DOCSLIB.ORG

RRI-Practice National Case Study Report CHINA

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
RRI-Practice National Case Study Report CHINA REPORT FROM NATIONAL CASE STUDY China Deliverable 10.1 Work Package 10 Project title: Responsible Research and Innovation in Practice (RRI-Practice) Grant agreement number: 709637 Funding programme: Horizon 2020 Project coordinator: Hogskolen I Oslo Og Akershus (HIOA), Norway Project website: www.rri-practice.eu Organisation responsible for Chinese Academy of Science and Technology for Development (CASTED) the deliverable: Author(s): Zhao Yandong, Zhang Wenxia, Liao Miao, Huang Lei, Teng Fei, Song Runjie, Wu Yue, Yao Yu Date of delivery: 27.07.2018 Dissemination level: Public Abstract This report presents the findings from the Chinese case study, including the reviews and outlooks for CASTED (research conducting organisation) and NSFC (research funding organisation). 1 Contents 1. Executive summary ......................................................................................................................... 4 2. Introduction: about the report .......................................................................................................... 5 3. Methodology ................................................................................................................................... 6 3.1 Analytic approach .................................................................................................................... 6 3.2 National mapping .................................................................................................................... 6 3.2.1 Document analysis........................................................................................................... 6 3.2.2 Interviews ........................................................................................................................ 7 3.2.3 National workshop........................................................................................................... 7 3.3 The organisational studies ....................................................................................................... 8 3.3.1 Document studies ............................................................................................................ 8 3.3.2 Interviews for reviews ............................................................................................................ 8 3.3.3 Focus group and outlook ........................................................................................................ 9 4. The context for RRI: the national science policy system .............................................................. 10 4.1 General country information ................................................................................................. 10 4.2 Legal and other binding normative frameworks .................................................................... 10 4.3 Political and cultural values and discussions related to STI .................................................. 12 5. Aspects of responsibility in national science policy ...................................................................... 14 5.1 The conceptualisations of responsibility in national science policy ...................................... 14 5.2 The notion of “RRI” in national science policy discussions ................................................. 15 5.3 Ethics in the national science system .................................................................................... 15 5.4 Societal engagement strategies in research ........................................................................... 17 5.5 Gender equality and diversity strategies in the science system ............................................. 21 5.6 Open access and open science strategies in the national science system .............................. 23 5.7 Science education integrated into research ............................................................................ 26 6. Organisational reviews and outlooks: research conducting organisation ...................................... 27 6.1 Mapping of the organisation ........................................................................................................ 27 6.2 Aspects of responsibility in organisational policy and practice .................................................. 29 6.2.1 The conceptualisations of responsibility in the organisation ................................................ 29 6.2.2 Ethics in the organisation ..................................................................................................... 30 6.2.3 Societal engagement strategies in organisation .................................................................... 34 6.2.4 Gender equality and diversity strategies in the organisation ................................................ 38 6.2.5 Open access and open science strategies in the organisation ............................................... 40 6.2.6 Science education integrated into research ........................................................................... 42 6.2.7 Incorporation of AIRR dimensions into policies .................................................................. 47 6.3. Reflection on review findings, outlooks developed and ways forward ...................................... 50 6.3.1 The integrated or fragmented nature of different responsibility related dimensions ............ 50 6.3.2 Common barriers or drivers.................................................................................................. 51 6.3.3 Final reflections and plan for follow-up ............................................................................... 51 7. Organisational reviews and outlooks: research funder .................................................................. 53 7.1 Mapping of the organisation ........................................................................................................ 53 7.2 Aspects of responsibility in organisational policy and practice .................................................. 54 7.2.1 The conceptualisations of responsibility in the organisation ................................................ 54 2 7.2.2 Ethics in the organisation ..................................................................................................... 55 7.2.3 Societal engagement strategies in organisation .................................................................... 60 7.2.4 Gender equality and diversity strategies in the organisation ................................................ 64 7.2.5 Open access and open science strategies in the organisation ............................................... 69 7.2.6 Science education integrated into research ........................................................................... 74 7.2.7 Incorporation of AIRR dimensions into policies .................................................................. 76 7.3. Reflection on review findings, outlooks developed and ways forward ...................................... 80 7.3.1 The integrated or fragmented nature of different responsibility related dimensions ............ 80 7.3.2 Common barriers or drivers.................................................................................................. 80 7.3.3 Final reflections and plan for follow-up ............................................................................... 81 8. Summary of findings on each responsibility dimension ............................................................... 82 8.1 The concept of responsibility ................................................................................................ 82 8.2 The notion of “RRI” .............................................................................................................. 82 8.3 Ethics ..................................................................................................................................... 82 8.4 Societal engagement .............................................................................................................. 83 8.5 Gender equality and diversity strategies ................................................................................ 83 8.6 Open access and open science strategies ............................................................................... 83 8.7 The inclusion of science education into research .................................................................. 84 9. Discussion of findings ................................................................................................................... 85 10. Conclusions ................................................................................................................................... 87 10.1 Policy recommendations to national policymakers ............................................................... 87 10.2 Policy recommendations to European policymakers ............................................................. 87 10.3 Recommendations to research conducting and funding organisations .................................. 87 10.4 Best practices scalable to European or national level ............................................................ 88 11. Annex 1: reviewed documents ...................................................................................................... 89 12. Annex 2: definitions ...................................................................................................................... 91 REFERENCES .....................................................................................................................................
Load more

Recommended publications
  • The Phantom on Film: Guest Editor’S Introduction
    The Phantom on Film: Guest Editor’s Introduction [accepted for publication in The Opera Quarterly, Oxford University Press] © Cormac Newark 2018 What has the Phantom got to do with opera? Music(al) theater sectarians of all denominations might dismiss the very question, but for the opera studies community, at least, it is possible to imagine interesting potential answers. Some are historical, some technical, and some to do with medium and genre. Others are economic, invoking different commercial models and even (in Europe at least) complex arguments surrounding public subsidy. Still others raise, in their turn, further questions about the historical and contemporary identities of theatrical institutions and the productions they mount, even the extent to which particular works and productions may become institutions themselves. All, I suggest, are in one way or another related to opera reception at a particular time in the late nineteenth century: of one work in particular, Gounod’s Faust, but even more to the development of a set of popular ideas about opera and opera-going. Gaston Leroux’s serialized novel Le Fantôme de l’Opéra, set in and around the Palais Garnier, apparently in 1881, certainly explores those ideas in a uniquely productive way.1 As many (but perhaps not all) readers will recall, it tells the story of the debut in a principal role of Christine Daaé, a young Swedish soprano who is promoted when the Spanish prima donna, Carlotta, is indisposed.2 In the course of a gala performance in honor of the outgoing Directors of the Opéra, she is a great success in extracts of works 1 The novel was serialized in Le Gaulois (23 September 1909–8 January 1910) and then published in volume-form: Le Fantôme de l’Opéra (Paris: Lafitte, 1910).
    [Show full text]
  • Global Offering
    CATHAY MEDIA AND EDUCATION GROUP INC. 華夏視聽教育集團 ( Incorporated in the Cayman Islands with limited liability) Stock Code: 1981 GLOBAL OFFERING Joint Sponsors, Joint Global Coordinators, Joint Bookrunners and Joint Lead Managers Joint Bookrunners and Joint Lead Managers IMPORTANT IMPORTANT: If you are in any doubt about any of the contents of this document, you should obtain independent professional advice. CATHAY MEDIA AND EDUCATION GROUP INC. 華夏視聽教育集團 (incorporated in the Cayman Islands with limited liability) GLOBAL OFFERING Number of Offer Shares under : 400,000,000 Shares (subject to the Global Offering the Over-allotment Option) Number of Hong Kong Public : 40,000,000 Shares (subject to Offer Shares reallocation) Number of International Offer Shares : 360,000,000 Shares (subject to reallocation and the Over-allotment Option) Maximum Offer Price : HK$3.10 per Offer Share plus brokerage of 1%, SFC transaction levy of 0.0027% and Stock Exchange trading fee of 0.005% (payable in full on application in Hong Kong dollars, subject to refund) Nominal value : US$0.00001 per Share Stock code : 1981 Joint Sponsors, Joint Global Coordinators, Joint Bookrunners and Joint Lead Managers Joint Bookrunners and Joint Lead Managers Hong Kong Exchanges and Clearing Limited, The Stock Exchange of Hong Kong Limited and Hong Kong Securities Clearing Company Limited take no responsibility for the contents of this document, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this document. A copy of this document, having attached thereto the documents specified in “Documents delivered to the Registrar of Companies and available for inspection” in Appendix VI, has been registered by the Registrar of Companies in Hong Kong as required by Section 342C of the Companies (Winding Up and Miscellaneous Provisions) Ordinance (Chapter 32 of the Laws of Hong Kong).
    [Show full text]
  • Chronology of Plays Discussed in the Book
    APPENDIX 1 Chronology of Plays Discussed in the Book Premiè re Title Company Playwright Director Stage Designer/Scenographer 1980Hezhu’s New Match Lan-ling Theatre Workshop Jin Shijie Jin Shijie Xu Rongchang (prop/cos- tume design) 1982 Absolute Signal Beijing People’s Art Theatre Gao Xingjian, Liu Lin Zhaohua Huang Qingze Huiyuan 1993 Can Three Make It? Part Ping-Fong Acting Troupe Li Guoxiu Li Guoxiu Zhang Yicheng III—Oh! Three Diverged Paths 1996 Shang Yang Shanghai Dramatic Arts Yao Yuan Chen Xinyi Huang Haiwei Centre 1996 Peking Opera: The Ping-Fong Acting Troupe Li Guoxiu Li Guoxiu Nie Guangyan 242 Revelation 1998 Three Sisters & Waiting for Lin Zhaohua Theatre Studio Anton Chekhov/ Lin Zhaohua Yi Liming Godot Samuel Beckett 1999 Field of Life and Death Central Experimental Tian Qinxin (adapter) Tian QinxinXue Dianjie and Theatre Wang Hanyi 2001 Richard III Lin Zhaohua Theatre Studio William Shakespeare Lin Zhaohua Huang Haiwei 2001 We Are One Family Hong Kong Repertory He Jiping Fredric Mao Ho Yingfung Theatre 2003 Sweet & Sour Hong Kong Hong Kong Repertory He Jiping Fredric Mao Ho Yingfung Theatre 2005 The Ballad of Yellow Earth Drama Troupe attached to Meng Bing Hu Zongqi Huang Haiwei the Political Department of the PLA 2006 The Master Builder Lin Zhaohua Theatre Studio Henrik Ibsen Lin Zhaohua Yi Liming 2006 Flowers in the Mirror, Moon National Theatre of China/ Xi Chuan (poems); Meng Jinghui Feng Jiangzhou (visual on the Water Meng Jinghui Studio Liao Yimei (drama- design and multimedia) turgy); cast with contributions by Shen
    [Show full text]
  • Project Completion Report
    PROMOTION OF NON-WOOD FOREST PRODUCT IN GUANGXI AUTONOMOUS REGION, CHINA BASED ON SUSTAINABLE COMMUNITY DEVELOPMENT PROJECT COMPLETION REPORT HOST GOVERNMENT: The People’s Republic of China EXECUTING AGENCY: Guangxi Forestry Research Institute Institute of Scientific and Technological Information of CAF August, 2009 PROJECT NUMBER: PD 73/01 REV.5 (I, M) STARTING DATE OF THE PROJECT: April, 2005 DURATION OF THE PROJECT: 52 months (from April 2005 to July 2009, during when the last seven months are the added time) PROJECT COST: USD 569,935 (USD 286,677 from ITTO, USD 283,258 from P.R.C.） ORDINAL NUMBER AND TYPE OF REPORT: 200901/Project Completion Report TECHNOLOGICAL AND SCIENTIFIC STAFF: XIANG Dongyun, MA Jinlin, LI Kaixiang, YANG Zhangqi, LIU Hong, CHEN Guocheng, YE Bing, WU Yaojun, CHEN Chongzheng, MENG Yongqing, QIU Xiaojun, HE Chunmao, ZHOU Zongming, HUANG Yaoheng, LIANG Ping, HUANG Lei, LIU Xiaowei, ZENG Xiangyan, GONG Jianying, ZHOU Wei, CHEN Hailin, WEI Wei, CHANG Xinmin, LI Changxiao, LI Bingshou, LUO Yuxing, LI Qiangxian, ZHOU Yongsheng, LE Changyi, LIAO Jianming, HUANG Huayan, QIN Yurong, ZHONG Changyong, HUANG Kaiyong, PAN Wen, FENG Xiao, ZHANG Zhaoyuan, LAN Xiao, YE Lu, MENG Guiyan, LI Shisheng, CHENG Liang, GUO Fei EXECUTING AGENCY: Guangxi Forestry Research Institute Address: 23 Yongwu Road, Nanning City 530001, Guangxi, P. R. of China Institute of Scientific and Technological Information of CAF Address: Yiheyuan Hou, Beijing 100091, P. R. of China IMPLEMENTING INSTITUTES: State-owned Paiyangshan Forest Farm of Guangxi Address: Mingyang Road, Ningming County 532500, Guangxi Tel: +771 8621346 Fax: +771 8621346 Email: [email protected] Chongzuo City Forestry Department, Guangxi Address: 2 Yanshan Road No.
    [Show full text]
  • Unabridged AFM Product Guide + Stills
    AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.com/AFM2012ProductGuide/AFMProductGuide.pdfGUIDEGUIDE Hillridge (Parker Posey), the head of the high school soccer team’s two week trip Director: Alex de la Iglesia 108 MEDIA hospital’s charity foundation, reluctantly to Italy. Dynamic friendships, rivalries Writer: Alex de la Iglesia decides to take Adan into her home for a and personal secrets compete in this tale Key Cast: José Mota, Salma Hayek CORPORATION few days. Through his ongoing and of one boy’s stirring coming of age in a Delivery Status: Screening 108 Media Corporation, 225 sometimes inappropriate slogans, Adan foreign land. Year of Production: 2011 Country of Commissioners St., Suite 204,, Toronto, slowly begins to affect Karen and the Origin: Spain Ontario Canada, Tel: 1.637.837.3312, MYN BALA: WARRIORS OF THE dysfunctional relationship she has with In this hilarious comedy, Alex de la http://www.108mediacorp.com, STEPPE her daughter Meghan. Epic Adventure (125 min) Iglesia makes fun of lack of today's [email protected] Director: Akan Satayev morals in media and depiction of Sales Agent, Producer BUFFALO GIRLS Documentary (66min) Kazakhstan, 1729: A ferocious Mongol financial crisis through the eyes of an At AFM: Abhi Rastogi (CEO) Buffalo Girls tells the story of two 8- tribe sweeps across the steppes, and unemployed advertising executive who Office: Loews Hotel Suite 601 year-old-girls, Stam and Pet, both Kazakh sultans leave their people to fend decides to take advantage of an accident AUTUMN BLOOD Director: Reed Morano (Frozen River) professional Muay Thai prizefighters. Set for themselves. Young Sartai and other he has after yet another humiliating work Writer: Stephen Barton and Markus in small villages throughout rural survivors flee to the mountains.
    [Show full text]
  • Unabridged Cannes Product Guide + Stills
    CANNES PRODUCTPRODUCT GUIDEGUIDE Sarah Wharton comments from them about the Tennis 10 REGOLE PER FARE 7 & 7 PRODUCERS’ Delivery Status: Screening world of today. Featured in this INNAMORARE Over the course of one night, an programme are such stars as : FRED AKA: 10 RULES FOR FALLING IN SALES SERVICE underachieving twenty-something must PERRY, ROD LAVER, PANCHO 7 & 7 Producers’ Sales Service, 122 LOVE re-examine his listless life and battle his GONZALES, KEN ROSEWELL, ILIE Teen Romantic Comedy (93 min.) Walton Street, London, SW3 2JJ UK, pot-dealing roommate to win over the NASTASE, ROY EMERSON, FRED Language: Italian Tel: +44(0)7814.681335 girl of his dreams. STOLLY, JOHN MACENROE, IVAN Director: Cristiano Bortone www.producerssalesservice.com, TORTOISE IN LOVE LENDL, ANDRE AGASSI. Writer: Cristiano Bortone, Fausto Brizzi [email protected] Romantic Comedy (81 min) Producer: Orisa Produzioni - Orkestra At Cannes: Maura Ford (Managing AFRICAN ODYSSEY Language: English 2012Wildlife Documentary (13x30 min OR Entertainment Director - Sales), Antony Ford (Company Director: Guy Browning 1x52 min) Key Cast: Guglielmo Scilla, Vincenzo Director - Acquisitions) Writer: Guy Browning Language: English Salemme, Enrica Pintore Office: Lerins R1, Tel: Co-Production Partners: Immense Director: Joanne Goldring Cohen Delivery Status: Completed +33(0)6.11.78.28.59 CARELESS LOVE Productions LLP. Writer: Joanne Goldring Cohen Year of Production: 2012 Country of Drama (105 min) Producer: Steffan Aquarone Executive Producer: Eliot Cohen Origin: Italy Language:
    [Show full text]
  • Chapter 5 – Good Fathers, Real Men, and Proper Citizens: Unpacking ‘Where Are We Going, Dad’
    UvA-DARE (Digital Academic Repository) Governing through reality television in contemporary China The case of Hunan Satellite Television Nauta, A.P.M. Publication date 2021 Document Version Other version License Other Link to publication Citation for published version (APA): Nauta, A. P. M. (2021). Governing through reality television in contemporary China: The case of Hunan Satellite Television. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:05 Oct 2021 Chapter 5 – Good Fathers, Real Men, and Proper Citizens: Unpacking ‘Where Are We Going, Dad’ 5.1 Introduction 128 5.2 Conceptions of Fatherhood in China: Between Tradition and 130 Modernity? 5.3 ‘Who’s Your Daddy?’ Comparing ‘Chinese’ and ‘Foreign’ 137 Fatherhood: Lin Yongjian and Chris Downs 5.4 ‘Confessional Mode’ and Editing Techniques 143 5.5 “Real Men Don’t Cry”: Urban Metrosexuals vs.
    [Show full text]
  • WH Group's Shuanghui Development Rolls out New Brand Shuanghui Cooking and Appoints Chinese Artist Huang Lei to Be Its Brand A
    WH Group’s Shuanghui Development Rolls out New Brand Shuanghui Cooking and Appoints Chinese Artist Huang Lei to be its Brand Ambassador Hong Kong, June 28, 2019 – WH Group Limited (“WH Group” or the “Group; stock code 288.HK) is pleased to announce that its subsidiary Henan Shuanghui Investment & Development Co., Ltd. ("Shuanghui ") launched a new brand Shuanghui Cooking and appointed Chinese artist Huang Lei(黃磊) as the brand ambassador today at the 798 Art Zone in Beijing. Riding on a shifting trend of dining consumption, Shuanghui has included high-temperature cooking ingredients in addition to its table food and snacks in its product portfolio. By launching the new brand Shuanghui Cooking, Shuanghui aims to further expand in family consumption market and accelerates the transformation of packaged meat sector. As a debut product of the new brand, the Shuanghui Cooking Sausage marks the beginning of Shuanghui’s strategic move to tap the home dining market with its novel high temperature packaged food for cooking. Chinese Artist Huang Lei has built an impressive image well received by the Chinese audience that he is a life lover, a gourmet and a chef as well as consistently promoting a lifestyle of simplicity and well-being through TV shows such as “Where Are We Going, Dad?(爸爸去哪兒)”, “Midnight Kitchen(深夜廚房)” and “Back to Field(嚮往的生活)”. Perceived as friendly, warm-hearted and intelligent, Huang Lei’s role as the brand ambassador of Shuanghui Cooking is well complimentary to the brand’s proposition. The collaboration between Shuangui and Huang is expected to communicate more compelling stories and bring fresh impetus to the brand.
    [Show full text]
  • Data Science
    Communications in Computer and Information Science 728 Commenced Publication in 2007 Founding and Former Series Editors: Alfredo Cuzzocrea, Xiaoyong Du, Orhun Kara, Ting Liu, Dominik Ślęzak, and Xiaokang Yang Editorial Board Simone Diniz Junqueira Barbosa Pontifical Catholic University of Rio de Janeiro (PUC-Rio), Rio de Janeiro, Brazil Phoebe Chen La Trobe University, Melbourne, Australia Joaquim Filipe Polytechnic Institute of Setúbal, Setúbal, Portugal Igor Kotenko St. Petersburg Institute for Informatics and Automation of the Russian Academy of Sciences, St. Petersburg, Russia Krishna M. Sivalingam Indian Institute of Technology Madras, Chennai, India Takashi Washio Osaka University, Osaka, Japan Junsong Yuan Nanyang Technological University, Singapore Lizhu Zhou Tsinghua University, Beijing, China More information about this series at http://www.springer.com/series/7899 Beiji Zou • Qilong Han Guanglu Sun • Weipeng Jing Xiaoning Peng • Zeguang Lu (Eds.) Data Science Third International Conference of Pioneering Computer Scientists, Engineers and Educators, ICPCSEE 2017 Changsha, China, September 22–24, 2017 Proceedings, Part II 123 Editors Beiji Zou Weipeng Jing Central South University Northeast Forestry University Changsha Harbin China China Qilong Han Xiaoning Peng Harbin Engineering University Huaihua University Harbin Huaihua, Hunan China China Guanglu Sun Zeguang Lu Harbin University of Science Sciences of Country Tripod Institute and Technology of Data Science Harbin Harbin China China ISSN 1865-0929 ISSN 1865-0937 (electronic) Communications in Computer and Information Science ISBN 978-981-10-6387-9 ISBN 978-981-10-6388-6 (eBook) DOI 10.1007/978-981-10-6388-6 Library of Congress Control Number: 2017953389 © Springer Nature Singapore Pte Ltd. 2017 This work is subject to copyright.
    [Show full text]
  • Mapping of Chinese R&D Networks
    Mapping of Chinese R&D Networks IDCK Analysis No. 4, February 2016. Published by Danish Agency for Science, Technology and Innovation Bredgade 40 1260 Copenhagen K Telephone: 3544 6200 E-mail: [email protected] www.ufm.dk Cover Foto Foto frontpage: Colourbox.com Layout Print Free text Publication can be downloaded at idck.um.dk and ufm.dk/publikationer. ISBN: ISBN (electronic publication): 978-87-93151-97-0 Danish Agency for Science, Technology and Innovation 2 Dear reader This ICDK analysis provides you with a mapping of current development and activities in the Chinese R&D that corresponds with the focus of the Danish Innovation Networks within 22 specific sectors. The mapping has been made for Innovation Centre Denmark, Shanghai by the consultancy company Kairos Future. The purpose of this mapping is to provide you with an overview of the R&D development in China. The mapping is not only targeted the stakeholders within the innovation networks but also research institutions, companies and other relevant actors. The mapping aims to inspire Danish Innovation networks, research institutions and companies to open their eyes to the many opportunities of collaboration with relevant stakeholders in China. Furthermore, the mapping will give you a glimpse of the rapid R&D/innovation development in China in the recent years and an introduction to the significant policy initiatives that are expected to become strong R&D tendencies in the years to come. It is recommended to use the mapping as a “Guide” which consists of an introduction providing an overview of the methodology used, political/societal contexts in China, and finally an organized list of data for each of the 22 specific sectors corresponding to the Danish Innovation Networks.
    [Show full text]
  • An Annotated Bibliography for Chines E Fil M Studie S
    An Annotated Bibliography for Chines e Fil m Studie s • Ji m Cheng f § fit if—i rfeW i I 1 1 * * * # i tB R It ^g|^ HONG KON G UNIVERSIT Y PRES S Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong © Hong Kong University Press 2004 ISBN 962 209 703 0 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storag e or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Dat a A catalogue record for this book is available from the British Library. Secure On-line Ordering http://www.hkupress.org Printed and bound by Pre-Press Limited., Hong Kong, China. Contents Acknowl edgments ix 2.3.3 Centra l Documentary Film Studio 48 2.3.4 Changchu n Film Studio 48 Introduction xi 2.3.5 Eme i Film Studio 49 2.3.6 Manchuri a Motion Picture Production and 49 Distribution Co. (Man'ei) 1 Referenc e Materials li 2.3.7 Xi'a n Film Studio 51 2.3.8 Zh u Jiang Film Studio 51 1.1 Bibliographies and Filmographies 1 1.2 Indexes 2 1.3 TV* 4-' 2 p. Specifi c Film Genres 1.4 Directories 5 "S 1.5 Encyclopedias 5 3.1 Silent Films 52 1.6 Handbooks and Manuals 6 3.2 Comedy Films 52 3.3 Opera/Drama Films 53 3.4 Animated Films 54 !2 Fil m History 8 3.5 Documentary Films 56 ! 2.1 Genera I 8 3.6 Literary Films 57 2.2 Special Regions, Periods, and Events 22 3.7 Martial Arts/Kung Fu Films 57 3.8 Science and Education Films 58 2.2.1 Lingnan Area (1896-1997) 22 3.9 Suspense Films 59 2.2.2 Beijing (1900- ) 22 3.10 War Films 59 2.2.3 Zhejiang Province (1900-1995) 23 3.11.
    [Show full text]