Eddie Izzard Minnie Driver

Total Page:16

File Type:pdf, Size:1020Kb

Eddie Izzard Minnie Driver EDDIE IZZARD MINNIE DRIVER It’s a wonderful lie. MONDAYS AT 10PM ET/PT ©2007 FX Networks LLC. All rights reserved. PREMIERES MARCH 12 ©2007 FX Networks LLC. All rights reserved. MONDAYS AT 10PM ET/PT PREMIERES MARCH 12 2 THE RICHES 20JEANNE VAN COTTKd_jFheZkYj_edCWdW][h 4 EDDIE IZZARDWi»MWod[CWbbeo¼%;n[Ykj_l[FheZkY[h 20AARON BLITZSTEINIjW\\Mh_j[h";f_ieZ[. 6 MINNIE DRIVERWi»:W^b_WCWbbeo¼ 21GWYNETH HORDER-PAYTON:_h[Yjeh";f_ieZ[* 8 SHANNON WOODWARDWi»:[^b_W^CWbbeo¼ 21 BRIAN KIRK:_h[Yjeh";f_ieZ[i+"- 9 NOEL FISHERWi»9W[bCWbbeo¼ 22 GUY FERLAND:_h[Yjeh";f_ieZ[, 10AIDAN MITCHELLWi»IWcCWbbeo¼ 22 DAN LERNER:_h[Yjeh";f_ieZ[. 11TODD STASHWICKWi»:Wb[CWbbeo¼ 23 MATT SHAKMAN:_h[Yjeh";f_ieZ[/ 12MARGO MARTINDALEWi»D_dW8khdi¼ 23 JEREMY PODESWA:_h[Yjeh";f_ieZ['& 13GREGG HENRYWi»>k]^FWd[jjW¼ 24 JAMIE BABBIT:_h[Yjeh";f_ieZ['' 14BRUCE FRENCHWi»@_c8khdi¼ 24 LESLIE LIBMAN:_h[Yjeh";f_ieZ['( 16 DMITRY LIPKIN 25MICHAEL NEGRIN:_h[Yjehe\F^eje]hWf^o 9h[Wjeh%;n[Ykj_l[FheZkY[h%Mh_j[h";f_ieZ[i'")"/"') 25DEVORAH HERBERTFheZkYj_ed:[i_]d[h 16 DAWN PRESTWICH ;n[Ykj_l[FheZkY[h%Mh_j[h";f_ieZ[i("*"'( 26WENDY WEIDMAN9Wij_d]:_h[Yjeh 16 NICOLE YORKIN ;n[Ykj_l[FheZkY[h%Mh_j[h";f_ieZ[i("*"'( 26REBECCA MANGIERI9Wij_d]:_h[Yjeh 17 MICHAEL ROSENBERG ;n[Ykj_l[FheZkY[h 26BARBARA FIORENTINO9Wij_d]:_h[Yjeh 17 PETER O’FALLON 27HARRY GREGSON-WILLIAMS9ecfei[h 9e#;n[Ykj_l[FheZkY[h%:_h[Yjeh";f_ieZ[i'"(")"') 28JOHN LANDGRAF 18 LYDIA WOODWARD 9edikbj_d]FheZkY[h%Mh_j[h";f_ieZ[i+"'' Fh[i_Z[djWdZ=[d[hWbCWdW][h"<ND[jmehai 18ELLIE HERMAN9edikbj_d]FheZkY[h%Mh_j[h";f_ieZ[i,"'& 29THE RICHES PRODUCTION CREDITS 19 IAIN PATERSONFheZkY[h 29RATING ADVISORY 19 KAT GOODSON7iieY_Wj[FheZkY[h 30FX FACT SHEET In The Riches, Eddie Izzard and Minnie Driver play ‘Wayne and Dahlia Malloy,’ Gypsy Travellers from rural Louisiana. The Malloys, along with their three children, go on the run after stealing money from the extended family bank. An unfortunate accident provides a great opportunity when they obtain the identity of a well-to-do “normal family,” becoming ‘H. Douglas and Cherien Rich.’ Seduced by the idea of a bigger life for themselves, and armed with the keys to a new house in a posh neighborhood, they soon find that suburban life is more twisted and challenging than any of their previous stings. For Wayne and Dahlia Malloy, the road is home. As But the most daunting task: the Malloys must convince a family of Travellers, life is all about the money — other themselves. Their identity is turned upside down, and people’s money — and steering clear of the law. They’ve they must find the balance between gaining all the perks raised their three children Cael, Dehliah and Sam in their of bufferdom (the hot cars, the hot boyfriend, the TV) old beat up RV, teaching them the tricks of the scamming while loosing the freedom of the road they’ve enjoyed trade, and to always take pride in conning greedy buffers their whole lives. Can they really pull this off? And if (the Traveller term for ordinary, law-abiding folk). they can, are they burying the Malloy name for now, or But one blind curve in the road and a swerve of the RV for good? later, and the Malloy family finds themselves faced with With their hands tightly around the American Dream, the possibility of becoming buffers. Doug and Cherien complete with a two-car garage and a garbage disposal, the Rich are now dead, driven off the road by the swerving Malloys begin to question who they really are, if they can Malloy RV. Dahlia feels guilt over the tragic accident. ever go back home again, and what home even means. Wayne senses a golden opportunity. Somehow their cushy new mansion may not feel as much Wayne and his family help themselves to Doug and a home as that old beat up RV. Cherien’s life. But this con is like no other the Malloys The Riches was created by playwright Dmitry Lipkin, have ever pulled. To survive in the buffer world, they must who wrote the pilot episode and will executive produce convince suspecting neighbors, classmates, co-workers, along with Izzard. Dawn Prestwich and Nicole Yorkin, cleaning ladies and car-rental clerks that they really are who most recently served as writers and co-executive the Riches, that their children are fit for the top private producers on Showtime’s critically acclaimed drama schools, that Wayne not only has a law degree but is the series Brotherhood, are also executive producers, along with best lawyer around, and that Dahlia not only understands Michael Rosenberg, Mark Morgan and Guy Oseary. FX but also respects her Jewish heritage. Productions and Fox Television Studios will produce. 2 · T H E R I C H E S THE RICHES · 3 ‘Wayne Malloy’ (Eddie Izzard) yearns to be extraordinary and yearns for his family to live an extraordinary life. With that in mind, he leads his Traveller wife and kids through the big con: stealing the American Dream. Nothing means more to him than his family, and he’s determined to provide for them like never before while protecting them from this dangerous new world. Living in a dead family’s home and impersonating a dead yuppie is a risky enterprise, but Wayne’s a natural, and the harder the con the more Wayne shines. ;ZZ_[?ppWhZ^WiX[[d^W_b[ZWied[e\ Wcoij_YWbM[ij[hdYe#ijWhh_d]C_Y^W[b j^[\eh[ceijijWdZ#kfie\^_i][d[hWj_ed$ CWZi[dWdZ@kb_[jj[B[m_i1^[Z[b_]^j[Z >[jWa[i_Z[WiWdZi_jkWj_ediWdZ Y^_bZh[dWdZWZkbjiWb_a[Wij^[le_Y[e\ [njhWfebWj[ij^[c_djeX_pWhh[jWd][dj_Wb" j^[»IWdZ<W_ho¼_d:_id[o¼i<_l[9^_bZh[d WXikhZ"WdZikhh[WbYec_YdWhhWj_l[i$>[ WdZ?jWbed]i_Z[A[dd[j^8hWdW]^WdZPe[ _ij^[ÄhijjeWZc_jj^Wj^[][jim[bbfW_Z MWddWcWa[h1WdZ^[Wff[Wh[ZXh_[Åo_d \ehjWba_d]jejWbXebbeYai$J^[]eeZfWo_i Ij[l[dIeZ[hX[h]^¼iYWf[hi[gk[bEY[Wd¼i X[YWki[kdb_a[j^[XebbeYaiceije\kijWba" Jm[bl[effei_j[=[eh][9beed[oWdZ _j¼i\kddo$H[demd[ZWiWYec_Y"?ppWhZ_i 8hWZF_jj$?d(&&'"?ppWhZ[d`eo[Z]h[Wj WbieWcW`ehÄbc"j^[Wjh[WdZJLWYjeh$ KIWdZKAh[l_[mi\eh^_ifehjhWoWbe\ >_iijW][Wff[WhWdY[i_dYbkZ[CWc[j¼i »9^Whb_[9^Wfb_d¼_dF[j[h8e]ZWdel_Y^¼i J^[9hofje]hWc"/&&Ed[edjW"j^[j_jb[ J^[9Wj¼iC[em$ heb[_dCWhbem[¼i;ZmWhZ??"WdZ7:Wo I_dY[^_iÄhijijW][Wff[WhWdY[edBedZed¼i _dj^[:[Wj^e\@e[;]]_dBedZedWdZ M[ij;dZ_d'//)_dj^[ed[#cWdi^em ed8heWZmWom^_Y^med^_cW^WdZ\kb B_l[Wjj^[7cXWiiWZehi"?ppWhZ^Wi_d^WX_j[Z e\WmWhZi"_dYbkZ_d]WJedodec_dWj_ed Wkd_gk[mehbZe\^_iemd¹YWh[\kbboYhW\j[Z \eh8[ij7Yjeh$>_iX_]#iYh[[dZ[XkjmWi hkXX_i^$ºB_l[Wjj^[7cXWiiWZehimWi Wbed]i_Z[8eX>eia_diWdZHeX_d \ebbem[ZXoWikYY[ii_ede\i^emi_dYbkZ_d] M_bb_Wci_dj^['//,cel_[I[Yh[j7][dj$ Kdh[f[WjWXb[_d'//*"'//,¼i:[Äd_j[7hj_Yb[" Ej^[h^_]^b_]^ji_d^_icel_[YWh[[h =beh_eki_d'//-":h[iijeA_bb_d'//."WdZ _dYbkZ[J^[7l[d][him_j^I[Wd9edd[ho" j^[(&&&fheZkYj_ed9_hYb[$ L[bl[j=ebZc_d[m_j^;mWdCY=h[]eh" 7\j[hif[dZ_d]^_i[Whboo[Whi_diec[ 7bbj^[Gk[[d¼iC[deffei_j[CWjjB[8bWdY e\j^[BedZedY_hYk_j¼ib[iiiWbkXh_eki WdZH[l[d][hiJhW][Zom_j^9^h_ijef^[h Yec[ZoZ[di"?ppWhZdemfbWoijeWh[dWi" ;YYb[ijed$ fh[l_ekiboedboj^[ZecW_de\j^[jef >[h[Y[djbomWi_d:kXb_d"?h[bWdZ"Äbc_d] dWc[i_dfefWdZheYaWdZhebb$M^Wj[l[h A_jY^[d"Wd[mj[b[l_i_edZhWcWXWi[Zed j^[i_p[e\j^[ijW]["j^ek]^"^[Yedj_dk[i A_jY^[d9edÄZ[dj_Wb"7dj^edo8ekhZW_d¼i jeWZZh[iiW][dZW#jeff_d]_iik[iikY^Wi0 j[bb#WbbXeeaWXekjmeha_d]WiWY^[\_dD[m :e[ij^[=eZe\9^Weib_l[_dWYWhWlWd5 Oeha$A_jY^[dmWiZ_h[Yj[ZXoA_[hed@$MWbi^$ :_Z<b_ff[hh[WbboiWoj^WjCWeJi[Jkd] BWijikcc[h^[mWii[[d_dj^[?lWd ^WZjWa[del[hcW_dbWdZ9^_dW57dZm^Wj H[_jcWdÄbcCoIkf[h;n#=_hb\h_[dZ ^Wff[d[Zm^[d:Whj^LWZ[hjh_[ZjeehZ[h ijWhh_d]KcWJ^khcWdWdZBka[M_bied1 F[dd[7hhWX_WjW_dj^[mehaiYWdj[[d5 WdZb[dj^_ile_Y[jej^[Wd_cWj[Z:_id[o ?ppWhZ¼icki_d]iedjef_Yie\j^_ijof[ cel_[J^[M_bZeffei_j[A_[\[hIkj^[hbWdZ" ^Wl[[Whd[Z^_ciec[jefWmWhZi\hec @Wd[Wd[=Whe\Wbe"@Wc[i8[bki^_"WdZ J_c[EkjWdZj^[F[hh_[hFWd[b$B_l[Wj M_bb_WcI^Wjd[h$ j^[7cXWiiWZehih[Y[_l[ZWdEb_l_[h7mWhZ EDDIE IZZARD ?d(&&+"?ppWhZZ[cedijhWj[Z^_icki_YWb dec_dWj_ed\ehEkjijWdZ_d]7Y^_[l[c[dj$ — AS — ÅW_h_dHecWdY[WdZ9_]Wh[jj[i"W9e[d >[medj^[8h_j_i^9ec[Zo7mWhZ\eh 8hej^[hifheZkYj_edZ_h[Yj[ZXo@e^d JefIjWdZ#Kf9ec[Z_Wd_d'//)WdZ'//," »MWod[CWbbeo¼ Jkhjkhhe"ijWhh_d]IkiWdIWhWdZedWdZAWj[ WdZ:h[iijeA_bb[Whd[Z^_cWD[mOeha M_dib[j$?d(&&*^[mWii[[d_d8bk[X[hho" :hWcW:[ia7mWhZWdZjme;ccoi$ [n[Ykj_l[fheZkY[h 4 · T H E R I C H E S THE RICHES · 5 ‘Dahlia Malloy’ (Minnie Driver) is a fireball. Try to contain her and she’ll break out that much harder. After spending two years in a jail cell, Dahlia re-enters the world with a healthy cough-syrup addiction and an urgency to be with her family. She lives for her three children, and if taking the American Dream means a better life for them, she’s in. But she has one rule - nobody tells her what to do or how to do it, not even Wayne. She’s the only Malloy who understands that to really steal the American Dream, the family must hold on tight until “they rip it outof our cold dead hands.” C_dd_[:h_l[hÄhijYWc[jej^[Wjj[dj_ede\ ?d(&&)":h_l[hWff[Wh[ZedijW][Wj WkZ_[dY[iWdZYh_j_YiWb_a[\eh^[hYh_j_YWbbo# BedZed¼i9ec[ZoJ^[Wjh[m_j^CWjj^[m WYYbW_c[Zf[h\ehcWdY[_d9_hYb[e\<h_[dZi" F[hhoWdZ>Wda7pWh_W_d:Wl_ZCWc[j¼i _dm^_Y^i^[ijWhh[Zm_j^9^h_iE¼:edd[bb$ I[nkWbF[hl[hi_jo_d9^_YW]e$J^[fbWo I^[m[djedje[WhdEiYWhWdZIYh[[d Xhea[j^[h[YehZ\ehj^[bWh][ijXen#e\ÄY[ 7Yjehi=k_bZdec_dWj_edi"Xej^_dj^[ WZlWdY[\ehWM[ij;dZi^em$J^[iWc[ YWj[]ehoe\EkjijWdZ_d]F[h\ehcWdY[XoW o[Wh:h_l[hWbiemWii[[dYe#ijWhh_d] <[cWb[7Yjeh_dWIkffehj_d]Heb[\eh^[h m_j^F^_bb_fI[ocekh>e\\cWd_dEmd_d] f[h\ehcWdY[_dC_hWcWn¼iWmWhZ#m_dd_d] CW^emdo"WZWhaYec[Zom^_Y^mWi \[Wjkh[=eeZM_bb>kdj_d]"Z_h[Yj[ZXo Z_h[Yj[ZXoH_Y^WhZAm_[jd_emia_$J^[ =kiLWdIWdj$?dCWhY^'//.":h_l[hmWi ÄbcZ[Xkj[ZWjj^[IkdZWdY[<_bc<[ij_lWb ^edeh[Zm_j^j^[fh[ij_]_eki<[cWb[IjWh WdZmWiWbieiYh[[d[ZWjj^[8[hb_d<_bc e\Jecehhem7mWhZWjI^eM[ij$ <[ij_lWb$I^[WbieWff[Wh[Z_d8k[dWL_ijW :h_l[hmWiceijh[Y[djboi[[d_dj^[\[Wjkh[ ?dj[hdWj_edWb¼i>ef[Ifh_d]i"m_j^>[Wj^[h
Recommended publications
  • Essen Unter Tränen Bono Bono Den Admiral Falsch Verstanden
    Tages-Anzeiger – Mittwoch, 17. September 2014 9 Analyse Margot Wölk Die Berlinerin wurde als Vorkosterin Hitlers zwangsrekrutiert. Nun erzählt sie erstmals ihre Geschichte. Von Martin Halter Essen unter Tränen Vorkoster sitzen an der Tafel der «Hitlers Vorkosterin», die heute 96-jäh- Der Vegetarier Hitler ass bei seinen rinnen traf ein noch härteres Könige und Päpste, aber nur unsicht- rige Margot Wölk. Sie hatte sich ihr späten Nachtmahlen stets nur frugales Schicksal: Alle wurden von russischen bar, als Versuchskaninchen am Katzen- Schicksal nicht selber ausgesucht. Gemüse: Karotten, Spargel, Blumen- Soldaten erschossen. tisch. Sie bekommen das beste Essen Nachdem ihre Berliner Wohnung 1941 kohl, Leipziger Allerlei; die fetten Fast 70 Jahre konnte und wollte der Welt, aber jeder Bissen kann ausgebombt und ihr Mann eingezogen Braten sicherten sich seine Generäle Wölk nicht über ihre traumatisieren- tödlich, jedes Abendmahl das letzte worden war, floh die damals 24-Jährige und Günstlinge. Jedes Salatblatt wurde den Erfahrungen reden; erst an ihrem sein. Im antiken Rom, als Giftmorde zu ihren Schwiegereltern ins ostpreus- umgedreht und geprüft und erst nach 95. Geburtstag brach sie ihr Schweigen. zur politischen Folklore gehörten, sische Gross Partsch, ganz in der Nähe 45 Minuten für die Führertafel Jetzt erzählte sie erstmals vor der waren die Prägustatoren und Mund- des Führerbunkers Wolfsschanze. Dort freigegeben. Der Lohn war mit Kamera von ihren komischen und schenke daher in aller Regel Sklaven. wurde sie zwangsverpflichtet, erst als 200 Reichsmark fürstlich, aber es blieb schrecklichen Erlebnissen, ihren Inzwischen ist der lebensgefährliche Küchenhelferin, im Frühjahr 1943 ein Himmelfahrtskommando. Die Schuld- und Schamgefühlen und Beruf so gut wie ausge storben.
    [Show full text]
  • Customizable • Ease of Access Cost Effective • Large Film Library
    CUSTOMIZABLE • EASE OF ACCESS COST EFFECTIVE • LARGE FILM LIBRARY www.criterionondemand.com Criterion-on-Demand is the ONLY customizable on-line Feature Film Solution focused specifically on the Post Secondary Market. LARGE FILM LIBRARY Numerous Titles are Available Multiple Genres for Educational from Studios including: and Research purposes: • 20th Century Fox • Foreign Language • Warner Brothers • Literary Adaptations • Paramount Pictures • Justice • Alliance Films • Classics • Dreamworks • Environmental Titles • Mongrel Media • Social Issues • Lionsgate Films • Animation Studies • Maple Pictures • Academy Award Winners, • Paramount Vantage etc. • Fox Searchlight and many more... KEY FEATURES • 1,000’s of Titles in Multiple Languages • Unlimited 24-7 Access with No Hidden Fees • MARC Records Compatible • Available to Store and Access Third Party Content • Single Sign-on • Same Language Sub-Titles • Supports Distance Learning • Features Both “Current” and “Hard-to-Find” Titles • “Easy-to-Use” Search Engine • Download or Streaming Capabilities CUSTOMIZATION • Criterion Pictures has the rights to over 15000 titles • Criterion-on-Demand Updates Titles Quarterly • Criterion-on-Demand is customizable. If a title is missing, Criterion will add it to the platform providing the rights are available. Requested titles will be added within 2-6 weeks of the request. For more information contact Suzanne Hitchon at 1-800-565-1996 or via email at [email protected] LARGE FILM LIBRARY A Small Sample of titles Available: Avatar 127 Hours 2009 • 150 min • Color • 20th Century Fox 2010 • 93 min • Color • 20th Century Fox Director: James Cameron Director: Danny Boyle Cast: Sam Worthington, Sigourney Weaver, Cast: James Franco, Amber Tamblyn, Kate Mara, Michelle Rodriguez, Zoe Saldana, Giovanni Ribisi, Clemence Poesy, Kate Burton, Lizzy Caplan CCH Pounder, Laz Alonso, Joel Moore, 127 HOURS is the new film from Danny Boyle, Wes Studi, Stephen Lang the Academy Award winning director of last Avatar is the story of an ex-Marine who finds year’s Best Picture, SLUMDOG MILLIONAIRE.
    [Show full text]
  • Transgender Representation on American Narrative Television from 2004-2014
    TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project.
    [Show full text]
  • Download the Word Farm 2016 Program
    Word Farm 2016 Students Aubrie Amstutz Phalguni Laishram Joe Arciniega Gustavo Melo December Brown Claudia Niles Charlotte Burns Mia Roncati Derek Buss Melvin Singh Isabelle Carasso Corine Toren Christopher Connor Mel Weisberger Brendan Dassey Sydney Wiklund Phoebe DeLeon Dwight Yao Phi Do Julia Dumas Sylvia Garcia Gustavo A. Gonzalez Christine Hwynh Jae Hwan Kim Class Schedule Friday, January 29 9:00 Coffee & Snacks Sign-In 10:00-12:00 Session 1 Bryce & Jackie Zabel Tom Lazarus 12:00-1:00 Lunch 1:00-3:00 Session 2 David Gerrold Mitchell Kreigman Saturday, January 24 9:00 Coffee & Snacks 10:00-12:00 Session 3 Cheri Steinkellner J Kahn 12:00-1:00 Lunch 1:00-3:00 Session 4 Matt Allen & Lisa Mathis Dean Pitchford 3:00-3:30 Snacks 3:30-5:30 Session 5 Anne Cofell Saunders Toni Graphia 6:30 Dinner Annenberg Conference Room - 4315 SSMS Sunday, January 25 9:00 Coffee & Snacks 10:00-12:00 Session 6 Glenn Leopold Kevin McKiernan 12:00-1:00 Lunch 1:00-3:00 Session 7 Amy Pocha Allison Anders 3:00-3:30 Snacks 3:30-5:00 Session 8 Omar Najam & Mia Resella Word Farm Bios Allison Anders Allison Anders is an award-winning film and television writer and director. She attended UCLA film school and in 1984 had her first professional break working for her film mentor Wim Wenders on his movie Paris, Texas (1984). After graduation, Anders had her first film debut,Border Radio (1987), which she co-wrote and co-directed with Kurt Voss.
    [Show full text]
  • Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKS
    Cast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult.
    [Show full text]
  • Kelly Carlin to Host New Show on Siriusxm
    Kelly Carlin to Host New Show on SiriusXM "The Kelly Carlin Show," the new monthly show on Raw Dog Comedy and Carlin's Corner channels to launch with special guest Robin Williams NEW YORK, Feb. 9, 2012 /PRNewswire/ -- Sirius XM Radio (NASDAQ: SIRI) announced today that Kelly Carlin, daughter of George Carlin, one of the most influential comedians of all time, will host a new monthly show on Raw Dog Comedy, channel 99, and on Carlin's Corner, the new 24/7 channel devoted to George Carlin, channel 400. (Logo: http://photos.prnewswire.com/prnh/20101014/NY82093LOGO ) Each month, The Kelly Carlin Show will feature Kelly interviewing a different comedian, stand-up comedy, personal stories and memories about her legendary and beloved father. The monthly show will kick off with a revealing conversation with special guest Robin Williams, during which the two will discuss Williams' experience on The Richard Pryor Show and Mork & Mindy, what it takes to be an actor versus a stand-up comedian and Williams' thoughts on the end of the world. The Kelly Carlin Show will premiere on Sunday, February 12 at 7:00 pm ET and will air the first Sunday of every month on Raw Dog Comedy, channel 99. The Kelly Carlin Show will also air the first Monday of every month at 8:00 pm ET on Carlin's Corner, channel 400. Upcoming episodes are scheduled to feature conversations with special guests Eddie Izzard, Lewis Black and Chris Hardwick. SiriusXM Raw Dog Comedy features uncensored comedy from the edge: classic comedy, the hottest new stand-ups and original shows.
    [Show full text]
  • Sewerage and Water Board Regroups and Moves Forward with Council Oversight
    Lighting The Road To The Future Chelsey Richard Napoleon’s Data Zone Swearing-In Ceremony Page 6 “The People’s Paper” December 29, 2018 - January 4, 2019 53nd Year Volume 35 www.ladatanews.com A Data News Weekly Exclusive Treading Water Sewerage and Water Board Regroups and Moves Forward with Council Oversight Page 2 Newsmaker State & Local Actress CCH Pounder Local Designer Presents Challenging Aims to Become Art Exhibit a Fashion Mogul Page 4 Page 5 Page 2 December 29, 2018 - January 4, 2019 Cover Story www.ladatanews.com Treading Water Sewerage and Water Board Regroups and Moves Forward with Council Oversight Image of August 5, 2017 flood in NOLA By Calla Victoria public utility during investigations after the August 5, pumps and turbines were offline and inoperable dur- Data News Weekly Contributor 2017 flood that damaged many homes, cars, and busi- ing the time of the heavy rains that caused the flood . ness; had many motorists in a life and death situations As that damaging information came to light S&WB Unless you have been up at the North Pole help- as their cars flooded out and left many New Orleans came under a federal audit concerning spending of the ing Santa for the past year or so, you are well aware of streets completely underwater and impassable . FEMA-Funded Public Assistance Grant in the tune of the mounting problems at the New Orleans Sewerage The resulting investigations uncovered numerous $1 billion that was earmarked for repairing machinery & Water Board . Everything began to unravel for the maintenance problems including the fact that many and infrastructure damaged during Hurricane Katrina .
    [Show full text]
  • The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century.
    [Show full text]
  • Bcsfazine #528 | Felicity Walker
    The Newsletter of the British Columbia Science Fiction Association #528 $3.00/Issue May 2017 In This Issue: This and Next Month in BCSFA..........................................0 About BCSFA.......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................6 News-Like Matter..............................................................11 Turncoat (Taral Wayne)....................................................17 Art Credits..........................................................................18 BCSFAzine © May 2017, Volume 45, #5, Issue #528 is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or Apartment 601, Manhattan Tower, 6611 Coo- ney Road, Richmond, BC, Canada, V6Y 4C5 (new address). BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. Cheques should be made pay- able to “West Coast Science Fiction Association (WCSFA).” This and Next Month in BCSFA Friday 19 May: Submission deadline for June BCSFAzine (ideally). Sunday 14 May at 7 PM: May BCSFA meeting—at Ray Seredin’s, 707 Hamilton Street (recreation room), New Westminster.
    [Show full text]
  • Productions in Ontario 2006
    2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P.
    [Show full text]
  • Television Shows
    Libraries TELEVISION SHOWS The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 1950s TV's Greatest Shows DVD-6687 Age and Attitudes VHS-4872 24 Season 1 (Discs 1-3) DVD-2780 Discs Age of AIDS DVD-1721 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs Age of Kings, Volume 1 (Discs 1-3) DVD-6678 Discs 24 Season 1 (Discs 4-6) DVD-2780 Discs Age of Kings, Volume 2 (Discs 4-5) DVD-6679 Discs 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs Alfred Hitchcock Presents Season 1 DVD-7782 24 Season 2 (Discs 1-4) DVD-2282 Discs Alias Season 1 (Discs 1-3) DVD-6165 Discs 24 Season 2 (Discs 5-7) DVD-2282 Discs Alias Season 1 (Discs 4-6) DVD-6165 Discs 30 Days Season 1 DVD-4981 Alias Season 2 (Discs 1-3) DVD-6171 Discs 30 Days Season 2 DVD-4982 Alias Season 2 (Discs 4-6) DVD-6171 Discs 30 Days Season 3 DVD-3708 Alias Season 3 (Discs 1-4) DVD-7355 Discs 30 Rock Season 1 DVD-7976 Alias Season 3 (Discs 5-6) DVD-7355 Discs 90210 Season 1 (Discs 1-3) c.1 DVD-5583 Discs Alias Season 4 (Discs 1-3) DVD-6177 Discs 90210 Season 1 (Discs 1-3) c.2 DVD-5583 Discs Alias Season 4 (Discs 4-6) DVD-6177 Discs 90210 Season 1 (Discs 4-5) c.1 DVD-5583 Discs Alias Season 5 DVD-6183 90210 Season 1 (Discs 4-6) c.2 DVD-5583 Discs All American Girl DVD-3363 Abnormal and Clinical Psychology VHS-3068 All in the Family Season One DVD-2382 Abolitionists DVD-7362 Alternative Fix DVD-0793 Abraham and Mary Lincoln: A House
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]