2015: What's Next?
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Essen Unter Tränen Bono Bono Den Admiral Falsch Verstanden
Tages-Anzeiger – Mittwoch, 17. September 2014 9 Analyse Margot Wölk Die Berlinerin wurde als Vorkosterin Hitlers zwangsrekrutiert. Nun erzählt sie erstmals ihre Geschichte. Von Martin Halter Essen unter Tränen Vorkoster sitzen an der Tafel der «Hitlers Vorkosterin», die heute 96-jäh- Der Vegetarier Hitler ass bei seinen rinnen traf ein noch härteres Könige und Päpste, aber nur unsicht- rige Margot Wölk. Sie hatte sich ihr späten Nachtmahlen stets nur frugales Schicksal: Alle wurden von russischen bar, als Versuchskaninchen am Katzen- Schicksal nicht selber ausgesucht. Gemüse: Karotten, Spargel, Blumen- Soldaten erschossen. tisch. Sie bekommen das beste Essen Nachdem ihre Berliner Wohnung 1941 kohl, Leipziger Allerlei; die fetten Fast 70 Jahre konnte und wollte der Welt, aber jeder Bissen kann ausgebombt und ihr Mann eingezogen Braten sicherten sich seine Generäle Wölk nicht über ihre traumatisieren- tödlich, jedes Abendmahl das letzte worden war, floh die damals 24-Jährige und Günstlinge. Jedes Salatblatt wurde den Erfahrungen reden; erst an ihrem sein. Im antiken Rom, als Giftmorde zu ihren Schwiegereltern ins ostpreus- umgedreht und geprüft und erst nach 95. Geburtstag brach sie ihr Schweigen. zur politischen Folklore gehörten, sische Gross Partsch, ganz in der Nähe 45 Minuten für die Führertafel Jetzt erzählte sie erstmals vor der waren die Prägustatoren und Mund- des Führerbunkers Wolfsschanze. Dort freigegeben. Der Lohn war mit Kamera von ihren komischen und schenke daher in aller Regel Sklaven. wurde sie zwangsverpflichtet, erst als 200 Reichsmark fürstlich, aber es blieb schrecklichen Erlebnissen, ihren Inzwischen ist der lebensgefährliche Küchenhelferin, im Frühjahr 1943 ein Himmelfahrtskommando. Die Schuld- und Schamgefühlen und Beruf so gut wie ausge storben. -
Openness in the Music Business– How Record Labels and Artists May Profit from Reducing Control
Table of Contents TECHNISCHE UNIVERSITÄT MÜNCHEN Dr. Theo Schöller-Stiftungslehrstuhl für Technologie- und Innovationsmanagement Openness in the music business– How record labels and artists may profit from reducing control Johannes L. Wechsler Vollständiger Abdruck der von der Fakultät für Wirtschaftswissenschaften der Technischen Universität München zur Erlangung des akademischen Grades eines Doktors der Wirtschaftswissenschaften (Dr. rer. pol.) genehmigten Dissertation. Vorsitzender: Univ.-Prof. Dr. I. Welpe Prüfer der Dissertation: 1. Univ.-Prof. Dr. J. Henkel 2. Univ.-Prof. Dr. F. v. Wangenheim Die Dissertation wurde am 09.12.2010 bei der Technischen Universität München eingereicht und durch die Fakultät für Wirtschaftswissenschaften am 11.05.2011 angenommen. i Table of Contents Table of Contents DETAILED TABLE OF CONTENTS .................................................................................................... II LIST OF FIGURES .................................................................................................................................. V LIST OF TABLES ................................................................................................................................. VII LIST OF ABBREVIATIONS..................................................................................................................IX ABSTRACT..............................................................................................................................................XI 1 INTRODUCTION ...................................................................................................................... -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
The Dynamics of Legal and Illegal Digital Music Distribution Christian Syvertsen
Master thesis The dynamics of legal and illegal digital music distribution Christian Syvertsen 1 Preface This paper was written as a Master thesis in Informatics for Christian Syvertsen at the University of Oslo. The Master studies were started spring 2005, and the thesis is to be delivered November 2007. This Master thesis has been realized at the department of Information Systems at the Institute of Informatics at the University of Oslo, with great assistance and advice by supervisors Jennifer Blechar and Ole Hanseth. November 2007 University of Oslo, Department of Informatics Page 2 of 86 Master thesis The dynamics of legal and illegal digital music distribution Christian Syvertsen 2 Abstract In this thesis I give an overview and background of the current digital music landscape, analyse it through Actor Network Theory and see the complexity of the network as making it difficult to break down into less holistic parts. Every part of the network influences the other. As illegal downloads of illegally copyrighted music only increases, it seems apparent that the record industry have taken a wrong strategy. Copyright laws have been tightened, DRM systems have been applied and lawsuits have been made, but it seems that it has no decreasing effect on the illegal downloads. I believe what the record companies must to is to put more efforts into making a better legal music download service, that actually can offer a better product than the P2P networks, because then increasing numbers of users will prefer that legal alternative. But for something like this to be achieved, there is a long way to go. -
7Digital Group Plc (“7Digital”, “The Group” Or “The Company”)
26 September 2017 7digital Group plc (“7digital”, “the Group” or “the Company”) Interim results for the half year ended 30 June 2017 7digital Group plc (AIM: 7DIG), the global leader in end-to-end digital music solutions, today announces its interim results for the half year ended 30 June 2017 (“H1”). Highlights Strong sales momentum into the second half of the year - Total revenues up 17% on a pre currency movement basis and 9% on adjusted basis to £5.9m (H1 2016: £5.4m) - Licensing revenues up 33% to £4.0m (H1 2016: £3.0m) - MRR up 38% to £3.2m (H1 2016: £2.3m) - LBITDA reduced by 36% to £1.7m (H1 2016: £2.6m) Benefits from the acquisition of 24-7 Entertainment (“24-7”), effective from 1 June 2017, starting to come through with additional revenue of £530k in June as a result of the acquisition MediaMarktSaturn (“MMS”), Europe’s biggest electronics and entertainment retailer, becomes the Company’s largest shareholder following the acquisition of 24-7 Entertainment Contracts signed with MMS as part of the transaction with a value of £18.0m over three years Total combined value of other one/two year contracts signed in the period of £4.0m. These included contracts with all three major record labels, the re-launch of TriPlay's eMusic service in the US and a renewed contract with musical.ly across additional territories, with revenue to be recognised over the next year More than 65% of H2 licensing revenues (£7.5m out of £11.3m) already contracted or committed £2.9m raised through a placing and open offer in March 2017 which allowed -
Apple / Shazam Merger Procedure Regulation (Ec)
EUROPEAN COMMISSION DG Competition CASE M.8788 – APPLE / SHAZAM (Only the English text is authentic) MERGER PROCEDURE REGULATION (EC) 139/2004 Article 8(1) Regulation (EC) 139/2004 Date: 06/09/2018 This text is made available for information purposes only. A summary of this decision is published in all EU languages in the Official Journal of the European Union. Parts of this text have been edited to ensure that confidential information is not disclosed; those parts are enclosed in square brackets. EUROPEAN COMMISSION Brussels, 6.9.2018 C(2018) 5748 final COMMISSION DECISION of 6.9.2018 declaring a concentration to be compatible with the internal market and the EEA Agreement (Case M.8788 – Apple/Shazam) (Only the English version is authentic) TABLE OF CONTENTS 1. Introduction .................................................................................................................. 6 2. The Parties and the Transaction ................................................................................... 6 3. Jurisdiction of the Commission .................................................................................... 7 4. The procedure ............................................................................................................... 8 5. The investigation .......................................................................................................... 8 6. Overview of the digital music industry ........................................................................ 9 6.1. The digital music distribution value -
Iphone, Ipad and Ipod Touch Apps for (Special) Education
iPhone, iPad and iPod touch Apps for (Special) Education App list: app icon, title with link, and description provided Authored by: Eric Sailers Updated: 4/10/2010 Based on a list by Samuel Sennott, Eric Sailers, & David Niemeijer Sailers, 2009-2010 1 Table of Contents Category Pg. Communication Apps 3-5 Organization Apps 6-8 Reading Apps 9-11 Writing Apps 12 Math Apps 13-14 Music Apps 15-16 Song Apps 17 Art Apps 18-19 Game Apps 20-21 Accessibility Apps 22-23 Resource Link 24 Sailers, 2009-2010 2 Communication Apps Icon App Title App Description ABA Flash In this set of 52 images, learn actions via text, photo, and Cards real audio. ArtikPix Currently for iPad only, ArtikPix has flashcard and matching activities with 560 cards for articulation practice. DAF Assistant Delayed auditory feedback and frequency shifting to help improve stuttering. Expressionist Cartoon drawings with 120 commonly used expressions in 7 categories and 1000+ nouns. iCommunicate Pre-loaded pictures and storyboards/routines (e.g., schedule) facilitate language comprehension. iConverse AAC tool to express 6 different icons representing basic needs: food, drink, sick, bathroom, help, break. In My Dreams Learn reading, matching, and sign language skills via animations paired with text and recorded audio. iPrompts Visual prompting tool containing original artwork for schedules, a timer, choice prompts, and a library. iSpeak Uses high quality text-to-speech to translate English to Spanish Spanish and Spanish to English. iSpeech List of sounds for developmental ages 3 to 7+, and explanations for forming and teaching the sounds. Sailers, 2009-2010 3 Communication Apps Icon App Title App Description iSpeech Two animated children, Sadie and Sammy, animate 30 Toddler Sign signs each, with accompanying explanations. -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2020 Page 1 of 29 INSIDE Sukhinder Singh Cassidy • ‘More Is More’: Exits StubHub Amid Why Hip-Hop Stars Have Adopted The Restructuring, Job Cuts Instant Deluxe Edition BY DAVE BROOKS • Coronavirus Tracing Apps Are Editors note: This story has been updated with new they are either part of the go-forward organization Being Tested Around information about employees who have been previously or that their role has been impacted,” a source at the the World, But furloughed, including news that some will return to the company tells Billboard. “Those who are part of the Will Concerts Get Onboard? organization on June 1. go-forward organization return on Monday, June 1.” Sukhinder Singh Cassidy is exiting StubHub, As for her exit, Singh Cassidy said that she had been • How Spotify telling Billboard she is leaving her post as president planning to step down following the Viagogo acquisi- Is Focused on after two years running the world’s largest ticket tion and conclusion of the interim regulatory period — Playlisting More resale marketplace and overseeing the sale of the even though the sale closed, the two companies must Emerging Acts During the Pandemic EBay-owned company to Viagogo for $4 billion. Jill continue to act independently until U.K. leaders give Krimmel, StubHub GM of North America, will fill the the green light to operate as a single entity. • Guy Oseary role of president on an interim basis until the merger “The company doesn’t need two CEOs at either Stepping Away From is given regulatory approval by the U.K.’s Competition combined company,” she said. -
Apple-Privacy-Policy-En-Ww.Pdf
Apple Privacy Policy Apple’s Privacy Policy describes how Apple collects, uses, and shares your personal data. Updated June 1, 2021 In addition to this Privacy Policy, we provide data and privacy information embedded in our products and certain features that ask to use your personal information. This product-specific information is accompanied by our Data & Privacy Icon. You will be given an opportunity to review this product-specific information before using these features. You also can view this information at any time, either in Settings related to those features and/or online at apple.com/legal/privacy. Please take a moment to familiarize yourself with our privacy practices, accessible via the headings below, and contact us if you have any questions. Your California Privacy Disclosures Information Regarding Commercial Electronic Messages in Canada Apple Health Study Apps Privacy Policy What Is Personal Data at Apple? Your Privacy Rights at Apple Personal Data Apple Collects from You Personal Data Apple Receives from Other Sources Apple’s Use of Personal Data Apple’s Sharing of Personal Data Protection of Personal Data at Apple Children and Personal Data Cookies and Other Technologies Transfer of Personal Data Between Countries Our Companywide Commitment to Your Privacy Privacy Questions What Is Personal Data at Apple? At Apple, we believe strongly in fundamental privacy rights — and that those fundamental rights should not differ depending on where you live in the world. That’s why we treat any data that relates to an identified or identifiable individual or that is linked or linkable to them by Apple as “personal data,” no matter where the individual lives. -
Apps to Download Online for Mac How to Download Netflix Episodes and Movies on Mac
apps to download online for mac How to Download Netflix Episodes and Movies on Mac. Can you download Netflix shows on Mac? Is there a Netflix app for MacBook or iMac? The answer is NO. Netflix app is available on iPhone, iPad, Android mobile devices, Windows, except for the Mac. The only way to watch Netflix on Mac is to use a browser(Google Chrome, Safari, etc.) to log in on its website Netflix.com, where you can only stream Netflix videos but are unable to download Netflix movies and episodes on Mac. Netflix hasn't developed the app for macOS, which makes it difficult for users to watch Netflix offline on Mac. Before Netflix provides its app on macOS, there're some approaches that allow you to watch Netflix offline on Mac though it may get a little tricky. Record Netflix Shows on Mac Stream Downloaded Netflix Videos from iPhone/iPad to Mac Comparison of Two Ways to Download Netflix on Mac. You May Like : Record Netflix Shows on Mac. Screen recording is one way to download Netflix shows on Mac, which requires a screen recorder program. FonePaw Screen Recorder. (opens new window) for Mac can come handy at downloading Netflix episodes and movies on Mac. The FonePaw recorder can capture any videos and games on Mac as well as using the webcam to record your face and voice. This guide will show you the steps to record Netflix on Mac, and it's incredibly easy to use. Step 1 Download and install FonePaw Screen Recorder program on Mac. -
Signal Processing Methods for Beat Tracking, Music Segmentation, and Audio Retrieval
Signal Processing Methods for Beat Tracking, Music Segmentation, and Audio Retrieval Peter M. Grosche Max-Planck-Institut f¨ur Informatik Saarbr¨ucken, Germany Dissertation zur Erlangung des Grades Doktor der Ingenieurwissenschaften (Dr.-Ing.) der Naturwissenschaftlich-Technischen Fakult¨at I der Universit¨at des Saarlandes Betreuender Hochschullehrer / Supervisor: Prof. Dr. Meinard M¨uller Universit¨at des Saarlandes und MPI Informatik Campus E1.4, 66123 Saarbr¨ucken Gutachter / Reviewers: Prof. Dr. Meinard M¨uller Universit¨at des Saarlandes und MPI Informatik Campus E1.4, 66123 Saarbr¨ucken Prof. Dr. Hans-Peter Seidel MPI Informatik Campus E1.4, 66123 Saarbr¨ucken Dekan / Dean: Univ.-Prof. Mark Groves Universit¨at des Saarlandes, Saarbr¨ucken Eingereicht am / Thesis submitted: 22. Mai 2012 / May 22nd, 2012 Datum des Kolloquiums / Date of Defense: xx. xxxxxx 2012 / xxxxxx xx, 2012 Peter Matthias Grosche MPI Informatik Campus E1.4 66123 Saarbr¨ucken Germany [email protected] iii Eidesstattliche Versicherung Hiermit versichere ich an Eides statt, dass ich die vorliegende Arbeit selbstst¨andig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus anderen Quellen oder indirekt ubernommenen¨ Daten und Konzepte sind unter Angabe der Quelle gekennzeichnet. Die Arbeit wurde bisher weder im In- noch im Ausland in gleicher oder ¨ahnlicher Form in einem Verfahren zur Erlangung eines akademischen Grades vorgelegt. Saarbrucken,¨ 22. Mai 2012 Peter M. Grosche iv Acknowledgements This work was supported by the DFG Cluster of Excellence on “Multimodal Comput- ing and Interaction” at Saarland University and the Max-Planck-Institut Informatik in Saarbr¨ucken. I thank Prof. Dr. Meinard M¨uller for the opportunity to do challenging research in such an exciting field and Prof. -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A.