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The Inventory of the Robin Williams Collection #1787

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The Inventory of the Robin Williams Collection #1787 The Inventory of the Robin Williams Collection #1787 Howard Gotlieb Archival Research Center BOSTON UNIVERSITY Williams, Robin #1787 8/29/11, 8/31/11, 9/01/11, 9/13/11, 11/14/11, 11/23/11, 11/28/11, 1/10/12 Preliminary Listing I. Manuscripts. A. Files; includes TS and TS scripts, some with holograph corrections, files may include production schedules, storyboards, sheet music, color prints, correspondence. Box 1 1. “Aladdin Production 0514 Recording Script- Genie, 9/18/91.” [F. 1] 2. “August Rush,” 2006, includes photographs: [F. 2] a. Color print of Jonathan Rhys Meyers and Keri Russell, 2006. b. Color print of Freddie Highmore (in profile), 2006. c. Color print of Jonathan Rhys Meyers, Freddie Highmore, Keri Russell, and RW, 2006. d. Color print of RW, 2006. e. Color print of Jonathan Rhys Meyers and Keri Russell, 2006. f. Color print of Freddie Highmore, 2006. g. Color print of Jonathan Rhys Meyers and Freddie Highmore, 2006. h. Color print of Jonathan Rhys Meyers and others, 2006. i. Color print of Freddie Highmore, 2006. j. Color print of RW and Freddie Highmore from ‘August Rush’, 2006. 3. “Awakenings,” 10/02/89-12/15/89. [F. 3-4] 4. “Father’s Day,” 1996. [F. 5-6] 4. “Good Morning Vietnam,” 1987. [F. 7] 5. “Hamlet,” 1996. [F. 8] 6. “Night at the Museum,” 2006. [F. 9] 7. “Old Dogs,” 2007. [F. 10-11] 8. “Seize the Day,” 1985. [F. 12] B. Screenplays. 1. “The Adventures of Baron Munchausen” by Charles McKeown and Terry Gilliam, "draft 8 ½ a," TS, 116 p., 11/6/87. [F. 13] 2. “Aladdin and the King of Thieves,” by Mark McCorkle and Robert Schooley. a. Draft, TS, 141 p., 1994. [F. 14] b. "Aladdin Production 0514 Recording Script- Genie." (i) TS with holograph notes, 95 p., 1/22/91. [F. 15] (ii) "Previously Recorded Sides, Sequences 011 & 013,” TS with holograph notes, 45 p., 6/15/91. [F. 16] Williams, Robin (2011-2012) Page 1 of 90 (iii) "New Recording Sides, Sequences 001- 016,” TS with holograph notes, 62 p., 6/15/91. 3. “August Rush.” a. Draft with revisions by Kristen Sheridan and Richard B. Lewis, TS, 112 p., 1/9/06 - 3/7/06. [F. 17] b. Draft with revisions by Kristen Sheridan, TS, 114 p., ca. 2006. [F. 18] Box 2 4. “Being Human,” by Bill Forsyth, 5th draft, TS, 133 p., Aug. 1992. [F. 1] 5. “Birds of a Feather” (later became “The Birdcage”), by Elaine May, TS with holograph notes, 301 p., 4/17/95 - 6/23/95. [F. 2-4] 6. “The Best of Times,” by Ron Shelton, script fragments, 12 p., ca. 1985-1986. 7. “Club Paradise (Island Jack)," by Harold Ramis and Brian Doyle- Murray, 2nd draft, TS with holograph notes, 127 p., 2/15/85; includes 2nd draft revised pages and production materials, 48 p., 2/15/85. [F. 5] 8. “Deconstructing Harry,” by Woody Allen, script fragment, 5 p., ca. 1997, includes: (i) Allen, Woody. ANS, n.d. 9. “Father’s Day,” by Lowell Ganz and Babaloo Mandel, shooting script draft, TS with holograph notes, 124 p., 6/19/96. [F. 6] 10. “Ferngully: The Last Rainforest,” by Jim Cox, 3rd draft and revisions, TS with holograph notes, 8/1/90, 8/9/90. [F. 7] 11. “Good Morning, Vietnam,” by Mike Markowitz. a. Revised draft, TS with holograph notes, 135 p., 2/10/87 - 3/23/87. [F. 8] b. Revised draft, TS with holograph notes, 153 p., 2/10/87 - 3/23/87. [F. 9] 12. “Happy Feet,” by George Miller, Judy Morris, Warren Coleman, John Collee, TS, 120 p., 3/18/02. [F. 10] 13. “Hook,” by James V. Hart and Malia Scotch Marmo, 3rd draft, 2nd revision, TS with holograph notes, includes correspondence and holograph notes, 131 p., 2/5/91. [F. 11] 14. “House of D,” by David Duchovny, TS, approx. 150 p., 8/18/03 - 10/20/03. [F. 12] 15. “Insomnia,” by Hilary Seitz, final writer’s draft with revisions by Christopher Nolan, TS, approx. 150 p., 2/16/01 - 6/12/01. [F. 13] 16. “Jack,” by James DeMonaco and Gary Nadeau, bound mini- shooting script, TS, 124 p., 10/5/95. [F. 14] 17. “Jakob the Liar,” by Peter Kassovitz, Didier Decoin, and Ron Hutchinson, final shooting script with revisions, TS with holograph notes, 153 p., 9/24/97, 10/6/97. [F. 15-16] 18. “Jumanji,” by Greg Taylor, Jim Strain, Chris Van Allsburg, and Jonathan Hensleigh; shooting script with revisions by Carroll Cartwright and Topper Lilien, TS, 117 p., 9/25/94 - 1/16/95.[F. 17] Williams, Robin (2011-2012) Page 2 of 90 Box 3 19. “License to Wed,” by Kim Barker, revisions by various others, TS, 120 p., 5/22/06 - 6/22/06. [F. 1] 20. “Man of the Year,” by Barry Levinson. a. Draft, TS , 120 p., summer 2005. [F. 2] b. 9th draft, TS, includes production shooting schedules, approx. 200 p., Sep. 2005 - 1/10/06. [F. 3-4] c. Draft, TS, signed by RW, Laura Linney, Christopher Walken, Lewis Black, and Barry Levinson, approx. 150 p., 2006. [F. 5] 21. “Moscow on the Hudson” by Paul Mazursky and Leon Capetanos. a. Final draft, TS, 97 p., n.d. [F. 6] b. Revised final draft, TS, 132 p., n.d. [F. 7] 22. “Night at the Museum,” by Thomas Lennon and Robert Ben Garant, revised by Scott Frank, TS, 116 p., 2/4/05. [F. 8] 23. “Nine Months,” by Chris Columbus, TS with holograph notes, includes production shooting schedules and correspondence, 127 p., 9/16/94 - 11/17/94. [F. 9] 24. “Popeye,” by Jules Feiffer, final script, TS, 147 p., 8/11/80. [F. 10] 25. “RV,” by Geoff Rodkey. a. 3rd draft with revisions by Lowell Ganz and Babaloo Mandel, TS, 133 p., 10/28/04. [F. 11] b. Fragment, TS with holograph notes, 2 p., 1/17/06. 26. “The Secret Agent,” by Christopher Hampton, 1st draft, TS, 99 p., 5/30/91. [F. 12] 27. “Shakes the Clown,” by Bobcat Goldthwait, 6th draft, TS, 88 p., 6/19/90. [F. 13] 28. “The Survivors,” by Michael Leeson, TS, 117 p., June 1982.[F. 14] 29. “To Wong Foo, Thanks for Everything, Julie Newmar,” by Douglas Carter Beane, TS, includes production shooting schedule and correspondence, approx. 150 p., 6/13/94 - 7/24/94. [F. 15] 30. “Toys,” by Valerie Curtin and Barry Levinson. a. Draft, TS, 137 p., 1/92. [F. 16] b. Fragment from draft, 3 p., 2/10/92. 31. “The World According to Garp” by Steve Tesich, final draft, TS with holograph notes, 139 p., Jan. 1981. [F. 17] 32. “World’s Greatest Dad,” by Bobcat Goldthwait, 7th draft, TS with holograph notes, approx. 250 p., 6/19/08 - 8/12/08. [F. 18-19] Box 4 C. Play scripts. 1. “The Exonerated,” by Jessica Blank and Erik Jensen, TS, 50 p., 2000 - 11/03/03. [F. 1] 2. “Waiting for Godot: A Tragicomedy In Two Acts,” by Samuel Beckett, TS with holograph notes, 190 p., n.d. [F. 2] D. Teleplays. 1. “The Billy Crystal Comedy Hour,” episode #1002, airdate 1/30/82, TS, 132 p. [F. 3] 2. “A Carol Burnett Special: Laughing Matters.” Williams, Robin (2011-2012) Page 3 of 90 a. Final draft (2 copies), TS (with holograph notes), 93 p., 5/1/86. [F. 4-5] b. 2nd revised draft, TS, approx. 200 p., 5/02/86. [F. 6] 3. “Comic Relief.” a. Revised draft, TS, 230 p., 3/27/86 - 3/28/86. [F. 7-8] b. “Comic Relief IV,” revised draft, TS, 137 p., 1/12/94 - 1/13/94. [F. 9] 4. “Great Minds Think for Themselves.” a. “Albert Einstein,” by Michael Karnow, Lance Khazei, Mark McCorkle and Robert Schooley, TS with holograph notes, 4 p., includes research materials, 4 p., 1/24/97 - 2/18/97. [F. 10] b. “Barbara McClintock,” by Gary Sperling, TS with holograph notes, 4 p., includes research materials, 3 p., 1/17/97 - 2/18/97. c. “Barbara Rose Johns,” by Michael Karnow and Lance Khazei, TS, 4 p., 2/11/97 - 2/18/97. d. “Benjamin Franklin,” by Mark McCorkle and Robert Schooley, TS with holograph notes, includes research materials, 3 p., 1/17/97 - 2/18/97. e. “Cesar Chavez,” by Mark McCorkle and Robert Schooley, TS with holograph notes, 4 p.., includes research materials, 2 p., 1/17/97 - 2/18/97. f. “Clara Barton,” by Mark McCorkle and Robert Schooley, TS, 3 p., includes research materials, 4 p., 1/17/97 - 2/18/97. g. “Elizabeth Blackwell,” by Mark McCorkle and Robert Schooley, TS, 4 p., 1/17/97 - 2/18/97. h. “George Washington Carver,” by Gary Sperling, TS, 5 p., includes research materials, 2 p., 1/24/97 - 2/18/97. i. “Jackie Robinson,” by Gary Sperling, TS with holograph notes, 4 p., includes research materials, 5 p., 1/24/97 - 2/18/97. j. “John Muir,” by Gary Sperling, TS with holograph notes, 5 p., 2/11/97 - 2/18/97. k. “Louis Armstrong,” by Gary Sperling, TS, 4 p., includes research materials, 9 p., 1/17/97 - 2/18/97. l. “Sequoyah,” by Michael Karnow and Lance Khazei, TS with holograph notes, 4 p., 2/11/97 - 2/18/97. m. “Sojourner Truth,” by Mark McCorkley and Robert Schooley, TS with holograph notes, 5 p., 2/20/97. n. “Susan B. Anthony,” by Michael Karnow and Lance Khazei, TS, 4 p., 2/11/97 - 2/18/97. o.
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