Thomas Heatherwick

Total Page:16

File Type:pdf, Size:1020Kb

Thomas Heatherwick THOMAS HEATHERWICK Thomas Heatherwick is the founder of Heatherwick Studio. At the heart of his studio’s work is a profound commitment, at every scale, to finding innovative design solutions with an absolute dedication to artistic thinking and the latent potential of materials and craftsmanship. Notable projects include the Olympic Cauldron for the 2012 Olympic Games, the New Bus for London, and the award winning UK Pavilion for the Shanghai World Expo 2010. The studio’s current work includes two large scale developments in Shanghai; a university building in Singapore; a new distillery in the south of England; a museum of contemporary African art in Cape Town and a 200-passenger boat for a river estuary in France. Thomas is an Honorary Fellow of the Royal Institute of British Architects; a Senior Research Fellow at the Victoria & Albert Museum; and has been awarded Honorary Doctorates from the Royal College of Art, University of Dundee, University of Brighton, Sheffield Hallam University and University of Manchester. In 2013 he was elected a Royal Academician by the Royal Academy of Arts, London. Thomas was on the panel of The Farrell Review of Architecture and the Built Environment, published in Spring 2014. In 2004 Thomas was the youngest practitioner to be appointed a Royal Designer for Industry. He was awarded the Prince Philip Designers Prize in 2006 and the London Design Medal in recognition of his outstanding contribution to design in 2010. In 2013, he was awarded the Critics’ Circle Visual Arts and Architecture Award and he was appointed Commander of the Order of the British Empire (CBE) for services to the design industry. Heatherwick Studio was formed in 1994. Today a team of over 160 architects, designers and makers work from a combined studio and workshop in Kings Cross, London, UK. The work of Heatherwick Studio was the subject of a major retrospective exhibition at the Victoria & Albert Museum, London in 2012 and is currently the subject of a North America exhibition tour. In May 2012, ‘Thomas Heatherwick: Making’ was published, a monograph that presents an extensive survey of the studio’s. .
Recommended publications
  • 50 City Stories Explored 5 0 City Sto Rie S Exp Lo
    50 city stories explored 50 city stories explored city stories “The urbanisation challenge is big, it is real and it is with us now. Future generations will live with how we handle it. At Arup, we have joined the challenge – with interventions large and small – to deliver better cities in our ongoing mission to shape a better world.” Gregory Hodkinson Arup Group Chairman Arup Design Book www.arup.com 50 city stories explored Foreword Gregory Hodkinson The urbanisation challenge is big, it is real and it is with us now. Between 1950 and 2050, the global population is likely to quadruple, from 2.5bn to nearly 10bn. Not so long ago, many commentators believed that such a number would be unsupportable. Yet the inexorable growth continues. The urban population is growing at an even faster rate. In the next 35 years, the number of city dwellers will increase from 4bn today to over 6.5bn. Africa and Asia will accommodate 90% of this growth. The rate, scale and concentration of urbanisation in this century is, of course, unprecedented. To accommodate it, the resources of cities, nations, international institutions, civil society and the private sector are being stretched. If our cities are to be efficient, liveable, resilient and sustainable, the relatively long life-cycle of urban development means we can ill afford to get it wrong. It is a challenge that cities around the world must confront, regardless of their size, wealth or location. Future generations will live with how we handle it. At Arup, we have joined this challenge – with interventions large and small – to deliver better cities in our ongoing mission to shape a better world.
    [Show full text]
  • Thomas Heatherwick, Architecture's Showman
    Thomas Heatherwick, Architecture’s Showman His giant new structure aims to be an Eiffel Tower for New York. Is it genius or folly? February 26, 2018 | By IAN PARKER Stephen Ross, the seventy-seven-year-old billionaire property developer and the owner of the Miami Dolphins, has a winningly informal, old-school conversational style. On a recent morning in Manhattan, he spoke of the moment, several years ago, when he decided that the plaza of one of his projects, Hudson Yards—a Doha-like cluster of towers on Manhattan’s West Side—needed a magnificent object at its center. He recalled telling him- self, “It has to be big. It has to be monumental.” He went on, “Then I said, ‘O.K. Who are the great sculptors?’ ” (Ross pronounced the word “sculptures.”) Before long, he met with Thomas Heatherwick, the acclaimed British designer of ingenious, if sometimes unworkable, things. Ross told me that there was a presentation, and that he was very impressed by Heatherwick’s “what do you call it—Television? Internet?” An adviser softly said, “PowerPoint?” Ross was in a meeting room at the Time Warner Center, which his company, Related, built and partly owns, and where he lives and works. We had a view of Columbus Circle and Central Park. The room was filled with models of Hudson Yards, which is a mile and a half southwest, between Thirtieth and Thirty-third Streets, and between Tenth Avenue and the West Side Highway. There, Related and its partner, Oxford Properties Group, are partway through erecting the complex, which includes residential space, office space, and a mall—with such stores as Neiman Marcus, Cartier, and Urban Decay, and a Thomas Keller restaurant designed to evoke “Mad Men”—most of it on a platform built over active rail lines.
    [Show full text]
  • The Londons New Routemaster Free
    FREE THE LONDONS NEW ROUTEMASTER PDF Tony Lewin,Thomas Heatherwick | 160 pages | 12 May 2014 | Merrell Publishers Ltd | 9781858946245 | English | London, United Kingdom Heatherwick Studio | Design & Architecture | New Routemaster Looks like The Londons New Routemaster article is a bit old. Be aware that information may have changed since it was published. Earlier this year, as he was stepping off the back of a New Routemaster, a friend of mine had his knee twatted by a door mechanism that was channeling the till from Open All Hours. Reeling from the pain, he wondered whether it was the The Londons New Routemaster or the bus that was to blame. Actually, it was Boris Johnson's fault. According to a promise Johnson had made to Londoners, that door was never going to be there in the first place. In his former guise as Mayor of London back inJohnson had pledged — as a flagship part of his manifesto, mind — that every New Routemaster would have a 'hop on, hop off' option, each vehicle manned by a conductor. It was going to be just like in the good old days. If that sounded too good financially reckless to be true, it was. Bythe open platform, and accompanying The Londons New Routemaster, were consigned The Londons New Routemaster the scrapheap. The conductors' job, by the way, had never been to sell tickets, which they couldn't. It was, presumably, to ensure that the mayor's encouragement for Londoners to leap at moving vehicles with Flynn-esque derring-do, didn't end up in a flurry of law suits.
    [Show full text]
  • The Garden Bridge Design Procurement
    GLA Oversight Committee The Garden Bridge Design Procurement March 2016 ©Greater London Authority March 2016 GLA Oversight Committee Members Len Duvall (Chair) Labour Tony Arbour (Deputy Chair) Conservative Jennette Arnold OBE Labour Gareth Bacon Conservative Roger Evans Conservative Darren Johnson Green Joanne McCartney Labour Caroline Pidgeon MBE Liberal Democrat Navin Shah Labour Role of the GLA Oversight Committee The GLA Oversight Committee is responsible for a range of matters, including responding on the Assembly’s behalf to formal staffing consultations from the GLA’s Head of Paid Service, monitoring scrutiny expenditure and approving the expenditure over a certain level, approving rapporteurship proposals, overseeing the programming of the Assembly’s business and recommending to the Mayor a budget proposal for the Assembly for the financial year and then allocating that budget. In addition, the GLA Oversight Committee now has responsibility for scrutinising any actions or decisions taken by the Mayor on matters relating to education. The Committee usually meets ten times a year. Contact Alison Bell, External Relations Manager Email: [email protected] Contact: 020 7983 4228 2 Contents Chair’s foreword ................................................................................................. 4 Executive summary ............................................................................................. 7 1. Introduction ...............................................................................................
    [Show full text]
  • Thomas Heatherwick Presentation March 2021
    Thomas Heatherwick Designing the Extraordinary Hazel Frith March 2021 UK Pavilion Shanghai 2010 • Born 17 February 1970, now 51 • Attended Sevenoaks School • Studied what was then ‘Wood, Metal, Glass and Ceramics’, now Three-Dimensional Design, at Manchester Polytechnic • Followed by MA Royal College of Art • Mother jeweller, grandmother textile designer, great grandfather owned Jaeger Heatherwick Studio philosophy ‘The discipline of ideas’ Please note all images copyright Heatherwick Studio unless stated Three dimensional design - not multidisciplinary architecture, sculpture, furniture, metalwork, fashion Early Work Kiosk/Pavilion 1991-2 • Now owned by Cass Foundation Goodwood Sculpture Park Early Work Gazebo 1994 • RCA final project • Sponsored by Terence Conran, built in his garden • Tilting stacks of birch ply support each other structurally • 18 feet high Heatherwick Studio Founded 1994 Harvey Nichols Facade 1997 London Fashion Week • First major public design project • Ribbon of laminated birch ply winding in and out of shop frontage • ‘Playful urban surrealism’ - The Architectural Review • Won a D&AD Gold Award Materials House 1998-9 Materials Gallery, Science Museum, London • Lottery funded commission • Combines 213 different materials built up in undulating layers • Intended to be exploratory and tactile • Library describing the materials adjacent Photographs Science Museum Chandelier - Bleigiessen 2002 Wellcome Trust • 42,000 droplets of glass suspended on 27,000 high tensile wires • Hanging down through 8 floors Photography Wellcome
    [Show full text]
  • Review of the Garden Bridge Project
    The Garden Bridge Executive Summary 1. On 19 October, the Mayor of London, Sadiq Khan formally appointed me to undertake a review of the Garden Bridge project. This review does not seek to assess whether building a Garden Bridge over the River Thames is a good idea; that is a matter for the Mayor, and I made clear at the start of this review process that I had no view. I have studied the papers to which I have been given access and have held meetings with relevant stakeholders and others who have asked to see me. 2. My conclusions on value for money, escalating costs and conduct and procedures are set out in this summary: Value for money 3. Decisions on the Garden Bridge were driven by electoral cycles rather than value for money. From its inception when there was confusion as to its purpose, through a weak business case that was constructed after contracts had been let and money had been spent, little regard has been had to value for money. 4. The original ambition to fund the Garden Bridge solely through private finance has been abandoned. Furthermore the goalposts have moved several times and each time the risks to the taxpayer have intensified. Looking to the future, the costs of construction have escalated and are likely to increase further. What started life as a project costing an estimated £60 million is likely to end up costing over £200 million. At the same time the Garden Bridge Trust has lost two major donors and has only secured £69 million in private funding pledges, leaving a gap of at least £70 million that needs to be raised for the capital investment.
    [Show full text]
  • Annual Review 2011/12
    RCA ANNUAL REVIEW 2011/ 12 Royal College of Art Annual Review 2011/12 18 School of Architecture Architecture 20 School of Communication Animation Visual Communication 30 Research RCA 22 School of Design 34 Design Interactions Helen Hamlyn Centre Design Products for Design Innovation Design Engineering 36 Vehicle Design InnovationRCA 24 38 School of Fine Art Industry Partnerships Painting Photography 40 Printmaking FuelRCA Sculpture Drawing Studio/ 41 2 Moving Image Studio Scholarships Rector’s Review 26 42 4 School of Humanities SustainRCA Student Statistics Critical & Historical 2011/12 Studies 43 Critical Writing in ReachOutRCA 6 Art & Design 2011/12 to View Curating Contemporary 44 Art Alumni 10 V&A / RCA History 175 Years of the of Design 46 Royal College of Art Donors & Sponsors 28 12 School of Material 48 Show RCA 2012 Ceramics & Glass Honours & Appointments Goldsmithing, /Court Membership 14 Silversmithing, Battersea Developments Metalwork & 50 Jewellery Council Membership 16 Fashion Menswear New Academic Fashion Womenswear 51 Programmes Textiles Summary Accounts This year Professor Jane Pavitt became Dean Rector’s of Humanities, having joined the College in 2011 as Head of History of Design. In addition to her academic activities at the RCA, she managed to find time to Review co-curate the highly successful Postmodernism: Style and Subversion 1970–1990 exhibition at the Victoria and Albert Museum with the museum’s Head of Research, Dr Glenn Adamson. The History of Design joint Master’s programme, run by the V&A and the RCA, also celebrated its thirtieth anniversary in 2012. In research terms, the RCA was successful in securing its largest-ever grant from Research Councils UK, working in collaboration with the universities of Lancaster and Newcastle.
    [Show full text]
  • Thomas Heatherwick: Making Free
    FREE THOMAS HEATHERWICK: MAKING PDF Thomas Heatherwick,Maisie Rowe | 608 pages | 08 Mar 2013 | Thames & Hudson Ltd | 9780500290934 | English | London, United Kingdom Thomas Heatherwick : Making - - Purchase your copy here. A public space like no other, Vessel was designed to give New Yorkers and visitors a unique vertical experience. In this book, readers can witness every part of its development, from initial designs to the finished Thomas Heatherwick: Making. Copies can be purchased here. Produced by Italian furniture manufacturer Magis and made from moulded polypropylene, the plastic Spun chair is suitable for both indoor and outdoor use. The studio produces a range of limited edition Spun chairs which are produced by master spinners in Italy and finished by specialist craftsmen in the Thomas Heatherwick: Making. Finishes range from pure mirror-polished metal to a lacquered rust patina. UK-sourced leather is handfitted to the peripheral edge and base of each Spun chair. A beautiful feat Thomas Heatherwick: Making contemporary design, the Extrusions series is remarkable because it is the first piece of seating in metal comprised of a single component, free from any joins. Each bench is unique in form Thomas Heatherwick: Making signed and numbered by Thomas Heatherwick. The Thomas Heatherwick: Making Table uses the simple mechanical device of the lattice with precision execution to change its proportions and adapt to different spaces and functions. Spun Produced by Italian furniture manufacturer Magis and made from moulded polypropylene, the plastic Spun chair is suitable for both indoor and outdoor use. Purchase Spun here. Limited Edition Spun The studio produces a range of limited edition Spun chairs which are produced by master spinners in Italy and finished by specialist craftsmen in the UK.
    [Show full text]
  • Dallas' Nasher Sculpture Center Makes Way for Thomas Heatherwick
    Dallas’ Nasher Sculpture Center makes way for Thomas Heatherwick STAR-TELEGRAM / RODGER MALLISON Provocations: The Architecture and Design of Heatherwick Studio • Through Jan. 4 • Nasher Sculpture Center, 2001 Flora St., Dallas • $5-$10 • 214-242-5100,www.nashersculpturecenter.org. By Gaile Robinson dfw.com Posted 7:38am on Wednesday, Sep. 24, 2014 If you worry about the future, despair at the state of the world and dread the headlines, you are certainly not alone, but all is not hopeless. Recently an exhibit opened at the Nasher Sculpture Center in Dallas of work by Thomas Heatherwick, a British designer and architect who shines a brilliant beacon of hope that things can be better — much, much better. He is imaginative, sensitive, clever beyond all reason, and a very nice person. What he and his studio partners are creating often defies belief and certainly exceeds expectations. While “Provocations: The Architecture and Design of Heatherwick Studio” does not offer an end to world hunger or bring about world peace, it does address the world’s built environment with wonderfully ingenious solutions that seem inspirational. In 2010 he was asked by the British government to create the U.K. Pavilion for the Shanghai World Expo. Each participating country — there were 240 of them — was given a soccer- pitch-size plot of land. Heatherwick says his budget was half that of other designers and he was expected to produce one of the top five pavilions. In response to the big demands and tiny budget, Heatherwick said he was not going to do a teabag-Union Jack-QEII-David Beckham-Sherlock Holmes-themed pavilion.
    [Show full text]
  • The Legacy from the London 2012 Olympic and Paralympic Games
    Inspired by 2012: The legacy from the London 2012 Olympic and Paralympic Games A joint UK Government and Mayor of London report July 2013 Inspired by 2012: The legacy from the London 2012 Olympic and Paralympic Games A joint UK Government and Mayor of London report This document is available in large print, audio and braille on request. Please email [email protected] Cabinet Office 70 Whitehall London SW1A 2AS Publication date: July 2013 © Crown copyright 2013 You may re-use this information (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. Any enquiries regarding this document/ To view this licence, publication should be sent to us at visit www.nationalarchives.gov.uk/ publiccorrespondence@cabinet-office. doc/open-government-licence/ gsi.gov.uk or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, This publication is available for download at or email: [email protected] www.gov.uk Contents Foreword 5 Commentary 9 Executive Summary 13 Chapter 1: Introduction 17 Chapter 2: Sport and Healthy Living 21 Chapter 3: Regeneration of East London 33 Chapter 4: Economic Growth 43 Chapter 5: Bringing Communities Together 53 Chapter 6: The Legacy from the Paralympics 67 Foreword by David Cameron and Boris Johnson David Cameron Prime Minister Last year, along with millions of people Critically, our vision is about helping our across the UK and overseas, I witnessed the businesses to build on the reputation secured extraordinary success of the London 2012 by the Games last summer.
    [Show full text]
  • An Astronaut. a Sheik. a Boxer. a Chef. a Mayor. a Sailor. an Architect
    An astronaut. A Sheik. A boxer. A chef. A mayor. A sailor. An architect... Just a few of Britain’s... 0MOST 5INFLUENTIAL IN ASSOCIATION WITH Illustrations by PETER JAMES FIELD Edited by INDIA GLADSTONE 172–179_MostInfluential.indd 1 28/10/2016 08:05 N0.02 NO. SIR JONATHAN IVE Apple’s aesthetic visionary As Chief Design Officer for 01 the tech giant, Jony Ive is the gentleman responsible for the look, feel and user interface of each and every Apple product that goes into production. Ive has been with the brand for a decade, and has led his team through Apple’s most instrumental time. In 2013 he was knighted for services to design and enterprise – long may his success continue. N0.03 WARREN GATLAND OBE A Kiwi returns home as a Lion The former New Zealand rugby player and current coach of Wales is due for his busiest year yet. Proud Kiwi Gatland now has the task of leading the Lions on their tour of New Zealand next year. If anyone can outwit the All Blacks on their own soil, it’s Gatland; in 2013 in Australia, he led the Lions to a 2-1 series victory. SADIQ KHAN Capital kingpin NO. NAMED THE MAYOR OF LONDON IN 2016, Sadiq Khan beat the Conservative candidate Zac Goldsmith to become 04 the third Mayor of London, and the first muslim to hold the office. Replacing Boris Johnson, Sadiq had big shoes to fill, but after receiving nearly 300,000 more votes than his predecessor he has proven himself to be up to the challenge.
    [Show full text]
  • Thomas Heatherwick Profile, BMI Voyager
    Right, the Seed Cathedral – Heatherwick Studio’s design for the UK Pavilion at the Shanghai Expo 2010. Far right, top, the Pavilion’s striking, spiky exterior. Far right, below, a scale drawing of the plans 76 Voyager THOMAS HEATHERWICK STYLE Images: Thomas Heatherwick Studio, portrait: Elena Heatherwick Elena portrait: Studio, Heatherwick Thomas Images: London’s own da vinci His redesign of London’s beLoved routemaster bus Has endeared product designer Thomas HeatHerwick and His studio to The capitaL. tHis montH He faces a gLobaL audience wHen tHe Olympic fLame reacHes tHe cauLdron He Has designed for it. is He appreHensive? W or d S | y O l A n d A z A p p aterra Voyager 77 THOMAS HEATHERWICK STYLE ‘I worry. Lots of creatIve peopLe I’ve known have got to a certain point and then seemed to stop. Stopped innovating and got stuck repeating themselves.’ These words are somewhat unexpected coming from Thomas Heatherwick, a product designer so prolific that in less than two decades he has developed more than 150 projects, has been described by Sir Terence Conran as ‘a Leonardo da Vinci of our times’, is currently the focus of a V&A exhibition and the subject of a new 600-page monograph, and this month faces a global audience via his design for the Olympic flame cauldron. He’s unfazed by the prospect – after all, his UK Pavilion at the Shanghai World Expo in 2010, the Seed Cathedral, was visited by more than eight million people – but, it turns out, he does worry. Sitting at a Last Supper-like wooden table in his studio, looking like a mischievous Jesus Christ, he quickly goes on to explain why this is a good thing.
    [Show full text]