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LEND-2017.Pdf Õppekavad Curricula Fotograafia Photography F Maal ja restaureerimine Painting and Restoration Ma Meedia- ja reklaamidisain Media and Advertisement Design Me Mööblidisain ja restaureerimine Furniture Design and Restoration Mö Nahadisain ja restaureerimine Leather Design and Restoration N Skulptuur Sculpture S Tekstiil Textile T Kataloog on valminud enne lõputööde kaitsmisi, seega võib esineda erisusi võrreldes tegeliku lõpetajate nimekirjaga. Catalogue has been prepared before the evaluation of diploma works, therefore there may be differences compared to the final list of graduates. Kujundaja/Design Maarika Martins Trükikoda/Print OÜ Paar Tartu Kõrgem Kunstikool Tähe 38b, 50103 Tartu, Estonia artcol.ee LEND 2017 Tartu Kõrgema Kunstikooli lõputööd Diploma Works of Tartu Art College Tartu 2017 Lõputöö idee sündis tänu minu vana- The idea for the final work came emale, kellega mul oli väga eriline about thanks to my grandmother side. Pärast vanaema lahkumist siit with whom I had a very special bond. ilmast tundsin, et tahan tuua posi- After the granny’s departure from tiivsust ja rõõmu nende eakate ellu, this world, I felt that I want to bring kes on veel meie keskel. positivity and joy to the life of those elderly who are still among us. Lõputööna valmisid portreefotod kuuest hooldekodus elavast huvita- The final work comprises portrait vast eakast inimesest. Igale fotole photos of six exciting elderly people on antud lisaväärtus sellise joonistus- who live in the nursing home. Each detailiga, mis konkreetsel pildil ole- photo is given an added value by a vat inimest iseloomustab. drawn detail that characterises the person on that particular photo. Töö käigus süvenesin erialase kir- janduse abil vananemisesse ja eri- During the work process I used pro- nevatesse võimalustesse, kuidas fessional literature to focus on the eakate elukvaliteeti tõsta. Minu lõpu- subject of aging and different pos- töö eesmärk on tõmmata eakatele sibilities how to improve their qua- tähelepanu, et neid rohkem väär- lity of life. The objective of my final tustataks ja hinnataks. work is to draw more attention to the elderly, and to value and cherish them more highly. KRISTIINA KALAMEES [email protected] Vanaduse väärtustamine läbi visuaali www.kristiinakalamees.com Valuing Old Age Through Visual Juhendajad/Supervisors Sigrid Kuusk, Katrin Lang Konsultant/Consultant Madis Kats 6 F Elsa on metsamehe tütar. Ta on suurema osa oma elust metsas elanud. Võibolla just seetõttu on kõrged kuused talle südame külge kasvanud. Elsa is a daughter of a forester. She has spent the greater part of her life in the forest. Perhaps this is the reason why she is so fond of high spruces. Käsitlen lõputöös krooniliselt haige- The final work is about the social te, kuid ilma väliste haiguse tunnus- position of chronically ill people with teta inimeste positsiooni ühiskonnas. no apparent signs. Within the work Valmib fotoinstallatsioon, mille pea- process a photo installation that tegelastena on portreteeritud kahte focuses on two portrayed people, inimest – Laurat ja Laurit. Laura and Lauri, will be completed. Lood on isiklikud, kuid samas ava- The stories are personal, yet inte- likkusele huvipakkuvad. Kuna kroo- resting for the public. Since there niliste haigustega inimeste suhtes are often misunderstandings about esineb sageli vääritimõistmist, siis people with chronic diseases and on sellest tulenevalt paljudel haige- therefore, many people with these tel tekkinud lisahirme ja -kartusi. diseases experience additional fears and distress. Minu teose eesmärgiks on tõsta ini- meste üldist teadlikkust ning paran- The aim of this project is to raise dada seeläbi haigete ühiskondlikku public awareness and thereby im- positsiooni, muutes nad julgemaks prove the social position of the ill ja avatumaks. ones, by making them bolder and more open. KAROLE KUTSAR [email protected] Silmale nähtamatu Invisible to the Eye Juhendaja/Supervisor Kaisa Eiche Konsultandid/Consultants Madis Kats, Marge Monko 8 F 9 Kuidas on käsitletud alasti keha ob- How is the objectification of a na- jektistamist kunstis ning reklaamin- ked body seen in art and advertising duses läbi ajaloo? Milles seisneb over history? What is meant by the objektistamine ning milliseid objek- objectification and which different tistamise eri vorme võib sealjuures forms this incorporates? I will exa- kohata? Uurin, kas see viis, kuidas mine whether the way how I objec- mina keha objektistan, on tänapäeval tify the body is common today or tavapärane või suudan astuda välja whether I can step out of the wide- tavaks saanud klišeedest? spread approach. Lõputöö praktiline osa on kolme The practical part of the final work aktimaastiku kollaaž. Olen pildista- is a collage of three nude land- nud anonüümseks jäävaid inimesi, scapes. I have taken photos of the püüdes uurida, kas on võimalik ob- people wishing to remain anony- jektistada keha niivõrd, et kaotada mous and tried to examine whether sellest isiku dimensioon; samuti nä- it is possible to objectify the body in ha, kas on võimalik saavutada situat- so far as to lose a person as such sioon, kus paljas ihu ei oma seksu- from this; also to see whether it is aalset alatooni ning kannab endas possible to achieve a situation whe- vaid pinna või kujundi funktsiooni. re the naked body does not have a sexual connotation and incorpora- tes only a function of a surface or shape. KRISTJAN MÕRU kristjanmoru.com Keha. Objekt. Maastik Body. Object. Landscape Juhendaja/Supervisor Herkki Erich Merila 10 F 11 Isiklik kokkupuude eri meelte oma- My personal experience with the vahelise sidestatusega ajendas mind senses being mixed up has induced lähemalt uurima nähtust nimega me to closely explore the pheno- sünesteesia. Kuna sünesteesia on menon called synaesthesia. Since autokommunikatiivse loomuga tee- synaesthesia is a subject of auto- ma, ilmestan kirjutist lisaks interv- communicative nature I, additionally juudele oma isikliku kogemusega. to the interviews, illustrate the pa- per with my personal experience. Eneseuurimine on oluline teiste tundmaõppimiseks ning samuti in- Self-exploration is important also tuitsiooni ja tundlikkuse arendami- for understanding others, as well as seks. Soovin avastada, kuidas eri- for developing intuition and sensiti- nevad inimesed tajuvad samas vity. I wish to discover how different aegruumis viibides reaalsust erine- people perceive the reality in their valt. own way while being in the same space-time. Praktilise osa meediumi valik on ins- pireeritud minu erialasest valgus- The choice of the medium for the kiindumusest, vajadusest luua ruumi practical part is inspired by my pro- ning huvist masinate väärkasutuse fessional affection of light, the need vastu. Iga tehniline detail installat- to create a space and interest to- sioonis on tähenduslik. Loon medi- wards the misuse of machines. Each tatiivse ruumi, mis stimuleerib vaa- detail in the installation has a mea- taja meeli ja ärgitab saavutama ning. I create a meditative space that kontakti oma tajudega. stimulates the senses of a viewer. MARI MÄNNA Sünesteesia. Valguse heli Synesthesia. Sound of Light Juhendaja/Supervisor Taavi Piibemann 12 F Inimese sünni tunnistajaks olemine To be the witness of a birth is an ab- on suur au ja privileeg. Sellega seon- solute honour and privilege. But this duv on aga hoolimata oma argi- sensitive subject always comprises susest justkui saladuskatte all. Tund- in addition to curiosity and excite- liku teemaga kaasnevad alati lisaks ment several distorted understand- uudishimule ja põnevusele ka mit- ings, taboos and unreasonable fears. med moondunud arusaamad, tabud ning põhjendamatud hirmud. In the theoretical part of my final work I reveal the background and Lõputöö teoreetilises osas avan matters behind the scene, by relying sünnituste jäädvustamise tagamaid mainly on my personal experience. ja telgitaguseid, toetudes eelkõige I introduce what is going on during enda kogemustele. Tutvustan nii giving a birth and also the whole sünnitusel toimuvat kui ka kogu process in general – the emotions protsessi ennast – sünnituste ja nen- related to childbirths and docu- de jäädvustamisega seotud emot- menting these events, the people sioone, sellesse kaasatud inimesi involved in this process and the ning inimkehaga toimuvat. changes in human body. Seitsmest fotost koosneva seeriaga With the help of a series of seven kitsendan teemat veelgi ja võtan photos I narrow down the subject fookusesse millegi, mis enamasti even more and focus on something jääb inimestele märkamatuks ning that remains usually invisible for kogu oma olemuses täiesti tund- people and completely unknown in matuks – sünnitusel osalev lapse its essence – the child’s father par- isa. ticipating in the birth process. HANNA ODRAS [email protected] Sünnidokumentalistika – tabud ja normid www.hannaodras.com Birth Documentary – Taboos and Standards Juhendaja/Supervisor Nele Tasane 14 F 15 Tuletants on mind sütitanud juba Fire dance has inflamed me already aastaid. Sellest on saanud minu põ- for years. This has become my main hiline eneseväljenduse viis. way of elf-expression. Lisaks on minu jaoks oluline ja toe- I also find the photographer to have tav roll fotograafial, sest tänu va- a very important and supporting ro- hendatud visuaalidele-piltidele saan le, because thanks to the mediated loomingu suurema publikuni viia visuals I can take my creation to a ning enda sõnumit edasi anda. larger audience and pass along my message. Lõputöö praktilises osas valmivad autoportreed ja
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