Global Offering
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Signs of Being •• a Chamoru Spiritual Journey
SIGNS OF BEING •• A CHAMORU SPIRITUAL JOURNEY PLAN 8 PAPER Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in Pacific Islands Studies in the Graduate School of the University of Hawai'i By Cecilia C. T. Perez, B.A. ****** University of Hawai'j 1997 Master Degree Committee: Approved by Dr. Robert C. Kiste, Chair Dr. Karen M. Peacock Dr. Geoffrey M. White SIGNS OF BEING -- A CHAMORU SPIRITUAL JOURNEY PLAN B PAPER Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in Pacific Islands Studies in the Graduate School of the University of Hawai'i By Cecilia C. T. Perez, B.A. ** * •• * University of Hawai'i 1997 Master Degree Committee: Approved by Dr. Robert C. Kiste, Chair Dr. Karen M. Peacock Dr. Geoffrey M. White Contents Preface Situating I Manii.amoru in a Pacific Seascape iv Introduction Situating Myself in the Chamoru Mindscape vi Hinasso Reflection 1 Look At It This Way 2 As I Tum the Pages 4 Chamoru Renaissance 9 Cut Green With Envy 11 Bare-Breasted Woman 13 Finakmata Awakening 16 Kafe Mulinu 17 Strange Surroundings 21 Signs of Being -- A Chamoru Spiritual Journey 24 I Fina'pos Familiar Surroundings 28 Saint Turtle 29 The Road Home 35 View of Tumon Bay 42 Invisible Ceremony 47 Lala'chok Taking Root 50 Bokongngo' 51 Sky Cathedral 61 Seeing Through the Rain 65 I Sinedda Finding Voice 80 Steadfast Woman 81 Gi Na'an I SAina 84 Inside Out 87 Preface Situating I Manii.amoru in the Pacific Seascape The indigenous people of the Chamoru archipelago in the Northwest Pacific are known in their language as I Manii.amoru, those who are Chamoru. -
RRI-Practice National Case Study Report CHINA
REPORT FROM NATIONAL CASE STUDY China Deliverable 10.1 Work Package 10 Project title: Responsible Research and Innovation in Practice (RRI-Practice) Grant agreement number: 709637 Funding programme: Horizon 2020 Project coordinator: Hogskolen I Oslo Og Akershus (HIOA), Norway Project website: www.rri-practice.eu Organisation responsible for Chinese Academy of Science and Technology for Development (CASTED) the deliverable: Author(s): Zhao Yandong, Zhang Wenxia, Liao Miao, Huang Lei, Teng Fei, Song Runjie, Wu Yue, Yao Yu Date of delivery: 27.07.2018 Dissemination level: Public Abstract This report presents the findings from the Chinese case study, including the reviews and outlooks for CASTED (research conducting organisation) and NSFC (research funding organisation). 1 Contents 1. Executive summary ......................................................................................................................... 4 2. Introduction: about the report .......................................................................................................... 5 3. Methodology ................................................................................................................................... 6 3.1 Analytic approach .................................................................................................................... 6 3.2 National mapping .................................................................................................................... 6 3.2.1 Document analysis.......................................................................................................... -
Part IV Marketing Strategies Country Case Studies
Inverse Intranet: The Exceptionalism of Online Media Policies in China Sukosd, Miklos Published in: Policy and Marketing Strategies for Digital Media Publication date: 2014 Document version Version created as part of publication process; publisher's layout; not normally made publicly available Citation for published version (APA): Sukosd, M. (2014). Inverse Intranet: The Exceptionalism of Online Media Policies in China. In Policy and Marketing Strategies for Digital Media (pp. 170-191). Routledge. Routledge Studies in New Media and Cyberculture Download date: 30. sep.. 2021 Policy and Marketing Strategies for Digital Media With digital media becoming ever more prevalent, it is essential to study policy and marketing strategies tailored to this new development. In this volume, contributors examine government policy for a range of media, including digital television, Internet Protocol TV (IPTV), mobile TV, and Over-the-Top (OTT) TV. They also address marketing strategies that can harness the unique nature of digital media’s innovation, production design, and accessibility. They draw on case studies in Asia, North America, and Europe to offer best practices for both policy and marketing strategies. “The essays in this book provide valuable insights for both professionals and academics on the impact of changes in digital media on public policy and the marketplace.” — David Ackerman, California State University, Northridge, USA “This is a collection of important insights from around the world on some of the most important communication issues of our time. It is must-reading for anyone who wants to see the whole picture.” — Pat Longstaff, Syracuse University, USA Yu-li Liu is professor of the Department of Radio and TV at National Chengchi University in Taiwan. -
The Phantom on Film: Guest Editor’S Introduction
The Phantom on Film: Guest Editor’s Introduction [accepted for publication in The Opera Quarterly, Oxford University Press] © Cormac Newark 2018 What has the Phantom got to do with opera? Music(al) theater sectarians of all denominations might dismiss the very question, but for the opera studies community, at least, it is possible to imagine interesting potential answers. Some are historical, some technical, and some to do with medium and genre. Others are economic, invoking different commercial models and even (in Europe at least) complex arguments surrounding public subsidy. Still others raise, in their turn, further questions about the historical and contemporary identities of theatrical institutions and the productions they mount, even the extent to which particular works and productions may become institutions themselves. All, I suggest, are in one way or another related to opera reception at a particular time in the late nineteenth century: of one work in particular, Gounod’s Faust, but even more to the development of a set of popular ideas about opera and opera-going. Gaston Leroux’s serialized novel Le Fantôme de l’Opéra, set in and around the Palais Garnier, apparently in 1881, certainly explores those ideas in a uniquely productive way.1 As many (but perhaps not all) readers will recall, it tells the story of the debut in a principal role of Christine Daaé, a young Swedish soprano who is promoted when the Spanish prima donna, Carlotta, is indisposed.2 In the course of a gala performance in honor of the outgoing Directors of the Opéra, she is a great success in extracts of works 1 The novel was serialized in Le Gaulois (23 September 1909–8 January 1910) and then published in volume-form: Le Fantôme de l’Opéra (Paris: Lafitte, 1910). -
ZHAO Wei ZHAO WEI Is One of the Most Influential Chinese Actresses in the World. She Is the Only Person Who Has Won Best Actress
ZHAO Wei ZHAO WEI is one of the most influential Chinese actresses in the world. She is the only person who has won Best Actress, Most Popular Actress and Best Singer awards from fi lm, TV and music industries. She has 15 Best Actress awards for her roles in films, 9 Best Actress awards for her roles in TV shows, and the total sales of her albums reached 9,000,000. Zhao has more fan websites than any other female celebrity in China. Zhao became an Asian superstar overnight in 1998-1999 for starring as Xiaoyanzi in the TV series My Fair Princess. Her film Shaolin Soccer (2001) was the highest-grossing Chinese film in France and Italy. Her film So Close (2002) ranked top in Chinese DVD sales in France and her TV series Romance in the Rain was the most popular Chinese TV drama in France. Zhao’s 2004 fi lm Jade Goddess of Mercy was well received at the Berlin Film Festival and earned her the Most Popular Award from the Verona Film Festival in Italy. She won Best Actress for her performance in A Time To Love (2005) from the Shanghai International Film Festival. Zhao has appeared in high-profile films like Red Cliff (2008) and Painted Skin (2008) and is acknowledged by many directors from Hong Kong and abroad. In 2009, she played Mulan in Mulan: Rise of a Warrior and became the first actress from China to star in a female-driven fi lm that grossed over $10 million at the box office. In 2006, People Magazine selected Zhao as one of the “100 Most Beautiful People.” In 2013, Zhao’s directing debut So Young grossed over $116 million with a $5 million budget, making her the highest-grossing female director in China. -
Copyright by Shaohua Guo 2012
Copyright by Shaohua Guo 2012 The Dissertation Committee for Shaohua Guo Certifies that this is the approved version of the following dissertation: THE EYES OF THE INTERNET: EMERGING TRENDS IN CONTEMPORARY CHINESE CULTURE Committee: Sung-Sheng Yvonne Chang, Supervisor Janet Staiger Madhavi Mallapragada Huaiyin Li Kirsten Cather THE EYES OF THE INTERNET: EMERGING TRENDS IN CONTEMPORARY CHINESE CULTURE by Shaohua Guo, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2012 Dedication To my grandparents, Guo Yimin and Zhang Huijun with love Acknowledgements During the outbreak of Severe Acute Respiratory Syndrome (SARS) in China in 2003, I, like many students in Beijing, was completely segregated from the outside world and confined on college campus for a couple of months. All activities on university campuses were called off. Students were assigned to designated dining halls, and were required to go to these places at scheduled times, to avoid all possible contagion of the disease. Surfing the Web, for the first time, became a legitimate “full-time job” for students. As was later acknowledged in the Chinese media, SARS cultivated a special emotional attachment to the Internet for a large number of the Chinese people, and I was one of them. Nine years later, my emotional ties to the Chinese Internet were fully developed into a dissertation, for which I am deeply indebted to my advisor Dr. Sung- Sheng Yvonne Chang. -
Planet China
1 Talking Point 6 Week in 60 Seconds 7 Telecoms Week in China 8 Banking and Finance 9 Economy 11 China and the World 13 Shipping 14 Society and Culture 27 November 2015 19 And Finally Issue 305 20 The Back Page www.weekinchina.com Clash of the internet kingdoms m o c . n i e t s p e a t i n e b . w w w In a flurry of recent dealmaking Baidu’s Robin Li looks to make up ground on bigger rivals Brought to you by Week in China Talking Point 27 November 2015 Searching for answers A new era as Baidu enters banking with Citic and insurance with Allianz? In the spotlight: Baidu’s founder Robin Li is looking to catch up with rivals Alibaba and Tencent hen Forbes ranked China’s The rivalry between the BAT trio – acquisitions and dealmaking. But Wrichest tycoons a year ago, which are seeking to dominate after its unexpected coup last the top three slots were taken by China’s internet – is frequently com - week – in linking itself to a major the founders of Baidu, Alibaba and pared to a period in the third cen - state-run bank – might Baidu re - Tencent – the internet giants tury when the states of Wei, Shu and gain the upper hand in its battles known locally by the acronym BAT. Wu battled for supremacy. The era, with Alibaba and Tencent? At that time Baidu’s chief executive known as the Three Kingdoms, was Robin Li was the second richest a particularly bloody chapter in his - A more eventful year for Baidu? man, just behind Jack Ma of Alibaba tory, characterised by battles for ter - Baidu started 2015 with a bang, in - but ahead of Tencent’s Pony Ma. -
China's Digital Transformation
McKinsey Global Institute McKinsey Global Institute China’s digital transformation: The Internet’s impact on productivity and growth and productivity on impact The Internet’s transformation: digital China’s July 2014 China’s digital transformation: The Internet’s impact on productivity and growth The McKinsey Global Institute The McKinsey Global Institute (MGI), the business and economics research arm of McKinsey & Company, was established in 1990 to develop a deeper understanding of the evolving global economy. Our goal is to provide leaders in commercial, public, and social sectors with the facts and insights on which to base management and policy decisions. MGI research combines the disciplines of economics and management, employing the analytical tools of economics with the insights of business leaders. Our “micro-to-macro” methodology examines microeconomic industry trends to better understand the broad macroeconomic forces affecting business strategy and public policy. MGI’s in-depth reports have covered more than 20 countries and 30 industries. Current research focuses on six themes: productivity and growth; natural resources; labor markets; the evolution of global financial markets; the economic impact of technology and innovation; and urbanization. Recent reports have assessed job creation, resource productivity, cities of the future, the economic impact of the Internet, and the future of manufacturing. MGI is led by three McKinsey & Company directors: Richard Dobbs, James Manyika, and Jonathan Woetzel. Michael Chui, Susan Lund, and Jaana Remes serve as MGI partners. Project teams are led by the MGI partners and a group of senior fellows, and include consultants from McKinsey & Company’s offices around the world. These teams draw on McKinsey & Company’s global network of partners and industry and management experts. -
WIC Template
1 Talking Point 5 The Week in 60 Seconds 6 China Ink Week in China 7 Economy 8 Healthcare 9 Banking and Finance 10 Property 11 China Consumer 12 Telecoms 13 May 2011 13 Society and Culture Issue 106 16 And Finally www.weekinchina.com 17 The Back Page Net returns m o c . n i e t s p e a t i n e b . w w w y b g u in What does Beijing’s web clampdown mean for China’s internet IPOs? o k y n o a t B s t l t h a e g b k u o r o l a r G M B C d B n S a H Week in China Talking Point 13 May 2011 Dollars and censors Should IPO investors be nervous about government’s internet crackdown? If you want to get foreign investors to subscribe to your internet IPO show them photos like this... he world’s first internet bubble lations on the web – concerned from Phoenix New Media (a content Tbegan to inflate in August 1995 about the net’s potential to foment provider for internet, TV and mo- with the listing of the web browser, social unrest. In these circum- bile phone firms) and Jiayuan.com Netscape. Jim Clark – the company’s stances could internet business (an online dating site). major shareholder – later confided models be harmed? Should foreign Youku, China’s leading internet to author Michael Lewis that investors still be buying? TV platform, has also been in the Netscape’s hugely successful IPO news, announcing it plans to raise “made anarchy respectable”. -
Chronology of Plays Discussed in the Book
APPENDIX 1 Chronology of Plays Discussed in the Book Premiè re Title Company Playwright Director Stage Designer/Scenographer 1980Hezhu’s New Match Lan-ling Theatre Workshop Jin Shijie Jin Shijie Xu Rongchang (prop/cos- tume design) 1982 Absolute Signal Beijing People’s Art Theatre Gao Xingjian, Liu Lin Zhaohua Huang Qingze Huiyuan 1993 Can Three Make It? Part Ping-Fong Acting Troupe Li Guoxiu Li Guoxiu Zhang Yicheng III—Oh! Three Diverged Paths 1996 Shang Yang Shanghai Dramatic Arts Yao Yuan Chen Xinyi Huang Haiwei Centre 1996 Peking Opera: The Ping-Fong Acting Troupe Li Guoxiu Li Guoxiu Nie Guangyan 242 Revelation 1998 Three Sisters & Waiting for Lin Zhaohua Theatre Studio Anton Chekhov/ Lin Zhaohua Yi Liming Godot Samuel Beckett 1999 Field of Life and Death Central Experimental Tian Qinxin (adapter) Tian QinxinXue Dianjie and Theatre Wang Hanyi 2001 Richard III Lin Zhaohua Theatre Studio William Shakespeare Lin Zhaohua Huang Haiwei 2001 We Are One Family Hong Kong Repertory He Jiping Fredric Mao Ho Yingfung Theatre 2003 Sweet & Sour Hong Kong Hong Kong Repertory He Jiping Fredric Mao Ho Yingfung Theatre 2005 The Ballad of Yellow Earth Drama Troupe attached to Meng Bing Hu Zongqi Huang Haiwei the Political Department of the PLA 2006 The Master Builder Lin Zhaohua Theatre Studio Henrik Ibsen Lin Zhaohua Yi Liming 2006 Flowers in the Mirror, Moon National Theatre of China/ Xi Chuan (poems); Meng Jinghui Feng Jiangzhou (visual on the Water Meng Jinghui Studio Liao Yimei (drama- design and multimedia) turgy); cast with contributions by Shen -
UNIVERSITY of CALIFORNIA Los Angeles the Emperor's Coffer: the Qing Imperial Fiscal Separation Between Privy Purse and State T
UNIVERSITY OF CALIFORNIA Los Angeles The Emperor’s Coffer: The Qing Imperial Fiscal Separation Between Privy Purse and State Treasury (1644-1912) A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Jia Feng 2017 © Copyright by Jia Feng 2017 ABSTRACT OF THE DISSERTATION The Emperor’s Coffer: The Qing Imperial Fiscal Separation Between Privy Purse and State Treasury (1644-1912) by Jia Feng Doctor of Philosophy in History University of California, Los Angeles, 2017 Professor Robert P. Brenner, Co-Chair Professor James Tong, Co-Chair This dissertation examines the imperial fiscal arrangement during the Qing dynasty that separated the privy or crown’s purse from the state treasury. In my dissertation, I argue that while the distinction between public and private finance has long been identified in European studies as an important sign of the rise of modernity, similar fiscal arrangements in China arose from the crown’s endeavor over several decades to consolidate authority first over the nobility and then over the Chinese state. I see dynamics of this separation as deeply rooted in China’s longstanding patrimonial bureaucratic rule. The continued functioning of the imperial state system into the Qing, a dynasty founded by non-Han rulers, thus suggests the remarkable resiliency of Chinese political traditions despite dramatic institutional changes brought by alien conquest. This dissertation is composed of an introduction, six chapters, and a conclusion. The ii introduction sets out the reasons why the public/private divide structure does not necessarily mean the rise of modernity and demonstrates how the separation was both indicative of and shaped by China’s longstanding patrimonial bureaucratic rule. -
Project Completion Report
PROMOTION OF NON-WOOD FOREST PRODUCT IN GUANGXI AUTONOMOUS REGION, CHINA BASED ON SUSTAINABLE COMMUNITY DEVELOPMENT PROJECT COMPLETION REPORT HOST GOVERNMENT: The People’s Republic of China EXECUTING AGENCY: Guangxi Forestry Research Institute Institute of Scientific and Technological Information of CAF August, 2009 PROJECT NUMBER: PD 73/01 REV.5 (I, M) STARTING DATE OF THE PROJECT: April, 2005 DURATION OF THE PROJECT: 52 months (from April 2005 to July 2009, during when the last seven months are the added time) PROJECT COST: USD 569,935 (USD 286,677 from ITTO, USD 283,258 from P.R.C.) ORDINAL NUMBER AND TYPE OF REPORT: 200901/Project Completion Report TECHNOLOGICAL AND SCIENTIFIC STAFF: XIANG Dongyun, MA Jinlin, LI Kaixiang, YANG Zhangqi, LIU Hong, CHEN Guocheng, YE Bing, WU Yaojun, CHEN Chongzheng, MENG Yongqing, QIU Xiaojun, HE Chunmao, ZHOU Zongming, HUANG Yaoheng, LIANG Ping, HUANG Lei, LIU Xiaowei, ZENG Xiangyan, GONG Jianying, ZHOU Wei, CHEN Hailin, WEI Wei, CHANG Xinmin, LI Changxiao, LI Bingshou, LUO Yuxing, LI Qiangxian, ZHOU Yongsheng, LE Changyi, LIAO Jianming, HUANG Huayan, QIN Yurong, ZHONG Changyong, HUANG Kaiyong, PAN Wen, FENG Xiao, ZHANG Zhaoyuan, LAN Xiao, YE Lu, MENG Guiyan, LI Shisheng, CHENG Liang, GUO Fei EXECUTING AGENCY: Guangxi Forestry Research Institute Address: 23 Yongwu Road, Nanning City 530001, Guangxi, P. R. of China Institute of Scientific and Technological Information of CAF Address: Yiheyuan Hou, Beijing 100091, P. R. of China IMPLEMENTING INSTITUTES: State-owned Paiyangshan Forest Farm of Guangxi Address: Mingyang Road, Ningming County 532500, Guangxi Tel: +771 8621346 Fax: +771 8621346 Email: [email protected] Chongzuo City Forestry Department, Guangxi Address: 2 Yanshan Road No.