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Face Attack in Italian Politics: Beppe Grillo's Insulting Epithets
1 Face attack in Italian politics: Beppe Grillo’s insulting epithets for other politicians1 ABSTRACT The second largest party in the Italian Parliament, the “5-Star Movement” is led by comedian-turned-politician Beppe Grillo. Grillo is well-known for a distinctive and often inflammatory rhetoric, which includes the regular use of humorous but insulting epithets for other politicians, such as Psiconano (“Psychodwarf”) for Silvio Berlusconi. This paper discusses a selection of epithets used by Grillo on his blog between 2008 and 2015 to refer to Berlusconi and three successive centre-left leaders. We account for the functions of the epithets in terms of Spencer-Oatey’s (2002, 2008) multi- level model of “face” and of Culpeper’s (2011) “entertaining” and “coercive” functions of impoliteness. We suggest that our study has implications for existing models of face and impoliteness and for an understanding of the evolving role of verbal aggression in Italian politics. 1. Introduction In the 2013 Italian general election, just under a quarter of the votes went to Il Movimento Cinque Stelle (The 5-Star Movement, or M5S) – a new political entity which had been founded four years before by comedian- turned-politician Beppe Grillo. One of the distinctive characteristics of Grillo’s language as leader of M5S is the coinage of humorous but insulting epithets for other politicians. Below is an extract from an online ‘political communiqué’ written by Grillo shortly after the 2008 general election: I partiti erano uno e bino, psiconano e Topo Gigio. PDL e PD-meno- elle […].(Grillo, n.d., Communiqué number 13) “The parties were one and two-in-one, psychodwarf and Gigio Mouse. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Canyon Theatre Guild Presents
Canyon Theatre Guild presents HAPPY DAYS A NEW MUSICAL Book by Garry Marshall Music and Lyrics by Paul Williams “Happy Days - A New Musical (Full Length Version)” is presented by special arrangement with SAMUEL FRENCH, INC. Presented in part by and Directed by Ingrid Boydston 1st Assistant Director ............................................................ Ines Roberts 2nd Assistant Director .......................................................... Nancy Lantis Choreographer ........................................................ Annette Sintia Duran Mentor Choreographer ..................................................... Musette Caing Fight Choreographer ............................................................ Brad Sergie Vocal Directors ..................................... Carla Bellefeuille & Jack Matson Stage Manager .................................................................... Ines Roberts Assistant Stage Manager ......................................................... Kait LaVo Costumes ........................................................................... Nancy Lantis Set Designer ....................................................................... Jim Robinson Set Decorator ..................................................................... Patrick Rogers Sound Design ............................................. SteVen “Nanook” Burkholder Sound Technician .................................................................. John Boyer Co-Lighting Designers ................. Mackenzie Bradford & Jacob -
Circus Sunday Seward, Tall Twister; Steve Krones, Wesley 6 P.M
Hoag & Sons rrInIpSt'tfK SU an -928U Leola Weston wins coupon drawing 7 % e Leola Weston of R.R. 1, Roberts was announced as the winner of the coupon book drawing held Friday at the Shafer-Pearson Agency. Dr. Chambers of Chats worth drew out the winning contestant. Sl.e will receive a gift certificate for $50 good for any store in Chatsworth. ’P te U n d e o jU ft Also, a second prize of $25 was awarded to Marilyn Vaughan of Piper City. This is valid CHATSWORTH, ILLINOIS (60921), THURSDAY, MAY 14, 1981 only at Kelly’s Store in Chatsworth. CDNE HUNDRED SEVENTH YEAR NUMBER 33 These coupon books were made available <&1H1, Cornbett to the public since April 1. They were good for 30 days in Chatsworth to help promote the businesses in town. Pontiac prison chaplain guest speaker for Lions G. Coleman Akin, senior chaplain at the Klem and Max Moore, vice-presidents; Dan Pontiac Correctional Center, was the speaker Kerber. treasurer; Dr. O.D. Willstead, at Chatsworth Lions' ladies’ night dinner and secretary; and Jerry Oilman, president. program at the Farmers Pub on Monday ese officers also form the new board of evening, May 11. Chaplain Akin gave a moving directors. talk on the importance of the services his Lion president, Richard Pearson, in office performs, and what he feels is the completing his year ir. office, expressed growing effectiveness of his work and that of thanks to all in the club and the community for his four associates. The ministers are visible their help in making the year a successful one in all parts of the center, and he feels that the in community service. -
Happy Days a New Musical Book by Music & Lyrics Garry Marshall by Paul Williams
Please Enjoy the Following Sample • This sample is an excerpt from a Samuel French title. • This sample is for perusal only and may not be used for performance purposes. • You may not download, print, or distribute this excerpt. • We highly recommend purchasing a copy of the title before considering for performance. For more information about licensing or purchasing a play or musical, please visit our websites www.samuelfrench.com www.samuelfrench-london.co.uk Happy Days A New Musical Book by Music & Lyrics Garry Marshall by Paul Williams Based on the Paramount Pictures Television Series “Happy Days” created by Garry Marshall Arrangements and Orchestrations by John McDaniel A Samuel French Acting Edition samuelfrench.com Copyright © 2010 by CBS Studios, Inc. Happy Days Artwork Copyright © 2010 Henderson Production Co., Inc. ALL RIGHTS RESERVED CAUTION: Professionals and amateurs are hereby warned that HAPPY DAYS - A NEW MUSICAL is subject to a Licensing Fee. It is fully protected under the copyright laws of the United States of America, the British Commonwealth, including Canada, and all other countries of the Copy- right Union. All rights, including professional, amateur, motion picture, recitation, lecturing, public reading, radio broadcasting, television and the rights of translation into foreign languages are strictly reserved. In its present form the play is dedicated to the reading public only. The amateur live stage performance rights to HAPPY DAYS, A NEW MUSICAL are controlled exclusively by Samuel French, Inc., and licens- ing arrangements and performance licenses must be secured well in advance of presentation. PLEASE NOTE that amateur Licensing Fees are set upon application in accordance with your producing circum- stances. -
An Analysis of the Cultural Dismissal of Wonder Woman Through Her 1975-1979 Television Series
Dickinson College Dickinson Scholar Faculty and Staff Publications By Year Faculty and Staff Publications Summer 2018 Casting a Wider Lasso: An Analysis of the Cultural Dismissal of Wonder Woman Through Her 1975-1979 Television Series Ian Boucher Dickinson College Follow this and additional works at: https://scholar.dickinson.edu/faculty_publications Part of the American Popular Culture Commons, Criminology and Criminal Justice Commons, Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Television Commons Recommended Citation Boucher, Ian. "Casting a Wider Lasso: An Analysis of the Cultural Dismissal of Wonder Woman Through Her 1975-1979 Television Series." Popular Culture Review 29, no. 2 (2018). https://popularculturereview.wordpress.com/29_2_2018/ianboucher/ This article is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. Popular Culture Review Casting a Wider Lasso: An Analysis of the Cultural Dismissal of Wonder Woman Through Her 1975- 1979 Television Series By Ian Boucher “Every successful show has a multitude of fights, and that the shows are successful sometimes are because of those fights. And sometimes shows aren’t successful because those fights aren’t carried on long or hard enough.” -Douglas S. Cramer “And any civilization that does not recognize the female is doomed to destruction. Women are the wave of the future—and sisterhood is…stronger than anything.” -Wonder Woman, The New Original Wonder Woman (7 Nov. 1975) Abstract Live-action superhero films currently play a significant role at the box office, which means they also play a significant role in culture’s understandings about justice. -
Creating a Culture of Art in an Engineering Education
Paper ID #34857 Building STEAM: Creating a Culture of Art in an Engineering Education Dr. Katherine Hennessey Wikoff, Milwaukee School of Engineering Katherine Wikoff is a professor in the Humanities, Social Science, and Communication Department at Milwaukee School of Engineering, where she Is a member of the UX faculty and teaches courses in communication, film/media studies, and political science. She has a B.A. in political science from Wright State University and an M.A. and PhD in English from the University of Wisconsin-Milwaukee. Mr. James R. Kieselburg, Milwaukee School of Engineering Director and Curator, Grohmann Museum at Milwaukee School of Engineering Adjunct Professor, Visual Design, Milwaukee School of Engineering Margaret T. Dwyer, Milwaukee School of Engineering Margaret Dwyer has been a faculty member of the Milwaukee School of Engineering since 2007. Before coming to the classroom, she spent 15 years working for the state of Wisconsin as a publications edi- tor. She received a Bachelor’s Degree from Marquette University, a Master’s Degree from University of Wisconsin-Madison, and her teaching credentials from University of Wisconsin-Milwaukee. She lives in the Milwaukee area. Dr. Candela Marini, Milwaukee School of Engineering Candela Marini is an Assistant Professor at the Milwaukee School of Engineering, where she co-directs the University Scholars Honors Program and coordinates the Spanish minor. She specializes in 19th- century Latin American history, with a focus on visual culture. She has published numerous articles on Latin American visual culture and literature. c American Society for Engineering Education, 2021 Building STEAM: Creating a Culture of Art in an Engineering Education Abstract This paper discusses an ongoing, successful effort to create a culture of art at a STEM-centered university, not only within the engineering curriculum but also throughout campus life and its physical spaces. -
Hollywood Auction 74
Hollywood Auction 74 372 1-310-859-7701 “The Fonz” Triumph Trophy TR5 1065. HENRY WINKLER “ A RT H UR ‘ T H E F ONZ ’ F ONZARELLI ” SIGNATURE T RIUMP H T ROP H Y TR 5 MOTOR C Y C LE FROM H APPY D AYS . (Paramount TV 1974-84) This is the motor- cycle that helped make Arthur Fonzarelli, “The Fonz,” The icon of cool – the 1949 Triumph Trophy 500 Custom (frame number TC11198T). Originally a bit player, Fonzie/Winkler, became the breakout star of Happy Days — the long running ABC sitcom watched by some 40 million Americans at its ratings peak. The bike was originally owned by Hollywood stuntman, racer and provider of bikes to the studios Bud Ekins (it was Ekins who actually jumped the barbed-wire fence in The Great Escape, doubling for his friend Steve McQueen). This ‘49 Triumph is one of three Triumph motorcycles “The Fonz” used during the show’s 10-year run on ABC. According to Bud Ekins, all three Triumphs used on the show were 500cc Trophy models of various years – two of which went missing/stolen, or raced to the ground and sold for parts. Eventually, when the show ended, Ekins sold the third and only remaining “Fonzie” Triumph to friend and motorcycle collector Mean Marshall Ehlers where it resided since 1990. Designed to accommodate Henry Winkler’s inability to ride larger bikes, Ekins had supplied Paramount’s show producers with the beat-up Scrambler, yanking off the front fender, bolted on a set of buckhorn handle bars and spray painted the fuel tank silver. -
Italian-American Actors
HOME Article from TOURISM ITALIAN-AMERICAN Italian-American Actors October 25, 2018 7:05 pm by AdminViews: 256 Is your favorite Italian American actor really of Italian decent, or just a convincing actor? Peter Falk, the dearly missed actor who played TV’s cunning inspector Colombo, used to do such an excellent job at imitating the Italian American sleuth that most TV viewers believe he was of Italian descent. In reality, Falk was Russian and Polish, with a mix of Hungarian and Czech further back in his ancestry. So, contrary to Falk’s public image, he was not Italian American, but a mixture of very hardy Eastern European stock. On the other hand, there are actors, who are of actual Italian heritage but, because of a changed name and the roles they choose to play, are rarely linked to their Italian ancestry. For example, actor Allen Alda, ‘Hawkeye’ of TV’s M.A.S.H. fame, was born Alfonso D’Abruzzo. When the actor’s father, Robert Alda, entered show business he changed his Italian surname to better assimilate into American culture. On the other hand, there are actors, who are of actual Italian heritage but, because of a changed name and the roles they choose to play, are rarely linked to their Italian ancestry. For example, actor Allen Alda, ‘Hawkeye’ of TV’s M.A.S.H. fame, was born Alfonso D’Abruzzo. When the actor’s father, Robert Alda, entered show business he changed his Italian surname to better assimilate into American culture. Actress Yvonne DeCarlo, ‘Lilly Munster’ of TV’s “The Monsters”, was born Peggy Middleton, but changed her average sounding name to the more exotic, Italian-sounding, Yvonne DeCarlo, which in fact was her mother’s maiden name. -
Children's Perceptions of Moral Themes in Television Drama
DOCUMENT RESUME ED 263 635 CS 505 098 AUTHOR Christenson, Peter G. TITLE Children's Perceptions of Moral Themes in Television Drama. PUB DATE May 85 NOTE 30p.; Paper presented at the Annual Meeting of the International Communication Association (35th, Honolulu, HI, May 23-27, 1985). PUB TYPE Reports - Research/Technical (143) -- Speeches /Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Child Development; Childhood Attitudes; Children; *Cognitive Development; Cognitive Processes; Elementary Education; Grade 1; Grade 3; Grade 4; Grade 6; Kindergarten; *Moral Values; Programing (Broadcast); Television; *Television Viewing; *Value Judgment ABSTRACT To determine children's perceptions of underlying morals or messages in television drama, a study was conducted in which four early prime time situation comedies were selected for viewing by 15 children per program in kindergarten/first grade, 15 children per program in third/fourth grade, and 8 childrenper program at the sixth grade level. The children were removed from classrooms in groups of three or four and shown one of the four programs. After viewing the program, the children were taken to another room and interviewed. Almost none of the kindergartners and first graders was able to see a lesson that unified the content of the program, but almost 40% of the sixth graders could correctly identify a lesson. These results suggest that children's ability to identify a moral or lesson may depend on their comprehension of plot and require a higher level of cognitive development. -
Philanthropy, Fonzie Style Like the Beloved Character He Played on the Sitcom Happy Days for a Decade, Henry Winkler Is Funny, Charming, and Caring
Philanthropy, Fonzie Style Like the beloved character he played on the sitcom Happy Days for a decade, Henry Winkler is funny, charming, and caring. From the moment he walked on stage during Philanthropy Southwest’s Annual Conference in Santa Fe, Winkler had the crowd laughing and engaged. Throughout a humorous sharing of his life journey from New York to Hollywood, he wove in powerful points about his passion for supporting kids with learning disabilities. Despite his fame and good fortune on TV, Winkler grew up being told – and believing – he was stupid. Not until he was 31 was he diagnosed as severely dyslexic. “One out of five kids has some sort of learning challenge,” said Winkler. “It is up to us to make sure they are buoyed, and to help them fly like eagles.” With the help of his business partner, Lin Oliver, Winkler is doing just that. Together, they have written more than two dozen “Hank Zipzer” books. Hank, short for Henry, and Zipzer, for “a woman who lived in my apartment building when I was growing up,” achieves great things, in spite of being dyslexic. “We celebrate the top 10% of school classes,” said Winkler, “and that’s great, because we need doctors, scientists, and engineers. But we also need to find ways to support the dreams and ambitions of all kids with different talents. “You have greatness inside you. You are not defined by school. Find out what’s inside of you – there’s not one adult in the world who cannot wait to see what you will become,” said Winkler. -
The Rule of Cool: an Intersection of the Raffles and Vega Family Lines
The Rule Of Cool: An Intersection of the Raffles and Vega Family Lines By J. Walker Bryson Many of my readers may already be familiar with the exploits of Wold-Newton family member A.J. Raffles1, as recorded in a series of stories by acclaimed author E.W. Hornung. For the uninitiated, let me say that Mr. Raffles was a “cracksman,” or burglar, of no small skill during Victorian times, and additionally wielded a mean cricket bat (Or whatever they call it. As an unwashed American, much of the terminology used in this game is unfamiliar to me). Raffles died in the Boer War in South Africa at the turn of the century, attempting to reclaim his good name after having been uncovered as a thief among the upper classes. However, recent research indicates that this was not the end of the Raffles story. Sources indicate that Mr. Raffles fell in love with an Italian nurse while at the front, a Sicilian woman attempting to bring honor to her family through service to her church. On the verge of taking her vows as a nun, she changed her plans upon meeting the dashing young adventurer. Carlotta Fonzarelli married A.J. Raffles in a Catholic ceremony shortly before he was sent into action as a spy. He was killed in action after being unmasked. Carlotta returned to her family in Sicily, near the town of Corleone. She was taken in by the Andolinis2, distant cousins of hers. Later in the year, she gave birth to Santino. Rather than subject him to an obviously English name among the nationalistic Sicilians, Carlotta made sure that he was referred to as a Fonzarelli.