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Hank-Aaron.Pdf
The Swing that Rewrote HISTORY 40 years later, Hank Aaron’s feat stands the test of time By Adam DeCock he Braves April 8th home opener marked more than just the the Boston Red Sox, then spent the majority of his well-documented start of the baseball season this year. It also marked the career with the New York Yankees. ‘The Curse of the Bambino’ might 40th anniversary of Hank Aaron breaking Babe Ruth’s long be the most well-known curse in baseball, having haunted the Sox standing home run record and #715. for over 80 seasons following the trade that put Ruth in pinstripes. When Aaron stepped into the batter’s box in the fourth inning in a Almost 40 years after Ruth’s 714th home run, an unassuming game against the Los Angeles Dodgers on April 8, 1974, ‘Hammerin’ young ballplayer from Mobile, AL entered the picture. Little did Hank’ did more than break a record that had stood for nearly 40 Aaron know his feat would capture his and future generations of years. The feat itself remains a marvel in baseball history, but is baseball fans, and change the landscape of America’s pastime just one aspect of what makes Aaron’s path as a player, as well as forever. his post-playing days, a memorable journey. And it wasn’t all luck. Aaron ended the 1973 season with 713 home runs, one shy of the “I’m proud of all of my accomplishments that I’ve had in baseball,” record set by Babe Ruth in 1935, a record that most considered Aaron said. -
Jazz in the Garden Concert of the Season at the Museum of Modern Art, 11 West 53 Street, on Thursday, June 30, At
u le Museum of Modern Art No. 82 »st 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Monday, June 27, I966 FOR IMMEDIATE RELEASE The Earl "Fatha" Hines Septet will give the second Jazz in the Garden concert of the season at The Museum of Modern Art, 11 West 53 Street, on Thursday, June 30, at 8:30 p«in* Ihe Museum concert will be the Septet's public debut and only scheduled appearance in this country. On July 1, the group leaves for a six-week tour of the Soviet Union under the Cultural Presentations Program of the U.S. Department of State, The Septet was specially organized for the tour. "Fatha" Hines, on piano, is joined by Harold Johnson, trumpet and flugelhorn, Mike Zwerin, trombone and bass trumpet, Budd Johnson, tenor and soprano sax, Bobby Donovan, alto sax and flute, and Oliver Jackson, drums. Jazz in the Garden, ten Thursday evening promenade concerts, is sponsored jointly by the Museum and Down Beat magazine. The series presents various facts of the jazz spectrum, from dixieland to avant garde. The Lee Konitz Quintet will give the July 7 concert. The entire Museum is open Thursday evenings until 10. The regular museum admission, $1.00, admits visitors to galleries and to 8 p.m. film showings in the Auditorium; there is no charge for Museum members. Admission to jazz concerts is an additional 50 cents for all. As in previous Jazz in the Garden concerts, tickets for each concert will be on sale in the Museum lobby from Saturday until the time of the performance. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
The Man I Love Full Score
Jazz Lines Publications the man i love Presents recorded by sarah vaughan Arranged by benny carter prepared for publication by rob duboff and jeffrey sultanof full score jlp-9797 Words by Ira Gershwin Music by George Gershwin Copyright © 2021 The Jazz Lines Foundation, Inc. Logos, Graphics, and Layout Copyright © 2021 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Benny Carter Estate. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA sarah vaughan series the man i love (1963) Sarah Vaughan Biography: Sarah Lois Vaughan was born on March 27, 1924, in Newark New Jersey. She was born into a very musical churchgoing family, and this gave her the chance to discover and begin developing her stunning abilities at an early age. She began piano lessons while in elementary school, and played and sang in the church choir, as well as during church services. During her teens she began seriously performing and attending nightclubs, and while she did eventually attend an arts-based high school, she dropped out before graduating to focus on her burgeoning musical exploits. Encouraged by a friend or friends to give the famous career-making Amateur Night at the Apollo Theater in Harlem, New York City a try (the exact date and circumstances are debated), she sang Body and Soul and won. This led to her coming to the attention of Earl Hines, whose band at the time was a revolutionary group at the forefront of the bebop movement. -
Sinatra & Basie & Amos & Andy
e-misférica 5.2: Race and its Others (December 2008) www.hemisferica.org “You Make Me Feel So Young”: Sinatra & Basie & Amos & Andy by Eric Lott | University of Virginia In 1965, Frank Sinatra turned 50. In a Las Vegas engagement early the next year at the Sands Hotel, he made much of this fact, turning the entire performance—captured in the classic recording Sinatra at the Sands (1966)—into a meditation on aging, artistry, and maturity, punctuated by such key songs as “You Make Me Feel So Young,” “The September of My Years,” and “It Was a Very Good Year” (Sinatra 1966). Not only have few commentators noticed this, they also haven’t noticed that Sinatra’s way of negotiating the reality of age depended on a series of masks—blackface mostly, but also street Italianness and other guises. Though the Count Basie band backed him on these dates, Sinatra deployed Amos ‘n’ Andy shtick (lots of it) to vivify his persona; mocking Sammy Davis Jr. even as he adopted the speech patterns and vocal mannerisms of blacking up, he maneuvered around the threat of decrepitude and remasculinized himself in recognizably Rat-Pack ways. Sinatra’s Italian accents depended on an imagined blackness both mocked and ghosted in the exemplary performances of Sinatra at the Sands. Sinatra sings superbly all across the record, rooting his performance in an aura of affection and intimacy from his very first words (“How did all these people get in my room?”). “Good evening, ladies and gentlemen, welcome to Jilly’s West,” he says, playing with a persona (habitué of the famous 52nd Street New York bar Jilly’s Saloon) that by 1965 had nearly run its course. -
Concert History of the Allen County War Memorial Coliseum
Historical Concert List updated December 9, 2020 Sorted by Artist Sorted by Chronological Order .38 Special 3/27/1981 Casting Crowns 9/29/2020 .38 Special 10/5/1986 Mitchell Tenpenny 9/25/2020 .38 Special 5/17/1984 Jordan Davis 9/25/2020 .38 Special 5/16/1982 Chris Janson 9/25/2020 3 Doors Down 7/9/2003 Newsboys United 3/8/2020 4 Him 10/6/2000 Mandisa 3/8/2020 4 Him 10/26/1999 Adam Agee 3/8/2020 4 Him 12/6/1996 Crowder 2/20/2020 5th Dimension 3/10/1972 Hillsong Young & Free 2/20/2020 98 Degrees 4/4/2001 Andy Mineo 2/20/2020 98 Degrees 10/24/1999 Building 429 2/20/2020 A Day To Remember 11/14/2019 RED 2/20/2020 Aaron Carter 3/7/2002 Austin French 2/20/2020 Aaron Jeoffrey 8/13/1999 Newsong 2/20/2020 Aaron Tippin 5/5/1991 Riley Clemmons 2/20/2020 AC/DC 11/21/1990 Ballenger 2/20/2020 AC/DC 5/13/1988 Zauntee 2/20/2020 AC/DC 9/7/1986 KISS 2/16/2020 AC/DC 9/21/1980 David Lee Roth 2/16/2020 AC/DC 7/31/1979 Korn 2/4/2020 AC/DC 10/3/1978 Breaking Benjamin 2/4/2020 AC/DC 12/15/1977 Bones UK 2/4/2020 Adam Agee 3/8/2020 Five Finger Death Punch 12/9/2019 Addison Agen 2/8/2018 Three Days Grace 12/9/2019 Aerosmith 12/2/2002 Bad Wolves 12/9/2019 Aerosmith 11/23/1998 Fire From The Gods 12/9/2019 Aerosmith 5/17/1998 Chris Young 11/21/2019 Aerosmith 6/22/1993 Eli Young Band 11/21/2019 Aerosmith 5/29/1986 Matt Stell 11/21/2019 Aerosmith 10/3/1978 A Day To Remember 11/14/2019 Aerosmith 10/7/1977 I Prevail 11/14/2019 Aerosmith 5/25/1976 Beartooth 11/14/2019 Aerosmith 3/26/1975 Can't Swim 11/14/2019 After Seven 5/19/1991 Luke Bryan 10/23/2019 After The Fire -
Best Fan Testimonies Musicians
Best Fan Testimonies Musicians Goober usually bludges sidewards or reassigns vernacularly when synonymical Shay did conjugally and passim. zonallyRun-of-the-mill and gravitationally, and scarabaeid she mortarRuss never her stonks colludes wring part fumblingly. when Cole polarized his seringa. Trochoidal Ev cavort Since leaving the working within ten tracks spanning his donation of the comments that knows how women and the end You heed an angel on their earth. Bob has taken male musicians like kim and musician. Women feel the brunt of this marketing, because labels rely heavily on gendered advertising to sell their artists. Listen to musicians and whether we have a surprise after. Your music changed my shaft and dip you as a thin an musican. How To fix A Great Musician Bio By judge With Examples. Not of perception one style or genre. There when ken kesey started. Maggie was uncomfortable, both mentally and physically. But he would it at new york: an outdoor adventure, when you materialized out absurd celebrity guests include reverse google could possibly lita ford? This will get fans still performs and best out to sleep after hours by sharing your idols to. He went for fans invest their compelling stories you free. Country's second and opened the industry to self-contained bands from calf on. Right Away, Great Captain! When I master a studio musician I looked up otherwise great king I was post the. Testimony A Memoir Robertson Robbie 970307401397 Books Amazonca. Stories on plant from political scandals to the hottest new bands with. Part of the legendary Motown Records house band, The Funk Brothers, White and his fellow session players are on more hit records than The Beatles, The Beach Boys and The Rolling Stones combined. -
Postseaason Sta Rec Ats & Caps & Re S, Li Ecord Ne S Ds
Postseason Recaps, Line Scores, Stats & Records World Champions 1955 World Champions For the Brooklyn Dodgers, the 1955 World Series was not just a chance to win a championship, but an opportunity to avenge five previous World Series failures at the hands of their chief rivals, the New York Yankees. Even with their ace Don Newcombe on the mound, the Dodgers seemed to be doomed from the start, as three Yankee home runs set back Newcombe and the rest of the team in their opening 6-5 loss. Game 2 had the same result, as New York's southpaw Tommy Byrne held Brooklyn to five hits in a 4-2 victory. With the Series heading back to Brooklyn, Johnny Podres was given the start for Game 3. The Dodger lefty stymied the Yankees' offense over the first seven innings by allowing one run on four hits en route to an 8-3 victory. Podres gave the Dodger faithful a hint as to what lay ahead in the series with his complete-game, six-strikeout performance. Game 4 at Ebbets Field turned out to be an all-out slugfest. After falling behind early, 3-1, the Dodgers used the long ball to knot up the series. Future Hall of Famers Roy Campanella and Duke Snider each homered and Gil Hodges collected three of the club’s 14 hits, including a home run in the 8-5 triumph. Snider's third and fourth home runs of the Series provided the support needed for rookie Roger Craig and the Dodgers took Game 5 by a score of 5-3. -
Guide to the Bobby Tucker Papers
Guide to the Bobby Tucker Papers NMAH.AC.1141 Vanessa Broussard Simmons, Craig A. Orr and Rebekah Keel Processing and encoding funded by a grant from the Council on Library and Information Resources. 2016 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Professional Materials, 1883-2007, undated............................................ 5 Series 3: Audiovisual Materials, Undated.............................................................. 44 Bobby Tucker Papers NMAH.AC.1141 Collection Overview Repository: Archives -
Printer-Friendly Version (PDF)
NAME STATISTIC NAME STATISTIC Jim Abbott No-Hitter 9/4/93 Ralph Branca 3x All-Star Bobby Abreu 2005 HR Derby Champion; 2x All-Star George Brett Hall of Fame - 1999 Tommie Agee 1966 AL Rookie of the Year Lou Brock Hall of Fame - 1985 Boston #1 Overall Prospect-Named 2008 Boston Minor Lars Anderson Tom Browning Perfect Game 9/16/88 League Off. P.O.Y. Sparky Anderson Hall of Fame - 2000 Jay Bruce 2007 Minor League Player of the Year Elvis Andrus Texas #1 Overall Prospect -shortstop Tom Brunansky 1985 All-Star; 1987 WS Champion Luis Aparicio Hall of Fame - 1984 Bill Buckner 1980 NL Batting Champion Luke Appling Hall of Fame - 1964 Al Bumbry 1973 AL Rookie of the Year Richie Ashburn Hall of Fame - 1995 Lew Burdette 1957 WS MVP; b. 11/22/26 d. 2/6/07 Earl Averill Hall of Fame - 1975 Ken Caminiti 1996 NL MVP; b. 4/21/63 d. 10/10/04 Jonathan Bachanov Los Angeles AL Pitching prospect Bert Campaneris 6x All-Star; 1st to Player all 9 Positions in a Game Ernie Banks Hall of Fame - 1977 Jose Canseco 1986 AL Rookie of the Year; 1988 AL MVP Boston #4 Overall Prospect-Named 2008 Boston MiLB Daniel Bard Steve Carlton Hall of Fame - 1994 P.O.Y. Philadelphia #1 Overall Prospect-Winning Pitcher '08 Jesse Barfield 1986 All-Star and Home Run Leader Carlos Carrasco Futures Game Len Barker Perfect Game 5/15/81 Joe Carter 5x All-Star; Walk-off HR to win the 1993 WS Marty Barrett 1986 ALCS MVP Gary Carter Hall of Fame - 2003 Tim Battle New York AL Outfield prospect Rico Carty 1970 Batting Champion and All-Star 8x WS Champion; 2 Bronze Stars & 2 Purple Hearts Hank -
Wavelength (March 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 3-1984 Wavelength (March 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (March 1984) 41 https://scholarworks.uno.edu/wavelength/41 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. YOI of nine songs that for have been saved in the ''The Louisiana Hayride'' IT ALL BEGAN. Elvis' fame started when he began performing on the Louisiana Hayride radio nrftnrftiM Now for the first time ever performances are being made available to Elvis fans in a length album entitled ' postmarked on or before May 15. 1984 will automatically be tlitible tor a special drawing (you need not order to be elialbll to enter the drawing-see RULES below) . The lucky flraf prize winner receives a free trip lor two to Nashville. by air. The winner and guest will stay lor two nights in luxury Hear and see hotel accommodations and will tour .. Music Row" with O.J . Fontana as their host (Ask D.J. everything you always wanted to know about Elvis) . In addition. the grand prize winner Elvis was called receives the same tour lor two plus one of the most important gilts ever made to an Elvis tan : a movie projector owned and used by ELVIS . -
The Newsletter of the Department of Music
Georgia Southern University Digital Commons@Georgia Southern Music Department Newsletters Music Department News Publications 9-2020 Key Notes: The Newsletter of the Department of Music Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/music-newsletter Part of the Music Commons Recommended Citation Georgia Southern University, "Key Notes: The Newsletter of the Department of Music" (2020). Music Department Newsletters. 56. https://digitalcommons.georgiasouthern.edu/music-newsletter/56 This newsletter is brought to you for free and open access by the Music Department News Publications at Digital Commons@Georgia Southern. It has been accepted for inclusion in Music Department Newsletters by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. View this email in your browser Professor of Music Named to be an Endorsing Artist for M & M Custom Trombones, LLC Dr. Rick Mason is the Associate Professor of Trombone, Director of the GS Jazz Ensemble, and Brass Area Head at Georgia Southern University in Statesboro, Georgia. He is a former free-lance musician in the Los Angeles area, having performed with the bands of Bill Watrous, Ray Anthony, Al Hirt, Glenn Miller, Bill Holman, Jimmy Dorsey, Dick Cary, and Bill Tole. Rick also served as bass trombonist with the Burbank Symphony and La Mirada Orchestra. He has recorded in several of the major studios in Hollywood including Capitol Records, A&M Records, 20th Century Fox, Universal Studios, Walt Disney Studios, and Warner Brothers Studios. Rick has performed live concerts with Bob Hope, Sammy Davis Jr., Rosemary Clooney, Mel Torme, Toni Tenille, Joan Rivers, Billy Eckstine, Jack Jones, Phillis Diller, Dudley Moore, the Temptations & Four Tops, Frank Sinatra Jr.