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TEL AVIV PANTONE 425U Gris PANTONE 653C Bleu Bleu PANTONE 653 C
ART MODERNE ET CONTEMPORAIN TRIPLEX PARIS - NEW YORK TEL AVIV Bleu PANTONE 653 C Gris PANTONE 425 U Bleu PANTONE 653 C Gris PANTONE 425 U ART MODERNE et CONTEMPORAIN Ecole de Paris Tableaux, dessins et sculptures Le Mardi 19 Juin 2012 à 19h. 5, Avenue d’Eylau 75116 Paris Expositions privées: Lundi 18 juin de 10 h. à 18h. Mardi 19 juin de 10h. à 15h. 5, Avenue d’ Eylau 75116 Paris Expert pour les tableaux: Cécile RITZENTHALER Tel: +33 (0) 6 85 07 00 36 [email protected] Assistée d’Alix PIGNON-HERIARD Tel: +33 (0) 1 47 27 76 72 Fax: 33 (0) 1 47 27 70 89 [email protected] EXPERTISES SUR RDV ESTIMATIONS CONDITIONS REPORTS ORDRES D’ACHAt RESERVATION DE PLACES Catalogue en ligne sur notre site www.millon-associes.com בס’’ד MODERN AND CONTEMPORARY FINE ART NEW YORK : Tuesday, June 19, 2012 1 pm TEL AV IV : Tuesday, 19 June 2012 20:00 PARIS : Mardi, 19 Juin 2012 19h AUCTION MATSART USA 444 W. 55th St. New York, NY 10019 PREVIEW IN NEW YORK 444 W. 55th St. New York, NY. 10019 tel. +1-347-705-9820 Thursday June 14 6-8 pm opening reception Friday June 15 11 am – 5 pm Saturday June 16 closed Sunday June 17 11 am – 5 pm Monday June 18 11 am – 5 pm Other times by appointment: 1 347 705 9820 PREVIEW AND SALES ROOM IN TEL AVIV 15 Frishman St., Tel Aviv +972-2-6251049 Thursday June 14 6-10 pm opening reception Friday June 15 11 am – 3 pm Saturday June 16 closed Sunday June 17 11 am – 6 pm Monday June 18 11 am – 6 pm tuesday June 19 (auction day) 11 am – 2 pm Bleu PREVIEW ANDPANTONE 653 C SALES ROOM IN PARIS Gris 5, avenuePANTONE d’Eylau, 425 U 75016 Paris Monday 18 June 10 am – 6 pm tuesday 19 June 10 am – 3 pm live Auction 123 will be held simultaneously bid worldwide and selected items will be exhibited www.artonline.com at each of three locations as noted in the catalog. -
Hagar: the Association for the Advancement of Cultural Pluralism
Dr. Tal Ben Zvi CURRICULUM VITAE AND LIST OF PUBLICATIONS 1. Personal Details Dr. Tal Ben Zvi MA Policy and Theory of Arts Bezalel Academy of Arts and Design, Jerusalem 972-54-7696810 [email protected] 2. Education 2010-2011 Post-doc, Truman Institute for the Advancement of Peace The Hebrew University of Jerusalem 2010 PhD Doctoral thesis at Tel Aviv University on "Representations of the Nakba in the Palestinian art of the 1970s and 1980s, as reflected in the work of artists who belong to the Palestinian minority in Israel" [Supervisors: Profs. Hanna Taragan and Moshe Zuckermann] 1999-2004 MA Summa Cum Lauda, The Yolanda and David Katz Faculty of the Arts - Graduate School, Tel Aviv university. her thesis was titled: “Between Nation and Gender: The Representation of the Female Body in Palestinian Art". 1995-1997 The new seminar for visual culture: Criticism and Curatorship program, Camera Obscura College, Tel Aviv. 1989-1992 B.A. fine arts and art history, Art department , Haifa university. 3. Employment History (a) Positions in academic 2015 Lecturer, MA Policy and Theory of Arts Bezalel Academy of Arts and Design, Jerusalem Senior lecturer (Tenured position) [Hebrew: "Martze Bakhir"] 2012-2015 Vice President for Academic Affaires Bezalel Academy of Arts and Design, Jerusalem 2009-2010 Head of the School of Arts, Kibbutzim College of Education Kibbutzim College of Education is the largest teaching college in Israel. The School of Arts includes the fields of theatre, dance, media and cinema, design and art. The school is attended by 600 B.Ed and diploma students. -
The Philip I. and Muriel M. Berman Papers: Collection I
² ² ² The Philip I. and Muriel M. Berman Papers: Collection I Held by Special Collections, Linderman Library Lehigh University, Bethlehem, Pennsylvania 18015 Call No.: SC MS 095 Berman Papers Page 1 of 154 rev. 05/24/2006 Biographical Sketch Philip Isaac Berman and Muriel Mallin Berman, husband and wife – the “amazing Bermans” as they were often called – worked together as a team throughout the fifty-five years of their marriage, in raising their family, managing their businesses, making frequent trips abroad, collecting art, and planning philanthropy. This biographical sketch is therefore an account, not of one person alone, but of two together, who devoted a great deal of their astonishing energy and considerable fortune to philanthropy and public service, in their home city of Allentown, their home state of Pennsylvania, and around the world, especially in Israel. Philip Berman was born on June 28, 1915, in Pennsburg, Pennsylvania, son of Joseph and Dora (Feingold) Berman. In 1932 he enrolled at Ursinus College in Collegeville, Pennsylvania, but in 1933 returned home to join the family trucking business, from which he built his fortune. On September 23, 1942, he married Muriel Mallin. In the same week, however, he also joined the U.S. Marine Corps, with which he served in the South Pacific during World War II. Muriel Mallin Berman was born on June 21 1914, in Pittsburgh, Pennsylvania, daughter of Solomon and Dora (Cooperman) Mallin. From The Pennsylvania State College of Optometry in Philadelphia she earned her doctorate in 1938 and maintained her license in optometry until 1984. In 1945 Philip Berman was relieved of active duty with the Marine Corps. -
Program December 2019
View this email in your browser PROGRAM DECEMBER 2019 Film Solidarity - Tel Aviv Human Rights Film Festival 2019 (5.-10.12.2019) --> Born in Evin by Maryam Zaree Jerusalem Jewish Film Festival 2019 (21.-26.12.2019) --> The Tobacconist by Nikolaus Leytner Film Programmer's Exchange: Israel - Austria (25.-31.12.2019, Jerusalem, Holon) --> Alessandra Thiele, Film Museum Vienna; Paul Ploechl, Moviemento Linz --> The Trial; Welcome in Vienna; Untitled; The Paper Bridge; You Will Never Understand This Music Salon Romano: Live Show (1.12.2019, Tel Aviv) --> Giuseppe Leonardi Piano Recitals (2.12.2019 Jerusalem, 3.12.2019, Akko) --> Hanna Bachmann Viennese Ball - A Shiny Evening Full of Dance & Music (7.12.2019, Be'er Sheva) --> Paul Armin Edelmann, Christina Maria Fercher Piano Recitals (20.12.&21.12.2019, Jerusalem) --> Trio KlaVis: Jenny Lippl, Miha Ferk, Sabina Hasanova Lecture & Workshop Residency Program: Tights: Dance & Thoughts (1.12.-21.12.2019, Jaffa) --> Lilly Pfalzer Lecture on Human Rights (19.12.2019, Haifa) --> Moriz Kopetzki Exhibitions Photo IS:RAEL - International Photography Festival (until 7.12., Tel Aviv) --> Robert Rutöd Jonathan Monk: Exhibition Model Six - The Tel Aviv Version (12.12.2019-1.2.2020,Tel Aviv) --> Lisa Großkopf Silent Night! Holy Night! The Christmas Carol and its Message of Peace 200 Years after its First Performance (until 31.12.2019, Jerusalem) Fateful Choices: Arts from the Gurlitt Trove (until 15.1.2020, Jerusalem) --> Oskar Kokoschka A New Age: The Spiritual in Art ( until 2.2.2020, Tel Aviv) --> Muntean/Rosenblum FILM Solidarity - Tel Aviv Human Rights Film Festival 2019 feat. Born in Evin (5.-10.12.2019) Jährlich lenkt das Solidarity Film Festival die Aufmerksamkeit seines Publikums auf gesellschaftspolitische und soziale Konflikte dieser Welt. -
Stories of Becomingan Art Educator
Stories of Becoming an Art Educator: Opening a Closed As part of my research dissertation I collected tales of Israeli art Door teachers and studied the ways they negotiated their teaching identi- Nurit Cohen Evron ties within and against their schools’ normative discourses. I learned 1 Faculty of the Arts, Beit-Berl College, Israel that being and becoming an art teacher involved an ongoing pro- cess of negotiation between personal and professional experiences, ABstraCT knowledge and beliefs, and the school’s discourse. Their beliefs and This paper describes recollections of my personal experiences in Israel and identities couldn’t be separated from the socio-cultural environments their interplay with my decisions as an art educator. These stories are examples of how the borders between the professional, the personal, and the institu- and the discourses in which and through which they were constantly tional are blurred. Becoming and being an art educator in a country which is (re)constructed (Cohen Evron, 2004). Our identities as teachers are deeply affected by a long-standing, deep-rooted, stubborn, and violent conflict, I neither fixed nor are they an inventory of knowledge or technical pro- struggle to find ways to teach art in a meaningful way and to react to the culture cedures of teaching experience. We continually reconstruct our views of conflict through critical art pedagogy. of ourselves in relation to others, workplace characteristics, profes- sional purposes, and cultures of teaching. Furthermore, we bring to Becoming an Art Educator our teaching profession our personal and institutional biographies The question of what is involved in the process of becoming a good (Connelly & Clandinin, 1999; Sivertsen, 1994). -
ISRAELISCHE GRAFIK.Pdf
RUBRIK AUSGABE 3 | 2015 21 Yigal Ozeri, geb. 1958 in Israel, lebt in New York Fotos: Slobodan Ciric Fotos: Die INW lädt vom 11. Oktober bis 15. Oktober zu einer Ausstellung ein, welche im Theater Nestroyhof Hamakom, Nestroyplatz 1, 1020 Wien im Rahmen der israelischen Theaterwoche (siehe S. 41) stattfindet und die einen Querschnitt israelischer Grafik bietet. Der Kurator dieser Präsentation ist der in Israel sehr bekannten Kunst- und Kulturmanager Doron Polak. Die Werke sind auch käuflich zu erwerben. Unter dem Titel „Rishumon” gibt es zusätzlich eine bemerkens- werte und berührende Darbietung zweier Künstler, die zeitlose Themen wortlos, begleitet mit Musik von Shaul Ben Amitai, auf die Bühne bringen – schauspielerisch Svetlana Ben und malerische Interpretation Ophira Avisar. Ein Ereignis das man nicht versäumen möge. In der Beilage finden Sie einige Künstler dieser sehenswerten Ausstellung. ISRAELISCHE KUNSTGRAPHIK HENIE WESTBROOK ie führt uns zu einem Rundgang durch Ozeri nützt die Techniken der Graphik, um Lea Nikel lebte und arbeitete in Tel Aviv, bole auf, indem er ihnen über ihren wichtige Stationen der Kunstentwicklung sich neben seinen Collagen wieder seinen Paris und New York, studierte in den Studios Symbolwert hinaus, neue Bedeutung scha. Israels, von den Anfängen in der Man- zeichnerischen Ursprüngen zuzuwenden. mit Streichmann und Stemazky und zeichnet Er situiert sie innerhalb der Modernen Kunst Sdatszeit bis zu zeitgenössischen Arbeiten und Auch Zvika Kantor arbeitet im Druckmedium sich durch einen unverkennbar lyrischen Ex- und platziert sie gleichzeitig innerhalb der is- vermittelt uns die Ausstellung ein who is who parallel zu seinen Computerarbeiten. pressionismus, starker Farbigkeit und kalligra- raelischen Kunst. der israelischen Kunstszene – von der Grün- In der Ausstellung wird eine Graphik von phischen Elementen aus. -
Israeli & International Art Jerusalem 16 April 2009
ISRAELI & INTERNATIONAL ART JERUSALEM 16 APRIL 2009 SPECIAL PESACH AUCTION ISRAELI AND INTERNATIONAL ART KING DAVID HOTEL JERUSALEM THURSDAY, 16 APRIL 2009 9:00 P.M. 1 בס”ד Auction Preview MATSART GALLERY, 21 King David St., Jerusalem April 2 -16 : Sun.-Thu. (including Hol-Hamoed) 11 am - 10 pm Fri. 11 am - 3 pm Sat. and Holidays 9.30 pm - 12 am Wed. April 8 (Erev Pesach) by appointment only Thu. April 16, 11 am - 2 pm Private viewing is available by appointment Online auction on : www.artfact.com Online Catalogue : www.artonline.co.il Auction 111, 16 April 2009 9:00 pm King David Hotel, Jerusalem. Special preview of selected lots Auction 112 (June 2009) on view in the gallery.(See highlights on p. 106 -113) ימי תצוגה גלריה מצארט, דוד המלך 21 ירושלים 16-2 אפריל. ראשון - חמישי ׁׂׂ)כולל חול המועד( 11:00 - 22:00 שישי 11:00 - 15:00, שבת ומוצאי חג 21:30 - 24:00 רביעי, 6 אפריל )ערב פסח( לפי תיאום מראש. חמישי, 16 אפריל 11:00 - 14:00 המכירה גם באתר : www.artfact.co.il הקטלוג און-ליין בכתובת: www.artonline.co.il מכירה 111 16 באפריל 2009, 21:00, מלון המלך דוד, ירושלים מבחר פריטים ממכירה 112 )יוני 2009( יוצגו בגלריה בימי התצוגה המקדימה )ראה יצירות נבחרות בעמ’ 113-106( 3 מנהל ובעלים Director and Owner לוסיאן קריאף Lucien Krief מנכ”ל Executive Director אורי רוזנבך Uri Rosenbach [email protected] [email protected] מומחים Specialists אורן מגדל Oren Migdal מומחה לאמנות ישראלית Expert Israeli Art [email protected] [email protected] לוסיאן קריאף Lucien Krief מומחה לאסכולת פריז Expert Ecole de Paris [email protected] [email protected] שירות לקוחות Client Relations אורי רוזנבך Uri Rosenbach ברברה אפלבאום Barbara Apelbaum [email protected] [email protected] כספים Client Accounts סטלה קוסטה Stella Costa [email protected] [email protected] לוגיסטיקה ומשלוחים Logistics and Shipping רייזי גודווין Reizy Goodwin [email protected] [email protected] MATSART AUCTIONEERS AND APPRAISERS 21 King David St. -
Israeli) Star of Hope Agamograph 29 X 31 Cm (11 X 12 In.) Signed Lower Right, Numbered '8/25' Lower Left
1* Yaacov Agam b.1928 (Israeli) Star of Hope agamograph 29 x 31 cm (11 x 12 in.) signed lower right, numbered '8/25' lower left $1,500-1,800 2* Yaacov Agam b.1928 (Israeli) Untitled color silkscreen mounted on panel 57 x 62 cm (22 x 24 in.) signed lower right, numbered 'L/CXLIV' lower left $400-500 3 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse $450-550 4 Menashe Kadishman 1932-2015 (Israeli) Motherland charcoal on paper 27 x 35 cm (11 x 14 in.) signed lower right $150-220 5 Menashe Kadishman 1932-2015 (Israeli) Valley of sadness pencil on paper 27 x 35 cm (11 x 14 in.) signed lower right $100-150 6* Ruth Schloss 1922-2013 (Israeli) 1 Girl in red dress, 1965 oil on canvas 74 x 50 cm (29 x 20 in.) signed lower right Provenance: Private collection, USA. $3,500-4,000 7 Sami Briss b.1930 (Israeli, French) Doves oil on wood 8 x 10 cm (3 x 4 in.) signed lower center $500-650 8 Nahum Gilboa b.1917 (Israeli) Rural landscape with wooden bridge mixed media on canvasboard 23 x 30 cm (9 x 12 in.) signed lower right, signed and titled on the reverse $1,800-2,200 9 Audrey Bergner b.1927 (Israeli) Flutist oil on canvas 40 x 30 cm (16 x 12 in.) signed lower right, signed and titled on the reverse $4,800-5,500 10 Yohanan Simon 1905-1976 (Israeli) Vegetarian Evolution, 1971 oil on canvas 46 x 54 cm (18 x 21 in.) signed in English lower left, signed in Hebrew and dated lower right, signed, dated and titled on the stretcher $8,000-10,000 11* Yohanan Simon 1905-1976 (Israeli) Wedding, 1969 2 oil on canvas 15 x 23 cm (6 x 9 in.) signed in English lower left and in Hebrew lower right $2,200-2,500 12 Menashe Kadishman 1932-2015 (Israeli) Fallow deer iron cut-out 34 x 30 x 2 cm (13 x 12 x 1 in.) initialled $1,400-1,600 13 Naftali Bezem b. -
JUNE 15, 1962 It Is the Second Graduation of PUTNAM PIKE, JUNCTION RTES
-·~ .\ Temple Betb El 10 70 Orcbar4 Ave. frQv14eQoe, R. 1. f £MPL£ t/f'rH-fl LI RARY Rightists, Jews Fight In Streets Of Ghetto ROME - The ancient Ghetto ported In the lower middle class here resounded with fighting di.strict, which since papal earlier thLs week as Jews and times has been Rome's princi political rlght!.sts scuffled In the ple Jew!.sh neighborhood. As THE ONLY ANGLO-JEWISH!/~lfliJ WEEKLY IN R. I. AND SOUTHEAST MASS. streets over what Jewish com midnight approached several munity leaders charged were hundred youthful Inhabitants of "provocations." the Ghetto marched to the VOL. XLVI, NO. 14 JUNE 15. 1962 24 PAGF.S ----------------- While the local police patrol Italian Social movement offices, ed the entrances to the Ghetto where more street scuffles took Renews Attack In an effort to halt a series of place before police d!.spersed Israel To Build Movie Studio street battles between members the crowd, of the neo-fasc!.st Italian Social In an effort to quell further To Make Feature Length Films On Zionists movement and angry crowds of d!.sturbances Dr. Ello Toaff, the HOLLYWOOD, CALIF. odus," which was produced and JERUSALEM - Prime Mln Jews, community spokesmen chief rabbi conferred with Sal Israel will be · the next coun directed by Otto Preminger. Lster Ben Gurlon last week re said Its ·members only wanted vatore di Stefano, Rome police try to compete with Hollywood Ear)y next year Leftwich newed hLs verbal attack on the to be left In peace. chief. Later the Jew!.sh com In movie production. -
Ìèèá†˙¯˜ È·ˆ†Ô·†Ïë
CVs ÌÈÈÁ†˙¯˜ 109 108 109 È·ˆ†Ô·†ÏË Æ‰Á†Ò„¯Ù·†‰Ï„‚†¨˙ÂÓÂχ†ı·Ș·†‰„Ï ±π∂∂ ·È·‡†Ï˙·†˙„·ÂÚ†˙¯¯Â‚˙Ó ¨˙ÂÓ‡‰†˙„ÏÂ˙φ˙ÂӇφ‚ÂÁ‰†¨Ô¢‡¯†¯‡Â˙ ±ππ≤ ‰ÙÈÁ†˙ËÈÒ¯·È‡ ¨˙¯Â˜È·Â†‰È¯Â‡È˙†˙¯ˆÂ‡Ï†˘„Á‰†¯ÈÓÒ‰†˙¯‚· ±ππ∑ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜ Ï·†ÍȯÈȉ†Ô¯˜†È„¯˘Ó·†‰È¯Ï‚‰†˙¯ˆÂ‡ ≤∞∞±≠±ππ∏ ®„ÈÁȆ˙ÂίÚ˙†≤∂©†·È·‡†Ï˙· ÂÙÈ·†˙ÂӇφ¢¯‚‰¢†‰È¯Ï‚†˙¯ˆÂ‡ ≤∞∞≤≠≤∞∞± ¨˙ÈÈËÒÏÙ†˙ÂÓ‡†ÏÚ†È˘†¯‡Â˙φ¯˜ÁÓ†˙„·چ˙·˙ÂΆ‰Ï‡†ÌÈÓÈ· Æ·È·‡†Ï˙†˙ËÈÒ¯·È‡·†ıΆ„„†‰„ÏÂȆ˘¢Ú†˙ÂӇφ‰ËϘٷ ·È·‡†Ï˙†¨‰¯Â˜Ò·Â‡†‰¯Ó˜†˙ÂӇφ¯ÙÒ‰†˙È··†‰ˆ¯Ó ÍȯÈȉ†Ô¯˜¢†¨˙ÂίÚ˙†‰¯˘Ú–˙Á‡† †˘„Á†ÔÂÎÈ˙†Á¯ÊÓ†∫ÌÈÓÂÒ¯Ù ˙‡ˆÂ‰†¨˙ÈÈËÒÏÙ†ÌÈ˘†˙ÂÓ‡†ÈÓˆÚ†Ô˜ÂÈ„†Æ®≤∞∞∞©†·È·‡†Ï˙†¨Ï· ®≤∞∞±©†¨ÒÂÏ„‡ ®˙ÂÈ˙ˆÂ·˜†˙ÂίÚ˙©†˙Á¯Â‡†˙¯ˆÂ‡ ¢ÔÈËÒÏÙÓ†ÌÈ˘†˙ÂÓ‡†›†®‰©ÈËÒÏÙ¢ ±ππ∏ ÏÈÓ‡†‰‡ÓÂß‚†¨Ò‡ËÒ‡†Ô˙‡Ù†¨Ïʇ¯†‰È„†¨ÔÒÁ–χ†‰ÊÚ ÏÈÚÓÒȇ†¯È‰ÂÒ†¨‰¯˘·†‰¯†¨¯Â·ß‚†Ï‡Â†¨È¯ÂÁ†‡‡„†¨„Â·Ú ¨·È·‡†Ï˙†¨˙È¢ÎÚ†˙ÂÓ‡†›†ıÈÈÈˢ†ÈÓÚ ÌÈÏ˘Â¯È†Á¯ÊÓ†¨˙ÂӇφÊίӆÈËÈÒ‡ÂÂχ ¢˙ÈÈËÒÏÙ†ÌÈ˘†˙ÂÓ‡†∫ÈÓˆÚ†Ô˜ÂÈ„¢ ≤∞∞∞ ¨‰Ïχ¯Ò†‰„ȇچ¨Ò‡ËÒ†ÈʇنÔ˙‡Ù†¨ÈÏ·È˘†Ì‡ÏÁ‡ ¨„·چÏÈÓ‡†‰‡ÓÂß‚†¨„ÈÓÁ†Â·‡†Ô‡Óȇ†¨ÔÈÈÒÂÁ†Â·‡†Ô‡Á ß‚‡¯Ù†ÏÈÚ‡ÓÒ‡†¯È‰ÂÒ†¨È·ÚÂʆ¯‡Ó†¨Ò˜¯ÂÓ†Ï‡Ó ¨ÈËÒ‡ÂÂχ·†Á˙Ùȉφ‰¯ÂÓ‡†‰˙ȉ†¢ÈÓˆÚ†Ô˜ÂÈ„¢†‰Î¯Ú˙‰ ˙Èȯς·†¨≤∞∞∞†¯·Â˘‡·†¨˙ÈÁ¯ÊÓ‰†ÌÈÏ˘Â¯È·†˙ÂӇφÊÎ¯Ó Êίӷ†≤∞∞±†¯‡Â¯·Ù·Â†≤∞∞∞†¯·Óˆ„·†·È·‡†Ï˙·†¢ıÈÈÈˢ†ÈÓÚ¢ ÈÚ¯ȇ†˙·˜Ú·†ÂÏË·†˙ÂίÚ˙‰†˘ÂÏ˘†ÆÌÁφ˙È··†˙ÂÓ‡Ï ‡ˆ˜‡–χ†˙„‡ÙÈ˙ȇ „¯Á†ÔÈÚ†¨˙ÂӇφÔ΢Ӊ†¨¢Ì‡†˙Ù˘¢ ≤∞∞≤†È‡Ó ÒÈχ†¨‰Ê·Â˜Â·†˜È¯‡†Â‰Èχ†¨ÏËÙ†Èχ†¨ÂÓÁ†˙ȯȇ ¯ÈÓʆ¨ÌÂÏ˘†‰Ù„†¨‡˜È„Ú†„„†¨ÌÁ˘†Í¯·†¨ÔÓ‚ÈϘ ·˜ÚȆ¨Ô˘Â˘†Ïˆ¨ËÁ¢†Ïˆ¨ÁÈψӆψ¨˘È˘†ÔÁ†¨ı˘ Ìȯӆ¨È˘‡˜†˘ÂÓ†¨Ï‚†¯È‡Ó†¨È¯Ê†Ï‡‚Ȇ¨„¯ÂÓ†Ô¯ Ô‚†Ô‰Î†ÒÁÙ†¨ÔÂÓÈÓ†ÈÓ¯†¨Ò†È„Ú†¨È¯¯‰†Úˆ¨‰Ò·Î Á¯Â‡†ÔӇΠÌÁφ˙È··†˙ÂӇφÊίӆ¨¢Ì‡†˙Ù˘¢ ≤∞∞≤†ı¯Ó≠¯‡ÂÈ -
Israeli Artists, Musicians Develop Vigorous and Distinct Style a COLORFUL and COMPREHENSIVE Review of Deve!
I i • '.::•h=tf:!-,c.:.'_:SeJ!t2__em_..:.:..,:_ber_J_6.:.... _195_S _________________________T_H_. E __ I_S_R_A_E_L_I_T_E __ P_R_:_E_S_S ______________________ --,- _____:_:,Ne~ °!_!ar_._Edition _ Page 3 . Israeli Artists, Musicians Develop Vigorous and Distinct Style A COLORFUL AND COMPREHENSIVE review of deve!. opments and trends in Israeli art and music was publish I Israeli Art· Gains Many New Ftjends ir ~~... THEY'RE FORGING ed recently in a special "Culture in Israel" issue of the 1 well-known periodical Israel Speaks, published in New 1 York. We are sure our readers will join with The Is For Jewish State. in Travels Abroad :-, raelite Press in expressing our deep appreciation to Israel Speaks for permission to reprint a number of the i11ter By ALFRED WERNER I tial. and, excellent draftsm~ · that himself or gloomy colors m . the 11 · AN 'ISRAELI' ART New York. ' he is, renders the contours with an land of hope, the land of Tomor-11 esting and informative articles in that issue, and also for ; energetic hand. · . row?" Why not--0nly fools are I . By MORDECAI ARDON ing re.ality into iu compoMnt parts the co-operation in providing w with the pictures of r .. ~r. w• ..,.r 11 a_ w.llknown ! The ubra Moshe Castel, a Sefardi always happy, and Mokady's fig.· L · and reassemblillg it illto new cent Israeli art, and of leading musicians, which accom critic and art historian. , who, only in his mid-forties, is the , ures, landscapes, still lifes belong 11 MordecaJ Ardon (Bronstein), 1 aesthetic entities-a new reality. panied the articles. -
Avigdor W.G. Posèq Bibliography
Avigdor W.G. Posèq Bibliography Books: 1974 – The Lunette: A Study in the Role of the Arch-Outlined Format in the Design and Content of Italian Murals of the Renaissance, Jerusalem: Hebrew University PhD 1978 – Format in Painting, Tel-Aviv: Tcherikover Tel-Aviv: Tcherikover ,פרספקטיבה – 1982 2001 – Soutine: His Jewish Modality, London: Book Guild 2006 – Jacques Lipchitz: Maker of Jewish Sculpture, Jerusalem: Academon 2007 – Left and Right in Painting and in the Related Arts, Jerusalem: Academon 2008 – Bernini Revisited: New Insights into his Work, Jerusalem: Academon 2010 – Igael Tumarkin: A Study in his Imagery, Jerusalem: Magnes Articles: 1983 – “The ‘Terribilissimà art’ of Foreshortening in the Mannerist Theory of Art,” in Norms and Variations: Es says in Honor of Moshe Barasch, Jerusalem: Magnes: 80-103 “העקדה של בית אלפא ובעיית הפרספקטיבה באמנות היהודית העתיקה”, רימונים 2: 22-31 – 1985 “The Hieroglyphic Mode of Arcimboldo’s Imagery,” Hebrew University Studies in Literature and Arts 13/2: 202-213 1986 – “Jacques Lipchitz: Biblical and Midrashic Themes,” Proceedings of the 9th World Congress of Jewish Studies, Jerusalem, D 2: 9-16 1986-87 – “Five Allegorical Self-Portraits of Igael Tumarkin,” Jewish Art 12-13: 320-334 1987 – “A Note on Caravaggio’s Sleeping Amor,” Source 6 (4): 27-31 1988 – “An Affinity between the Comic and the Sublime in Pictorial Imagery,” Psychoanalytic Perspectives on Art 3: 3-17 “Tumarkin and the Feminine Archetype,” Psychoanalytic Perspectives on Art3: 285-299 “Caravaggio’s Pastor Friso,” Source 8:1 (Fall): 13-17 1989 – “The Butcher’s Dialogue: The Motif of the Hanging Carcass in Modern Jewish Art,” Proceedings of the Tenth World Congress of Jewish Studies, div.