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The Carroll News-Vol. 83, No. 2
John Carroll University Carroll Collected The aC rroll News Student 9-10-1992 The aC rroll News-Vol. 83, No. 2 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News-Vol. 83, No. 2" (1992). The Carroll News. 1042. http://collected.jcu.edu/carrollnews/1042 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. •What presidential candidates aren't saying- FORUM page 3 •Where to find classical movie on campus- CAMPUS LIFE page 7 • Roger Waters returns after Pink Floyd, with new album ENTERTAINMENT page 9 •Interview with Alma's head football coach. Jim Cole SPORTS page 10 Federal law requires security report Tara Schmidtke of reporung cnmes to the police Ed.tortOI Edtror for federal record, ha<; not changed According to John Carroll Campus Secunty's method of University's reccntl}-relcased deahng With cnmmal Instances 1992 Annual Secu11ty Report, on campus. "We'll be domg the there were no reported murders, same thing as we thd m the past," rapes, robbcncs, motor vehicle said McCaffrey. "There is no thefL<>, or arrests for alcohol on the difference m how wc'rcrcacting." Carroll campus m the year 1991. Donna Byrnes, d1rector of Three aggravated assaults and 13 housmg, said that the new law has burglaries were reponed. caused the housing office to alter The annual report IS legally slightly its previous proceedmgs. -
Representation of 1980S Cold War Culture and Politics in Popular Music in the West Alex Robbins
University of Portland Pilot Scholars History Undergraduate Publications and History Presentations 12-2017 Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West Alex Robbins Follow this and additional works at: https://pilotscholars.up.edu/hst_studpubs Part of the European History Commons, Music Commons, Political History Commons, and the United States History Commons Citation: Pilot Scholars Version (Modified MLA Style) Robbins, Alex, "Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West" (2017). History Undergraduate Publications and Presentations. 7. https://pilotscholars.up.edu/hst_studpubs/7 This Thesis is brought to you for free and open access by the History at Pilot Scholars. It has been accepted for inclusion in History Undergraduate Publications and Presentations by an authorized administrator of Pilot Scholars. For more information, please contact [email protected]. Time Will Crawl: Representation of 1980s Cold War Culture and Politics in Popular Music in the West By Alex Robbins Submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in History University of Portland December 2017 Robbins 1 The Cold War represented more than a power struggle between East and West and the fear of mutually assured destruction. Not only did people fear the loss of life and limb but the very nature of their existence came into question. While deemed the “cold” war due to the lack of a direct military conflict, battle is not all that constitutes a war. A war of ideas took place. Despite the attempt to eliminate outside influence, both East and West felt the impact of each other’s cultural movements. -
A Description of Theme of Love in Selected Songs from the Beatles’ Rubber Soul Album
A DESCRIPTION OF THEME OF LOVE IN SELECTED SONGS FROM THE BEATLES’ RUBBER SOUL ALBUM A PAPER BY MHD. RIDHO PRATAMA DALIMUNTHE REG.NO: 162202027 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 Universitas Sumatera Utara Universitas Sumatera Utara Universitas Sumatera Utara AUTHOR’S DECLARATION I am MHD. RIDHO PRATAMA DALIMUNTHE, declare that I the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : Date : i Universitas Sumatera Utara COPYRIGHT DECLARATION Name : MHD. RIDHO PRATAMA DALIMUNTHE Title of Paper : A Description Of Theme Of Love Affair In Selected Songs From The Beatles’ Rubber Soul Album Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Librarian of the Diploma III English Faculty of Cultural Study University of Sumatera Utara the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed : Date : ii Universitas Sumatera Utara ABSTRACT In the paper entitled A Description of Theme of Love Affair in Selected Songs from The Beatles’ Rubber Soul Album, the author wants to describe the theme of love contained in rubber soul albums. -
Vinyl Releases, Promos & Radio Programs
Singles: 7” & 12” Vinyl Releases, Promos & Radio Programs Compiled by Simon Montgomery, © 2001 All items listed are U.S. releases, unless otherwise noted. Please send comments, corrections or additions to: [email protected] Latest Update: Jan. 1, 2020 © All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. August 2001 1966 United Sound Systems – Acetate Demo (Not For Sale) The Circle Game / Night In The City w/ the Siegel / Schwall Blues Band __________________________________________________________________ 1968 Reprise #PRO-280 (WLP) Radio Spots for SONG TO A SEAGULL 1. :50 Spot 2. :60 Spot 3. :60 Spot 4. :60 Spot Essex Music Group – Demonstration Record (Not For Sale) Chelsea Morning / Come To The Sunshine Reprise #0694 (WLP) Night In The City / I Had A King Reprise #0694 Night In The City / I Had A King Reprise #0694 (Canada) Night In The City / I Had A King Reprise #RV.20169 (France, P/S) Night In The City / I Had A King Emidisc (UK Test Pressing) Night In The City / I Had A King Reprise #RS-20694 (UK Advance Promo) Night In The City / I Had A King __________________________________________________________________ 1969 Reprise #PRO-333, (WLP) Radio Spots for CLOUDS Band One: 50 Seconds Band Two: 50 Seconds Band Three: 50 Seconds Reprise #PRO-337, (WLP) Chelsea Morning / The Fiddle And The Drum Reprise #3404 Chelsea Morning / The Fiddle And The Drum Reprise #3404, (Canada) Chelsea Morning / The Fiddle And The Drum Reprise #RV. -
Van Morrison from Wikipedia, the Free Encyclopedia
Van Morrison From Wikipedia, the free encyclopedia Background information Birth name George Ivan Morrison Also known as Van the Man, The Belfast Cowboy Born 31 August 1945 (age 69) Origin Belfast, Northern Ireland Genres Rock, blues, rhythm and blues, folk, blue-eyed soul, Celtic, rock and roll, jazz, pop, soft rock, country, skiffle, gospel Occupation(s) Singer-songwriter, musician Instruments Vocals, guitar, harmonica, saxophones, keyboards, drums, tambourine, ukulele Years active 1958–present Labels Decca, Bang, Warner Bros., London, Mercury, Exile/Polydor, Verve, Point Blank, Virgin, Universal, Blue Note, Lost Highway, Listen to the Lion/EMI, Manhattan, RCA (2014-present) George Ivan "Van" Morrison, OBE (born 31 August 1945) is a Northern Irish singer-songwriter and musician. Some of his recordings, such as the studio albums Astral Weeks and Moondance and the live album It's Too Late to Stop Now, are critically acclaimed. He has received six Grammy Awards, the Brit Award for Outstanding Contribution to Music, been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. Known as "Van the Man" to his fans, Morrison started his professional career when, as a teenager in the late 1950s, he played a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands covering the popular hits of the day. He rose to prominence in the mid-1960s as the lead singer of the Northern Irish R&B band Them, with whom he recorded the garage band classic "Gloria". His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single "Brown Eyed Girl" in 1967. -
TV Broadcast - CBS Reports (Walter Lippman)
U N Secretariat Item Scan - Barcode - Record Title Page I 32 Date 08/06/2006 Time II :11 :59 AM S-0864-0011-15-00001 Expanded Number S-0864-0011-15-00001 items-in-Public relations files - interviews - TV broadcast - CBS Reports (Walter Lippman) Date Created 19/06/1961 Record Type Archival Item Container S-0864-001 1 : Public Relations Files of the Secretary-General: U Thant Print Name of Person Submit Image Signature of Person Submit <L_ <r M •- a CBS NEWS A Division of Columbia Broadcasting System, lac. 485 MADISON AVENUE, NEW YORK 22, NEW YORK -PLAZA 1-2345 WILLIAM C.ACKERMAN Director of Special Projects J13116 19y 1961 His Excellency Ambassador U. Thant Permanent Representative of Burma to the United Nations J&rLMadison Avenue New York, New York Dear Ambassador Thant: In reply to your recent request, we are pleased to forward to you a transcript of "Walter Lippmann, 1961" as broadcast in the CBS REPORTS series on the CBS Television Network on June 15. This is being sent to you for your reference and review use. Ve appreciate your interest in this program. Yours sincerely, CBS REPORTS "Walter Lippmann, 1961" as broadcast over the CBS TELEVISION NETWORK Thursday, June 15, 1961 10-.00 - 11 sOO PM, DST REPORTERi Howard K. Smith EXECUTIVE PRODUCER; Fred W. Friendly All copyright and right of copyright in this transcript and in the program are owned by CBS. This transcript may not be copied or reproduced or used in any way (other than for purposes of reference, discussion and review) without the written permission of Columbia Broadcasting System, Inc. -
VOCALLIST Version 3.26
VOCALLIST Version 3.26 Part 2 Compiled and maintained by Gerhard den Hollander with lots of help from Echoes the best internet Pink Floyd mailing list. Send criticism/corrections/compliments to: [email protected] - Reepstraat 18a - 3075 NK Rotterdam - The Netherlands (C)1996 Gerhard den Hollander. Feel free to put this on any website, FAQ list or other internet resource provided that you A. Leave all information intact and as it is, this includes leaving my name at the top, the full header (including this notice) and the full thanks to list. B. Drop me some email to tell me where you're putting it. C. If you edit the file , or make it up for html or something, please send me a copy of the edited file You are *NOT* allowed to publish this in any printed form, or sell for money whitout contacting me first. Edited by Seldon: [email protected] published in “The Italian Usenet Floyders” web site: http://digilander.libero.it/floyder ****************************************************************************************** FORMAT:::: ALBUM TITLE Release info 1.Songtitle [length] Vocallist(s) Writer(s) 1st time played live, last time played live (in yymmdd format to prevent confusing over european/american dates) [dates marked with a *yymmdd* means they were performed on a solo tour] 1 ===================================================================== Singles, B-Sides and otherwise unreleased material ===================================================================== Lucy Leave [ ] Barrett (Barrett ?) 661024 King Bee [ ] Barrett (S. Harpo) -
HEALING Employment Education Training Quality of Life
Helping heroes on the homefront A YEAR IN REVIEW EducAtIoN HEALING EmpLoymENt trAINING QuALIty of LIfE HELpING HEroES oN tHE HomEfroNt The Bob Woodruff Foundation is the nonprofit dedicated to ensuring injured service members and their families are thriving long after they return home. A national organization with grassroots reach, the Bob Woodruff Foundation complements the work of the federal government—diligently navigating the maze of more than 40,000 nonprofits providing services to veterans—finds, funds and shapes innovative programs, and holds them accountable for results. To date, we have invested more than $15 million in 80 organizations, reaching more than a million service members, support personnel, veterans and their families. The Bob Woodruff Foundation was co-founded in 2006 by award-winning anchor Bob Woodruff and his family, whose own experiences inspired them to help make sure our nation’s heroes have access to the high level of support and resources they deserve, for as long as they need it. 1 A MESSAGE LETTER FROM our founders FROM THE Executive director Dear Friends, To Our Supporters, This year, we reflected on all that has changed since our founding in 2006. 2012 was an exciting year for the Bob Woodruff Foundation. What we found is real success … and substantial challenges. Our cornerstone event, Stand Up for Heroes—presented by the Bob Woodruff Many veterans with physical and hidden injuries still struggle, even after Foundation in partnership with the New York Comedy Festival—was our they return to the love and support of their families and communities. most successful yet, with inspiring performances by Bruce Springsteen, That’s why staying true to our mission is so important. -
Radio KAOS: Crítica Social E Extensão Do Homem1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXVIII Congresso Brasileiro de Ciências da Comunicação – Rio de Janeiro, RJ – 4 a 7/9/2015 Radio KAOS: Crítica Social e Extensão do Homem1 Ciro Augusto Francisconi Götz2 Pontifícia Universidade Católica do Rio Grande do Sul, Porto Alegre, RS Resumo Em 1987, Roger Waters, ex-baixista e um dos fundadores da banda britânica de rock progressivo Pink Floyd, lançou o disco Radio KAOS. Na obra, Waters contesta o comportamento humano através da história de Billy, um garoto com deficiências físicas e mentais que possui o poder de receber ondas de rádio diretamente no cérebro. Este artigo testará as hipóteses de Waters, levando em consideração argumentos de autores que possam fortalecer ou não a visão do músico em relação à comunicação. Palavras-Chave Roger Waters; Comunicação; Rádio; Teoria do Meio; Escola de Frankfurt. 1 Introdução Conta Barthes que “o mundo inteiro pode ser plastificado, e mesmo a própria vida, visto que, ao que parece, já se começaram a fabricar aortas de plástico” (BARTHES, 1980, p. 113). A frase destacada de Barthes, que compõe o texto “O plástico”, integrante de uma série de outros, na obra Mitologias, onde o autor francês busca desmistificar o mito, através de um estudo semiológico, pode ter amplas utilidades e entendimentos. A frase em questão, e que abre este estudo, o qual será devidamente apresentado em seguida, quer discutir, pensar, ilustrar, enfim, tentar responder a questões do tipo: Qual o preço do avanço das tecnologias? Barthes discorre sobre o uso da tecnologia, levando em consideração o legado material e social oferecido pelo plástico. -
CD Singles: Promos, Radio Programs & Cdr Reference Recordings
CD Singles: Promos, Radio Programs & CDr Reference Recordings Compiled by Simon Montgomery, © 2001 Unless otherwise noted, all items listed are U.S. releases. Please send comments, corrections or additions to: [email protected] Latest Update: Jan. 1, 2020 © All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. August 2001 1988 Geffen #PRO-CD-3076 (Promo-Only, Picture Insert) A Special Conversation For Radio Recorded in London: A Rare Interview with Joni Mitchell featuring music from the album Chalk Mark In A Rainstorm Geffen #MER-0096 (UK Promo) Chalk Mark In A Rainstorm (9" x 11" Promo Box Set) Includes cassette edition of Chalk Mark In A Rainstorm album, Snakes & Ladders 3" Promo CD Single, Biography & Press Photo Geffen #PRO-CD-3262 (Promo-Only, Picture Insert) Cool Water Geffen #GEF-37CD • 920 945-2 (France, Picture Insert) My Secret Place / Number One (ReMix) / Chinese Cafe (Unchained Melody) / Good Friends Geffen #PRO-449-2 (Promotion Copy - not for sale) Snakes And Ladders (LP Version) __________________________________________________________________ 1989 A&M #CD-17808 (Promo, picture insert) Indio Hard Sun (Joni Mitchell, background vocals) Virgin Records #PRCD-2795 (UK Promo) Various Artists Spirit Of The Forest Pyramid Records #PRCD-7128 (Promo) Various Artists Spirit Of The Forest __________________________________________________________________ 1990 Mercury #MER-336, 1990 (Promo) From “The Wall-Live In Berlin” Roger Waters And The Company The Tide Is Turning (After Live Aid) Featuring vocal performances by Bryan Adams, Paul Carrack, Joni Mitchell, Cyndi Lauper & Van Morrison accompanied by The Bleeding Heart Band, Rundfunk Orchestra and Choir, and The Military Orchestra of the Soviet Army. -
PDF Download Listening to Van Morrison
LISTENING TO VAN MORRISON PDF, EPUB, EBOOK Greil Marcus | 208 pages | 17 Jun 2010 | FABER & FABER | 9780571254446 | English | London, United Kingdom Listening to Van Morrison PDF Book The couple had one daughter in , Shana Morrison , who has become a singer-songwriter. Dylan--ever parenthetical and Midwestern, with intellect spilling out of his being--is a much better match for Marcus than the contemplative and uncertain Morrison. Following the death of Berns in , Morrison became involved in a contract dispute with Berns' widow, Ilene Berns , that prevented him from performing on stage or recording in the New York area. At concert's end, he and the other performers sang " The Tide Is Turning ". Thursday 27 August Monday 27 April Tuesday 12 May Morrison has a reputation for being at once stubborn, [3] [4] idiosyncratic , [5] and sublime. He plays a variety of instruments, including the guitar, harmonica, keyboards, drums, and saxophone. Tuesday 29 September Unfortunately, Marcus struggles to capture the essence of such moments, which is hardly surprising in a book about the inarticulable. He's a singer, songwriter, author, poet, and multi-instrumentalist, who has been a professional musician since The rough guide to rock — Google Book Search. He later attributed this to Van Morrison's influence. Wondering just how to qualify this collection--my rating isn't representative of this book as a whole. Friday 17 July Like the other songs on Astral Weeks, it has an unusual musical arrangement. Wednesday 1 July In that period, they released two albums and ten singles, with two more singles released after Morrison departed the band. -
Environmental Law & Property Rights
ENVIRONMENTAL LAW & PROPERTY RIGHTS BERMAN AND BEYOND: THE MISUSE OF BLIGHT LAWS AND EMINENT DOMAIN BY SCOTT BULLOCK AND DANA BERLINER* Introduction One of the primary methods used by government to death rate from tuberculosis was two and a half times take property through eminent domain for redevelopment greater and the death rate from syphilis infection was projects is to declare a particular area to be blighted. In more than six times than the general rate in the District of blight cases, the purported purpose of the condemnation Columbia. Id. at 709. This was the factual situation that is the elimination of blight—the removal of a public harm. confronted the Court in Berman. The U.S. Supreme Court in Berman v. Parker, 348 U.S. 26, 31 (1954), held that the condemned properties at The condition of the area at issue in Berman is in issue were “injurious to the public.” Thus, the Berman contrast to many modern blight cases. Indeed, the mod- Court decided that the properties could, consistent with ern-day blight cases seem to confirm the Court’s anxiety the Constitution, be transferred to private parties because in Schneider when it upheld the use of eminent domain the public purpose of the condemnation was the elimina- for slum clearance: tion of blight. These extensions of the concept of eminent Berman established blight elimination as a justifi- domain, to encompass public purpose apart cation for using eminent domain, and the removal of blight from public use, are potentially dangerous has been used to justify the taking of property for private to basic principles of our system of govern- redevelopment for almost a half a century.