Stonehenge WHS Committee Minutes September 2015
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Durham Cathedral Annual Review and Accounts Year Ended 31 March
DURHAM CATHEDRAL ANNUAL REVIEW AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2019 Durham Cathedral, AcCounts for the year ended 31 MarCh 2019 Durham Cathedral Is a ChrIsJan ChurCh of the AnglICan CommunIon, the shrIne of St Cuthbert and the seat of the BIshop of Durham. It is a focus of pIlgrimage and spIritualIty in North East England. Our Purpose Our purpose is to worship God, share the gospel of Jesus Christ, welcome all who come, celebrate and pass on our rich Chris:an heritage and discover our place in God’s crea:on. Our Vision Following the example of Saints Cuthbert and Bede, we share our faith and heritage globally and empower people to transform the communi:es in which we live and serve. Our Place We inhabit a treasured sacred space set in the natural and human landscape of the World Heritage Site. What We Do Six areas of life, experienced as strands in a rope which, as they interweave, touch and support each other, make Durham Cathedral what it is today. 1. WorshIp and SpIrItualIty We worship God through daily prayer and praise, and celebrate the contribu:ons of music and art to the spiritual life of the Cathedral. 2. WelCome and Care We welcome all who cross our threshold and express Chris:an care in all aspects of our life as a community. 3. Learning, Nurture and FormaJon We help people to encounter God and grow in faith and discipleship by offering opportuni:es for dialogue, learning and research. 4. Outreach and Engagement We work in ac:ve partnerships for the good of the Diocese and the communi:es of North East England and to contribute to Durham’s flourishing and significance. -
British Studies Interview
SLIS Connecting Volume 7 Issue 1 SLIS Connecting Special Issue: British Article 6 Studies 2018 British Studies Interview Martha Attridge Bufton University of Alberta Teresa S. Welsh University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/slisconnecting Part of the Archival Science Commons, Collection Development and Management Commons, Information Literacy Commons, Scholarly Communication Commons, and the Scholarly Publishing Commons Recommended Citation Attridge Bufton, Martha and Welsh, Teresa S. (2018) "British Studies Interview," SLIS Connecting: Vol. 7 : Iss. 1 , Article 6. DOI: 10.18785/slis.0701.06 Available at: https://aquila.usm.edu/slisconnecting/vol7/iss1/6 This Column is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in SLIS Connecting by an authorized editor of The Aquila Digital Community. For more information, please contact [email protected]. Teresa S. Welsh, Ph.D. British Studies Interview (Attridge Bufton, 2015) Interview by British Studies 2015 alumna Martha Attridge Bufton, University of Alberta, for an article, "Crossing the Pond: MLIS Students Researching in the U.K." published in Open Shelf (http://open-shelf.ca/, March 2016), updated and used by permission. 1. Tell me about the British Studies Program at the University of Southern Mississippi (how long it’s been running, goals, structure). The British Studies Program at The University of Southern Mississippi is one of the oldest and largest study-abroad programs in the country and celebrated its 40th year in 2015 (www.usm.edu/news/article/british-studies- Figure 1. Kings Cross Station, London program-begins-40th-year-registration-underway). -
Ancient Market Towns and Beautiful Villages
Ancient Market Towns and Beautiful Villages Wiltshire is blessed with a fantastic variety of historic market towns and stunning picturesque villages, each one with something to offer. Here are a sample of Wiltshire’s beautiful market towns and villages. Amesbury Nestling within a loop of the River Avon alongside the A303, just 1½ miles from Stonehenge, historic Amesbury is a destination not to be missed. With recent evidence of a large settlement from 8820BC and a breath-taking Mesolithic collection, Amesbury History Centre will amaze visitors with its story of the town where history began. Bradford on Avon The unspoilt market town of Bradford on Avon offers a mix of delightful shops, restaurants, hotels and bed and breakfasts lining the narrow streets, not to mention a weekly market on Thursdays (8am-4pm). Still a natural focus at the centre of the town, the ancient bridge retains two of its 13th century arches and offers a fabulous view of the hillside above the town - dotted with the old weavers' cottages – and the river bank flanked by 19th century former cloth mills. Calne Calne evolved during the 18th and 19th centuries with the wool industry. Blending the old with the new, much of the original Calne is located along the River Marden where some of the historic buildings still remain. There is also the recently restored Castlefields Park with nature trails and cycle path easily accessible from the town centre. Castle Combe Set within the stunning Wiltshire Cotswolds, Castle Combe is a classically quaint English village. Often referred to as the ‘prettiest village in England’, it has even been featured regularly on the big screen – most recently in Hollywood blockbuster ‘The Wolfman’ and Stephen Spielberg’s ‘War Horse’. -
Wilsford Cum Lake - Census 1911
Wilsford cum Lake - Census 1911 Page Year Years Total No Children Address Surname Given Names Relationship Status Age Sex Occupation Industry or Service Employment Status Place of Birth Nationality if not British Infirmity Notes Number Born Married Children Living Died 1 Normanton Farm Crook Isaac Charles Head Unmarried 31 M 1880 Farmer Fyfield, Hampshire 1 Normanton Farm Crook Caroline Louise Sister Unmarried 38 F 1873 House Keeper Gomeldon, Wiltshire 1 Normanton Farm Merritt Flora Eliza Lucy Servant Unmarried 14 F 1897 General Domestic Servant Netton, Wiltshire 2 Normanton Ford Henry George Head Married 52 M 1859 29 Labourer on Farm Teffont Magna, Wiltshire 2 Normanton Ford Elizabeth Wife Married 48 F 1863 29 Stratford sub Castle, Wiltshire 2 Normanton Ford Charles Son 23 M 1888 Groom on Farm Stockton, Wiltshire 2 Normanton Ford George Son 8 M 1903 Winterbourne Stoke, Wiltshire 3 Normanton Cottage, Normanton Case Thomas Head Married 42 M 1869 18 Cowman on Fram Cann, Shaftesbury, Dorset 3 Normanton Cottage, Normanton Case Louisa Wife Married 46 F 1865 18 Charlton All Saints, Wiltshire 3 Normanton Cottage, Normanton Case Thomas Son 15 M 1896 Cowlad on Farm Netherhampton, Wiltshire 4 Reegers Cottage, Normanton Wilkins Walter Head Married 28 M 1883 4 River Reyer Woodford, Wiltshire 4 Reegers Cottage, Normanton Wilkins Mary Jane Wife Married 33 F 1878 4 Norbiton, Surrey 5 Normanton Arnold Edward Head Married 26 M 1885 2 Groom and Gardener on Farm Mere, Wiltshire 5 Normanton Arnold Louisa Wife Married 23 F 1888 2 Shroton, Dorset 5 Normanton -
A View from the Archives of Durham, St Paul's, and York Minster
Cathedral music and the First World War: A view from the Archives of Durham, St Paul’s, and York Minster Enya Helen Lauren Doyle Master of Arts (by research) University of York Music July 2016 Abstract This thesis explores the impact of the First World War on English Cathedral music, both during the long four years and in its aftermath. Throughout this study, reference will be made specifically to three English cathedrals: York Minster, Durham and St Paul’s. The examination will be carried out chronologically, in three parts: before the war (part one), during the war (part two) and after the war (part three). Each of these three parts consists of two chapters. Chapter 1 and Chapter 2 help to set the scene and offer context. In chapters 2- 5 there is a more focused and systematic investigation into the day-to-day administrative challenges that the Cathedrals faced, followed in each chapter by an assessment of the musical programme. Chapter 6 examines the long-term impact of the war on British cathedral music, especially in the centenary anniversary years. The Great War is often perceived as a complete break with the past, yet it also represented an imaginative continuity of sorts. As such, 1914-18 can be seen as a period of twilight in a lot of senses. The war managed to bring the flirtation with modernism, which was undoubtedly happening at the beginning of the century, to at least a temporary halt. Through the examination of the archives of the three cathedrals, this thesis investigates how the world war left its mark on the musical life of this portion of English religious and music life, during and after the war, drawing national comparisons as well as showing the particulars of each cathedral. -
British Christian Heritage Tour
Reformation Tours, LLC presents the British Christian Heritage Tour May 9-21, 2019 Hosted by Pastor Jason and Sandra Steele British Christian Heritage Tour Our tour hosts, Rev. Jason and and Big Ben. We will travel up River Thames, giving us excel- Sandra Steele, have served in lent views of the Tower and Tower Bridge. In the afternoon we ministry for over 19 years. San- will visit John Wesley’s Chapel, Wesley’s home and the Muse- dra is an inactive attorney who um of Methodism, followed by a tour of his home. John Wesley has homeschooled their two (1703-1791) has been called the most influential Protestant daughters for the past 12 years. leader of the English-speaking world since the Reformation Pastor Jason is an Evangelical and his brother Charles wrote hundreds of amazing hymns. Presbyterian Church minister We will tour the legendary Bunhill Field’s Cemetery, where we with a congregation in Owosso, can see the burial place of nonconformist Protestants. The rest MI. He often teaches classes to his congregation on church of the day is at leisure to attend a show (tickets can be ar- history and is known to preach first person sermons as vari- ranged) or relax. (B) ous church reformers. The Steeles enjoyed hosting our Reformation Jubilee Tour in May 2017, and they are excited Day 4: Sunday, May 12, 2019: London to host, learn and laugh together with you on this historical We have a free morning to attend the church of our adventure. choice. We will meet up outside the Tower of London. -
2019-2020 Annual Report and Financial Statements
ANNUAL REPORT and FINANCIAL STATEMENTS - for the year ended 31 MARCH 2020 STATEMENTS REPORT and FINANCIAL ANNUAL The Museum, 41 Long Street, Devizes, Wiltshire. SN10 1NS Telephone: 01380 727369 www.wiltshiremuseum.org.uk Our Audiences Our audiences are essential and work is ongoing, with funding through the Wessex Museums Partnership, to understand our audiences and develop projects and facilities to ensure they remain at the core of our activities. Our audience includes visitors, Society members, school groups, community groups, and researchers. Above: testimonial given in February 2020 by one of our visitors. Below: ‘word cloud’ comprising the three words used to describe the Museum on the audience forms during 2019/20. Cover: ‘Chieftain 1’ by Ann-Marie James© Displayed in ‘Alchemy: Artefacts Reimagined’, an exhibition of contemporary artworks by Ann-Marie James. Displayed at Wiltshire Museum May-August 2020. (A company limited by guarantee) Charity Number 1080096 Company Registration Number 3885649 SUMMARY and OBJECTS The Wiltshire Archaeological and Natural History Researchers. Every year academic researchers Society (the Society) was founded in 1853. The carry out important research on the collection. Society’s first permanent Museum opened in There are over 500,000 items in the collections Long Street in 1874. The Society is a registered and details can be found in our online searchable charity and governed by Articles of Association. database. The collections are ‘Designated’ of national importance and ‘Accreditation’ status Objects. To educate the public by promoting, was first awarded in 2005. Overseen by the fostering interest in, exploration, research and Arts Council the Accreditation Scheme sets publication on the archaeology, art, history and out nationally-agreed standards, which inspire natural history of Wiltshire for the public benefit. -
Ever Increasing Circles: the Sacred Geographies of Stonehenge and Its Landscape
Proceedings of the British Academy, 92, 167-202 Ever Increasing Circles: The Sacred Geographies of Stonehenge and its Landscape TIMOTHY DARVILL Introduction THE GREAT STONE CIRCLE standing on the rolling chalk downland of Salisbury Plain that we know today as Stonehenge, has, in the twentieth century AD, become a potent icon for the ancient world, and the focus of power struggles and contested authority in our own. Its reputation and stature as an archaeological monument are enormous, and sometimes almost threaten to overshadow both its physical proportions and our accumu- lated collective understanding of its construction and use. While considerable attention has recently been directed to the relevance, meaning and use of the site in the twentieth century AD (Chippindale 1983; 1986a; Chippindale et al. 1990; Bender 1992), the matter of its purpose, significance, and operation during Neolithic and Bronze Age times remains obscure. The late Professor Richard Atkinson was characteristically straightforward when he said that for questions about Stonehenge which begin with the word ‘why’: ‘there is one short, simple and perfectly correct answer: We do not know’ (1979, 168). Two of the most widely recognised and enduring interpretations of Stonehenge are, first, that it was a temple of some kind; and, second, that its orientation on the midsummer sunrise gave it some sort of astronomical role in the lives of its builders. Both interpre- tations, which are not mutually exclusive, have of course been taken to absurd lengths on occasion. During the eighteenth century, for example, William Stukeley became obses- sive about the role of the Druids at Stonehenge (Stukeley 1740). -
Wilsford Cum Lake - Census 1851
Wilsford cum Lake - Census 1851 Address Surname Given Names Position Status Age Sex Year Born Occupation Place of Birth Notes Schedule 1 Wilsford and Lake Rogers Maria Servant Unmarried 45 F 1806 General Servant (Head Absent) West Grimstead, Wiltshire 1 Wilsford and Lake Jones Sarah Servant Unmarried 29 F 1822 General Servant Wood Green, Wiltshire 1 Wilsford and Lake Rawkins Henry Servant Unmarried 32 M 1819 Gardener Milton, Wiltshire 2 Wilsford and Lake May James Head Married 31 M 1820 Agricultural Labourer Lake, Wiltshire 2 Wilsford and Lake May Eliza Wife Married 29 F 1822 Lake, Wiltshire 2 Wilsford and Lake May Daughter 0 F 1851 Wilsford, Wiltshire 3 Wilsford and Lake Castleman William Head Married 48 M 1803 Gardener Tidworth, Wiltshire 3 Wilsford and Lake Castleman Jane Wife Married 45 F 1806 School Mistress Wilsford, Wiltshire 4 Wilsford and Lake Cannings John Head Married 46 M 1805 Agricultural Labourer Wilsford, Wiltshire 4 Wilsford and Lake Cannings Rachel Wife Married 44 F 1807 Agricultural Labourer's Wife Durnford, Wiltshire 4 Wilsford and Lake Cannings Emily Daughter Unmarried 19 F 1832 Durnford, Wiltshire 4 Wilsford and Lake Cannings Mary A Grandaughter 0 F 1851 Durnford, Wiltshire 5 Wilsford and Lake Cannings Henry Head Married 46 M 1805 Agricultural Labourer Durnford, Wiltshire 5 Wilsford and Lake Cannings Louisa Wife Married 25 F 1826 Lake, Wiltshire 5 Wilsford and Lake Cannings Edwin A Son 1 M 1850 6 Wilsford and Lake Chivers Charles Head Married 29 M 1822 Agricultural Labourer Lake, Wiltshire 6 Wilsford and Lake Chivers Charlotte Wife Married 22 F 1829 Durnford, Wiltshire 6 Wilsford and Lake Chivers Emma Daughter 0 F 1851 Wilsford, Wiltshire 7 Wilsford and Lake Harding Enos Head Married 34 M 1817 Agricultural Labourer Stoford, S. -
Venue Hire & Hospitality
VENUE HIRE & HOSPITALITY WELCOME The Very Revd Andrew Tremlett, Dean of Durham Today at Durham Cathedral we continue an ancient tradition We host an incredible range of events at the cathedral, of worship, welcome and hospitality that dates from monastic from concerts, product launches and corporate receptions to times. That same spirit of openness pervades our modern celebratory events, and are always excited to see new proposals venue hire and hospitality services, where we seek to serve for how to make the most of our magnificent cathedral. These our region with high standards and exceptional spaces. pages contain hints of what is possible for events and hospitality at Durham Cathedral, intended to inspire you. I welcome you Durham Cathedral’s unrivalled architecture is famous to bring your ideas to our events team, who will be happy ‘Staff on the night were worldwide, and as a beloved symbol of the North East to discuss your plans. professional throughout of England our roots stretch deep into the history and and very attentive, the culture of our region. The cathedral and its surrounding cathedral guides really spaces are beautiful and inspiring backdrops for a engaged with our guests.’ diverse range of occasions. ‘All the arrangements worked smoothly – which is in no small part due to you coordinating it all. Please pass on our thanks to everyone on the Events team including the cathedral guides and also the caterers.’ THE CATHEDRAL When booked for an evening concert, the venue hire the daily rhythm of worship and visitor activities. A place of gathering, celebration fee includes the use of a green room and one rehearsal If large- scale daytime hire requires the cathedral to on the afternoon of the concert date. -
The Appropriation of St Cuthbert: Architecture, History-Writing, and Ecclesiastical Politics in Durham, 1083-1250
Quidditas Volume 29 Article 4 2008 The Appropriation of St Cuthbert: Architecture, History-writing, and Ecclesiastical Politics in Durham, 1083-1250 John D. Young Flagler College Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Young, John D. (2008) "The Appropriation of St Cuthbert: Architecture, History-writing, and Ecclesiastical Politics in Durham, 1083-1250," Quidditas: Vol. 29 , Article 4. Available at: https://scholarsarchive.byu.edu/rmmra/vol29/iss1/4 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. 26 Quidditas The Appropriation of St Cuthbert: Architecture, History-writing, and Ecclesiastical Politics in Durham, 1083-1250 John D. Young Flagler College This paper describes the use of the cult of Saint Cuthbert in the High Middle Ages by both the bishops of Durham and the Benedictine community that was tied to the Episcopal see. Its central contention is that the churchmen of Durham adapted this popular cult to the political expediencies of the time. In the late eleventh and early twelfth centuries, when Bishop William de St. Calais ousted the entrenched remnants of the Lindisfarne community and replaced them with Benedictines, Cuthbert was primarily a monastic saint and not, as he would become, a popular pilgrimage saint. However, once the Benedictine community was firmly entrenched in Durham, the bishops, most prominently Hugh de Puiset, sought to create a saint who would appeal to a wide audience of pilgrims, including the women who had been excluded from direct worship in the earlier, Benedictine version of the saint. -
Jedburgh Abbey Church: the Romanesque Fabric Malcolm Thurlby*
Proc SocAntiq Scot, 125 (1995), 793-812 Jedburgh Abbey church: the Romanesque fabric Malcolm Thurlby* ABSTRACT The choir of the former Augustinian abbey church at Jedburgh has often been discussed with specific reference to the giant cylindrical columns that rise through the main arcade to support the gallery arches. This adaptation Vitruvianthe of giant order, frequently associated with Romsey Abbey, hereis linked with King Henry foundationI's of Reading Abbey. unusualThe designthe of crossing piers at Jedburgh may also have been inspired by Reading. Plans for a six-part rib vault over the choir, and other aspects of Romanesque Jedburgh, are discussed in association with Lindisfarne Priory, Lastingham Priory, Durham Cathedral MagnusSt and Cathedral, Kirkwall. The scale church ofthe alliedis with King David foundationI's Dunfermlineat seenis rivalto and the Augustinian Cathedral-Priory at Carlisle. formee e choith f Th o rr Augustinian abbey churc t Jedburgha s oftehha n been discussee th n di literature on Romanesque architecture with specific reference to the giant cylindrical columns that rise through the main arcade to support the gallery arches (illus I).1 This adaptation of the Vitruvian giant order is most frequently associated with Romsey Abbey.2 However, this association s problematicai than i e gianl th t t cylindrical pie t Romsea r e th s use yi f o d firse y onlth ba t n yi nave, and almost certainly post-dates Jedburgh. If this is indeed the case then an alternative model for the Jedburgh giant order should be sought. Recently two candidates have been put forward.