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Sujin Huggins.Pdf
HOW DID WE GET HERE?: AN EXAMINATION OF THE COLLECTION OF CONTEMPORARY CARIBBEAN JUVENILE LITERATURE IN THE CHILDREN’S LIBRARY OF THE NATIONAL LIBRARY OF TRINIDAD & TOBAGO AND TRINIDADIAN CHILDREN’S RESPONSES TO SELECTED TITLES BY SUJIN HUGGINS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Library and Information Science in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Associate Professor Christine Jenkins, Chair and Director of Research Professor Violet Harris Professor Linda Smith Assistant Lecturer Louis Regis, University of the West Indies, St. Augustine ABSTRACT This study investigates the West Indian Juvenile collection of Caribbean children's literature housed at the Port of Spain Children's Library of the National Library of Trinidad and Tobago to determine its characteristics and contents, and to elicit the responses of a group of children, aged 11 to 13, to selected works from the collection. A variety of qualitative data collection techniques were employed including document analysis, direct observation, interviews with staff, and focus group discussions with student participants. Through collection analysis, ethnographic content analysis and interview analysis, patterns in the literature and the responses received were extracted in an effort to construct and offer a 'holistic' view of the state of the literature and its influence, and suggest clear implications for its future development and use with children in and out of libraries throughout the region. ii For my grandmother Earline DuFour-Herbert (1917-2007), my eternal inspiration, and my daughter, Jasmine, my constant motivation. iii ACKNOWLEDGMENTS To adequately thank all of the wonderful people who have made the successful completion of this dissertation possible would require another dissertation-length document. -
Caribbean Voices Broadcasts
APPENDIX © The Author(s) 2016 171 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE BBC CARIBBEAN VOICES BROADCASTS March 11th 1943 to September 7th 1958 © The Author(s) 2016 173 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE BBC CARIBBEAN VOICES EDITORS Una Marson April 1940 to December 1945 Mary Treadgold December 1945 to July 1946 Henry Swanzy July 1946 to November 1954 Vidia Naipaul December 1954 to September 1956 Edgar Mittelholzer October 1956 to September 1958 © The Author(s) 2016 175 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 TIMELINE OF THE WEST INDIES FEDERATION AND THE TERRITORIES INCLUDED January 3 1958 to 31 May 31 1962 Antigua & Barbuda Barbados Dominica Grenada Jamaica Montserrat St. Kitts, Nevis, and Anguilla St. Lucia St. Vincent and the Grenadines Trinidad and Tobago © The Author(s) 2016 177 G.A. Griffi th, The BBC and the Development of Anglophone Caribbean Literature, 1943–1958, New Caribbean Studies, DOI 10.1007/978-3-319-32118-9 CARIBBEAN VOICES : INDEX OF AUTHORS AND SEQUENCE OF BROADCASTS Author Title Broadcast sequence Aarons, A.L.C. The Cow That Laughed 1369 The Dancer 43 Hurricane 14 Madam 67 Mrs. Arroway’s Joe 1 Policeman Tying His Laces 156 Rain 364 Santander Avenue 245 Ablack, Kenneth The Last Two Months 1029 Adams, Clem The Seeker 320 Adams, Robert Harold Arundel Moody 111 Albert, Nelly My World 496 Alleyne, Albert The Last Mule 1089 The Rock Blaster 1275 The Sign of God 1025 Alleyne, Cynthia Travelogue 1329 Allfrey, Phyllis Shand Andersen’s Mermaid 1134 Anderson, Vernon F. -
Society for Caribbean Studies 42Nd Annual Conference Institute of Advanced Legal Studies, University of London, 4-6 July, 2018 Programme
Society for Caribbean Studies 42nd Annual Conference Institute of Advanced Legal Studies, University of London, 4-6 July, 2018 Programme Wednesday 4th July Room Lecture theatre L101 L102 Registration outside the lecture theatre from 11am Please note that no lunch is provided on this day 12.30-1.30 Chair’s welcome and Keynote Presentation: Professor Bill Schwarz, Queen Mary University of London. Title: TBA 1.30 Tea and Coffee Break L03/04 2.00-4.00 Visual translations: art, (Geo)politics Feeling and family: film and writing love, care, passion and policy 4.00 Tea and Coffee Break L03/04 4.30–6.30 Surveying Caribbean Conflicting Memories: The Eastern Caribbean: Outposts, 1924 to 1943 Cross-border Religion, Diaspora, and displacements, and the Archive climate change 6.30 Bridget Jones Award Presentation - Katie Numi Usher 7.30 Buffet Dinner: Chancellors Hall Thursday 5th July Room Lecture theatre L101 L102 9.00–11.00 Writing history Re-reading writers: Changing responses to differently: writing juxtapositions and climate change different histories 1 relocations 11.00 Tea and Coffee Break L03/04 11.30–1.00 Ideologies of race in Circulating forms: Money, business and Cuba print, folk, literature economics 1.00 Lunch L03/04 2.00–3.30 Sonic cultures Caribbean literature in Landscapes of the classroom language and discourse 3.30 Tea and Coffee Break L03/04 4.00-5.30 Carnival cultures Writing history differently: writing different histories 2 5.30-6.30 AGM 6.30–7.30 Rum Punch Reception, including a short presentation by Dr Elizabeth Cooper, Curator of the British Library’s Latin American and Caribbean collections, about the British Library’s exhibition ‘Windrush: Songs in a Strange Land’; and a poetry performance by Keith Jarrett. -
George Lamming's “The Occasion for Speaking” – a Postcolonial Discourse
International Journal of English Literature and Social Sciences Vol-6, Issue-2; Mar-Apr, 2021 Journal Home Page Available: https://ijels.com/ Journal DOI: 10.22161/ijels George Lamming’s “The Occasion for Speaking” – A Postcolonial discourse Smiruthi A. Assistant Professor of English, Thiagarajar College, Madurai, Tamil Nadu, India Received: 17 Jan 2021; Received in revised form: 09 Mar 2021; Accepted: 19 Mar 2021; Available online: 21 Apr 2021 ©2021 The Author(s). Published by Infogain Publication. This is an open access article under the CC BY license (https://creativecommons.org/licenses/by/4.0/). Abstract— George Lamming is an ardent West Indian writer who has authored about six novels and numerous texts of non-fiction. His debut novel, In the Castle of My Skin (1953) became a highly popular critically acclaimed novel in the post-colonial literature. Lamming plays a crucial role in the positioning of the West-Indian writers in English literature. His astoundingly brilliant and widely controversial collection of essays, The Pleasures of Exile (1960) features the post-colonial issues faced by the West-Indians including migration, exile, identity crisis, hunger for recognition and the mixed cultural affiliations exhibited by the post-colonies. This paper tries to trace the postcolonial traits in Lamming’s essay, The Occasion for Speaking and thus, acquire a refined understanding of the thoughts and ideals of the colonized West-Indian who is in exile. Keywords—Post-colonial, migration, exile, identity, recognition. INTRODUCTION country of origin (colonies) or the country to which they “The pleasure and paradox of my own exile is have migrated (colonizers). -
University of Miami Coral Gables, FL 33124-4632
Sandra Pouchet Paquet, Ph.D. Professor Emerita, Department of English, University of Miami Coral Gables, FL 33124-4632 Email [email protected] Curriculum Vitae Standard Format 1. Date: July 2013 PERSONAL 2. Name: Sandra Pouchet Paquet HIGHER EDUCATION 3. Institutional (institution; degree; date conferred): University of Connecticut, Storrs; Ph.D. in English; 1976 University of Connecticut, Storrs; M.A. in English; 1971 Manhattanville College of the Sacred Heart, Purchase; B.A. (Honors) in English, 1967 4. Certification, licensure (description; board or agency; dates): Spanish 3-Day Mini-Mersion Program, May 18-20, 2007. EXPERIENCE 5. Academic (institutions; rank/status; dates): University of Miami, Professor; 2002-2010 University of Miami; Associate Professor; 1992-2002 University of Miami; Director, Caribbean Writers Summer Institute, 1992-1997 University of Pennsylvania; Assistant Professor; 1985-1992 University of Hartford; Assistant Professor; 1977-85 Director of Black Studies, 1977-79 University of the West Indies, Mona Lecturer in English, 1974-77 PUBLICATIONS 6. Books and monographs: Music, Memory, Resistance: Calypso and the Caribbean Literary Imagination. Eds. Sandra Pouchet Paquet, Patricia Saunders, Stephen Stuempfle. Kingston: Ian Randle Publishers, 2007. Caribbean Autobiography: Cultural Identity and Self-Representation. Madison: University of Wisconsin Press (Autobiography Series), 2002. The Novels of George Lamming. London: Heinemann, 1982. 7. Juried or refereed journal articles, scholarly reviews, journals edited, etc: Interview. “This is how I know myself”: A Conversation with Sandra Pouchet Paquet by Sheryl Gifford. sx salon 9 (May 1212): 10 pages. “Stitch By Stitch: Sewing up Questions of Cultural Identity: Lorna Goodison’s From Harvey River.” Small Axe: Book Discussion: Lorna Goodison, From Harvey River. -
Annual Report 2015–2016
THE NATIONAL HUMANITIES CENTER ANNUAL REPORT 2015-2016 TABLE OF CONTENTS 6 Report from the President and Director 8 Scholarly Programs Work of the Fellows Statistics Books by Fellows 30 Education Programs 32 Public Engagement 34 Highlights of the Year 36 Financial Statements 38 Supporting the Center Center Supporters The National Humanities Center does Annual Giving Summary not discriminate on the basis of race, color, sex, gender identity, religion, national and ethnic origin, sexual orientation or preference, or age in the administration 44 Staff of the Center of its selection policies, educational policies, and other Center-administered programs. 45 Board of Trustees Editor Donald Solomon Images Joel Elliott Design Barbara Schneider The National Humanities Center’s Report (ISSN 1040-130X) is printed on recycled paper. Copyright ©2016 by National Humanities Center 7 T.W. Alexander Drive, P.O. Box 12256, RTP, NC 27709-2256 Tel 919-549-0661 Fax 919-990-8535 Email: [email protected] Website: nationalhumanitiescenter.org The humanities encourage a culture of rigor, pluralism, innovation, and evidence. As long as these values are maintained in our processes and products, the shape our work takes, the audiences it reaches, and the valuation it receives benefit from a healthy multiplicity and a resistance to static definitions and one-dimensional accountability. – Robert D. Newman REPORT FROM THE PRESIDENT & DIRECTOR When I Heard the Learn’d Astronomer When I heard the learn’d astronomer, When the proofs, the figures, were ranged in columns before me, When I was shown the charts and diagrams, to add, divide, and measure them, When I sitting heard the astronomer where he lectured with much applause in the lecture-room, How soon unaccountable I became tired and sick, Till rising and gliding out I wander’d off by myself, In the mystical moist night-air, and from time to time, Look’d up in perfect silence at the stars. -
Chinua Achebe and James Baldwin
ESSAY After Decolonization, After Civil Rights: Chinua Achebe and James Baldwin Bill Schwarz Queen Mary University of London Abstract The escalation of systematic, if random, violence in the contemporary world frames the concerns of the article, which seeks to read Baldwin for the present. It works by a measure of indirection, arriving at Baldwin after a detour which introduces Chinua Achebe. The Baldwin–Achebe relationship is familiar fare. However, here I explore not the shared congruence between their first novels, but rather focus on their later works, in which the reflexes of terror lie close to the surface. I use Achebe’s final novel, Anthills of the Savanah, as a way into Baldwin’s “difficult” last book, The Evidence of Things Not Seen, suggesting that both these works can speak directly to our own historical present. Both Baldwin and Achebe, I argue, chose to assume the role of witness to the evolving mani- festations of catastrophe, which they came to believe enveloped the final years of their lives. In order to seek redemption they each determined to craft a prose—the product of a very particular historical conjuncture—which could bring out into the open the prevailing undercurrents of violence and terror. Keywords: James Baldwin, Chinua Achebe, decolonization, U.S. civil rights, literature, terror, redemption We have lost the twentieth century; are we bent on seeing that our children also lose the twenty-first? God forbid. Chinua Achebe, 1983.1 Fanaticism. The One Way, One Truth, One Life menace. The Terror that lives completely alone. Chinua Achebe, 1993.2 To counter “racial terror” we require “a ruthless cunning, an impenetrable style, and an ability to carry death, like a bluebird, on the shoulder.” James Baldwin, 1985.3 James Baldwin Review, Volume 1, 2015 © The Authors. -
Southern Alterity in the Global Modernist Novel, 1899-1966
University of Kentucky UKnowledge Theses and Dissertations--English English 2021 Southern Alterity in the Global Modernist Novel, 1899-1966 Benjamin J. Wilson University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2021.272 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Wilson, Benjamin J., "Southern Alterity in the Global Modernist Novel, 1899-1966" (2021). Theses and Dissertations--English. 135. https://uknowledge.uky.edu/english_etds/135 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
The Year That Was
Kunapipi Volume 7 | Issue 1 Article 15 1985 The ey ar that was Diana Brydon Simon Garrett Alamgir Hashmi Kirpal Singh Michael Chapman See next page for additional authors Follow this and additional works at: http://ro.uow.edu.au/kunapipi Recommended Citation Brydon, Diana; Garrett, Simon; Hashmi, Alamgir; Singh, Kirpal; Chapman, Michael; and Ramraj, Victor J., The ey ar that was, Kunapipi, 7(1), 1985. Available at:http://ro.uow.edu.au/kunapipi/vol7/iss1/15 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The ey ar that was Abstract Canada, New Zealand, Pakistan, Singapore 1983/84, South Africa, West Indies Authors Diana Brydon, Simon Garrett, Alamgir Hashmi, Kirpal Singh, Michael Chapman, and Victor J. Ramraj This serial is available in Kunapipi: http://ro.uow.edu.au/kunapipi/vol7/iss1/15 The Year That Was CANADA 1984 was the year the Canadian short story came into its own. After years of critical acclaim, it has finally broken into the popular international market with four Penguin releases. Rosemary Sullivan has written the introduction to the reissue of a collection of Sara Jeannette Duncan's stories set in India, The Pool in the Desert, first published in 1903. The authors themselves introduce the other three collections. W.P. Kinsella's The Thrill of the Grass capitalises on the mix of baseball and magic that made Shoeless Joe such a success. Norman Levine's Champagne Barn covers the wider range of his work, while remaining in his own words largely 'autobiography written as fiction'. -
NACBS Little Rock Program FI
0 North American Conference on British Studies November 13-15 The Doubletree By Hilton Little Rock, Arkansas About NACBS The North American Conference on British Studies (NACBS) is a scholarly society founded in 1950 and dedicated to all aspects of British Studies. The NACBS sponsors publications and an annual conference, as well as several academic prizes and graduate fellowships. Its regional affiliates include the Mid-Atlantic Conference on British Studies (MACBS), the Midwest Conference on British Studies (MWCBS), the Northeast Conference on British Studies (NECBS), the Pacific Coast Conference on British Studies (PCCBS), the Southern Conference on British Studies (SCBS), and the Western Conference on British Studies (WCBS). For more information about the NACBS and its affiliates consult www.nacbs.org. The 2016 conference, held in conjunction with the Mid-Atlantic Conference on British Studies, will convene November 11-13 in Washington, DC. For directions on submitting papers and panels for the 2016 conference, consult the NACBS website. 1 Acknowledgements The NACBS and SCBS thank the following organizations and institutions for their very generous sponsorship of this conference: Adam Matthew Group British Council Cambridge University Press Huntington Library Institute for Historical Research Oxford University Press American Friends of Attingham History Department, University of Arkansas Fulbright College of Arts and Sciences, University of Arkansas History Department, Texas Tech University History Department, Tulane University Program in British Studies, University of Texas at Austin History Department, Mississippi State University History Department, Louisiana State University History Department, Vanderbilt University History Department, Southern Methodist University School of Humanities and Social Sciences, The Citadel History Department, University of Arkansas Little Rock We are grateful for the abiding support of the British Council. -
From the Traumas of the Caribbean to a Revival of Resistant Literature: a West Indian Discourse
Journal of Ethnic and Cultural Studies Copyright 2020 2020, Vol. 7, No. 2, 173-194 ISSN: 2149-1291 http://dx.doi.org/10.29333/ejecs/381 From the Traumas of the Caribbean to a Revival of Resistant Literature: A West Indian Discourse Nayera Mohammed Hassan1 Jouf University-Saudia Arabia and Minia University- Egypt Abstract: This paper presents the history of the Caribbean peoples, their traumas, migrations, and their endeavors to recreate a collective cultural identity and go beyond their de-homing status. It focuses on the emergence of a resistant Caribbean literature that has helped in raising the voice of the Caribbean peoples. It conveys their yearnings, anxieties, and confusions, suggesting both geographic displacement and psychological dislocation. Within a post-colonial world that has remained dependent and underdeveloped, migration to Europe became an inevitable process. West Indian writers joined these successive waves of arriving migrants initiating a literature of exile. Later, several exiled post-colonial writers rejected the status of exile in favor of that of a migrant. This shift to the immigrant genre resulted in the writer's acceptance of his or her duality and ambivalence. In this study, the focus of research is to be narrowed down to Anglo-Caribbean writers and those of British West Indies. Hence, this approach to history adopts a descriptive documentary method, based on decisive incidents in the lives of these diasporic people. It relies, as well, on the opinions of theoreticians, writers, and scholars. The findings of this study indicated that Caribbean resistance, in the face of racism and marginalization, is an ongoing process in our contemporary world. -
The Novel Since 1970
Published in: A History of Literature in the Caribbean – volume 2: English- and Dutch- Speaking Region s, ed. by A. James Arnold (Amsterdam & Philadelphia: John Benjamins, 2001), pp. 149-198. Status: Postprint (Authors' version) The Novel since 1970 Hena Maes-Jelinek and Bénédicte Ledent University of Liège Since 1970, Caribbean fiction in English has continued to evolve by producing more original talents and imposing itself on the international scene as one of the most innovative and diversified achievements to have emerged from the postcolonial world. Its originality lies partly in its impressively wide range of language forms from classical traditional prose to the highly metaphorical through a remarkable diversity of regional dialects and idiosyncratic blendings of voices and oral rhythms into literary prose. It lies also in the writers' vision of the West Indian experience in the Caribbean itself or in exile which, either in its regional multiracial and multicultural makeup or in a widespread displacement to North America and Britain, is representative of a largely universal condition. It must be noted, however, that whatever society they have chosen to live in, West Indian novelists have generally resisted the temptation of international postmodernism, no doubt stimulated by the need to envision a promising future for their people rather than adhere to the non-referential world view of "First" and "Second" World Western writers. In addition, the social and political unrest of the early seventies in the Caribbean was an incentive to many to investigate the sources of conflict and the possibilities of harmonious living in the islands and in Guyana: while exile remained a pervasive theme, much fiction from the seventies onward deals with the advisability of returning to the Caribbean in order to contribute to the building of a new society.