Encyclopedia of Arts and Humanities Through the Eras
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Middle Ages of the City
Chapter 5 Merchants and Bowmen: Middle Ages of the City Once past, dreams and memories are the same thing. U. piersanti, L’uomo delle Cesane (1994) It’s a beautiful day in May. We find ourselves in Assisi, the city of saints Francis and Clare. The “Nobilissima parte de sopra” and the “Magnifica parte de sotto” (the Most Noble Upper Part and the Magnificent Lower Part), which represent the districts of the city’s theoretical medieval subdivision, challenge each oth- er to a series of competitions: solemn processions, feats of dexterity, songs, challenges launched in rhyme, stage shows. In this way, it renews the medieval tradition of canti del maggio (May songs), performed in the piazzas and under girls’ balconies by bands of youths wandering the city. A young woman is elect- ed Madonna Primavera (Lady Spring). We celebrate the end of winter, the return of the sun, flowers, and love. This medieval festival, resplendent with parades, flag bearers, ladies, knights, bowmen, and citizen magistrates, re- sounding with songs, tambourines, and trumpets, lasts three days and involves the entire population of Assisi, which finds itself, together with tourists and visitors, immersed in the atmosphere of a time that was. At night, when the fires and darkness move the shadows and the natural odors are strongest, the magic of the illusion of the past reaches its highest pitch: Three nights of May leave their mark on our hearts Fantasy blends with truth among sweet songs And ancient history returns to life once again The mad, ecstatic magic of our feast.1 Attested in the Middle Ages, the Assisan Calendimaggio (First of May) reap- peared in 1927 and was interrupted by the Second World War, only to resume in 1947. -
Volume 7, 2014 27
laberinto an electronic journal of early modern hispanic literatures and culture volume 7, 2014 27 “¡Ay, reino mal gobernado!”: The Monarchy in Mira de Amescua’s Las desgracias del rey don Alfonso, el Casto Matthew D. Stroud Trinity University Until relatively recently, the conventional wisdom regarding the comedia held that the vast and remarkable cultural production of Spain’s Golden Age not only mirrored its political dominance but served as imperial propaganda in the effort to project the Hapsburg monarchy, the Castilian language, the Iberian political and economic systems, and the Roman Catholic religion both at home and abroad.1 More recent scholarship has found the relationship between imperial cultural production, politics, and society to be much more complicated, porous, and nuanced. Baroque art and literature teem with representations of racial and sexual diversity, class distinctions, and national identities, and the comedia is no different. Catherine Swietlicki has written that “Lope is capable of hearing the full presence of authentic alien voices, of tempering them by the oppositional process, and then writing the voices of the otherness with creative understanding” (219-20), and the same can be said for the genre as a whole. This willingness to explore and, at times, embrace, diversity in both political and cultural matters reveals not just an unwillingness to accept the imperial project in toto but an ongoing effort to criticize its aims and methods and expose the fissures, gaps, and inconsistencies in the monolithic imperial edifice. Even scholars who find it implausible that contemporary playwrights should have created openly subversive works performed in the center of empire still acknowledge that so many plays depict monarchs in a less than flattering light. -
J Ewish Community and Civic Commune In
Jewish community and civic commune in the high Middle Ages'' CHRISTOPH CLUSE 1. The following observations do not aim to provide a comprehensive phe nomenology of the J ewish community during the high and late medieval periods. Rather 1 wish to present the outlines of a model which describes the status of the Jewish community within the medieval town or city, and to ask how the concepts of >inclusion< and >exclusion< can serve to de scribe that status. Using a number of selected examples, almost exclusively drawn from the western regions of the medieval German empire, 1 will concentrate, first, on a comparison betweenJewish communities and other corporate bodies (>universitates<) during the high medieval period, and, secondly, on the means by which Jews and Jewish communities were included in the urban civic corporations of the later Middle Ages. To begin with, 1 should point out that the study of the medieval Jewish community and its various historical settings cannot draw on an overly rich tradition in German historical research. 1 The >general <historiography of towns and cities that originated in the nineteenth century accorded only sporadic attention to the J ews. Still, as early as 1866 the legal historian Otto Stobbe had paid attention to the relationship between the Jewish ::- The present article first appeared in a slightly longer German version entitled Die mittelalterliche jüdische Gemeinde als »Sondergemeinde« - eine Skizze. In: J OHANEK, Peter (ed. ): Sondergemeinden und Sonderbezirke in der Stadt der Vormoderne (Städteforschung, ser. A, vol. 52). Köln [et al.] 2005, pp. 29-51. Translations from the German research literature cited are my own. -
'In the Footsteps of the Ancients'
‘IN THE FOOTSTEPS OF THE ANCIENTS’: THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI Ronald G. Witt BRILL ‘IN THE FOOTSTEPS OF THE ANCIENTS’ STUDIES IN MEDIEVAL AND REFORMATION THOUGHT EDITED BY HEIKO A. OBERMAN, Tucson, Arizona IN COOPERATION WITH THOMAS A. BRADY, Jr., Berkeley, California ANDREW C. GOW, Edmonton, Alberta SUSAN C. KARANT-NUNN, Tucson, Arizona JÜRGEN MIETHKE, Heidelberg M. E. H. NICOLETTE MOUT, Leiden ANDREW PETTEGREE, St. Andrews MANFRED SCHULZE, Wuppertal VOLUME LXXIV RONALD G. WITT ‘IN THE FOOTSTEPS OF THE ANCIENTS’ ‘IN THE FOOTSTEPS OF THE ANCIENTS’ THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI BY RONALD G. WITT BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Witt, Ronald G. ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. Witt. p. cm. — (Studies in medieval and Reformation thought, ISSN 0585-6914 ; v. 74) Includes bibliographical references and indexes. ISBN 9004113975 (alk. paper) 1. Lovati, Lovato de, d. 1309. 2. Bruni, Leonardo, 1369-1444. 3. Latin literature, Medieval and modern—Italy—History and criticism. 4. Latin literature, Medieval and modern—France—History and criticism. 5. Latin literature, Medieval and modern—Classical influences. 6. Rhetoric, Ancient— Study and teaching—History—To 1500. 7. Humanism in literature. 8. Humanists—France. 9. Humanists—Italy. 10. Italy—Intellectual life 1268-1559. 11. France—Intellectual life—To 1500. PA8045.I6 W58 2000 808’.0945’09023—dc21 00–023546 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Witt, Ronald G.: ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. I.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
The Lives of the Saints
Itl 1 i ill 11 11 i 11 i I 'M^iii' I III! II lr|i^ P !| ilP i'l ill ,;''ljjJ!j|i|i !iF^"'""'""'!!!|| i! illlll!lii!liiy^ iiiiiiiiiiHi '^'''liiiiiiiiilii ;ili! liliiillliili ii- :^ I mmm(i. MwMwk: llliil! ""'''"'"'''^'iiiiHiiiiiliiiiiiiiiiiiii !lj!il!|iilil!i|!i!ll]!; 111 !|!|i!l';;ii! ii!iiiiiiiiiiilllj|||i|jljjjijl I ili!i||liliii!i!il;.ii: i'll III ''''''llllllllilll III "'""llllllll!!lll!lllii!i I i i ,,„, ill 111 ! !!ii! : III iiii CORNELL UNIVERSITY LIBRARY l,wj Cornell Unrversity Library BR 1710.B25 1898 V.5 Lives ot the saints. Ili'lll I 3' 1924 026 082 572 Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026082572 THE ilibes? of tlje t)atnt0 REV. S. BARING-GOULD SIXTEEN VOLUMES VOLUME THE FIFTH THE ILities of tlje g)amt6 BY THE REV. S. BARING-GOULD, M.A. New Edition in i6 Volumes Revised with Introduction and Additional Lives of English Martyrs, Cornish and Welsh Saints, and a full Index to the Entire Work ILLUSTRATED BY OVER 400 ENGRAVINGS VOLUME THE FIFTH LONDON JOHN C. NFMMO &-• NEW YORK . LONGMANS, GREEN. CO. MDCCCXCVIll / , >1< ^-Hi-^^'^ -^ / :S'^6 <d -^ ^' Printed by Ballantyne, Hanson &> CO. At the Ballantyne Press *- -»5< im CONTENTS PAGE Bernardine . 309 SS. Achilles and comp. 158 Boniface of Tarsus . 191 B. Alcuin 263 Boniface IV., Pope . 345 S. Aldhelm .... 346 Brendan of Clonfert 217 „ Alexander I., Pope . -
Download a PDF of Our Community Brochure
Engagement with the communities of Oxford and Oxfordshire Did you know? St Giles’ Fair began as the parish feast of St Giles, first recorded in 1624. From the 1780s it became a toy fair, with general amusements for children. In the next century its focus shifted towards adults, with entertainment, rides and stalls. In the late 1800s there were calls for the fair to be stopped on the grounds that it encouraged rowdy behaviour. During Victorian times engineering advances brought the forerunners of today’s rides. Today the huge pieces of machinery fill St Giles’ with sparkling lights for a few days each year, and whizz within feet of ancient college buildings. The stone heads around the Sheldonian Theatre now number thirteen (there were originally fourteen, but one was removed to make way for the adjoining Clarendon Building.) It is not known what they were intended to represent – they might be gods, wise men, emperors or just boundary markers. The original heads were made by William Byrd and put up in 1669. Did you Replacements put up in 1868 were made in poor stone, know? which crumbled away; in 1972 the current set, carved by Michael Black of Oxford, were erected. More on page 4 STARGAZING AND SPIN-OUTS PAGE 1 Contents 2 Introduction from the Vice-Chancellor 3 Foreword from the Chair of the Community Engagement Group 5 Part 1: Part of the fabric of the city Part of the fabric 6 800 years of history of the 8 Economic impact city 9 Science Parks 1 0 Saïd Business School 11 Oxford University Press PART 1 PART 1 2 The built environment 13 -
Download the Programme for the Xvith International Congress of Celtic Studies
Logo a chynllun y clawr Cynlluniwyd logo’r XVIeg Gyngres gan Tom Pollock, ac mae’n seiliedig ar Frigwrn Capel Garmon (tua 50CC-OC50) a ddarganfuwyd ym 1852 ger fferm Carreg Goedog, Capel Garmon, ger Llanrwst, Conwy. Ceir rhagor o wybodaeth ar wefan Sain Ffagan Amgueddfa Werin Cymru: https://amgueddfa.cymru/oes_haearn_athrawon/gwrthrychau/brigwrn_capel_garmon/?_ga=2.228244894.201309 1070.1562827471-35887991.1562827471 Cynlluniwyd y clawr gan Meilyr Lynch ar sail delweddau o Lawysgrif Bangor 1 (Archifau a Chasgliadau Arbennig Prifysgol Bangor) a luniwyd yn y cyfnod 1425−75. Mae’r testun yn nelwedd y clawr blaen yn cynnwys rhan agoriadol Pwyll y Pader o Ddull Hu Sant, cyfieithiad Cymraeg o De Quinque Septenis seu Septenariis Opusculum, gan Hu Sant (Hugo o St. Victor). Rhan o ramadeg barddol a geir ar y clawr ôl. Logo and cover design The XVIth Congress logo was designed by Tom Pollock and is based on the Capel Garmon Firedog (c. 50BC-AD50) which was discovered in 1852 near Carreg Goedog farm, Capel Garmon, near Llanrwst, Conwy. Further information will be found on the St Fagans National Museum of History wesite: https://museum.wales/iron_age_teachers/artefacts/capel_garmon_firedog/?_ga=2.228244894.2013091070.156282 7471-35887991.1562827471 The cover design, by Meilyr Lynch, is based on images from Bangor 1 Manuscript (Bangor University Archives and Special Collections) which was copied 1425−75. The text on the front cover is the opening part of Pwyll y Pader o Ddull Hu Sant, a Welsh translation of De Quinque Septenis seu Septenariis Opusculum (Hugo of St. Victor). The back-cover text comes from the Bangor 1 bardic grammar. -
Dietary Reconstruction of Medieval and Early Modern
DIETARY RECONSTRUCTION OF MEDIEVAL AND EARLY MODERN SPANISH POPULATIONS USING STABLE ISOTOPES OF CARBON AND NITROGEN ____________ A Thesis Presented to the Faculty of California State University, Chico ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Anthropology ____________ by © Amy T. MacKinnon 2015 Spring 2015 DIETARY RECONSTRUCTION OF MEDIEVAL AND EARLY MODERN SPANISH POPULATIONS USING STABLE ISOTOPES OF CARBON AND NITROGEN A Thesis by Amy T. MacKinnon Spring 2015 APPROVED BY THE DEAN OF GRADUATE STUDIES AND VICE PROVOST FOR RESEARCH: _________________________________ Eun K. Park, Ph.D. APPROVED BY THE GRADUATE ADVISORY COMMITTEE: ______________________________ _________________________________ Guy Q. King, Ph.D. Eric J. Bartelink, Ph.D., Chair Graduate Coordinator _________________________________ Georgia L. Fox, Ph.D. PUBLICATION RIGHTS No portion of this thesis may be reprinted or reproduced in any manner unacceptable to the usual copyright restrictions without the written permission of the author. iii DEDICATION This thesis is dedicated to the memory of my grandparents Ermineo Claude Paul Seita April 21, 1921 – February 11, 2015 and Velma Watson Seita January 28, 1923 – March 12, 2015 “Chi tard’arriva mal’alloggia” iv ACKNOWLEDGMENTS I would like to acknowledge with gratitude my thesis committee Dr. Eric Bartelink and Dr. Georgia Fox. Thank you for your support, enthusiasm, and encouragement. I would like to thank Dr. Bartelink especially for introducing me to this project and for training me in the techniques of preparing samples for stable isotope analysis. I would also like to thank Dr. Nicholas V. Passalacqua (Defense POW/MIA Accounting Command) who had the foresight to sample the collection for stable isotope analysis. -
The Christian Recovery of Spain, Being the Story of Spain from The
~T'^~r''m»^ STORY OF r>.e N ATJONS^rrrr: >' *•=• ?(¥**''' ^'i^^J^^^^'^'^^rP'.'fiS- «* j; *!v'---v-^^'--: "'I'l "i .'^l^lllL""ll'h i' [i^lLl^lA^AiiJ rr^^Tf iii Di ii i m im wmV' W M»\immmtmme>mmmm>timmms6 Digitized by the Internet Arciiive in 2008 witii funding from IVIicrosoft Corporation http://www.arcliive.org/details/cliristianrecoverOOwattricli THE STORY OF THE NATIONS 2MO, ILLUSTRATED. PER VOL., $1.50 THE EARLIER VOLUMES ARE THE STORY OF GREECE. By Prof. Jas. A. Harrison THE STORY OF ROME. By Arthur Oilman THE STORY OF THE JEWS. By Prof. Jas. K. Hosmer THE STORY OF CHALDEA. By Z. A. Ragozin THE STORY OF GERMANY. By S. Baring-Gould THE STORY OF NORWAY. By Prof. H. H. Bovesen THE STORY OF SPAIN. By E. E. and Susan Hale THE STORY OF HUNGARY. By Prof. A. V.^MBfiRY THE STORY OF CARTHAGE. By Prof. Alfred J. Church THE STORY OF THE SARACENS. By Arthur Oilman THE STORY OF THE MOORS IN SPAIN. By Stanley Lane-Poole THE STORY OF THE NORMANS. By Sarah O. Jewett THE STORY OF PERSIA. By S. G. W. Benjamin THE STORY OF ANCIENT EGYPT. By Geo. Rawlinson THE STORY OF ALEXANDER'S EMPIRE. By Prof. J. P. Mahaffy THE STORY OF ASSYRIA. By Z. A. Ragozin THE STORY OF IRELAND. By Hon. Emilv Lawless THE STORY OF THE GOTHS. By Henry Bradley THE STORY OF TURKEY. By Stanley Lane-Poole THE STORY OF MEDIA, BABYLON, AND PERSIA. By Z. A. Ragozin THE STORY OF MEDIEVAL FRANCE. By Gustave Masson THE STORY OF MEXICO. -
A Pilgrimage on the Camino De Santiago. Boulder, Colorado: Pilgrim’S Process, Inc
Lo N a t io n a l U n iv e r s it y o f I r e l a n d M a y n o o t h IN D efence o f the R e a l m : Mobility, Modernity and Community on the Camino de Santiago Keith Egan A pril 2007 A Dissertation subm itted to the D epartm ent of A nthropology in FULFILLMENT OF THE DEGREE OF PH. D. Supervisor: Professor Law rence Taylor Table of C ontents I ntroduction “I came here for the magic” ......................................................................... 1 C h a p t e r o n e From communitas to ‘Caminotas’ ............................................................ 52 C h a p t e r t w o Rites of massage ...................................................................................... 90 C hapter three Into the West.................................................................................................. 129 C h a p t e r f o u r Changes and other improvements ............. 165 C hapter five Negotiating Old Territories ................................................................... 192 Ch apter six Economies of Salvation ......................................................................... 226 C o n c l u s io n Mobility, Modernity, Community ............................................................ 265 Bibliography ...................................................................................... 287 T a b l e o f F ig u r e s Figure 1 The Refuge at Manjarin........................................ 3 Figure 2 Map of the French Way of the Camino de Santiago........................................10 Figure 3 Map showing alternative routes to Santiago.....................................................11 Figure 4 Certificate of Completion (Compostela).........................................................19 Figure 5 Official Pilgrim Passport of the Irish Society of the Friends of St, James 21 Figure 6 A pilgrim displays her collection of sellos in Santiago................................... 22 Figure 7 Official Pilgrim Passport of Les Amis du Chemin de Saint-Jacques............. -
Taking Matters Into Their Own Hands: Heroic Women of the Early Reconquest in the Spanish Comedia
Trinity University Digital Commons @ Trinity Modern Languages and Literatures Faculty Research Modern Languages and Literatures Department 2014 Taking Matters into Their Own Hands: Heroic Women of the Early Reconquest in the Spanish Comedia Matthew D. Stroud Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/mll_faculty Part of the Modern Languages Commons Repository Citation Stroud, M.D. (2014). Taking matters into their own hands: Heroic women of the early reconquest in the Spanish comedia. Bulletin of the Comediantes, 66(2), 55-66. doi:10.1353/boc.2014.0034 This Article is brought to you for free and open access by the Modern Languages and Literatures Department at Digital Commons @ Trinity. It has been accepted for inclusion in Modern Languages and Literatures Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Taking Matters into Their Own Hands: Heroic Women of the Early Reconquest in the Spanish Comedia Matthew D. Stroud Trinity University, San Antonio ew moments in Spanish history are viewed more harshly in the comedia than the uncertain and troubling period at the end of the eighth century in which the new Christian kingdoms of the north were poorly served by two monarchs: Mauregato, the bastard son of Alfonso I and a manipulative usurper willing to betray his subjects for personal gain, and Alfonso II, a weak and untrustworthy leader whose repeated errors in judgment and statecraft