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The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of figural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig. -
York Minster Timeline There Has Been a Minster in York Since AD 627
York Minster Timeline There has been a Minster in York since AD 627. Earlier Minster buildings may have looked like this. The exact location of York Minster the Saxon Minster is not known. From AD 71 From AD 627 Treasure Hunt Discover Where the Minster stands today was The first Minster in York, was small and the treasure once the site of the Roman HQ building. It was in wooden. It was built for the baptism of Edwin, map inside! the middle of a Roman fort. the Saxon King of Northumbria. By AD 640 AD 1080 to AD 1100 A stone Minster had replaced the wooden building. Archbishop Thomas of Bayeux built a This was probably enlarged and improved several Norman Cathedral on the present site. This Minster times before the coming of the Normans. was altered in the 1160s by Archbishop Roger of Pont l’Evéque. AD 1220 Archbishop Walter Gray started to rebuild the South Transept in the Gothic style. (Look at the front page to see it.) Over the next 250 years, the whole of the Minster was slowly rebuilt. The Cathedral you see today was finished in 1472. Welcome to our magnificent Cathedral. This Follow the instructions on your map inside. You Minster or cathedral? What’s the difference? place of Christian worship has been here for will need a pencil to mark the position of each A cathedral church is the mother church of the diocese. It’s where the centuries. It is full of beautiful things waiting treasure. bishop has his seat or ‘cathedra’. -
Stonehenge WHS Committee Minutes September 2015
Stonehenge World Heritage Site Committee Meeting on Thursday 24 September 2015 at St Barbara’s Hall, Larkhill Minutes 1. Introductions and apologies Present: Roger Fisher (Chair/Amesbury TC), Colin Shell (ASAHRG), Philip Miles (CLA), Kate Davies (English Heritage), Phil McMahon (Historic England), Rachel Sandy (Highways England), Richard Crook (NFU/Amesbury TC), Jan Tomlin (National Trust), Nick Snashall (National Trust), Patrick Cashman (RSPB), Carole Slater (Shrewton PC), Clare King (Wiltshire Council), David Dawson (Wiltshire Museum), Ian West (Winterbourne Stoke PC) Apologies: Fred Westmoreland (Amesbury Community Area Board), John Mills (Durrington TC), Henry Owen John (Historic England), Stephanie Payne (Natural England), David Andrews (VisitWiltshire), Peter Bailey (Wilsford cum Lake/WHS landowners), Melanie Pomeroy‐Kellinger (Wiltshire Council), Ariane Crampton (Wiltshire Council), Andrew Shuttleworth (Winterbourne Stoke PC), Alistair Sommerlad (WHS Partnership Panel) 2.0 Agree minutes of last meeting & matters arising Version 3 of the minutes of the last meeting was approved. 3.0 Stonehenge and Avebury WHS Management Plan Endorsing the Plan The following organisations have endorsed the plan so far: Highways England, English Heritage, Amesbury PC, Wilsford cum Lake PC, Durrington TC, Wiltshire Museum, and Salisbury Museum. Other organisations: Natural England, RSPB, Historic England and National Trust are in the process of going through their organisation’s approval process. The WHS Coordination Unit (WHSCU) would be grateful for written endorsements by the end of 2015. The WHSCU are very happy to meet with any partner organisation to explain the Management Plan to their members. WHSCU Action Plan BT circulated a table which outlined how SS and BT will cover both local and thematic responsibilities. -
The English Claim to Gothic: Contemporary Approaches to an Age-Old Debate (Under the Direction of DR STEFAAN VAN LIEFFERINGE)
ABSTRACT MARY ELIZABETH BLUME The English Claim to Gothic: Contemporary Approaches to an Age-Old Debate (Under the Direction of DR STEFAAN VAN LIEFFERINGE) The Gothic Revival of the nineteenth century in Europe aroused a debate concerning the origin of a style already six centuries old. Besides the underlying quandary of how to define or identify “Gothic” structures, the Victorian revivalists fought vehemently over the national birthright of the style. Although Gothic has been traditionally acknowledged as having French origins, English revivalists insisted on the autonomy of English Gothic as a distinct and independent style of architecture in origin and development. Surprisingly, nearly two centuries later, the debate over Gothic’s nationality persists, though the nationalistic tug-of-war has given way to the more scholarly contest to uncover the style’s authentic origins. Traditionally, scholarship took structural or formal approaches, which struggled to classify structures into rigidly defined periods of formal development. As the Gothic style did not develop in such a cleanly linear fashion, this practice of retrospective labeling took a second place to cultural approaches that consider the Gothic style as a material manifestation of an overarching conscious Gothic cultural movement. Nevertheless, scholars still frequently look to the Isle-de-France when discussing Gothic’s formal and cultural beginnings. Gothic historians have entered a period of reflection upon the field’s historiography, questioning methodological paradigms. This -
Durham Cathedral Annual Review and Accounts Year Ended 31 March
DURHAM CATHEDRAL ANNUAL REVIEW AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2019 Durham Cathedral, AcCounts for the year ended 31 MarCh 2019 Durham Cathedral Is a ChrIsJan ChurCh of the AnglICan CommunIon, the shrIne of St Cuthbert and the seat of the BIshop of Durham. It is a focus of pIlgrimage and spIritualIty in North East England. Our Purpose Our purpose is to worship God, share the gospel of Jesus Christ, welcome all who come, celebrate and pass on our rich Chris:an heritage and discover our place in God’s crea:on. Our Vision Following the example of Saints Cuthbert and Bede, we share our faith and heritage globally and empower people to transform the communi:es in which we live and serve. Our Place We inhabit a treasured sacred space set in the natural and human landscape of the World Heritage Site. What We Do Six areas of life, experienced as strands in a rope which, as they interweave, touch and support each other, make Durham Cathedral what it is today. 1. WorshIp and SpIrItualIty We worship God through daily prayer and praise, and celebrate the contribu:ons of music and art to the spiritual life of the Cathedral. 2. WelCome and Care We welcome all who cross our threshold and express Chris:an care in all aspects of our life as a community. 3. Learning, Nurture and FormaJon We help people to encounter God and grow in faith and discipleship by offering opportuni:es for dialogue, learning and research. 4. Outreach and Engagement We work in ac:ve partnerships for the good of the Diocese and the communi:es of North East England and to contribute to Durham’s flourishing and significance. -
British Studies Interview
SLIS Connecting Volume 7 Issue 1 SLIS Connecting Special Issue: British Article 6 Studies 2018 British Studies Interview Martha Attridge Bufton University of Alberta Teresa S. Welsh University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/slisconnecting Part of the Archival Science Commons, Collection Development and Management Commons, Information Literacy Commons, Scholarly Communication Commons, and the Scholarly Publishing Commons Recommended Citation Attridge Bufton, Martha and Welsh, Teresa S. (2018) "British Studies Interview," SLIS Connecting: Vol. 7 : Iss. 1 , Article 6. DOI: 10.18785/slis.0701.06 Available at: https://aquila.usm.edu/slisconnecting/vol7/iss1/6 This Column is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in SLIS Connecting by an authorized editor of The Aquila Digital Community. For more information, please contact [email protected]. Teresa S. Welsh, Ph.D. British Studies Interview (Attridge Bufton, 2015) Interview by British Studies 2015 alumna Martha Attridge Bufton, University of Alberta, for an article, "Crossing the Pond: MLIS Students Researching in the U.K." published in Open Shelf (http://open-shelf.ca/, March 2016), updated and used by permission. 1. Tell me about the British Studies Program at the University of Southern Mississippi (how long it’s been running, goals, structure). The British Studies Program at The University of Southern Mississippi is one of the oldest and largest study-abroad programs in the country and celebrated its 40th year in 2015 (www.usm.edu/news/article/british-studies- Figure 1. Kings Cross Station, London program-begins-40th-year-registration-underway). -
The Cathedral Close
Welcome. No matter your background, your faith, or your reason for visiting, we welcome you to Washington National Cathedral. Each year, the Cathedral opens its doors to hundreds of thousands of worshipers and visitors who come to find peace and inspiration, listen to beautiful music, and experience the 1 2 2 north rose south rose 4 5 5 6 7 8 8 9 Cathedral’s extraordinary art and architecture. CATHEDRAL ART AND ARCHITECTURE Built of Indiana limestone, the Cathedral is the sixth largest in Main Level (the Nave) 4 A tribute to those who have served in our armed forces, the 7 At the east end of the Cathedral nave is the HIGH 9 The Cathedral’s great iconographic story—the movement i The artwork in the BAPTISTRY depicts symbols the world. Its design is unique and not copied from any earlier art of WAR MEMORIAL CHAPEL tells stories of sacrifice ALTAR. One-hundred-and-ten figures of men and women of humankind from creation to redemption—begins outside representing baptism. A nearby elevator provides building. The building is shaped like a cross, with a long nave— 30 minutes—highlights and the struggle for freedom. exemplifying the highest ideals of Christianity surround at the WEST FAÇADE. The art here explores themes of wheelchair access to the lower level. the central figure of Christ in Majesty, completing the creation. The carved tympana above three massive portals a tenth of a mile—and two shorter transepts. Follow the numbered items to tour the “must see” highlights A statue of the Christ Child welcomes visitors to memorial bays—north 5 iconographic story with the redemption of humankind show the creation of day, the creation of humankind, and the of the Cathedral’s art and architecture. -
A View from the Archives of Durham, St Paul's, and York Minster
Cathedral music and the First World War: A view from the Archives of Durham, St Paul’s, and York Minster Enya Helen Lauren Doyle Master of Arts (by research) University of York Music July 2016 Abstract This thesis explores the impact of the First World War on English Cathedral music, both during the long four years and in its aftermath. Throughout this study, reference will be made specifically to three English cathedrals: York Minster, Durham and St Paul’s. The examination will be carried out chronologically, in three parts: before the war (part one), during the war (part two) and after the war (part three). Each of these three parts consists of two chapters. Chapter 1 and Chapter 2 help to set the scene and offer context. In chapters 2- 5 there is a more focused and systematic investigation into the day-to-day administrative challenges that the Cathedrals faced, followed in each chapter by an assessment of the musical programme. Chapter 6 examines the long-term impact of the war on British cathedral music, especially in the centenary anniversary years. The Great War is often perceived as a complete break with the past, yet it also represented an imaginative continuity of sorts. As such, 1914-18 can be seen as a period of twilight in a lot of senses. The war managed to bring the flirtation with modernism, which was undoubtedly happening at the beginning of the century, to at least a temporary halt. Through the examination of the archives of the three cathedrals, this thesis investigates how the world war left its mark on the musical life of this portion of English religious and music life, during and after the war, drawing national comparisons as well as showing the particulars of each cathedral. -
British Christian Heritage Tour
Reformation Tours, LLC presents the British Christian Heritage Tour May 9-21, 2019 Hosted by Pastor Jason and Sandra Steele British Christian Heritage Tour Our tour hosts, Rev. Jason and and Big Ben. We will travel up River Thames, giving us excel- Sandra Steele, have served in lent views of the Tower and Tower Bridge. In the afternoon we ministry for over 19 years. San- will visit John Wesley’s Chapel, Wesley’s home and the Muse- dra is an inactive attorney who um of Methodism, followed by a tour of his home. John Wesley has homeschooled their two (1703-1791) has been called the most influential Protestant daughters for the past 12 years. leader of the English-speaking world since the Reformation Pastor Jason is an Evangelical and his brother Charles wrote hundreds of amazing hymns. Presbyterian Church minister We will tour the legendary Bunhill Field’s Cemetery, where we with a congregation in Owosso, can see the burial place of nonconformist Protestants. The rest MI. He often teaches classes to his congregation on church of the day is at leisure to attend a show (tickets can be ar- history and is known to preach first person sermons as vari- ranged) or relax. (B) ous church reformers. The Steeles enjoyed hosting our Reformation Jubilee Tour in May 2017, and they are excited Day 4: Sunday, May 12, 2019: London to host, learn and laugh together with you on this historical We have a free morning to attend the church of our adventure. choice. We will meet up outside the Tower of London. -
Constantine Triumphal Arch 313 AD Basilica of St. Peter Ca. 324
Constantine Triumphal Arch 313 AD Basilica of St. Peter ca. 324 ff. Old St. Peter’s: reconstruction of nave, plus shrine, transept and apse. Tetrarchs from Constantinople, now in Venice Constantine defeated the rival Augustus, Maxentius, at the Pons Mulvius or Milvian Bridge north of Rome, at a place called Saxa Rubra (“Red rocks”), after seeing a vision (“In hoc signo vinces”) before the battle that he eventually associated with the protection of the Christian God. Maxentius’s Special Forces (Equites Singulares) were defeated, many drowned; the corps was abolished and their barracks given to the Bishop of Rome for the Lateran basilica. To the Emperor Flavius Constantinus Maximus Father of the Fatherland the Senate and the Roman People Because with inspiration from the divine and the might of his intelligence Together with his army he took revenge by just arms on the tyrant And his following at one and the same time, Have dedicated this arch made proud by triumphs INSTINCTV DIVINITATIS TYRANNO Reconstruction of view of colossal Sol statue (Nero, Hadrian) seen through the Arch of Constantine (from E. Marlow in Art Bulletin) Lorsch, Germany: abbey gatehouse in the form of a triumphal arch, 9th c. St. Peter’s Basilicas: vaulted vs. columns with wooden roofs Central Hall of the Markets of Trajan Basilica of Maxentius, 3018-312, completed by Constantine after 313 Basilica of Maxentius: Vaulting in concrete Basilica of Maxentius, 3018-312, completed by Constantine after 313 Monolithic Corinthian column from the Basilica of Maxentius, removed in early 1600s by Pope Paul V and brought to the piazza in front of Santa Maria Maggiore Monolithic Corinthian column from the Basilica of Maxentius, removed in early 1600s by Pope Paul V and brought to the piazza in front of Santa Maria Maggiore BATHS OF DIOCLETIAN 298-306 AD Penn Station NY (McKim, Mead, and White) St. -
Canterbury Cathedral: Repairs to the North West Transept (1 of 2 Projects Funded) Awarded £150,000 in November 2014 Towards a £1,006,500 Project
Canterbury Cathedral: repairs to the North West Transept (1 of 2 projects funded) Awarded £150,000 in November 2014 towards a £1,006,500 project The need The North West Transept is, internally, one of the most visited and historically significant areas of Canterbury Cathedral, providing the main access to the Crypt and up towards the High Altar. Externally there was a need for emergency repair and stabilisation of previous failing repairs from the 19th and early 20th century to the Vice Turret Spirelet, in order to keep the area weather-tight and safe. New movement was recorded in the 2012 Quinquennial Inspection: cracks were evident through stones in addition to visible separation of stone joints. Failed cement-rich render had fallen on the roofs of the Cloister below. If the work had not taken place the cathedral would have had to close the site of the Martyrdom, where Archbishop Thomas Becket was murdered, which is the most visited part of the building. Outcomes The repair needs were urgent prior to the work taking place but will now require only routine maintenance, with no major work needed for the next 70 to 100 years. The improved condition of the Detail of the spirelet pinnacles. Photo Credit: Purcell Architects. stonework inspires confidence in the public and potential donors that the cathedral is being looked after. Economic and social impact During the project, the contractor had two stonemason apprentices and a leadworker apprentice. Two others were mature students doing a Foundation degree in Applied Historic Building Conservation and Repair, making five full- time equivalent apprentices. -
Venue Hire & Hospitality
VENUE HIRE & HOSPITALITY WELCOME The Very Revd Andrew Tremlett, Dean of Durham Today at Durham Cathedral we continue an ancient tradition We host an incredible range of events at the cathedral, of worship, welcome and hospitality that dates from monastic from concerts, product launches and corporate receptions to times. That same spirit of openness pervades our modern celebratory events, and are always excited to see new proposals venue hire and hospitality services, where we seek to serve for how to make the most of our magnificent cathedral. These our region with high standards and exceptional spaces. pages contain hints of what is possible for events and hospitality at Durham Cathedral, intended to inspire you. I welcome you Durham Cathedral’s unrivalled architecture is famous to bring your ideas to our events team, who will be happy ‘Staff on the night were worldwide, and as a beloved symbol of the North East to discuss your plans. professional throughout of England our roots stretch deep into the history and and very attentive, the culture of our region. The cathedral and its surrounding cathedral guides really spaces are beautiful and inspiring backdrops for a engaged with our guests.’ diverse range of occasions. ‘All the arrangements worked smoothly – which is in no small part due to you coordinating it all. Please pass on our thanks to everyone on the Events team including the cathedral guides and also the caterers.’ THE CATHEDRAL When booked for an evening concert, the venue hire the daily rhythm of worship and visitor activities. A place of gathering, celebration fee includes the use of a green room and one rehearsal If large- scale daytime hire requires the cathedral to on the afternoon of the concert date.