The Los Angeles Jewish Home
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Essen Unter Tränen Bono Bono Den Admiral Falsch Verstanden
Tages-Anzeiger – Mittwoch, 17. September 2014 9 Analyse Margot Wölk Die Berlinerin wurde als Vorkosterin Hitlers zwangsrekrutiert. Nun erzählt sie erstmals ihre Geschichte. Von Martin Halter Essen unter Tränen Vorkoster sitzen an der Tafel der «Hitlers Vorkosterin», die heute 96-jäh- Der Vegetarier Hitler ass bei seinen rinnen traf ein noch härteres Könige und Päpste, aber nur unsicht- rige Margot Wölk. Sie hatte sich ihr späten Nachtmahlen stets nur frugales Schicksal: Alle wurden von russischen bar, als Versuchskaninchen am Katzen- Schicksal nicht selber ausgesucht. Gemüse: Karotten, Spargel, Blumen- Soldaten erschossen. tisch. Sie bekommen das beste Essen Nachdem ihre Berliner Wohnung 1941 kohl, Leipziger Allerlei; die fetten Fast 70 Jahre konnte und wollte der Welt, aber jeder Bissen kann ausgebombt und ihr Mann eingezogen Braten sicherten sich seine Generäle Wölk nicht über ihre traumatisieren- tödlich, jedes Abendmahl das letzte worden war, floh die damals 24-Jährige und Günstlinge. Jedes Salatblatt wurde den Erfahrungen reden; erst an ihrem sein. Im antiken Rom, als Giftmorde zu ihren Schwiegereltern ins ostpreus- umgedreht und geprüft und erst nach 95. Geburtstag brach sie ihr Schweigen. zur politischen Folklore gehörten, sische Gross Partsch, ganz in der Nähe 45 Minuten für die Führertafel Jetzt erzählte sie erstmals vor der waren die Prägustatoren und Mund- des Führerbunkers Wolfsschanze. Dort freigegeben. Der Lohn war mit Kamera von ihren komischen und schenke daher in aller Regel Sklaven. wurde sie zwangsverpflichtet, erst als 200 Reichsmark fürstlich, aber es blieb schrecklichen Erlebnissen, ihren Inzwischen ist der lebensgefährliche Küchenhelferin, im Frühjahr 1943 ein Himmelfahrtskommando. Die Schuld- und Schamgefühlen und Beruf so gut wie ausge storben. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2020 Page 1 of 29 INSIDE Sukhinder Singh Cassidy • ‘More Is More’: Exits StubHub Amid Why Hip-Hop Stars Have Adopted The Restructuring, Job Cuts Instant Deluxe Edition BY DAVE BROOKS • Coronavirus Tracing Apps Are Editors note: This story has been updated with new they are either part of the go-forward organization Being Tested Around information about employees who have been previously or that their role has been impacted,” a source at the the World, But furloughed, including news that some will return to the company tells Billboard. “Those who are part of the Will Concerts Get Onboard? organization on June 1. go-forward organization return on Monday, June 1.” Sukhinder Singh Cassidy is exiting StubHub, As for her exit, Singh Cassidy said that she had been • How Spotify telling Billboard she is leaving her post as president planning to step down following the Viagogo acquisi- Is Focused on after two years running the world’s largest ticket tion and conclusion of the interim regulatory period — Playlisting More resale marketplace and overseeing the sale of the even though the sale closed, the two companies must Emerging Acts During the Pandemic EBay-owned company to Viagogo for $4 billion. Jill continue to act independently until U.K. leaders give Krimmel, StubHub GM of North America, will fill the the green light to operate as a single entity. • Guy Oseary role of president on an interim basis until the merger “The company doesn’t need two CEOs at either Stepping Away From is given regulatory approval by the U.K.’s Competition combined company,” she said. -
2015: What's Next?
ISSUE 357 | 07 JANUARY 2015 Contents thereport 05 Beyond music: The Interview 06 Pinboard: Stats, deals, startups and more 2015: what’s next? 08 Country profile: Ireland The trends that will define digital music over the next 12 months 2 ISSUE 357 07.01.15 COVER FEATURE BEATS FINALLY MAKES GLOBAL WAVES Apple’s proper move into streaming music didn’t come with the launch of iTunes Radio – or even with its $3bn acquisition of Beats. It’s the upcoming relaunch of Beats Music that will really show us Apple’s ambitions to dominate the transition from downloads to streams. Veteran Apple watchers will have been smiling at the strategic leaks in recent months of the company’s plans – from its desire to lower the price of a monthly streaming subscription to as little as $5 to its negotiations with artists for exclusive deals on big albums. Apple has the clout to trigger a streaming- music price war as well as a wallet-laden battle for exclusives – it comfortably has the biggest wallet, obviously – as well as the What’s next? device footprint to push a free trial of Beats to hundreds of millions of phones, tablets and Happy New Year and all that, but will 2015 be joyful for the music computers worldwide. Beats Music reportedly The trends industry? It’s shaping up as a crucial period for many reasons ended 2014 with 300k subscribers; place your bets now on what multiple of that it’ll have by that will – from identifying the long-term winners in the streaming market the end of 2015. -
Le LE BAS 23 Successfully Safe Years of White Glove Charter Service Buford Jones
volume 6 issue 1 2013 Greg Lake Comes Full Circle LE BAS 23 Successfully Safe Years of White Glove Charter Service Buford Jones PLUS: Clair Robe GMatter MADONNA IT’S A MATTER OF SCALE photo credit: Southern Reel “You guys saved the day…we couldn’t have WWW.AIRCHARTERSERVICE.COM done it without you! I’m sure thousands of fans are thanking you as I type” Use your smartphone to scan and watch our corporate video Air Charter Service (ACS) are longstanding experts providing aircraft charter solutions for artist HELICOPTERS management companies and tour managers worldwide - successfully flying equipment, crew TURBOPROPS and some of the world’s most renowned artists on large scale music tours. Our global network PRIVATE JETS of offices are able to provide flexible and bespoke solutions to meet your exact requirements, EXECUTIVE AIRLINERS whatever your aircraft charter needs. COMMERCIAL AIRLINERS Contact us today to see how we can look after your logistical requirements. CARGO AIRCRAFT A GLOBAL LEADER IN MUSIC INDUSTRY CHARTERS N.AMERICA | S.AMERICA | EUROPE | AFRICA | CIS | MIDDLE EAST | ASIA volume 6 issue 1 2013 contents IN THE NEWS 6 SOUND “The Stones Roll at 50 with Clair” 7 LIGHTING “Robe Adds its Voice to Top German Talent Competition” 8 VIDEO+CHARITY “GMatter Delivers Video Content Design for Journey’s World Tour” “The Hands That Rock Massages the Future for Underprivilaged Children” 9 REHEARSAL FACILITY “S.I.R. Opens New Rehearsal Studios in Vegas” 10 NEW HIRES FEATURES 12 “GREG LAKE COMES FULL CIRCLe” 16 LE BAS “23 Successfully Safe Years of White Glove Charter Service” 20 MADONNA’S MDNA “It’s A Matter Of Scale” 27 MDNA CREW/PRODUCTION 30 BUFORD JONES 32 Obituary: Ed Hopson FROM THE Publisher Is it possible? Is it 2013 already? Where did the last year go? Maybe this is a function of age, but it seems that it we went from Spring to Christmas in a blink of an eye! Tour Link is on us and that is where our year begins. -
Capricor Phil Walden
August 6, 1993 ISSUE #337 $6.95 708 Stokes Road Medford, N J 08055 609-654-7272 609-654-6852 TOP PRIORITY LILLIAN AXE Capricor LILLIAN AXE Phil CRUCIFIED HARD ACT TO FOLLOW Walden BLACKEIS' SWEET SIXTEEN ALTERNATIVE PICK THE OCEAN BLUE SUBLIME HARD HITTEF INSIDE: • FROM OTIS REDDING TO THE ALLMANS AND WIDESPREAD PANIC--PHIL WALDEN HAS SEEN THAT AND MOORE bnins • END OF AN ERA: COX LMA'S TAMPA ROCK LEGEND WYNF WITH CHANGE TO HOT AC SUNNY 95 RUMORED al INFINITY 2ND QUARTER EARNINGS PROMPT 3 FOR 2 SPLIT II RANDY HOCK TO LEAVE MCA FOR DEAL WITH DENNY SOMA CH t.sNe ▪ KUKQ DROPS NEW ROCK FORMAT, WILL SIMUL KIFPD FOR NOW • LISA MICHAELSON IS ELEKTRA'S NEW NACAIAZZ/AAA MGR. • BARNES, BETTS, CURELOP, EDWARDS, HUGHES, JANG, LOGAN, LUCZAK, MCNUTT, OWEN AND MORE MEET FOR CANOE CARNEY 93! dAD B r RISE/UNIDENTIFIED TOP PRIORITY illian Axe, "Crucified", I.R.S. Last year Poetic Justice hit sales figures in excess of 120,000 with corresponding chart success along the way. Lillian Axe has been blessed with the talent to write great Lsongs, work hard, pay their dues, and break into the AOR ranks with solid singles like "True Believer" and "No Mailer What". Psychoschizophrenia will likely take the band to the next level with hard hitting "Crucified" as a first release. Steve's guitar blazes once again as he incorporates his classical training and a terrific edge to the album. Steve takes Axe's sound to a darker, heavier place with results that are already paying oft Early action at WWBZ, WRZK, KZRX, WVCR and WKLO have people like John Edwards at the Blaze admitting, "It has just the right texture for us." KLQ's Dave Wellington adds, "I'm really impressed with the sound of their new stuff" We think you'll agree HARD ACTS TO FOLLO W ishbone, "Unyielding Conditioning", Columbia Fis/ibones forte has always been „ ve performances. -
Eddie Izzard Minnie Driver
EDDIE IZZARD MINNIE DRIVER It’s a wonderful lie. MONDAYS AT 10PM ET/PT ©2007 FX Networks LLC. All rights reserved. PREMIERES MARCH 12 ©2007 FX Networks LLC. All rights reserved. MONDAYS AT 10PM ET/PT PREMIERES MARCH 12 2 THE RICHES 20JEANNE VAN COTTKd_jFheZkYj_edCWdW][h 4 EDDIE IZZARDWi»MWod[CWbbeo¼%;n[Ykj_l[FheZkY[h 20AARON BLITZSTEINIjW\\Mh_j[h";f_ieZ[. 6 MINNIE DRIVERWi»:W^b_WCWbbeo¼ 21GWYNETH HORDER-PAYTON:_h[Yjeh";f_ieZ[* 8 SHANNON WOODWARDWi»:[^b_W^CWbbeo¼ 21 BRIAN KIRK:_h[Yjeh";f_ieZ[i+"- 9 NOEL FISHERWi»9W[bCWbbeo¼ 22 GUY FERLAND:_h[Yjeh";f_ieZ[, 10AIDAN MITCHELLWi»IWcCWbbeo¼ 22 DAN LERNER:_h[Yjeh";f_ieZ[. 11TODD STASHWICKWi»:Wb[CWbbeo¼ 23 MATT SHAKMAN:_h[Yjeh";f_ieZ[/ 12MARGO MARTINDALEWi»D_dW8khdi¼ 23 JEREMY PODESWA:_h[Yjeh";f_ieZ['& 13GREGG HENRYWi»>k]^FWd[jjW¼ 24 JAMIE BABBIT:_h[Yjeh";f_ieZ['' 14BRUCE FRENCHWi»@_c8khdi¼ 24 LESLIE LIBMAN:_h[Yjeh";f_ieZ['( 16 DMITRY LIPKIN 25MICHAEL NEGRIN:_h[Yjehe\F^eje]hWf^o 9h[Wjeh%;n[Ykj_l[FheZkY[h%Mh_j[h";f_ieZ[i'")"/"') 25DEVORAH HERBERTFheZkYj_ed:[i_]d[h 16 DAWN PRESTWICH ;n[Ykj_l[FheZkY[h%Mh_j[h";f_ieZ[i("*"'( 26WENDY WEIDMAN9Wij_d]:_h[Yjeh 16 NICOLE YORKIN ;n[Ykj_l[FheZkY[h%Mh_j[h";f_ieZ[i("*"'( 26REBECCA MANGIERI9Wij_d]:_h[Yjeh 17 MICHAEL ROSENBERG ;n[Ykj_l[FheZkY[h 26BARBARA FIORENTINO9Wij_d]:_h[Yjeh 17 PETER O’FALLON 27HARRY GREGSON-WILLIAMS9ecfei[h 9e#;n[Ykj_l[FheZkY[h%:_h[Yjeh";f_ieZ[i'"(")"') 28JOHN LANDGRAF 18 LYDIA WOODWARD 9edikbj_d]FheZkY[h%Mh_j[h";f_ieZ[i+"'' Fh[i_Z[djWdZ=[d[hWbCWdW][h"<ND[jmehai 18ELLIE HERMAN9edikbj_d]FheZkY[h%Mh_j[h";f_ieZ[i,"'& 29THE RICHES PRODUCTION CREDITS 19 IAIN PATERSONFheZkY[h 29RATING ADVISORY 19 KAT GOODSON7iieY_Wj[FheZkY[h 30FX FACT SHEET In The Riches, Eddie Izzard and Minnie Driver play ‘Wayne and Dahlia Malloy,’ Gypsy Travellers from rural Louisiana. -
Also in This Issue:Tour Link Conference INFO
WINTER 2018 // ISSUE 1 Also in this issue: Tour LInk conference INFO Tour Link Magazine 1 Get the Tour LInk Pro Web Development Magazine app for exclusive Web Design interactive extras! Graphics SEO Hosting Available on Apple & Android App Stores Today!! 615.420.6153 www.warehousemultimedia.com Tour Link Magazine 2 Tour Link Magazine 3 CONTENTS Winter 2018 // Issue 1 LARRY SMITH PUBLISHER TOUR LINK CONFERENCE 6 // Tour Link Conference 2018 10 // Sponsors 17 // Lifetime Achievement Awards A new year is on us, so we decided that this would be a good time to reflect [email protected] 30 // Schedule on the U2 tour, one of the mega-shows of our time. This is always a treat for us 31 // Panels since we have so many good friends working this show. This is the time for planning new tours, checking inventories and reflecting on FEATURED ARTICLES the goals to set for this year. This is also time for the annual Tour Link Conference, so we thought it would make sense to turn this into the conference issue as well. 34 // U2 Joshua Tree Tour Every year, we gather to discuss issues, renew friendships and do some busi- 34 // U2 Joshua Tree Tour ness. Although the conference is structured with discussion topics and events, 49 // Silver & Gold, Thirty Years on, the goal as always is to promote person-to-person relationships. To this end, Stagco Tours the Joshua Tree with U2 we have been successful. To those of you who are attending, we welcome you. To those who are unable to join us, we will deliver a recap of the conference in a future issue and we hope you can join us in the future. -
Guyoseary.Pdf
TWO “I’VE KNOWN GUY SINCE HE WAS IN HIS LATE TEENS RAINMAKERS WORK- ING WITH MADONNA. OVER THE LAST 25 YEARS, I HAVE SEEN HIM GROW INTO ONE OF THE MOST IMPOR- TANT AND ACCOM- PLISHED TALENT MANAG- ERS OF HIS GENERA- TION. HIS ABILITY TO COMMUNI- CATE WITH TALENT IS RARE AND UNIQUE. WE SHARE MANY CLIENTS TOGETHER, AND IT’S ALWAYS A PLEASURE DOING BUSINESS WITH HIM.” —ALLEN GRUBMAN 160 GUY OSEARY THE MYSTERIOUS WAYS OF A MAVERICK hile attending Beverly Hills High School in 1990, a 16-year-old Guy Oseary was cutting his A&R teeth by compiling demos of all the art- ists he could find. He met Madonna’s manager, Freddy DeMann, through his daughters, who went to BHHS as well, and played him some of those demos. W Nothing came of it, 160 161 but the two stayed in touch. The summer after graduation, Jerusalem-born Oseary went on some of the first Lollapalooza tour dates; Ice-T was on that tour, and Guy was managing his DJ, Evil E. He also went to Reggae Sunsplash in Jamaica and New Music Seminar in New York, looking to find his musical path before starting college. When he came back to L.A., Oseary entered Cal State Northridge. During his first semester, his artists Hen Gee and Evil E, who are brothers, got a record deal on Pendulum Records with the help of hip-hop entrepre- neur Steve Rifkind. Sensing he was getting warmer, he finished the semester and then left college for good. -
You and Me Got a Whole Lot of History
You and Me Got a Whole Lot of History: An historical analysis of music distribution and formats, and the socio-cultural trends that have shaped them. Brianna Jamieson A dissertation submitted to Auckland University of Technology in partial fulfillment of the requirements of the Master of Business Degree (MBus) 2016 Primary Supervisor: Dr. Katharine Jones Secondary Supervisor: Dr. Roger Marshall Abstract The music industry has been in a state of flux for the past 20 years. Disrupted by the digital revolution, and the significant consumer uptake in the piracy of music product, revenues have fallen substantially over a relatively short period of time. This case study analyzes the historical timeline of music product formats and distribution methods whilst contextualizing them through the socio-cultural trends that have shaped the shifts in music format and distribution methods, through a business lens. From the distribution of physical music product, through all the transitional periods surrounding the digital revolution, and the new model of non-acquisition consumption through streaming, the consumer behaviour trends that have impacted on music distribution and format are analyzed as important influencing factors. The case study uncovers an industry resistant to change, and an industry that behaves in a wholly reactive way to consumer behaviour trends. This research also discusses the potential future around the sale of recorded music, as socio-cultural trends continue to shape the development of music as a cultural commodity. A distribution strategy for maximizing revenue for each distribution method and format is proposed, by strategically releasing new recorded music products (albums) physically, digitally and through streaming service in a specific timeline in order to avoid the cannibalization of each format. -
!Uoi DEC 31 A«B UNITED NATIONS HB NATIONS UNIES
n. i THE SECRETARY-GENERAL 21 February 2003 Dear Bono, Your voice has not only brought enjoyment to millions of people; it has spoken up on behalf of those people who need it most, and it has been heard by those who most need to hear it. It has drawn attention in the world's richest countries to debt, poverty and AIDS in the world's poorest countries. It has thereby helped increase the chances for millions of people to build better lives. That is why I consider myself fortunate to count you as an ally and a friend. And that is why I am delighted to extend my warmest congratulations to you on being named the Musi Cares Person of the Year for 2003. This recognition is more than richly deserved. After all, ever since you started your drop-the-debt-campaign, many, many people — myself included — have been indebted to you. Yours sincerely, JCofrA. Annan Bono Dublin !UOi DEC 31 a«B UNITED NATIONS HB NATIONS UNIES CO«TAU AODflBSS ADBRS0B POSTALE. UNITttD NATIONS, H.Y. IOOIT CABLK ADDRKM ADRCMI TILIOBArHIQUIr UNATION* NKWVOIIK EXECUTIVE OFFICE OF THE 9ECRETAAY.OKNCIIAL CABINET DU SECRETAIRE GENERAL RBFKHKNCKi 12 December 2002 Dear Ms. Kalev, Further to your letter of 30 October to the Secretary-General, I have pleasure in sending you a letter of commendation in honour of Bono, along with our best wishes for a successful event. Yours sincerely, Edward Mortimer irector of Communications Ms, Dorit Kalev Senior Project Coordinator MusiCares Santa Monica MusiCares* I PERSON OF October 30, 2002 THE YEAR UN Secretary General Kofi Annan Office of the Spokesman for the Secretary-General BOARD OF DIRECTORS Hank Neuberqer United Nations, S-378 Chairman New York, NY 10017 Linda Moran Wee President Paul Tsuchiya Secretary/ Treasurer Dear General Annan, Joe Benincasa Les Bider Leslie Ann Jones Miller London OjlSunday, Fgl^aj^jJ!^ Michael Melvoin Sidney Miller, Jr. -
Contwe're ACT
CONTACT: John Vlautin Live Nation 310-867-7127 [email protected] MADONNA JOINS FORCES WITH LIVE NATION IN REVOLUTIONARY GLOBAL MUSIC PARTNERSHIP LOS ANGELES, CA – October 16, 2007 Live Nation's President and Chief Executive Officer, Michael Rapino officially confirmed today that Madonna has entered into an unprecedented global partnership with Live Nation and will become the founding artist in its Artist Nation division. “The paradigm in the music business has shifted and as an artist and a business woman, I have to move with that shift,” commented Madonna. “For the first time in my career, the way that my music can reach my fans is unlimited. I've never wanted to think in a limited way and with this new partnership, the possibilities are endless. Who knows how my albums will be distributed in the future? That's what's exciting about this deal - everything is possible. Live Nation has offered me a true partnership and after 25 years in the business, I feel that I deserve that.” “Madonna is a true icon and maverick as an artist and in business,” stated Mr. Rapino. “Our partnership is a defining moment in music history. I am thrilled that Madonna, who is also now a shareholder in our company, has joined with us to create a new business model for our industry. Bringing all the varied elements of Madonna's stunning music career into the Artist Nation and Live Nation family, moves her future and the future of our company into a unique and extraordinary place." The first-of-its-kind partnership between Madonna and Live Nation encompasses all of Madonna's future music and music-related businesses, including the exploitation of the Madonna brand, new studio albums, touring, merchandising, fan club/web site, DVD's, music-related television and film projects and associated sponsorship agreements.