Song List by Artist
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Summer 2021 Youth & Teen Activity Guide
LMON BEParks & Recreation T Summer 2021 Youth & Teen Activity Guide June - August www.belmont.gov/parksandrec Enhancing the quality of life for the community Dear Patrons, You might notice our activity guide looks a little different this year. Inside, you’ll find all summer youth day camps, including in-person and online. To ensure the safety of all, please anticipate in-person campers and staff wearing face coverings and practicing social distancing. In addition, we will continue to monitor current COVID-19 health and safety guidelines and notify registered participants of any impactful program changes. Please note that as of April 27, 2021, our administrative offices are still conducting operations solely via phone and email; therefore, we encourage you to register for summer programs at www.belmont.gov/register. For program or registration questions, you may reach us at [email protected] or (650) 595-7441. We look forward to another great summer of making memories together--let’s play! Last updated: 4/27/21 Camp SOAR - Eagles EAGLES (entering 3rd-5th) Campers experience the adventure and excitement of the outdoors, meet new friends, and express their growing independence under the supervision of caring and qualified recreation staff. Camp activities include games, sports, crafts, songs, and skits. Ages: At least 8 but less than 12 Location: Twin Pines Instructor: Belmont Parks & Rec Staff Fees: Resident: $680.00. Non-resident: $700.00 per session Dates: Times: Day(s): Jun 14-Jun 25 8:30 AM-5:00 PM M-F Jun 28-Jul 9 8:30 AM-5:00 PM M-F* No camp on 7/4 Jul 12-Jul 23 8:30 AM-5:00 PM M-F Jul 26-Aug 6 8:30 AM-5:00 PM M-F Camp SOAR - Hawks HAWKS (entering K-2nd) Campers experience some of the best parts of childhood including making new friends, learning independence, and going on endless adventures with the most passionate, cre- ative, and qualified staff. -
Spring/Summer 2014 Newsletter of Rocky Mountain Bird Observatory Number 45 the PRIMARY SOURCE
Spring/Summer 2014 Newsletter of Rocky Mountain Bird Observatory Number 45 THE PRIMARY SOURCE Our mission is to conserve birds and their habitats. RMBO Leads Landmark Meeting in Costa Rica By Teddy Parker-Renga to breeding, threats to non-breeding and it’s important for RMBO and partners to Communications Manager population trend) using the Partners In support and advance conservation abroad, In March, Rocky Mountain Bird Flight species assessment process. Scores he said. Observatory spearheaded the first-ever ranged from 1 (low vulnerability) to 5 Next steps include developing com- conservation assessment of the birds of (high vulnerability) for each factor, with munication tools and messages to engage Central America. a higher overall score indicating a greater stakeholders in conserving at-risk species. At the meeting held in San Vito, Costa vulnerability to population decline or Thank you to all of the partners who Rica, 30 participants representing the extinction. attended the meeting and Environment seven Central American countries, Mexico International Director Arvind Panjabi Canada, Missouri Department of Conser- and the U.S. assessed all 407 bird species said partners who attended the meeting vation and USGS for funding. unique to Central America, as well as 500- saw tremendous value in the process as View photos from the meeting and the plus species shared between Mexico and a way to establish conservation priori- amazing species we saw birding in Costa Central America. This included landbirds, ties for birds and habitat in their own Rica at www.facebook.com/RMBObirds. shorebirds, waterbirds and waterfowl. countries. Since many bird species that To learn more about the Partners In During the assessment, birds were breed in the Rockies and elsewhere in the Flight species assessment process, visit http:// assigned scores for three factors (threats western U.S. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
311 Creatures
311 Creatures (For A While) 10 Years After I'd Love To Change The World 10,000 Maniacs Because The Night 10,000 Maniacs Candy Everybody Wants 10,000 Maniacs Like The Weather 10,000 Maniacs More Than This 10,000 Maniacs These Are Days 10,000 Maniacs Trouble Me 10cc I'm Not In Love 10cc The Things We Do For Love 112 Come See Me 112 Cupid 112 It's Over Now 112 Only You 112 Peaches & Cream 112Super Cat Na Na Na 1910 Fruitgum Co. 1 2 3 Red Light 1910 Fruitgum Co. Simon Says 20 Fingers Short Dick Man 2Pac California Love 2Pac Changes 2Pac Dear Mama 2Pac How Do You Want It 2Pau Heart And Soul 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down Duck And Run 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down The Road I'm On 3 Doors Down When I'm Gone 3 Of Hearts Arizon Rain 311 All Mixed Up 311 Amber 311 Down 311 I'll Be Here Awhile 311 You Wouldn't Believe 38 Special Caught Up In You 38 Special Hold On Loosely 38 Special Rockin' Into The Night 38 Special Second Chance 38 Special Wild Eyed Southern Boys 3LW I Do 3LW No More Baby 3LW Playas Gon' Play 3rd Strike Redemption 3rd Stroke No Light 4 Non Blondes What's Up 4 PM Sukiyaki 4 Runner Cain's Blood 4 Runner Ripples 4Him Basics Of Life 5 Stairsteps Ooh Child 50 cent pimp 50 Cent In Da Club 50 Cent Wanksta 5th Dimension Aquarius 5th Dimension Last Night I Didn't Get To Sleep At All 5th Dimension One Less Bell To Answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up And Away 5th Dimension Wedding Bell Blues 69 Boyz Tootie Roll 702 Get It Together 702 Steelo 702 Where My -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Qualitative Investigation of Young Children's Music Preferences. International Journal of Education & the Arts, 7(9)
International Journal of Education & the Arts Editors Tom Barone Arizona State University, U.S.A Liora Bresler University of Illinois at Urbana—Champaign, U.S.A. http://ijea.asu.edu ISBN 1529-8094 Volume 7 Number 9 December 9, 2006 Qualitative Investigation of Young Children's Music Preferences Kathryn Roulston The University of Georgia Citation: Roulston, Kathryn. (2006). Qualitative investigation of young children's music preferences. International Journal of Education & the Arts, 7(9). Retrieved [date] from http://ijea.asu.edu/v7n9/. Abstract This qualitative study examined young children’s music preferences through group conversations with children, interviews with parents, and non- participant observation of classroom settings in daycare and elementary classrooms. Data were analyzed inductively to generate themes, and revealed that (1) children expressed distinct preferences for an eclectic range of music from very early ages; (2) rock and popular music were frequently mentioned as preferred styles by parents and children, with movie and television soundtracks high in popularity; (3) music listening was characterized by a reliance on diverse technologies, with listening inextricably interwoven with viewing; and (4) music listening and experiences in the home described by children and parents varied considerably from what was offered in the school and daycare settings. Findings from this study contribute to an understanding of young children’s music preferences and listening habits in contemporary Western society. International Journal of Education & the Arts Vol. 7 No. 9 2 Introduction The week’s theme in the older toddlers’ room at the daycare center was “The Zoo.” Decorated with pictures of camels, monkeys and gorillas, along with stuffed animals and puppets, the spacious room displayed a large sign proclaiming, “Welcome to the Pearson1 Zoo. -
The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. -
Oral History Interview with Howard Finster, 1984 June 11
Oral history interview with Howard Finster, 1984 June 11 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface Preface Interview with The Reverend Howard Finster conducted by Liza Kirwin in the Finley Conference Room at the National Museum of American Art and National Portrait Gallery building, Washington, D.C., June 11, 1984. Preface The following oral history transcript is the result of a tape recorded interview with Howard Finster on June 11, 1984. The interview took place in Washington, D.C., and was conducted by Liza Kirwin for the Archives of American Art, Smithsonian Institution. While we have made an attempt to convey The Reverend Finster’s speech pattern and dialect, the reader should bear in mind that this is a verbatim transcript of spoken, rather than written prose Interview LIZA KIRWIN: Mr. Finster, could you begin by talking about when and where you were born, and a little bit about your family background? HOWARD FINSTER: Yeah, I’ll start talking and you just break in when you want to because I never quit, you know. Just break if I talk too long. I was born at Valley Head, Alabama. It’s about 42 miles south of Chattanooga and about 200 miles west of Atlanta. I was born there in Alabama. I stayed on the farm a good while–with my father and mother and farm. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Songs by Artist
Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Naperville Jaycees Announce *NSYNC's Lance Bass to Host the POP 2000 Tour at the Last Fling on Friday, August 31, 2018
For Immediate Release May 8, 2018 Contact: Alex Anderson 773-677-0769 [email protected] Naperville Jaycees Announce *NSYNC’s Lance Bass to Host the POP 2000 Tour at the Last Fling on Friday, August 31, 2018 The Naperville Jaycees is proud to announce *NSYNC’s Lance Bass will host a lineup of boybands for the POP 2000 Tour at the Last Fling on Friday, August 31, 2018. This family-friendly tour will feature O- Town, Aaron Carter, Ryan Cabrera and Tyler Hilton from One Tree Hill. Lance Bass is the quintessential illustration of a highly successful and driven jack-of-all-trades: singer, host, actor, producer, writer, entrepreneur, philanthropist and cosmonaut. Beyond his fame as a member of the phenomenally successful group *NSYNC, where the group sold an impressive 60 million plus records worldwide, Bass has made himself a household name throughout the globe. He is the perfect host for the POP 2000 Tour, which will allow the Naperville Jaycees’ Last Fling audience to relive their boy- band memories from the early 2000’s. O-Town O-Town’s story began in 1999, when “Making the Band” (produced in conjunction with the creator of both the Backstreet Boys and *NSYNC) chronicled the creation, development, and rise to success of O-Town throughout three seasons of the series. The group became the first to be signed by Clive Davis to his label, J Records, and released two full-length albums, which included #1 singles, “Liquid Dreams” and “All or Nothing.” The latter of which was nominated for Song of the Year at the Radio Music Awards in 2001.