Re·Bus: Issue 4 (Winter 2009) Edited by Matthew Bowman and Stephen Moonie
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Observing Protest from a Place
VISUAL AND MATERIAL CULTURE, 1300-1700 Knox Giles Knox Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt of Italian Renaissance Art Challenge the Knowledge Sense and FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Visual and Material Culture, 1300–1700 A forum for innovative research on the role of images and objects in the late medieval and early modern periods, Visual and Material Culture, 1300–1700 publishes monographs and essay collections that combine rigorous investigation with critical inquiry to present new narratives on a wide range of topics, from traditional arts to seemingly ordinary things. Recognizing the fluidity of images, objects, and ideas, this series fosters cross-cultural as well as multi-disciplinary exploration. We consider proposals from across the spectrum of analytic approaches and methodologies. Series Editor Dr. Allison Levy, an art historian, has written and/or edited three scholarly books, and she has been the recipient of numerous grants and awards, from the Nation- al Endowment for the Humanities, the American Association of University Wom- en, the Getty Research Institute, the Dumbarton Oaks Research Library of Harvard University, the Whiting Foundation and the Bogliasco Foundation, among others. www.allisonlevy.com. FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt Giles Knox Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS This book was published with support from the Office of the Vice Provost for Research, Indiana University, and the Department of Art History, Indiana University. -
Beautiful Penis
BEAUTIFUL PENIS Quelle merveille que les hommes existent ! Une exposition de Barbara Polla et Jenny Mannerheim A la Galerie NUKE à Paris, du 12 mai au 14 juillet 2012 11rue Saint Anastase Paris 3è Dans son livre récemment publié chez Odile Jacob, intitulé Tout à fait Femme, Barbara Polla s’interroge, entre autres, sur la créativité fémi- nine, et cherche à explorer les raisons pour lesquelles, tout au long de l’histoire de l’art, les représentations glorieuses du corps et du sexe masculin par les artistes femmes sont si peu nombreuses, alors que les hommes auront représenté, et représentent encore, avec passion, le corps féminin et ses attributs sexuels. Jenny Mannerheim partage ces questionnements, et il en est issu cette exposition, qui présente une sélection – arbitraire comme le sont toutes les sélections –, de douze femmes artistes d’aujourd’hui qui travaillent sur le thème : Vanessa Beecroft (Italie), Leslie Deere (USA), Tracey Emin (Angleterre), Dana Hoey (USA), Katerina Jebb (Angleterre), Elena Kovylina (Russie), Sarah Lucas (Angleterre), Joanna Malinowska (Pologne), Maro Michalakakos (Grèce), Sabine Pigalle (France), Michaela Spiegel (Autriche) et Ornela Vorpsi (Albanie). Tracey EMIN, TOO BIG, Appliquéd and emboidered calico, 38 9/16 x 33 11/16 in. (98 x 85.5 cm), 2001 © The artist, Courtesy White Cube Pascal Quignard, dans Le sexe et l’effroi, souligne combien « la vision du sexe masculin est terrifiante, même dans les sociétés où son osten- tation la rend banale et sa fréquence dérisoire » et explore la dualité mentula / fascinus (pénis/phallus) chez les Romains, cette « sémantique des deux états » concrétisée chez les romains par la distinction entre l’homo (homme) et le vir (l’homme en érection, l’homme dans le désir), sémantique abondamment reprise par Bruce Nauman. -
Women Surrealists: Sexuality, Fetish, Femininity and Female Surrealism
WOMEN SURREALISTS: SEXUALITY, FETISH, FEMININITY AND FEMALE SURREALISM BY SABINA DANIELA STENT A Thesis Submitted to THE UNIVERSITY OF BIRMINGHAM for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History and Music The University of Birmingham September 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The objective of this thesis is to challenge the patriarchal traditions of Surrealism by examining the topic from the perspective of its women practitioners. Unlike past research, which often focuses on the biographical details of women artists, this thesis provides a case study of a select group of women Surrealists – chosen for the variety of their artistic practice and creativity – based on the close textual analysis of selected works. Specifically, this study will deal with names that are familiar (Lee Miller, Meret Oppenheim, Frida Kahlo), marginal (Elsa Schiaparelli) or simply ignored or dismissed within existing critical analyses (Alice Rahon). The focus of individual chapters will range from photography and sculpture to fashion, alchemy and folklore. By exploring subjects neglected in much orthodox male Surrealist practice, it will become evident that the women artists discussed here created their own form of Surrealism, one that was respectful and loyal to the movement’s founding principles even while it playfully and provocatively transformed them. -
PICASSO Les Livres D’Artiste E T Tis R a D’ S Vre Li S Le PICASSO
PICASSO LES LIVRES d’ARTISTE The collection of Mr. A*** collection ofThe Mr. d’artiste livres Les PICASSO PICASSO Les livres d’artiste The collection of Mr. A*** Author’s note Years ago, at the University of Washington, I had the opportunity to teach a class on the ”Late Picasso.” For a specialist in nineteenth-century art, this was a particularly exciting and daunting opportunity, and one that would prove formative to my thinking about art’s history. Picasso does not allow for temporalization the way many other artists do: his late works harken back to old masterpieces just as his early works are themselves masterpieces before their time, and the many years of his long career comprise a host of “periods” overlapping and quoting one another in a form of historico-cubist play that is particularly Picassian itself. Picasso’s ability to engage the art-historical canon in new and complex ways was in no small part influenced by his collaborative projects. It is thus with great joy that I return to the varied treasures that constitute the artist’s immense creative output, this time from the perspective of his livres d’artiste, works singularly able to point up his transcendence across time, media, and culture. It is a joy and a privilege to be able to work with such an incredible collection, and I am very grateful to Mr. A***, and to Umberto Pregliasco and Filippo Rotundo for the opportunity to contribute to this fascinating project. The writing of this catalogue is indebted to the work of Sebastian Goeppert, Herma Goeppert-Frank, and Patrick Cramer, whose Pablo Picasso. -
Hagar: the Association for the Advancement of Cultural Pluralism
Dr. Tal Ben Zvi CURRICULUM VITAE AND LIST OF PUBLICATIONS 1. Personal Details Dr. Tal Ben Zvi MA Policy and Theory of Arts Bezalel Academy of Arts and Design, Jerusalem 972-54-7696810 [email protected] 2. Education 2010-2011 Post-doc, Truman Institute for the Advancement of Peace The Hebrew University of Jerusalem 2010 PhD Doctoral thesis at Tel Aviv University on "Representations of the Nakba in the Palestinian art of the 1970s and 1980s, as reflected in the work of artists who belong to the Palestinian minority in Israel" [Supervisors: Profs. Hanna Taragan and Moshe Zuckermann] 1999-2004 MA Summa Cum Lauda, The Yolanda and David Katz Faculty of the Arts - Graduate School, Tel Aviv university. her thesis was titled: “Between Nation and Gender: The Representation of the Female Body in Palestinian Art". 1995-1997 The new seminar for visual culture: Criticism and Curatorship program, Camera Obscura College, Tel Aviv. 1989-1992 B.A. fine arts and art history, Art department , Haifa university. 3. Employment History (a) Positions in academic 2015 Lecturer, MA Policy and Theory of Arts Bezalel Academy of Arts and Design, Jerusalem Senior lecturer (Tenured position) [Hebrew: "Martze Bakhir"] 2012-2015 Vice President for Academic Affaires Bezalel Academy of Arts and Design, Jerusalem 2009-2010 Head of the School of Arts, Kibbutzim College of Education Kibbutzim College of Education is the largest teaching college in Israel. The School of Arts includes the fields of theatre, dance, media and cinema, design and art. The school is attended by 600 B.Ed and diploma students. -
Takamiya, Toshiyuki) Publisher 慶應義塾大学藝文学会 Publication Year 1997 Jtitle 藝文研究 (The Geibun-Kenkyu : Journal of Arts and Letters)
Title Introduction Sub Title Author 高宮, 利行(Takamiya, Toshiyuki) Publisher 慶應義塾大学藝文学会 Publication year 1997 Jtitle 藝文研究 (The geibun-kenkyu : journal of arts and letters). Vol.73, (1997. 12) ,p.1- 9 Abstract Notes 安藤伸介, 岩崎春雄両教授退任記念論文集 Genre Journal Article URL https://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=AN00072643-0073000 1-0001 慶應義塾大学学術情報リポジトリ(KOARA)に掲載されているコンテンツの著作権は、それぞれの著作者、学会または出版社/発行者に帰属し、その権利は著作権法によって 保護されています。引用にあたっては、著作権法を遵守してご利用ください。 The copyrights of content available on the KeiO Associated Repository of Academic resources (KOARA) belong to the respective authors, academic societies, or publishers/issuers, and these rights are protected by the Japanese Copyright Act. When quoting the content, please follow the Japanese copyright act. Powered by TCPDF (www.tcpdf.org) Introduction Toshiyuki Takamiya Professors Shinsuke Ando and Haruo Iwasaki retire from their full professorships at Keio University at the age of 65 in March 1998, and the present collection of new essays is intended to reflect the high esteem and gratitude felt by their former students and colleagues who form the contributions. Since their academic publications and their activities within and outside Keio University over the years are already widely known, this introduction will rehearse something of their earlier and less public lives. Shinsuke Ando was born in Tokyo on 1 July 1932, the eldest son of Y oshiyuki Ando and his wife, Tome. Soon he was joined by a brother and a sister. Earlier generations of the Andos had been middle class landowners in an agricultural village near Taketa, Oita Prefecture, but the estates had passed out of the family's hands soon after the World War I, and when Shinsuke Ando's father arrived in Tokyo, it was to run an agency for fire and marine insurance companies. -
The Regional Cosmopolitanism of George Woodcock
Transoceanic Canada: The Regional Cosmopolitanism of George Woodcock by Matthew Hiebert B.A., The University of Winnipeg, 1997 M.A., The University of Amsterdam, 2002 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in THE FACULTY OF GRADUATE STUDIES (English) The University Of British Columbia (Vancouver) August 2013 c Matthew Hiebert, 2013 ABSTRACT Through a critical examination of his oeuvre in relation to his transoceanic geographical and intellectual mobility, this dissertation argues that George Woodcock (1912-1995) articulates and applies a normative and methodological approach I term “regional cosmopolitanism.” I trace the development of this philosophy from its germination in London’s thirties and forties, when Woodcock drifted from the poetics of the “Auden generation” towards the anti-imperialism of Mahatma Gandhi and the anarchist aesthetic modernism of Sir Herbert Read. I show how these connected influences—and those also of Mulk Raj Anand, Marie-Louise Berneri, Prince Peter Kropotkin, George Orwell, and French Surrealism—affected Woodcock’s critical engagements via print and radio with the Canadian cultural landscape of the Cold War and its concurrent countercultural long sixties. Woodcock’s dynamic and dialectical understanding of the relationship between literature and society produced a key intervention in the development of Canadian literature and its critical study leading up to the establishment of the Canada Council and the groundbreaking journal Canadian Literature. Through his research and travels in India—where he established relations with the exiled Dalai Lama and major figures of an independent English Indian literature—Woodcock relinquished the universalism of his modernist heritage in practising, as I show, a postcolonial and postmodern situated critical cosmopolitanism that advocates globally relevant regional culture as the interplay of various traditions shaped by specific geographies. -
In .The in .The
M O O D Y B I B L E I N S T I T U T E ‘ S T TOODD.. AAYY IINN THTHEE WOWOAUGUSTRR 2004DD I am gentle and humble in heart, and you will find rest for your souls. Matthew 11:29 GODLY LEISURE—THE WISDOM OF OUR TIME TODAY WITH PRESIDENT STOWELL ARE YOU SLEEPY? Having trouble concentrating? Maybe it’s time for rest, for He “blessed the seventh those sleepless nights. Experts have dis- day and made it holy” (3). covered that too little sleep impairs our ability That is not to say that too much rest to concentrate. Our brain, without adequate cannot be dangerous. Scripture speaks of sleep, can be so depleted in energy that it fails rest as both a blessing and a curse. to make important connections. Research has Proverbs 6 warns, “How long will you lie also shown that deep sleep helps release there, you sluggard? When will you get up important growth hormones in from your sleep?” (v. 9). On the other hand, children and young teens. For Ecclesiastes 5:12 concludes, “The sleep of a people of all ages, sleep has laborer is sweet.” proven vital to both memory In the New Testament, Jesus tells us, and learning. “Come to me, all you who are weary Not surprisingly, ABC’s news and burdened, and I will give you rest” magazine show 20/20 reported (Matt. 11:28). Revelation 14:13 says, that “tens of millions of “They will rest from their labor, for their Americans” suffer from severe deeds shall follow them.” sleep deprivation. -
Staring Back at the Sun: Video Art from Israel, 1970-2012 an Exhibition and Public Program Touring Internationally, 2016-2017
Staring Back at the Sun: Video Art from Israel, 1970-2012 An Exhibition and Public Program Touring Internationally, 2016-2017 Roee Rosen, still from Confessions Coming Soon, 2007, video. 8:40 minutes. Video, possibly more than any other form of communication, has shaped the world in radical ways over the past half century. It has also changed contemporary art on a global scale. Its dual “life” as an agent of mass communication and an artistic medium is especially intertwined in Israel, where artists have been using video artistically in response to its use in mass media and to the harsh reality video mediates on a daily basis. The country’s relatively sudden exposure to commercial television in the 1990s coincided with the Palestinian uprising, or Intifada, and major shifts in internal politics. Artists responded to this in what can now be considered a “renaissance” of video art, with roots traced back to the ’70s. An examination of these pieces, many that have rarely been presented outside Israel, as well as recent, iconic works from the past two decades offers valuable lessons on how art and culture are shaped by larger forces. Staring Back at the Sun: Video Art from Israel, 1970-2012 traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond. Showcasing 35 works, this program includes documentation of early performances, films and videos, many of which have never been presented outside of Israel until now. Informed by the international 1 history of video art, the program surveys the development of the medium in Israel and explores how artists have employed technology and material to examine the unavoidable and messy overlap of art and politics. -
ISRAELISCHE GRAFIK.Pdf
RUBRIK AUSGABE 3 | 2015 21 Yigal Ozeri, geb. 1958 in Israel, lebt in New York Fotos: Slobodan Ciric Fotos: Die INW lädt vom 11. Oktober bis 15. Oktober zu einer Ausstellung ein, welche im Theater Nestroyhof Hamakom, Nestroyplatz 1, 1020 Wien im Rahmen der israelischen Theaterwoche (siehe S. 41) stattfindet und die einen Querschnitt israelischer Grafik bietet. Der Kurator dieser Präsentation ist der in Israel sehr bekannten Kunst- und Kulturmanager Doron Polak. Die Werke sind auch käuflich zu erwerben. Unter dem Titel „Rishumon” gibt es zusätzlich eine bemerkens- werte und berührende Darbietung zweier Künstler, die zeitlose Themen wortlos, begleitet mit Musik von Shaul Ben Amitai, auf die Bühne bringen – schauspielerisch Svetlana Ben und malerische Interpretation Ophira Avisar. Ein Ereignis das man nicht versäumen möge. In der Beilage finden Sie einige Künstler dieser sehenswerten Ausstellung. ISRAELISCHE KUNSTGRAPHIK HENIE WESTBROOK ie führt uns zu einem Rundgang durch Ozeri nützt die Techniken der Graphik, um Lea Nikel lebte und arbeitete in Tel Aviv, bole auf, indem er ihnen über ihren wichtige Stationen der Kunstentwicklung sich neben seinen Collagen wieder seinen Paris und New York, studierte in den Studios Symbolwert hinaus, neue Bedeutung scha. Israels, von den Anfängen in der Man- zeichnerischen Ursprüngen zuzuwenden. mit Streichmann und Stemazky und zeichnet Er situiert sie innerhalb der Modernen Kunst Sdatszeit bis zu zeitgenössischen Arbeiten und Auch Zvika Kantor arbeitet im Druckmedium sich durch einen unverkennbar lyrischen Ex- und platziert sie gleichzeitig innerhalb der is- vermittelt uns die Ausstellung ein who is who parallel zu seinen Computerarbeiten. pressionismus, starker Farbigkeit und kalligra- raelischen Kunst. der israelischen Kunstszene – von der Grün- In der Ausstellung wird eine Graphik von phischen Elementen aus. -
Israeli) Star of Hope Agamograph 29 X 31 Cm (11 X 12 In.) Signed Lower Right, Numbered '8/25' Lower Left
1* Yaacov Agam b.1928 (Israeli) Star of Hope agamograph 29 x 31 cm (11 x 12 in.) signed lower right, numbered '8/25' lower left $1,500-1,800 2* Yaacov Agam b.1928 (Israeli) Untitled color silkscreen mounted on panel 57 x 62 cm (22 x 24 in.) signed lower right, numbered 'L/CXLIV' lower left $400-500 3 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse $450-550 4 Menashe Kadishman 1932-2015 (Israeli) Motherland charcoal on paper 27 x 35 cm (11 x 14 in.) signed lower right $150-220 5 Menashe Kadishman 1932-2015 (Israeli) Valley of sadness pencil on paper 27 x 35 cm (11 x 14 in.) signed lower right $100-150 6* Ruth Schloss 1922-2013 (Israeli) 1 Girl in red dress, 1965 oil on canvas 74 x 50 cm (29 x 20 in.) signed lower right Provenance: Private collection, USA. $3,500-4,000 7 Sami Briss b.1930 (Israeli, French) Doves oil on wood 8 x 10 cm (3 x 4 in.) signed lower center $500-650 8 Nahum Gilboa b.1917 (Israeli) Rural landscape with wooden bridge mixed media on canvasboard 23 x 30 cm (9 x 12 in.) signed lower right, signed and titled on the reverse $1,800-2,200 9 Audrey Bergner b.1927 (Israeli) Flutist oil on canvas 40 x 30 cm (16 x 12 in.) signed lower right, signed and titled on the reverse $4,800-5,500 10 Yohanan Simon 1905-1976 (Israeli) Vegetarian Evolution, 1971 oil on canvas 46 x 54 cm (18 x 21 in.) signed in English lower left, signed in Hebrew and dated lower right, signed, dated and titled on the stretcher $8,000-10,000 11* Yohanan Simon 1905-1976 (Israeli) Wedding, 1969 2 oil on canvas 15 x 23 cm (6 x 9 in.) signed in English lower left and in Hebrew lower right $2,200-2,500 12 Menashe Kadishman 1932-2015 (Israeli) Fallow deer iron cut-out 34 x 30 x 2 cm (13 x 12 x 1 in.) initialled $1,400-1,600 13 Naftali Bezem b. -
Rembrandt [PDF]
Rembrandt Oil Paintings Rembrandt [Holland, 1606 - 1669] Biblical Scene 1642 Oil on wood 28 5/8 x 24 1/8 inches (73 x 61.5 cm) Hermitage, St Petersburg, Russia Oil Painting ID: 28801 | Order the painting The Risen Christ Appearing to Mary Magdalen 1638 Oil on wood 24 x 19 3/8 inches (61 x 49.5 cm) Royal Collection, Buckingham Palace, London, England Oil Painting ID: 28802 | Order the painting The Archangel Leaving the Family of Tobias 1637 Oil on wood 25 7/8 x 20 3/8 inches (66 x 52 cm) Musée du Louvre, Paris, France Oil Painting ID: 28803 | Order the painting The Blinding of Samson The Blinding of Samson, 1636, Stadelscleskunstinstut, Frankfurt Oil Painting ID: 28804 | Order the painting Belshazzar's Feast 1635 Oil on canvas 66 1/8 x 82 1/4 inches (168 x 209 cm) National Gallery, London, England Oil Painting ID: 28805 | Order the painting 1/3 The Sacrifice of Abraham 1635 Oil on canvas 75 7/8 x 52 1/4 inches (193 x 133 cm) Hermitage, St Petersburg, Russia Oil Painting ID: 28806 | Order the painting Descent from the Cross 1634 Oil on canvas 62 1/8 x 46 inches (158 x 117 cm) Hermitage, St Petersburg, Russia Oil Painting ID: 28807 | Order the painting The Incredulity of St. Thomas 1634 Oil on wood 20 3/4 x 20 inches (53 x 51 cm) Pushkin Museum, Moscow, Russia Oil Painting ID: 28808 | Order the painting The Anatomy Lecture of Dr. Nicolaes Tulp 1632 Oil on canvas 66 5/8 x 85 1/8 inches (169.5 x 216.5 cm) Mauritshuis, The Hague, Netherlands Oil Painting ID: 28809 | Order the painting Balaam's Ass 1626 Oil on panel 24 3/4 x 18 1/4 inches (63 x 46.5 cm) Musée Cognacq-Jay, Paris, France Oil Painting ID: 28810 | Order the painting Total 14 pages, 1/14 | Page : [1] 2 3 4 5 Rembrandt (Nationality : Holland, 1606 - 1669) Rembrandt [Rembrandt van Rijn] was a Dutch baroque artist who ranks as one of the greatest painters in the history of Western art.