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Our Boys : a Comedy in Three Acts
^“.“LesUbranf Sciences fcrts & Digitized by the Internet Archive in 2016 https://archive.org/details/ourboyscomedyint00byro_0 IVv \ [jiw y\ 7 1 >t ir? f i/wjMr'.' ' v'-’ Vi lliahVarren EDITION OF- STANDARD • PLAYS OUR. BOYS VALTER H .BAKER & CO. N X} HAM I LTOM • PLACE BOSTON a. W, ^laj>3 gBrice, 50 €entg €acl) TH£ AMAZONS ^arce * n Three Acts. Seven males, five females. Costumes, modern ; scenery, not difficult. Plays a full evening. THE CABINET MINISTER in Four Acts. Ten males, nine females. Costumes, modern society ; scenery, three interiors. Plays a full evening. in Three DANDY DICK Farce Acts. Se\en males, four females. Costumes, modern ; scenery, two interiors. Plays two hours and a half. Comedy in Four Acts. Four males, ten THE GAY LORD OUEX^ females. Costumes, modern ; scenery, two interiors and an exterior. Plays a full evening. Comedy in Four Acts. .Nine males, four BIS BOUSE IN ORDER ' females. Costumes, modern scenery, ; three interiors. Plays a full evening. ^ome<i ^ Three Acts. Ten males, five THE HOBBY HOBSE ^ females. Costumes, modern; scenery easy. Plays two hours and a half. ^rama ^ Five Acts. Seven males, seven females. Costumes, IRIS modern ; scenery, three interiors. Plays a full evening. Flay *n Four Acts. Eight males, seven fe- I A R0I1NTIFITI ** BY ** males. Costumes, modern ; scenery, four in- teriors, not easy. Plays a full evening. T>rama in Four Acts and an Epilogue. Ten males, five fe- I FTTY ** males. Costumes, modern ; scenery complicated. Plays a full evening Sent prepaid on receipt of price by Waltn % oaafeet & Company No. 5 Hamilton Place, Boston, Massachusetts OUR BOYS A Comedy in Three Acts By HENRY J. -
Return of Organization Exempt from Income
efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93493321035384 Return of Organization Exempt From Income Tax OMB No 1545-0047 Form 990 Under section 501 ( c), 527, or 4947 ( a)(1) of the Internal Revenue Code ( except private foundations) 2O1 3 Do not enter Social Security numbers on this form as it may be made public By law, the IRS Department of the Treasury Open generally cannot redact the information on the form Internal Revenue Service Inspection - Information about Form 990 and its instructions is at www.IRS.gov/form990 For the 2013 calendar year, or tax year beginning 06-01-2013 , 2013, and ending 05-31-2014 C Name of organization B Check if applicable D Employer identification number EQUITY LEAGUE HEALTH TRUST FUND f Address change 13-6092981 Doing Business As • Name change fl Initial return Number and street (or P 0 box if mail is not delivered to street address) Room/suite E Telephone number 165 WEST 46TH STREET 14TH FLOOR p Terminated (212)869-9380 (- Amended return City or town, state or province, country, and ZIP or foreign postal code NEW YORK, NY 10036 1 Application pending G Gross receipts $ 104,708,930 F Name and address of principal officer H(a) Is this a group return for Arthur Drechsler subordinates? 1 Yes F No H(b) Are all subordinates 1 Yes F No included? I Tax-exempt status F_ 501(c)(3) F 501(c) ( 9 I (insert no (- 4947(a)(1) or F_ 527 If "No," attach a list (see instructions) J Website : - www equityleague org H(c) Group exemption number 0- K Form of organization 1 Corporation 1 Trust F_ Association (- Other 0- L Year of formation 1960 M State of legal domicile NY Summary 1 Briefly describe the organization's mission or most significant activities TO PROVIDE HEALTH AND OTHER BENEFITS TO ELIGIBLE PARTICIPANTS w 2 Check this box Of- if the organization discontinued its operations or disposed of more than 25% of its net assets 3 Number of voting members of the governing body (Part VI, line 1a) . -
Not Be Fouud by at Least Three of the Inspectors"
I j. f? 6 NEW YOEK HERALD, THURSDAt. OCTOBKK % Ib79..TKU'JLE SHEET. State in the election. d'Etat. self and for himself in a barrel all around Btinot.has been the of The New Folltieal Firm.Kelly, the equal advantages Mayor Coupor'n Coup outgrowth should have one-fourth of the circle, 'l'ho Herald at tbo time warned afforded tho Mr. Thomas and NEW YORK HERALD & Co. But if Tammany "It is the uuoxpocte 1 that happens," public by opportunities Cornellthe there would be least the and of all these bis ooluborors in this field of music during in the Police lioard inspectors virtually says a French proverb; bat among the proprietors supportors AND ANN STREET. The pending struggle three Cornell in each district that booms that they were making the post twenty years. Our German BROADWAY of of iuspeotors expected and most surprising tilings simply over the appointment inspector* one ltobinson sinoe the ridiculous and that each and every musical.have fostered and chief ugaiust inspector, could have happened is Mayor Cooper's themselves residents.largely continues to be the politicalelection and avowed of the vote one of them was marked for an kept alive in their homes the lovo of JAMES GORDON BENNETT, have solo purpose Kelly to remove from the Polioe Board hisattempt early grave. enough our uorr.ii:To». topic, although inspectors is to elect Cornell. own of Messrs. The first frost has scaroely come and tho old masters, and formed a to conduct the appointees, two whom, they been appointed legally The order of Barrett the and have been his servile prediction has been fulfilled. -
Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical
Ms Coll\Wheeler, R. Wheeler, Roger, collector. Theatrical memorabilia, 1770-1940. 15 linear ft. (ca. 12,800 items in 32 boxes). Biography: Proprietor of Rare Old Programs, Newtonville, Mass. Summary: Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection. Organization: Arranged. Finding aids: Contents list, 19p. Restrictions on use: Collection is shelved offsite and requires 48 hours for access. Available for faculty, students, and researchers engaged in scholarly or publication projects. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. 1. Arliss, George, 1868-1946. 2. Bernhardt, Sarah, 1844-1923. 3. Booth, Edwin, 1833-1893. 4. Booth, John Wilkes, 1838-1865. 5. Booth, Junius Brutus, 1796-1852. 6. Drew, John, 1827-1862. 7. Drew, John, 1853-1927. 8. Barrymore, Lionel, 1878-1954. 9. Barrymore, Ethel, 1879-1959. 10. Barrymore, Georgiana Drew, 1856- 1893. 11. Barrymore, John, 1882-1942. 12. Barrymore, Maurice, 1848-1904. -
United States Theatre Programs Collection O-016
http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. -
1920 Patricia Ann Mather AB, University
THE THEATRICAL HISTORY OF WICHITA, KANSAS ' I 1872 - 1920 by Patricia Ann Mather A.B., University __of Wichita, 1945 Submitted to the Department of Speech and Drama and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. Redacted Signature Instructor in charf;& Redacted Signature Sept ember, 19 50 'For tne department PREFACE In the following thesis the author has attempted to give a general,. and when deemed.essential, a specific picture of the theatre in early day Wichita. By "theatre" is meant a.11 that passed for stage entertainment in the halls and shm1 houses in the city• s infancy, principally during the 70' s and 80 1 s when the city was still very young,: up to the hey-day of the legitimate theatre which reached. its peak in the 90' s and the first ~ decade of the new century. The author has not only tried to give an over- all picture of the theatre in early day Wichita, but has attempted to show that the plays presented in the theatres of Wichita were representative of the plays and stage performances throughout the country. The years included in the research were from 1872 to 1920. There were several factors which governed the choice of these dates. First, in 1872 the city was incorporated, and in that year the first edition of the Wichita Eagle was printed. Second, after 1920 a great change began taking place in the-theatre. There were various reasons for this change. -
Booth Tarkington Playbills Collection 6161
http://oac.cdlib.org/findaid/ark:/13030/c8k079sg No online items Finding aid for the Booth Tarkington playbills collection 6161 Sue Luftschein USC Libraries Special Collections 2018 August Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California 90089-0189 [email protected] URL: http://libraries.usc.edu/locations/special-collections Finding aid for the Booth 6161 1 Tarkington playbills collection 6161 Language of Material: English Contributing Institution: USC Libraries Special Collections Title: Booth Tarkington playbills collection Identifier/Call Number: 6161 Physical Description: 0.9 linear feet.1 box Date (inclusive): 1910-1926 Abstract: This 10 item collection consists of playbills for productions of plays by, or adapted from stories by, Booth Tarkington. Tarkington is best remembered for his Pulitzer Prize-winning novels "The Magnificent Ambersons" and "Alice Adams", and is only one of three American authors to win the Pulitzer Prize for Fiction more than once. Storage Unit: 1 Biographical note Booth Tarkington is best remembered for his Pulitzer Prize-winning novels "The Magnificent Ambersons" and "Alice Adams", and is only one of three American authors to win the Pulitzer Prize for Fiction more than once (the others being William Faulkner and John Updike). Tarkington's work was immensely popular in the 1910s and 1920s. Scope and Contents This 10 item collection consists of playbills for productions of plays by, or adapted from stories by, Booth Tarkington. All productions were at theaters in New York City. Included -
William A. Brady: Theatre Entrepreneur
WILLIAM A. BRADY: THEATRE ENTREPRENEUR By NEVIS EZELLE HAGLER, JR, A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1975 *J^-J UNIVERSITY OF FLORIDA 5185 3 1262 08552 ACKNOWLEDGEMENTS I wish to express rny appreciation to the research staff and director of the Theatre Collection at the Lincoln Center Library of the Performing Arts and to Mr. Louis Rachow, of the Players Club, for their valuable assistance and guidance. Special appreciation is extended to two of the theatre's most gracious actresses, Miss Helen Kayes and Miss Madge Kennedy, for their recollec- tions, assistance, and time. My gratitude is also ex- tended to Dr. Richard L. Green, Dr. Clyde G. Sumpter, Dr. Sidney Homan, and Dr. Norman Markel, for their aid in reading the study and offering valuable criticism, A special note of appreciation is due Dr. L. L. Zimmerman, the chairman of this work, for his encourage- ment, criticism, and, most importantly, for his friendship, PREFACE During his lifetime, William A. Brady was one of the most active and successful producers in the American theatre. Since his death, in 1950, his reputation has faded into relative obscurity. No study of his career has been made, and he is mentioned only briefly and with- out regularity in works dealing with the American theatre of the first half of the twentieth century. This study will examine his life and career as a theatrical producer in order to demonstrate the ways in which Brady's career exemplified certain aspects of the early twentieth century American theatre. -
The Wurlitzer Factory Shipment List
(Continued from page 17) should shoot the guy who invented sound You can imagine how quickly any movies and wide screens.) available theater organ is snapped up repair. The organ has played publicly The only other playing organ in the with such an enthusiastic group of thea from time to time, so has been kept in city is also unique to some degree, that ter organ lovers waiting. In fact, this is reasonably good · condition, the only real being the 3-1 7 Barton in the Olympia why there is no point in listing the size problem is the replacement of magnets Stadium. The unique feature is that the of all the home theater organs here in ( they are late style black caps), which stadium seats 14,000 people, and the Detroit; by the time this letter reaches burn out in quantities . organ is not amplified. Surprisingly the you, several of them will have added The Fisher organ is complete with a volume is adequatei. but of course it must severa I ranks. grand piano, which due to the size of the be played nearly wide open, with the theater, can be heard well. The most pipework on very high pressure. peculiar feature of the organ is its un THE WURLITZER FACTORY usual stop arrangement , although there The last of the larger organs is the SHIPMENT LIST. were a few others built along this fashion. Barton in the Hollywood Theater. It is quite playable and used occasionally. Through the kind cooperation of Mr. Famy On any one ma!1ual the stops are grouped Wurlitzer , Chairman of the Board of the by chambers , of which there are four. -
The Theater Designs of C. Howard Crane
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 The Theater Designs of C. Howard Crane Lisa Maria DiChiera University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons DiChiera, Lisa Maria, "The Theater Designs of C. Howard Crane" (1992). Theses (Historic Preservation). 265. https://repository.upenn.edu/hp_theses/265 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/265 For more information, please contact [email protected]. The Theater Designs of C. Howard Crane Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/265 UNIVERSITY^ PENNSYLVANIA. UBRARIES THE THEATER DESIGNS OF C. HOWARD CRANE Lisa Maria DiChiera A THESIS in The Graduate Program in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1992 *Vid G. Dte-Lemg, Professor of ^rcnjie^tur Graduate Group Chairman and Advisor Andrew Craig Morrisorf; Architect, Reader FINE ARTS foil OF PENNSYLVANIA LIBRARII Contents List of Illustrations in Introduction 1 Chapter One: Setting the Stage: 3 A History of the Early Movie Industry Chapter Two: The Practice of C. -
5Th Avenue Theatre Preview: Behind the Scenes of 'Bliss'
5th Avenue Theatre Preview: Behind the Scenes of 'Bliss' [00:00:05] Welcome to The Seattle Public Library’s podcasts of author readings and library events. To learn more about our events, programs and services visit w w w dot spl dot org. Library podcasts are brought to you by the Seattle Public Library Foundation to find out how you can support The Seattle Public Library visit supportspl dot org. [00:00:40] Thank you all for coming to this 5th Avenue Theatre preview presentation at The Seattle Public Library. My name is Bob Tangney, and I am the Music Librarian. I believe that’s it. So let me introduce Orlando Morales Director of Education and Engagement at 5th Avenue. [Applause] Thanks, Bob. [00:00:41] We are so excited to be back for another community conversation here at the Fifth Avenue here at the Seattle Public Library, which is very close to the Fifth Avenue Theatre. If you haven't been to the Fifth Avenue Theatre, I hope that you will join us for Bliss. We're just a couple blocks up Fifth Avenue and we're excited again to be here for another community conversation in partnership with the Seattle Public Library. I'd also like to thank a couple of show sponsors that we have for Bliss. We have the Edgerton Foundation, Boeing and Bank of America. [00:01:11] [Applause] Give it up for those sponsors. [00:01:14] Before we get started, I would like to acknowledge that we are on the traditional land of the first people of Seattle the Duwamish tribe, past and present and honor with gratitude the land itself and the Duwamish tribe. -
The New-York Historical Society Library Department of Prints, Photographs, and Architectural Collections
Guide to the Geographic File ca 1800-present (Bulk 1850-1950) PR20 The New-York Historical Society 170 Central Park West New York, NY 10024 Descriptive Summary Title: Geographic File Dates: ca 1800-present (bulk 1850-1950) Abstract: The Geographic File includes prints, photographs, and newspaper clippings of street views and buildings in the five boroughs (Series III and IV), arranged by location or by type of structure. Series I and II contain foreign views and United States views outside of New York City. Quantity: 135 linear feet (160 boxes; 124 drawers of flat files) Call Phrase: PR 20 Note: This is a PDF version of a legacy finding aid that has not been updated recently and is provided “as is.” It is key-word searchable and can be used to identify and request materials through our online request system (AEON). PR 000 2 The New-York Historical Society Library Department of Prints, Photographs, and Architectural Collections PR 020 GEOGRAPHIC FILE Series I. Foreign Views Series II. American Views Series III. New York City Views (Manhattan) Series IV. New York City Views (Other Boroughs) Processed by Committee Current as of May 25, 2006 PR 020 3 Provenance Material is a combination of gifts and purchases. Individual dates or information can be found on the verso of most items. Access The collection is open to qualified researchers. Portions of the collection that have been photocopied or microfilmed will be brought to the researcher in that format; microfilm can be made available through Interlibrary Loan. Photocopying Photocopying will be undertaken by staff only, and is limited to twenty exposures of stable, unbound material per day.