eitan, Ronit Erenfroind Cohen, Hedva Eyal, Inbal Freund, Tamar Gozanski, Debora Grinberg, Leah Gruenpeter-Gold, Shir Gur, Lena Gurary, Orna Hadar, Esther Hertzog, Ruth Hiller, Ayelet Ilani, Yasmin Inbar, Yael Itzhaki, Hava Keller, Atara Kenigsberg, Dorit Keren-Zvi, Shula Keshet, Sara Kliachko, Yana Knopoba, Ziona Koenig Yair, Tal Kramer-Vadai, Molly Malekar, Inna Michaeli, Kineret Milgrom, Liora Minka, Maki Neaman, Liat Or, Orna Ostfeld, Chana Pasternak, Tikva Rager, Yael Rockman, Irit Rosenblum, Chaya Rowen-Baker, Keren Shemesh-Perlmuter, Batsheva Sherman, Noga Shiloach, Moria Shlomot, Aisha Sidawy, Mirit Sidi, Ilana Sugbaker, Gila Svirsky, Tal Tamir, Tirtza Tauber, Nitzan Tenami, Lily Traubmann, Michal Yudin. Thanks to the representatives of the organization coalitions: Tamar Adelstein, Shulamit Sahalo, Valeria Seigelshifer, Robyn Shames, and Shatil representative Carlos Sztyglic. Production and design: Jordan Dotan, Moshe Meyron Photo and illustration on cover: Dorit Jordan Dotan © Heinrich Boell Stiftung All rights reserved 24 Nahalat Binyamin St. Tel Aviv 65162, Israel Tel: +972-3-5167734/5 Fax: +972-3-5167689 [email protected] www.boell.org.il Printed in Israel, 2009 Preface The Heinrich Boell Stiftung is the foundation that is affiliated with the Green party in Germany. -
Annual Report 2010-2011 Annual Report 2010-2011 a N N U a L R E P O R T 1
The Hebrew University of Jerusalem of Jerusalem University Hebrew The Annual Report Annual Report Annual Report 2010-2011 2010-2011 A N N U A L R E P O R T 1 Contents From the President 5 From the Rector 15 From the Vice-President for External Relations 29 From the Vice-President and Director-General 37 From the Vice-President for Research and Development 45 Financial Report 54 Governance 60 Benefactors 65 Major Gifts 69 2 A N N U A L R E P O R T intellectual effervescence cutting-edge research scholars pluralistic Jewish culture and heritage OUTSTANDING SCIENTISTS FUTURE LEADERS future generations vibrant academic community free of discrimination educate INTERNATIONAL A N N U A L R E P O R T 3 intellectual effervescence Mission Statement scholars As Israel’s first research university, the Hebrew University’s mission is to develop cutting-edge research, to educate future leaders in all walks of life, and to nurture future generations of outstanding scientists and scholars in all fields of learning. The study of Jewish culture and heritage are a foremost legacy of the Hebrew University, as indicated by both its name and its history. The Hebrew University is a full participant in the international scientific and scholarly network: we measure ourselves by international standards and we strive to be counted among the best research universities worldwide. The Hebrew University is a pluralistic institution, where science and knowledge are developed for the benefit of humankind, in an atmosphere free of discrimination and prejudice. The Hebrew University endeavors to be a vibrant academic community, characterized by its intellectual effervescence.