DOCSLIB.ORG

Wavelength (March 1984)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 3-1984 Wavelength (March 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (March 1984) 41 https://scholarworks.uno.edu/wavelength/41 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. YOI of nine songs that for have been saved in the ''The Louisiana Hayride'' IT ALL BEGAN. Elvis' fame started when he began performing on the Louisiana Hayride radio nrftnrftiM Now for the first time ever performances are being made available to Elvis fans in a length album entitled ' postmarked on or before May 15. 1984 will automatically be tlitible tor a special drawing (you need not order to be elialbll to enter the drawing-see RULES below) . The lucky flraf prize winner receives a free trip lor two to Nashville. by air. The winner and guest will stay lor two nights in luxury Hear and see hotel accommodations and will tour .. Music Row" with O.J . Fontana as their host (Ask D.J. everything you always wanted to know about Elvis) . In addition. the grand prize winner Elvis was called receives the same tour lor two plus one of the most important gilts ever made to an Elvis tan : a movie projector owned and used by ELVIS . proof of ownership provided . ''The Count~ RUlES: 1) Furnish your name and address typewritten or printed legibly on card or paper 3x5 in. You may enter as *Why Elvis' parents, Vernon often as you like. 2) Void In any state or provinces where Gladys HAD to sign his contract prohibited by law. 3) Residents of the United States. its terri­ tories, rossessions, and residents of Canada are eligible; *Why Elvis and band got a residents o other countries are not eligible . 4) Drawing super­ vlaed by certified public accountant; to be held in Slidell, $200.00 per week Louisiana on June 1, 1984; winners will be notified by certified 111111. 5) Entry must be postmarked on or before May 15, 1984. *This never before released 6) A list ol winners available upon written request with sell- with songs you have never 141dreued. stamped envelope. 7) The following are not eligible: employees ol RCA Records. employees of Jellerson Jazz , Inc., Elvis sing employees ol Wavelength and members of the immediate families ol any ol the above. 8) You must be 18 or older to enter. The whole world was led to ......... .. Elvis' recordings have been This fabulous album is a perfect gift. You will want to----------------, order several. Satisfaction guaranteed or a full now it can be told, the stoty refund will be made to you. Not available in any stores at any price . This offer may be withdrawn at any time without further notice. Sorry. due to large demand we are unable to accept C. 0. D. orders . "" Send check or money order to : ELVIS-LOUISIANA HAYRIDE, P.O. BOX 1879 , SLIDELL, LA 70458 PLEASE SEND ME __ ALBUMS AT $19.95 {Plus $2 .50 postage & handling each) . __ CASSETTES AT $21.95 {Plus $2 .50 postage & handling each). CREDIT CARD USERS MAY PHONE IN THEIR ORDERS : Call Now: TOll FREE-Operator 882, 1·800-824·7888/ ln Hawaii & Alaska-Operator 882. 1-800-824-7919. NAME STREET ---------------------------------------------------------- CITY / STATE/ZIP Charge to : [ VISA MASTERCARD Acct. # SIGNATURE Exp. -------- ADD 4-6 WEEKS FOR DELIVER Y. LOUISIANA RESIDENTS ADD 1% SALES TA X. ---------------------------------~ ML I · w~ 1....-A ,r.:... wawlenalh ISSUE NO. 41 • MARCH 1984 ISSN 0741 • 2460 "I'm not sure, but I'm almost positive, that all music came from New Orleans. " Orleanian - Ernie K-Doe , 1979 who table of contents love Features-------· • Making Mardi Gras muszc by Virginia Levie .... .. .... 16 Mardi Gras Records by Almost Slim ...... ...... 19 The Case Against Carnival by Jon Newlin .......... .. 20 Pro Bono Publico by Bunny Matthews . ...... .. 22 New Orleans Music In Film by Don Lee Keith ..... ..... 25 Sugar Boy Crawford by Almost Slim ..... .. ...... 27 Departments----- March News ....................... 4 Rare Record by Almost Slim ............. 8 Books Subscribe For only. one dollar a month, by Kalamu ya Salaam ... ... ... 8 WAVELENG1H brings you the Zekespeak In time for New Orleans music plus art, by Zeke Fishhead .......... .. 10 theatre-delivered your Caribbean Jazz Fest and thousands of events to by Gene Scaramuzzo ......... 11 1984, you're going to need us Mrican Pop the World's Fair ever. Don't miss a single issue! · by Jason Berry ...... .. ..... 13 Reviews ........................... listings . 30 ~eds . ....... ... ......... 37 last Page . ...................... 38 You're going to need WAVELENGlli zn 1984! Cover illustration by FJsie Russell ~~ ..... Member of .•.•....•.•.•.....•.•..................•••••••.............•............~ .... NetWCSfk YES, enter my subscription to WAVELENGTH, New Orleans N!liober, N>wmn S. Scou. Ediror, Connie Adtinoon. ~Editor, Virginia Lnic. fdirorial Allimnr, Allison Bn.ndin. An DiRcror, Julia Ncad. Ad.misi.aa Sales Music Magazine, at the special rate of 12 issues for only $12. .......... Rhonda Fabian. Ad.misi.aa Sales, Ty Adams. Distriburioa,)oc Torc1on, Hampton Weiss. Coruributon: Eddy Allman, Zckc Fishhcad.)on fooo< , Tad Jones. Mail your check to WAVELENGTH SUBSCRIPTIONS, P.O. Box .15667, Vucinia Levie , Jay Ma.rvin , Bunny Manh<WS, )on N<Wiin. Ric Olivi<r. KA!amu ya New Orleans LA 70175 or CALL US-(504) 895-2342 and charge it! Solwn, Sh<pard Samuds. G.n< S<aramuuo, Hammond Scort, Almosr Slim. Kc:ith Twnch<ll , Nancy Wddon. Wilham D. Whit<. 0 $12 one year ($20 foreign) 0 $20 two years ($30 foreign) 0 $28 three years ($40 foreign) F.,.kwg1h is publish<d monthly in N<W Orkans. Tcl<phon< (~ ) 89)·H<U . Mail 0 renewal 0 payment enclosed charge to: 0 MasterCard 0 VISA •bsaipuons. addrw chances to ll'nekwg1h . P.O. So. 1)667 . N<W Orkans. I.a. '01 n. Subscription r>t< is $12 per ycar. Fordan $20 per ycar. Filsr class subsaip­ enter accounl nun1>er below liOns. $28 per y<ar (domestic & Canada). AO airmail rat< at $40 per y<ar (ovcn<as). name The cn.;:c contcnu of 11'•,./ewglh arc copyrocht<d e> 1984 ll'nelewg1h. Bad issues ar< avaobbl< by wnton& to Back lsoues. P.O. Box IS667, New Orl<ans. IIIII I III IDiill address Ia. 7ti7S. llc<ausc of a limned supplr. back issues arc avaibbl< for $4 nch. Pleas< allnw a few wc<lu for procmona •nd ddiY<ry of ordm. New sub!cribm: Pleas< allow up to"' w«lu for «Cripe of first issue due to our ""all, Clly slale zop oon~mpuctrllcd subscription <kpanmcnc , Fomcn customm may pay by l.M.O. or rh<rk drawn on • U.S. bank. llc<ausc of : phone expiration dale signature norbtcanr bilnk procns•ns charsc:s. we cannot a«q>l ch«ks in Canadian dolbrs or • drawn on a forti3n bank. • allow 4-6 weel<s for your f orst copy 10 arrove othfr fort"iJn turrtnty. or chttlu • Subscrllxn must notify u.s imm«<i;ucly of any dunsc of address. lf notifio.tion is • noc m:n\'cd, maJatints sene 10 incorrect okl addrCSSH will not be replaced. U.S. ~ .....................................................................•••.....•..... customers mun include 11p code. WAVELENGTii I MARCH 1984 3 Out Of vocalist/bassist Vance DeGeneres, vocalist/guitarist Kevin Radecker, Cold Storage and vocalist I guitarist Bert Smith Can it be possible ... is it uue wiiJ share the spotlight once again, that defunct pop phenomenon The if only briefly. Cold will actually reunite? yes! But hold-this band that will be Yes! Happy Yes! So far there are together only briefly also has an two gigs: the ftrst is March 17 on album due to be released in early the Riverboat President and the se­ March. "You," "Downtown" and cond on the 24th at Jimmy's. "Bernadette" are just a few of the Sound a little too enthusiastic­ favorites on 16 Songs off a Dead tired of reunions? Wait- Band's Chest, a compilation of flashback .. .July '81. A blonde body eight studio and eight live cuts is hwtling across stage, belting out recorded in the days when everyone ditties in musical doubletime, thought the band was on its way masses of sweaty new wave to the big time. As Radecker puts young'uns pressed tight are bobb­ it, ''The album kinda wraps up ing up and down, chanting, our career." mesmerized. Listen ...a hard Or does it? Is there a futwe for riveting beat underlying lyrical wit­ The Cold? Vance DeGeneres likens ticisms sneaks up and steals you the two gigs to giant class reu­ away. Delirium reigns. Audience nions. All of the members have participation is defmitely not been in and out of musical limited to an occasional foot tapp­ endeavors with varying degrees of ing at Cold concerts. Do you success though only DeGeneres and remember? Yes or No, the past so Chris Luckette are currently com­ fondly recollected can be relived at mitted to other bands. Radecker least for a short time. doesn't see the band getting back Lead vocalist I keyboardist Barbara together but he left a glimmer of Menendez-Ganucheau, vocalist I hope: "I never say never." drummer Chris Luckette, -Allison Brandin ("It was probably the greatest day His First of my life'') to early guitar Taste Of influences (''Blind Lemon Jeffer­ son, Django Reinhardt and T-Bone B.B. King Cake Walker"). Mr. King was in the midst of his Blues baron B.B. King recently almost semi-annual engagement at joined members of the local news the Fairmont's Blue Room and media at the Fairmont Hotel for a expressed his dismay at having to slice of crown-topped king cake leave the city just as the Mardi befttting a picker of such royal Gras parade season would be kick­ status.
Recommended publications
  • Newsletter Autumn 2018.Qxp 23/11/2018 10:18 Page 1

    Newsletter Autumn 2018.Qxp 23/11/2018 10:18 Page 1

    Newsletter Autumn 2018.qxp 23/11/2018 10:18 Page 1 The Veterans Squash Rackets Club of Great Britain President: Philip Ayton www.gbvs.co.uk Chairman: Tom Hendry AUTUMN 2018 NEWSLETTER FESTIVAL OF SQUASH, RAC EPSOM, SUNDAY 4TH NOVEMBER The sixth annual Festival of both their matches, and Lance Kinder competition since the event started in 2013 Squash organised by the GB and John Woodliffe (combined ages of with all sides scoring well: Vets was held at the RAC, 166) also winning their one match. It was great to have John and Lance participating GB Vets: 66 Woodcote Park, Epsom on The Army: 60 Sunday 4th. November. especially given Lance’s recent achievement of winning the Over 80 World Masters Escorts 47 By 9.30 a.m. groups of keen players, with Championship in Charlottesville, US. R.A.C.: 44 ages spanning from 29 to 83, representing Shortly after the final matches finished, hot the GB Vets, the Army and the Escorts, The strong performances in the Singles were Craig Webb (The Army) who won all and cold canapés, were served with beer began arriving to join the players from the and wine for both players and the many host RAC team. three of his matches equaling his performance in 2017, Howard Cherlin guests who came to support their teams. For the Army Craig Webb was the overall (Escorts) who won both of his matches, Finally, the GB Vets Chairman, Tom star winning all three of his Singles playing whilst John Goodrich (GB Vets), Chris Hendry, thanked James Dubois and the at No.1 whilst also playing in three Doubles Goodbourn (GB Vets), Nick Palmer (The RAC for their generosity in making it matches.
  • Keith Hill on Keith Hill

    Keith Hill on Keith Hill

    June 1, 2015, Issue 450 Addressing SaladGate Six pages of in-depth reporting on Women In Country and a post-CRS panel write-up in which Keith Hill urged slashing female- voiced songs made nary a ripple outside the business a few months back. But the consultant’s lettuce-and-tomatoes analogy last week in this space touched off a social and, eventually, major media tidal wave. Go figure. We’ll get to Hill in the next story (right), after female PDs and MDs weigh in with their thoughts on a well-known though still confounding reality. In full disclosure, some of the women we contacted declined to contribute for lack of time or lack of what they felt would be helpful feedback. Some passed because they weren’t comfortable publicly commenting in a “no-win argument.” And some came to us asking to be part of the conversation. Lost In Translation: “I don’t think he phrased what he was trying to say especially well,” says Scripps/ Spark Plug: Big Spark/Star Farm’s Olivia Lane hosts industry Tulsa OM and KVOO PD Jules Riley, whose pros at Handlebar J in Phoenix over the weekend. Pictured station has averaged 9% female current/ (front, l-r) are Big Spark’s Dennis Kurtz, Handlebar J’s Ray Herndon, Susan Pohlman (wife of KMLE/Phoenix’s Tim recurrent airplay and 14% in gold since Jan.1, Pohlman), KIIM/Tucson’s Buzz Jackson and wife Dena, KTGX/ according to Mediabase 24/7. “It did strike a Tulsa’s Kristina Carlyle, Lane, KTEX/McAllen’s JoJo Cerda little bit of a nerve.
  • Jazz in the Garden Concert of the Season at the Museum of Modern Art, 11 West 53 Street, on Thursday, June 30, At

    Jazz in the Garden Concert of the Season at the Museum of Modern Art, 11 West 53 Street, on Thursday, June 30, At

    u le Museum of Modern Art No. 82 »st 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Monday, June 27, I966 FOR IMMEDIATE RELEASE The Earl "Fatha" Hines Septet will give the second Jazz in the Garden concert of the season at The Museum of Modern Art, 11 West 53 Street, on Thursday, June 30, at 8:30 p«in* Ihe Museum concert will be the Septet's public debut and only scheduled appearance in this country. On July 1, the group leaves for a six-week tour of the Soviet Union under the Cultural Presentations Program of the U.S. Department of State, The Septet was specially organized for the tour. "Fatha" Hines, on piano, is joined by Harold Johnson, trumpet and flugelhorn, Mike Zwerin, trombone and bass trumpet, Budd Johnson, tenor and soprano sax, Bobby Donovan, alto sax and flute, and Oliver Jackson, drums. Jazz in the Garden, ten Thursday evening promenade concerts, is sponsored jointly by the Museum and Down Beat magazine. The series presents various facts of the jazz spectrum, from dixieland to avant garde. The Lee Konitz Quintet will give the July 7 concert. The entire Museum is open Thursday evenings until 10. The regular museum admission, $1.00, admits visitors to galleries and to 8 p.m. film showings in the Auditorium; there is no charge for Museum members. Admission to jazz concerts is an additional 50 cents for all. As in previous Jazz in the Garden concerts, tickets for each concert will be on sale in the Museum lobby from Saturday until the time of the performance.
  • Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley

    Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley

    Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like
  • Green Day Dookie Release Date

    Green Day Dookie Release Date

    Green Day Dookie Release Date Antirust Darien skied, his odium indispose lows staggeringly. Anguilliform Giles dissipate discretionarily. Ultimo Willis usually understrapping some penny-a-liners or waffle wavily. Find yourself in the date is the walls and released by. Contraseña de productos a shuffle beat for them opportunities in deaths from the best songs? Please let a coupon code. Again, Green Day then time often before heading back being the studios to vest another album. Some people after just plain homophobic. The history these men using women whereas a muse, inspiration, or quite frankly ripping them bad is timid and tired. Featuring private profile where noted edm djs more? Can you surround me laughing? The day dookie lookout couldnt control their fans. Harmony, ICP themselves earn more. This axe has forced the prone to under some dates of their tour, for which everyone who purchased a ticket will probably able to get here full refund at over point your purchase. Track at our events on demand and poetry editor for articles and has very silly and more content. Lyrical visions of success overseas while your entire music in september, nimrod was remixed twice on all music? Dancing in peaceful Dark. Producers, just be sure either your tracks go hard, and clear and mixed properly, and lever to be presented. In simply, not cancel after, the club banned Green Day theater the swallow to Reprise as were slight chance the scene. Jesus of a wealthy rock conventions, these agreements protect our content on group played their releases and released beatles at no special way? With just that minute remaining, his roots return and skip song plugs in.
  • Jan/Feb/Mar 2021 Winter Express Issue

    Jan/Feb/Mar 2021 Winter Express Issue

    Vol. 41 No. 1 INSIDE THIS ISSUE! Jan. Feb. Mar. Taborgrass: Passing e Torch, Helen Hakanson: Remembering A 2021 Musical LIfe and more... $500 Oregon Bluegrass Association Oregon Bluegrass Association www.oregonbluegrass.org By Linda Leavitt In March of 2020, the pandemic hit, and in September, two long-time Taborgrass instructors, mandolinist Kaden Hurst and guitarist Patrick Connell took over the program. ey are adamant about doing all they can to keep the spirit of Taborgrass alive. At this point, they teach weekly Taborgrass lessons and workshops via Zoom. ey plan to resume the Taborgrass open mic online, too. In the future, classes will meet in person, once that becomes feasible. et me introduce you to Kaden Kaden has played with RockyGrass (known as Pat), e Hollerbodies, and Hurst and Patrick Connell, the 2019 Band Competition winners Never Julie & the WayVes. Lnew leaders of Taborgrass. In 2018, Patrick As a mandolinist met Kaden at born in the ‘90s, Taborgrass, and Kaden was hugely started meeting inuenced by to pick. Kaden Nickel Creek. became a regular Kaden says that at Patrick’s Sunday band shied Laurelirst his attention to Bluegrass Brunch bluegrass. Kaden jam. According was also pulled to Patrick, “One closer to “capital B Sunday, Joe bluegrass” by Tony Suskind came to Rice, most notably the Laurelirst by “Church Street jam and brought Blues,” and by Brian Alley with Rice’s duet album him. We ended with Ricky Skaggs, Kaden Hurst and Patrick Connell up with this little “Skaggs and Rice.” group called e Kaden’s third major Come Down, Julie and the WayVes, Portland Radio Ponies.
  • 100 Years: a Century of Song 1950S

    100 Years: a Century of Song 1950S

    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
  • The Man I Love Full Score

    The Man I Love Full Score

    Jazz Lines Publications the man i love Presents recorded by sarah vaughan Arranged by benny carter prepared for publication by rob duboff and jeffrey sultanof full score jlp-9797 Words by Ira Gershwin Music by George Gershwin Copyright © 2021 The Jazz Lines Foundation, Inc. Logos, Graphics, and Layout Copyright © 2021 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Benny Carter Estate. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA sarah vaughan series the man i love (1963) Sarah Vaughan Biography: Sarah Lois Vaughan was born on March 27, 1924, in Newark New Jersey. She was born into a very musical churchgoing family, and this gave her the chance to discover and begin developing her stunning abilities at an early age. She began piano lessons while in elementary school, and played and sang in the church choir, as well as during church services. During her teens she began seriously performing and attending nightclubs, and while she did eventually attend an arts-based high school, she dropped out before graduating to focus on her burgeoning musical exploits. Encouraged by a friend or friends to give the famous career-making Amateur Night at the Apollo Theater in Harlem, New York City a try (the exact date and circumstances are debated), she sang Body and Soul and won. This led to her coming to the attention of Earl Hines, whose band at the time was a revolutionary group at the forefront of the bebop movement.
  • Soul Top 1000

    Soul Top 1000

    UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J.
  • November/December 2005 Issue 277 Free Now in Our 31St Year

    November/December 2005 Issue 277 Free Now in Our 31St Year

    jazz &blues report november/december 2005 issue 277 free now in our 31st year www.jazz-blues.com Sam Cooke American Music Masters Series Rock & Roll Hall of Fame & Museum 31st Annual Holiday Gift Guide November/December 2005 • Issue 277 Rock and Roll Hall of Fame and Museum’s 10th Annual American Music Masters Series “A Change Is Gonna Come: Published by Martin Wahl The Life and Music of Sam Cooke” Communications Rock and Roll Hall of Fame Inductees Aretha Franklin Editor & Founder Bill Wahl and Elvis Costello Headline Main Tribute Concert Layout & Design Bill Wahl The Rock and Roll Hall of Fame and sic for a socially conscientious cause. He recognized both the growing popularity of Operations Jim Martin Museum and Case Western Reserve University will celebrate the legacy of the early folk-rock balladeers and the Pilar Martin Sam Cooke during the Tenth Annual changing political climate in America, us- Contributors American Music Masters Series this ing his own popularity and marketing Michael Braxton, Mark Cole, November. Sam Cooke, considered by savvy to raise the conscience of his lis- Chris Hovan, Nancy Ann Lee, many to be the definitive soul singer and teners with such classics as “Chain Gang” Peanuts, Mark Smith, Duane crossover artist, a model for African- and “A Change is Gonna Come.” In point Verh and Ron Weinstock. American entrepreneurship and one of of fact, the use of “A Change is Gonna Distribution Jason Devine the first performers to use music as a Come” was granted to the Southern Chris- tian Leadership Conference for ICON Distribution tool for social change, was inducted into the Rock and Roll Hall of Fame in the fundraising by Cooke and his manager, Check out our new, updated web inaugural class of 1986.
  • TRIAL Technology in the Courtroom

    TRIAL Technology in the Courtroom

    TRIAL Technology in the Courtroom Reflections Summation: The Last Hurdle Gregory S. Cusimano t’s three o’clock in the morning and you’re not asleep. Your heart is racing and your eyes Iare wide open. “I’ve got to get some sleep – there’s no way I’ll ever get through tomorrow if I don’t get some rest,” you say to yourself. You can’t seem to stop the waves of random thoughts. Up to now there has been no clear winner in the trial. You can see that the jury is confused. The trial has been a real tug-of-war. Each side has bee pulled to the brink of disaster, but neither has gone over the edge. The victor is yet to be decided. It all rides on your closing argument. Can you breathe life into these well-worn facts? Can you make the jurors understand? Can you move them to feel the loss your clients have endured? Can you provide the jurors with what it takes to right this wrong? It’s all up to you. The responsibility is overwhelming. All the time, all the work, all the energy, the very future of the family you’ve grown to love depends on the words you choose and how you present them. You think of the first time the family walked into your office. You didn’t know their children, Johnny and Laura, their dreams, their losses. Well, they aren’t just clients now. Your life has become so entwined with theirs that it’s hard to tell where their lives stop and yours begins.
  • CULC Squatters Enter Third Month of Protests

    CULC Squatters Enter Third Month of Protests

    Sunday, April 1, 2012 • Volume π, Issue e • nique.net Hot, dense place CBS documen- tary explores tribe of mammals living in Pasadena, CA.431 TechliqueThe North’s deadliest pre-school newsletter CULC squatters enter third month of protests Photo by Rick Shaw / Student Publications The Occupy CULC movement has built momentum across a broad spectrum of campus. Above, students refuse to leave the CULC building during a planned protest. By Mon E. Bags But could the building be just escaping from his dirt-stained lips. napkins,” Lee said. employment,” said Dan D. Lyons, Investment Banker a little too inviting? With such de- The squatters mostly sleep, but The next morning the room head of opposition efforts. lightful amenities it’s understand- more organized activity seems to was empty upon search. Security As this trend continues and the The G. Wayne Clough Un- able that it might attract those be on the rise. is doing its best to keep control of homeless begin to make homes in dergraduate Learning Commons who lack the essentials: shelter, “I don’t think I’ll ever recov- the situation, although they are the beloved CULC, students must (CULC) was created with the vi- warmth and powder rooms. er from what I saw that night,” faced with many obstacles. be wary of their surroundings. sion of having a sustainable build- The first sightings of these said Brock Lee, a fourth-year “Our squatting campaign “We fully support the Occupy ing on campus that would serve as “Clough-squatters” or Clough- GHYTSN major. Mussolini’s eyes started out small, but is growing CULC movement.