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KYK-OVER-AL Volume 2 Issues 8-10
KYK-OVER-AL Volume 2 Issues 8-10 June 1949 - April 1950 1 KYK-OVER-AL, VOLUME 2, ISSUES 8-10 June 1949-April 1950. First published 1949-1950 This Edition © The Caribbean Press 2013 Series Preface © Bharrat Jagdeo 2010 Introduction © Dr. Michael Niblett 2013 Cover design by Cristiano Coppola Cover image: © Cecil E. Barker All rights reserved No part of this publication may be reproduced or transmitted in any form without permission. Published by the Ministry of Culture, Youth and Sports, Guyana at the Caribbean Press. ISBN 978-1-907493-54-6 2 THE GUYANA CLASSICS LIBRARY Series Preface by the President of Guyana, H. E. Bharrat Jagdeo General Editors: David Dabydeen & Lynne Macedo Consulting Editor: Ian McDonald 3 4 SERIES PREFACE Modern Guyana came into being, in the Western imagination, through the travelogue of Sir Walter Raleigh, The Discoverie of Guiana (1595). Raleigh was as beguiled by Guiana’s landscape (“I never saw a more beautiful country...”) as he was by the prospect of plunder (“every stone we stooped to take up promised either gold or silver by his complexion”). Raleigh’s contemporaries, too, were doubly inspired, writing, as Thoreau says, of Guiana’s “majestic forests”, but also of its earth, “resplendent with gold.” By the eighteenth century, when the trade in Africans was in full swing, writers cared less for Guiana’s beauty than for its mineral wealth. Sugar was the poet’s muse, hence the epic work by James Grainger The Sugar Cane (1764), a poem which deals with subjects such as how best to manure the sugar cane plant, the most effective diet for the African slaves, worming techniques, etc. -
The Challenges of Cultural Relations Between the European Union and Latin America and the Caribbean
The challenges of cultural relations between the European Union and Latin America and the Caribbean Lluís Bonet and Héctor Schargorodsky (Eds.) The challenges of cultural relations between the European Union and Latin America and the Caribbean Lluís Bonet and Héctor Schargorodsky (Eds.) Title: The Challenges of Cultural Relations between the European Union and Latin America and the Caribbean Editors: Lluís Bonet and Héctor Schargorodsky Publisher: Quaderns Gescènic. Col·lecció Quaderns de Cultura n. 5 1st Edition: August 2019 ISBN: 978-84-938519-4-1 Editorial coordination: Giada Calvano and Anna Villarroya Design and editing: Sistemes d’Edició Printing: Rey center Translations: María Fernanda Rosales, Alba Sala Bellfort, Debbie Smirthwaite Pictures by Lluís Bonet (pages 12, 22, 50, 132, 258, 282, 320 and 338), by Shutterstock.com, acquired by OEI, original photos by A. Horulko, Delpixel, V. Cvorovic, Ch. Wollertz, G. C. Tognoni, LucVi and J. Lund (pages 84, 114, 134, 162, 196, 208, 232 and 364) and by www.pixnio.com, original photo by pics_pd (page 386). Front cover: Watercolor by Lluís Bonet EULAC Focus has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 693781. Giving focus to the Cultural, Scientific and Social Dimension of EU - CELAC relations (EULAC Focus) is a research project, funded under the EU’s Horizon 2020 programme, coordinated by the University of Barcelona and integrated by 18 research centers from Europe and Latin America and the Caribbean. Its main objective is that of «giving focus» to the Cultural, Scientific and Social dimension of EU- CELAC relations, with a view to determining synergies and cross-fertilization, as well as identifying asymmetries in bi-lateral and bi-regional relations. -
We Make It Easier for You to Sell
We Make it Easier For You to Sell Travel Agent Reference Guide TABLE OF CONTENTS ITEM PAGE ITEM PAGE Accommodations .................. 11-18 Hotels & Facilities .................. 11-18 Air Service – Charter & Scheduled ....... 6-7 Houses of Worship ................... .19 Animals (entry of) ..................... .1 Jamaica Tourist Board Offices . .Back Cover Apartment Accommodations ........... .19 Kingston ............................ .3 Airports............................. .1 Land, History and the People ............ .2 Attractions........................ 20-21 Latitude & Longitude.................. .25 Banking............................. .1 Major Cities......................... 3-5 Car Rental Companies ................. .8 Map............................. 12-13 Charter Air Service ................... 6-7 Marriage, General Information .......... .19 Churches .......................... .19 Medical Facilities ..................... .1 Climate ............................. .1 Meet The People...................... .1 Clothing ............................ .1 Mileage Chart ....................... .25 Communications...................... .1 Montego Bay......................... .3 Computer Access Code ................ 6 Montego Bay Convention Center . .5 Credit Cards ......................... .1 Museums .......................... .24 Cruise Ships ......................... .7 National Symbols .................... .18 Currency............................ .1 Negril .............................. .5 Customs ............................ .1 Ocho -
The Cambridge Companion to Postcolonial Poetry Edited by Jahan Ramazani Frontmatter More Information
Cambridge University Press 978-1-107-09071-2 — The Cambridge Companion to Postcolonial Poetry Edited by Jahan Ramazani Frontmatter More Information the cambridge companion to postcolonial poetry The Cambridge Companion to Postcolonial Poetry is the first collection of essays to explore postcolonial poetry through regional, historical, political, formal, textual, gender, and comparative approaches. The essays encompass a broad range of English-speakers from the Caribbean, Africa, South Asia, and the Pacific Islands; the former settler colonies, such as Canada, Australia, and New Zealand, especially non-Europeans; Ireland, Britain’s oldest colony; and post- colonial Britain itself, particularly black and Asian immigrants and their descen- dants. The comparative essays analyze poetry from across the postcolonial anglophone world in relation to postcolonialism and modernism, fixed and free forms, experimentation, oral performance and creole languages, protest poetry, the poetic mapping of urban and rural spaces, poetic embodiments of sexuality and gender, poetry and publishing history, and poetry’s response to, and reimagining of, globalization. Strengthening the place of poetry in postco- lonial studies, this Companion also contributes to the globalization of poetry studies. jahan ramazani is University Professor and Edgar F. Shannon Professor of English at the University of Virginia. He is the author of five books: Poetry and its Others: News, Prayer, Song, and the Dialogue of Genres (2013); A Transnational Poetics (2009), winner of the 2011 Harry Levin Prize of the American Comparative Literature Association, awarded for the best book in comparative literary history published in the years 2008 to 2010; The Hybrid Muse: Postcolonial Poetry in English (2001); Poetry of Mourning: The Modern Elegy from Hardy to Heaney (1994), a finalist for the National Book Critics Circle Award; and Yeats and the Poetry of Death: Elegy, Self-Elegy, and the Sublime (1990). -
Society for Caribbean Studies 42Nd Annual Conference Institute of Advanced Legal Studies, University of London, 4-6 July, 2018 Programme
Society for Caribbean Studies 42nd Annual Conference Institute of Advanced Legal Studies, University of London, 4-6 July, 2018 Programme Wednesday 4th July Room Lecture theatre L101 L102 Registration outside the lecture theatre from 11am Please note that no lunch is provided on this day 12.30-1.30 Chair’s welcome and Keynote Presentation: Professor Bill Schwarz, Queen Mary University of London. Title: TBA 1.30 Tea and Coffee Break L03/04 2.00-4.00 Visual translations: art, (Geo)politics Feeling and family: film and writing love, care, passion and policy 4.00 Tea and Coffee Break L03/04 4.30–6.30 Surveying Caribbean Conflicting Memories: The Eastern Caribbean: Outposts, 1924 to 1943 Cross-border Religion, Diaspora, and displacements, and the Archive climate change 6.30 Bridget Jones Award Presentation - Katie Numi Usher 7.30 Buffet Dinner: Chancellors Hall Thursday 5th July Room Lecture theatre L101 L102 9.00–11.00 Writing history Re-reading writers: Changing responses to differently: writing juxtapositions and climate change different histories 1 relocations 11.00 Tea and Coffee Break L03/04 11.30–1.00 Ideologies of race in Circulating forms: Money, business and Cuba print, folk, literature economics 1.00 Lunch L03/04 2.00–3.30 Sonic cultures Caribbean literature in Landscapes of the classroom language and discourse 3.30 Tea and Coffee Break L03/04 4.00-5.30 Carnival cultures Writing history differently: writing different histories 2 5.30-6.30 AGM 6.30–7.30 Rum Punch Reception, including a short presentation by Dr Elizabeth Cooper, Curator of the British Library’s Latin American and Caribbean collections, about the British Library’s exhibition ‘Windrush: Songs in a Strange Land’; and a poetry performance by Keith Jarrett. -
Vol 25 / No. 2 / November 2017 Volume 24 Number 2 November 2017
1 Vol 25 / No. 2 / November 2017 Volume 24 Number 2 November 2017 Published by the discipline of Literatures in English, University of the West Indies CREDITS Original image: Self-portrait with projection, October 2017, img_9723 by Rodell Warner Anu Lakhan (copy editor) Nadia Huggins (graphic designer) JWIL is published with the financial support of the Departments of Literatures in English of The University of the West Indies Enquiries should be sent to THE EDITORS Journal of West Indian Literature Department of Literatures in English, UWI Mona Kingston 7, JAMAICA, W.I. Tel. (876) 927-2217; Fax (876) 970-4232 e-mail: [email protected] OR Ms. Angela Trotman Department of Language, Linguistics and Literature Faculty of Humanities, UWI Cave Hill Campus P.O. Box 64, Bridgetown, BARBADOS, W.I. e-mail: [email protected] SUBSCRIPTION RATE US$20 per annum (two issues) or US$10 per issue Copyright © 2017 Journal of West Indian Literature ISSN (online): 2414-3030 EDITORIAL COMMITTEE Evelyn O’Callaghan (Editor in Chief) Michael A. Bucknor (Senior Editor) Glyne Griffith Rachel L. Mordecai Lisa Outar Ian Strachan BOOK REVIEW EDITOR Antonia MacDonald EDITORIAL BOARD Edward Baugh Victor Chang Alison Donnell Mark McWatt Maureen Warner-Lewis EDITORIAL ADVISORY BOARD Laurence A. Breiner Rhonda Cobham-Sander Daniel Coleman Anne Collett Raphael Dalleo Denise deCaires Narain Curdella Forbes Aaron Kamugisha Geraldine Skeete Faith Smith Emily Taylor THE JOURNAL OF WEST INDIAN LITERATURE has been published twice-yearly by the Departments of Literatures in English of the University of the West Indies since October 1986. Edited by full time academics and with minimal funding or institutional support, the Journal originated at the same time as the first annual conference on West Indian Literature, the brainchild of Edward Baugh, Mervyn Morris and Mark McWatt. -
Emancipation in St. Croix; Its Antecedents and Immediate Aftermath
N. Hall The victor vanquished: emancipation in St. Croix; its antecedents and immediate aftermath In: New West Indian Guide/ Nieuwe West-Indische Gids 58 (1984), no: 1/2, Leiden, 3-36 This PDF-file was downloaded from http://www.kitlv-journals.nl N. A. T. HALL THE VICTOR VANQUISHED EMANCIPATION IN ST. CROIXJ ITS ANTECEDENTS AND IMMEDIATE AFTERMATH INTRODUCTION The slave uprising of 2-3 July 1848 in St. Croix, Danish West Indies, belongs to that splendidly isolated category of Caribbean slave revolts which succeeded if, that is, one defines success in the narrow sense of the legal termination of servitude. The sequence of events can be briefly rehearsed. On the night of Sunday 2 July, signal fires were lit on the estates of western St. Croix, estate bells began to ring and conch shells blown, and by Monday morning, 3 July, some 8000 slaves had converged in front of Frederiksted fort demanding their freedom. In the early hours of Monday morning, the governor general Peter von Scholten, who had only hours before returned from a visit to neighbouring St. Thomas, sum- moned a meeting of his senior advisers in Christiansted (Bass End), the island's capital. Among them was Lt. Capt. Irminger, commander of the Danish West Indian naval station, who urged the use of force, including bombardment from the sea to disperse the insurgents, and the deployment of a detachment of soldiers and marines from his frigate (f)rnen. Von Scholten kept his own counsels. No troops were despatched along the arterial Centreline road and, although he gave Irminger permission to sail around the coast to beleaguered Frederiksted (West End), he went overland himself and arrived in town sometime around 4 p.m. -
The Edgar Mittelholzer Memorial Lectures
BEACONS OF EXCELLENCE: THE EDGAR MITTELHOLZER MEMORIAL LECTURES VOLUME 3: 1986-2013 Edited and with an Introduction by Andrew O. Lindsay 1 Edited by Andrew O. Lindsay BEACONS OF EXCELLENCE: THE EDGAR MITTELHOLZER MEMORIAL LECTURES - VOLUME 3: 1986-2013 Preface © Andrew Jefferson-Miles, 2014 Introduction © Andrew O. Lindsay, 2014 Cover design by Peepal Tree Press Cover photograph: Courtesy of Jacqueline Ward All rights reserved No part of this publication may be reproduced or transmitted in any form without permission. Published by the Caribbean Press. ISBN 978-1-907493-67-6 2 Contents: Tenth Series, 1986: The Arawak Language in Guyanese Culture by John Peter Bennett FOREWORD by Denis Williams .......................................... 3 PREFACE ................................................................................. 5 THE NAMING OF COASTAL GUYANA .......................... 7 ARAWAK SUBSISTENCE AND GUYANESE CULTURE ........................................................................ 14 Eleventh Series, 1987. The Relevance of Myth by George P. Mentore PREFACE ............................................................................... 27 MYTHIC DISCOURSE......................................................... 29 SOCIETY IN SHODEWIKE ................................................ 35 THE SELF CONSTRUCTED ............................................... 43 REFERENCES ....................................................................... 51 Twelfth Series, 1997: Language and National Unity by Richard Allsopp CHAIRMAN’S FOREWORD -
Caribbean Hybridity: Language and Identity In
CARIBBEAN HYBRIDITY: LANGUAGE AND IDENTITY IN JOHN AGARD’S POETRY by Leanna M. Hall Thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honours in English Acadia University April, 2017 © Copyright by Leanna M. Hall, 2017 ii This thesis by Leanna M. Hall is accepted in its present form by the Department of English as satisfying the thesis requirements for the degree of Bachelor of Arts with Honours Approved by the Thesis Supervisor __________________________ ____________________ (typed name) Date Approved by the Head of the Department __________________________ ____________________ (typed name) Date Approved by the Honours Committee __________________________ ____________________ (typed name) Date iii iv I, LEANNA HALL, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. _________________________________ Signature of Author _________________________________ Date v vi Table of Contents Abstract .............................................................................................................................. ix Chapter 1: Introducing Identity ............................................................................................1 Chapter 2: Imposing Identity .............................................................................................19 Chapter 3: Repressed Identity ............................................................................................33 -
Best Performing Arts in Barbados"
"Best Performing Arts in Barbados" Created by: Cityseeker 6 Locations Bookmarked Valley Resource Centre "Community Spirit Abounds" The Valley Resource Centre is one of twelve community centers established throughout the island to provide training opportunities and other educational and vocational programs. Many of these programs are offered free of cost to members of the community in order to assist them in the development of skills such as computer training, small business by Postdlf development, arts and crafts, and some academic studies. The centers also facilitate seminars and other presentations by government departments and community-based groups. The Valley Resource Centre is located in St. George in a municipal complex which includes a police station, post office and library. -Marsilyn Browne +1 246 437 0621 The Glebe, St. George, Barbados Prince Cave Hall "And the Band Plays On" The Royal Barbados Police Force Band is one of the oldest police bands in the world, having been formed in 1889. It has a fantastic record of excellence in music and has performed throughout the world. The band has its headquarters at District A Police Station in St. Michael, which is where Prince Cave Hall is located. The hall is named for the former by Unhindered by Talent Director of Music of the Royal Barbados Police Force Band, Mr. Prince Cave. The band has a wide repertoire of music, from classical and jazz to dinner music and the latest in calypso and reggae tunes. The band also hosts several concerts each year at the Prince Cave Hall. -Marsilyn Browne +1 246 430 7603 Station Hill, St. -
WIDECAST Sea Turtle Recovery Action Plan for Barbados
CEP Technical Report: 12 1992 WIDECAST Sea Turtle Recovery Action Plan for Barbados Julia A. Horrocks Karen Lind Eckert, Editor Note: The designations employed and the presentation of the material in this document do not imply the expression of any opinions whatsoever on the part of UNEP concerning the legal status of any State, Territory, city, or area, or its authorities, or concerning the delimitation of their frontiers or boundaries. The document contains the views expressed by the authors acting in their individual capacity and may not necessarily reflect the views of UNEP. For bibliographic purposes this document may be cited as: Horrocks Julia A. 1992. WIDECAST Sea Turtle Recovery Action Plan for Barbados (Karen L. Eckert, Editor). CEP Technical Report No. 12 UNEP Caribbean Environ- ment Programme, Kingston, Jamaica. 61 p. PREFACE Sea turtle stocks are declining throughout most of the Wider Caribbean region; in some areas the trends are dramatic and are likely to be irreversible during our lifetimes. According to the IUCN Conservation Monitoring Centre's Red Data Book, persistent over-exploitation, especially of adult females on the nesting beach, and the widespread collection of eggs are largely responsible for the Endangered status of five sea turtle species occurring in the region and the Vulnerable status of a sixth. In addition to direct harvest, sea turtles are accidentally captured in active or abandoned fishing gear, resulting in death to tens of thousands of turtles annually. Coral reef and sea grass degradation, oil spills, chemical waste, persistent plastic and other marine debris, high density coastal development, and an increase in ocean-based tourism have dam-aged or eliminated nesting beaches and feeding grounds. -
Creole Modernism
ANKHI MUKHERJEE Creole Modernism As affirmations of the modern go, few can match the high spirits of Susan Stanford Friedman’s invitation to formulate a “planetary epistemology” of modernist studies. As she explains in a footnote, Friedman uses the term “planetarity” in a different sense than Gayatri Chakravorty Spivak in Death of a Discipline, where the latter proposes that “if we imagine ourselves as planetary subjects rather than global agents, planetary creatures rather than global entities, alterity remains underived from us.”1 If Spivak’s planet-thought is a “utopian gesture of resistance against globalization as the geohistorical and economic domination of the Global South,” Friedman’s own use of the term ‘planetarity’ is epistemological, implying “a consciousness of the earth as planet, not restricted to geopolitical formations and potentially encompassing the non-human as well as the human.”2 Friedman’s planetary epistemology needs the playground of “modernism/modernity,” the slash denoting a simultaneous separation and connection, “the paradox of all borders,” which she considers to be richly generative (475). For modernism is not simply outside or after modernity, a belated reaction to the shock of it. It is contained within modernity (or particular modernities) as its aesthetic domain, and interacts with other domains, commercial, technological, societal, and governmental. It follows that “Every modernity has its distinctive modernism” (475). Pluralizing the key terms to engage with the polylogue of languages and cultures issuing from forms of modernism/modernity everywhere, Friedman’s invocation of this transformational (planetary) model of cultural circulation opens up possibilities for modernist studies to venture fearlessly outside the Anglo-American field and into “elsewhere” places that constitute modernism’s Other: the colonies and ex- colonies of South Asia and the Caribbean, the American South, and the Diaspora.