Nurturing Culturally- Responsive STEM Talent in Gifted Girls

Total Page:16

File Type:pdf, Size:1020Kb

Nurturing Culturally- Responsive STEM Talent in Gifted Girls Amber Nickerson & Kristina Henry Collins Texas State University Amber Nickerson is in her final semester as a Nurturing Culturally- pre-service teacher, completing her M.Ed. in elementary education at Texas State University. Responsive STEM Dr. Kristina Henry Collins is the core faculty of Talent Development in the Curriculum & In- Talent in Gifted Girls struction Department at Texas State University. ope spent the majority of around the house that needed to be the home and the school and/or gen- her most memorable child- fixed, she often engineered tools in an der socialization can negatively influ- hood moments sitting at attempt solve the problem. ence a young girl’s interest and per- the kitchen table in a small At first thought, the idea of a young sistence in STEM. 2-bedroom home with her mom and girl and her parents1 sitting around the Hstep-dad playing board games, solving kitchen table playing games presents it- Gifted Girls in STEM logic puzzles, adapting recipes, navi- self as nothing more than typical family Gifted education is important in this gating through “how to” manuals, dis- time for any American household. How- discussion of STEM talent develop- secting auto-mechanic diagrams, and ever, for Hope—an unidentified gifted ment because it offers a “socialized” discussing current ‘state of the home’ girl of color growing up in poverty - the culture that encourages students to affairs. At least once a month, she and kitchen table served as a playground explore STEM activities and take ad- her mom proudly glued notebook pa- where many hours of family-based, vanced STEM courses. It is commonly per to the back of a 1000-piece puzzle culturally relevant STEM-learning took expected that gifted students show in- that they had completed that month to place with critical thinking as the central terest and excel in STEM areas of study. hang as art throughout the house. theme of every activity. However, gifted girls are still pushed to- By age three, Hope had mastered This vignette provides an example ward careers related to language arts the game of chess. And by age ten, of day-to-day practices of parent (Collins, Joseph, and Ford, in-press). she could take a technical manual of STEM engagement (Collins, 2015) In their article “Missing in Action: any kind, make sense of its compli- experienced within the home that Black Gifted Girls in Science, Tech- cated diagrams, and effectively com- fosters STEM identity and positive nology, Engineering, and Mathemat- municate those instructions to anyone self-concept (Collins, 2018). It was ics (STEM)”, Collins, Joseph, and wanting to build a physical model of these contextual and gender-neutral Ford (in-press), synthesized critical the design. She had done this many STEM experiences—tied to feelings issues that contribute to the notable times, assisting her step-dad (a self- of belonging and family values—that absence of girls in STEM. They found taught auto-mechanic and race car later influenced and fostered intrinsic that empirical research generally sug- enthusiasts) in the yard as he built motivation for Hope’s STEM interest, gested lack of motivation and abil- and/or rebuilt cars from frame to func- STEM academic success, and STEM ity as issues for underrepresentation, tional. Spending time on the road with talent development in school. As with disproportionate amounts of the him, she also collected a huge atlas such, there are clear implications for research on lower achievement in and maps that kept her attention for educators to engage students, espe- comparison to majority groups. Little hours. Hope recognized, early on, the cially underrepresented students, in research focused on factors that en- patterns for numbering for all major contextual STEM talent development. couraged motivation and persistence. highways and mile markers that sys- This is particularly important for edu- They reported that “gaps in positive tematically ran north to south and cators at the elementary school level STEM experiences and practices be- east to west. If there was something where cultural discontinuity between gin as early as elementary school” 6 Teaching for High Potential | November 2019 which skews perceptions of abilities high interest in STEM. gifted characteristics that are not tra- in STEM by girls by the time they According to Collins’ (2018) mod- ditionally “tested” or measured. Ex- reach high school. el, teachers and mentors can expect tending Frasier’s’ TABS for advanced gifted girls to continually evaluate and STEM development, Table 1 describes Contextual STEM Talent Development internalize four basic questions that TAB’s within the context of higher-or- The Expectancy-Value Theory sug- influence their motivation to learn and der thinking skills (2nd and 3rd column) gests that students are motivated to- persist in STEM: for the purpose of integrating depth ward academic tasks and disciplines 1. Do I belong in a STEM field? (Re- and challenge within a gifted curricu- in which they expect to succeed and flective Identity) lum. Additional insight as to how these find personal value. Therefore, it is 2. Can I succeed in a STEM field? traits may be nurtured for STEM skill important that teachers nurture gifted (Competence/Ability) development within the home or com- girls’ confidence and interest through 3. Do I want to succeed in a STEM munity (4th column) are also offered. successful STEM experience early on field? (Value/Interest) The last column may be used by ed- to support talent development and 4. What must I do to succeed in a ucators at different educational lev- persistence throughout the STEM STEM field? (Assimilation) els to evaluate how these traits might pipeline. STEM talent is commonly look within the STEM discipline spe- associated with the technical skillset The answers to these questions in- cifically. Once that has been identified, (e.g., logical thinking, scientific literacy, fluence how gifted girls come to un- they should align their efforts of gifted domain-specific cognitive ability) de- derstand themselves, especially within and STEM talent development to that veloped as a result of persistence and their own culture (internal/ home envi- which complements the development achievement in specific STEM tasks. ronment) and in relation to the institu- that is present in the home. This en- A student’s positive self-concept in tion of STEM training (external/ STEM sures STEM identity development that STEM, then, has to do with to what ex- environment). It is important to note does not pose a conflict between what tent a student sees herself based on a that three of the four questions are a is valued at home and what is valued belief in her ability to utilize her STEM reference to psycho-social, or relating at school. talents to become a STEM innovator. to the interrelation of social factors, in- For example, Hope exhibited ad- And, for underrepresented students in dividual thought, and behavior issues. vanced interests in maps. She used STEM (i.e., Blacks, Hispanics, and fe- This affirms that persistence issues in them as a navigational tool when trav- male students) this identity—and moti- STEM talent development are often re- eling with her family. Beyond that, she vation to succeed—is centered around lated to issues around belonging, cul- also studies them to recognize direc- social constructs of race and gender. tural values, and who the student is as tional and numbering patterns of the Collins’ (2018) developmental mod- socialized beings. roads represented on the map. Her el for STEM identity (Figure 1) offers step-dad makes sure she has access a framework for understanding inter- Nurturing STEM Talent in Gifted Girls to maps of all of the states. Relatively, nal and external factors that may in- Cultural discontinuity and/or lack of in school, Hope is very good at recog- fluence the persistence of gifted girls awareness for the diverse way in which nizing ways in which constituent parts such as Hope who already showed a STEM talents are manifested in under- are interrelated or arranged. As such, represented STEM students the math teacher could complement can negatively affect the cre- her interest and family’s developmen- Figure 1. Underrepresented Students STEM ative thinking, and academic tal strategy by allowing Hope to study Identity Model success of underrepresent- topology as part of a geometry lesson ed students as early as 4th as one option. Of course, many prob- grade. This is especially true lem-based lessons can be developed Reflective when family-based or cultur- for several topics in algebra as well. Identity ally-valued STEM talents are Through these interventions, gifted not valued or seen as trans- girls like Hope can see their STEM tal- ferrable to the academic set- ents grow and develop. THP Assimilation ting. Frasier’s (1992) Traits, Race Aptitudes, and Behaviors References (TABS) evaluation tool, com- Collins, K.H. (2009). ALANHS “3R” cur- Gender monly used as a culturally riculum framework and program planning responsive tool for identify- guide. Academy of Liberal Arts at Newton ing gifted students, serves High School, Newton County Schools, GA. Value/ Interest as a great resource and basis Collins, K.H. (2015). Measuring Black par- for identifying and nurturing ent engagement in STEM: Validation for a Ability Competence/ STEM talent in underrepre- multidimensional assessment of parent- sented students in STEM, in- ing practices, style and culture (Unpub- cluding gifted girls. Frasier’s lished Doctoral Dissertation). University of TAB’s offers a description of Georgia, Athens. www.nagc.org November 2019 | Teaching for High Potential 7 Collins, K.H. (2018). Confronting colorblind press). Missing in action: Gifted Black Gifted Talented, The University of Georgia. STEM talent development: Toward a con- girls in science, technology, engineering, textual model for Black student STEM and mathematics (STEM) Gifted Child 1The term parent or parental is inclusive of identity.
Recommended publications
  • Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
    Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode.
    [Show full text]
  • Mary, Roseanne, and Carrie: Television and Fictional Feminism by Rachael Horowitz Television, As a Cultural Expression, Is Uniqu
    Mary, Roseanne, and Carrie: Television and Fictional Feminism By Rachael Horowitz Television, as a cultural expression, is unique in that it enjoys relatively few boundaries in terms of who receives its messages. Few other art forms share television's ability to cross racial, class and cultural divisions. As an expression of social interactions and social change, social norms and social deviations, television's widespread impact on the true “general public” is unparalleled. For these reasons, the cultural power of television is undeniable. It stands as one of the few unifying experiences for Americans. John Fiske's Media Matters discusses the role of race and gender in US politics, and more specifically, how these issues are informed by the media. He writes, “Television often acts like a relay station: it rarely originates topics of public interest (though it may repress them); rather, what it does is give them high visibility, energize them, and direct or redirect their general orientation before relaying them out again into public circulation.” 1 This process occurred with the topic of feminism, and is exemplified by the most iconic females of recent television history. TV women inevitably represent a strain of diluted feminism. As with any serious subject matter packaged for mass consumption, certain shortcuts emerge that diminish and simplify the original message. In turn, what viewers do see is that much more significant. What the TV writers choose to show people undoubtedly has a significant impact on the understanding of American female identity. In Where the Girls Are , Susan Douglas emphasizes the effect popular culture has on American girls.
    [Show full text]
  • 30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
    30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network.
    [Show full text]
  • NEFL Grinders Cheer
    NEFL Cheer is holding tryouts for Grinders cheerleading. All current 4th & 5th graders are eligible to tryout. *IMPORTANT DATES* **April 15th– 6:00 p.m.** Call out meeting at NWMS cafeteria for girls interested in trying out and their parents. Any and all information regarding Grinders Cheer will be covered including tryouts, cost and expectations for cheerleaders. No tumbling is required. **May 6th & 7th– 6:00-8:00 p.m.** Tryout clinic– NWMS Gym Girls will learn a cheer and chant needed for tryouts. **May 8th– 6:00– 8:00p.m.** Tryouts– NWMS gym **These dates are mandatory.** Questions? Please contact Marlo Morgan at [email protected] NEFL Grinders Cheer The tryouts for NEFL Grinders cheer will be held May 5th-7th from 6:00-8:00 in the upper gym at NWMS. The girls need to wear a t-shirt/tank, shorts, tennis shoes and have their hair pulled back. They should bring a water bottle with them. The first two nights will be the clinic where the girls will learn the cheer and chant needed for the tryouts. The third night will be the tryouts. Parents are welcome to stay in the gym and watch the clinic, but the tryouts are closed. The team will be announced that night after tryouts. All girls must be registered with NEFL before they will be allowed to tryout. You can register online at www.nefl.net. Please bring your printed receipt of registration on the first day of cheer clinic. ************************************************************************ The girls will be judged on a 1-5 scale on the following skills: -Cheer and chant memory -Motions -Voice projection -Enthusiasm -Jumps -Attitude -Tumbling will be scored as follows: -Cartwheel -1 point -Round Off - 2 points -Back Handspring - 3 points -Back Handspring series - 4 points -Tuck – 5 points The cost for participating in Grinders cheer is approximately $325-$350.
    [Show full text]
  • "The Untitled Lena Dunham Project" Pilot (Together)
    "THE UNTITLED LENA DUNHAM PROJECT" PILOT (TOGETHER) Written by Lena Dunham 10/23/2010 INT. MIDTOWN RESTAURANT, EVENING HANNAH-- 24, sweet-faced, slightly chubby-- sits across from her parents: TAD--early 60s, professorial-- and LOREEN, slim and understated, also in her 60s. Loreen and Tad slowly work on their food while Hannah eats speedily, back and forth between a bowl of pasta, a salad, a side of spinach and a baked potato. LOREEN Would you two slow down? You’re eating like it’s going out of style. HANNAH (mouth full) I’m a growing girl. A drip of sauce hits Tad’s shirt. TAD Meant to do that. Hannah laughs. LOREEN Your whole Brooklyn thing, Hannah. It reminds me of Berkeley in the 1970s. My boyfriend at the time, Ned. He lived in a communal space a bit like yours. HANNAH (laughing) I have one roommate, mom. LOREEN But that boyfriend of hers seems always to be around. TAD We’re sorry we never got to meet this fellow you’re dating. HANNAH Dating is probably a polite word for what we’re doing, but yeah. LOREEN Hannah, that’s your father. Spare him the TMI. (pause) That’s a thing, right? TMI? (MORE) 2. LOREEN (CONT'D) One of my students said it and I thought it was just so funny. HANNAH (to Tad) I’m sorry, papa. Did that upset you? TAD I’m rolling with it. Pause LOREEN Tad. We should probably bring it up now. TAD Let’s finish recapping the weekend and then we can-- LOREEN No, I don’t want to just leave it til the end of dinner.
    [Show full text]
  • Juniors to Have Prom Girls Glee Club Pre~Ents Nnua Aster Oncert
    ,. SERlES V VOL. VII Stevens Point, \Vis., April 10, 1946 No. 23 College Band Again Juniors To Have Prom Girls Glee Club Pre~ents To Welcome Alums Of interest to all students is the fact that the first post-war Juni or A 1 E c The col lege band, under Ihe di rec· Promenade will be he!J as originally nnua aster oncert tion of Peter J. Michelsen, wi ll hold sc heduled on Friday, May 24. There · a h omecoming on Saturday and Sun­ had previously been some question day, April 27 and 28. as to whether it could be held be­ Holds Initiation Michelsen to Direct Approximately 36 band directors cause of the fact that the date chose n Second semester pledges became The Girls Glee club, under the plan to attend the homecoming. for the Prom was the same as that members of Sigma Tau Delta, na­ directi on of Peter J. Michelsen, will They wi ll play with the college selected by the freshmen for their tional honora ry English fraternity, present their fifth annual Easte r band, making a total of '65 people in proposed party. After a discussion at a meeting held last Wednesday concert on P,tlm Sunda)', April 14, the organization. between the heads of the two classes, the decision was reached to evening in Studio A. in th; coll ege aud itorium .It 3 o'clock ! he g roup will spend Saturday combine the two events in to the The new members, Joyce Kopitz­ in the .1fternoon. rehearsing, and on Saturday evening, Junior Prom.
    [Show full text]
  • Daisy 5 Flowers, 4 Stories, 3 Cheers for Animals! Activity
    Daisy 5 Flowers, 4 Stories, 3 Cheers for Animals! Activity Plan 1: Birdbath Award Purpose: When girls have earned this award, they will be able to say “Animals need care; I need care. I can do both.” Planning Guides Link: Leadership Activity Plan Length: 1.5 hours Resources and Tips • This activity plan has been adapted from It’s Your Story—Tell It! 5 Flowers, 4 Stories, 3 Cheers for Animals!, which can be used for additional information and activities. • Important snack note: Please check with parents and girls to see if they have any food allergies. The snack activity calls for peanut butter or a dairy product. Ask parents for alternative options that will work for the activity, if needed. Activity #1: Unique Animals Journey Connection: Session 4—Fantastical Animals Flip Book Time Allotment: 15 minutes Materials Needed: • Note cards • Coloring utensils • Tape • Paper Steps: 1. Create a list of animal body parts (head, arm, leg, ears, tail, etc.) on individual small pieces of paper. 2. Ask the girls the questions below: • What animals have you seen near where you live? • What is the most unusual animal you’ve ever seen? Where did you see it? What did it look like? 3. Split the girls into teams, hand out note cards and assign 1–2 animal body parts per girl (depending on the number of girls per group). Instruct girls not to talk to each other and to draw the body part they have on the note card for an animal, real or imaginary. 4. After girls have finished their drawings, have them work as a team to tape the different animal body parts together to create a totally unique animal friend.
    [Show full text]
  • Family When Frasier Was Injured and out of Work from an Accident with a Drunk Driver in 2006 and Paid for Family Vacations Every Year
    ESSAY QUESTION NO. 4 Answer this question in booklet No. 4 Margo and Frasier were married in 1997 in Anchorage. They lived there throughout the marriage. Prior to their marriage, Margo inherited her mother's farm with her siblings. From the income of the farm, Margo used $30,000 to remodel her and Frasier's marital home. The home's title is in both parties' names. The remodel significantly increased the home's value. Her farm funds also supported the family when Frasier was injured and out of work from an accident with a drunk driver in 2006 and paid for family vacations every year. In 2005, the farm was sold. Margo deposited half the money into the couple's checking account. She opened her own individual brokerage account with the remainder. Margo and Frasier separated in February 2008. They have twin daughters who are in kindergarten. In March 2008, Frasier received a bonus based on his employer's profit for 2007. Frasier's lawsuit against the drunk driver who hit him is not scheduled for trial until January 2009. Frasier has asked the court for damages including lost earnings and pain and suffering. Margo and Frasier have filed for divorce. 1. Margo has told Frasier she wants to be reimbursed all the money that she contributed to the family expenses, the home remodel and the checking account from the farm income. She also wants half the employment bonus and half the lawsuit proceeds. How would a court rule on Margo's entitlement to the farm income reimbursement, Frasier's bonus and his lawsuit monies? Discuss thoroughly.
    [Show full text]
  • HBO Series Girls and Insecure's Depiction of Race and Gender
    Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College Summer 7-2018 HBO Series Girls and Insecure’s Depiction of Race and Gender Kimberley Peterson Honors College, Pace University Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Critical and Cultural Studies Commons, and the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Peterson, Kimberley, "HBO Series Girls and Insecure’s Depiction of Race and Gender" (2018). Honors College Theses. 199. https://digitalcommons.pace.edu/honorscollege_theses/199 This Thesis is brought to you for free and open access by the Pforzheimer Honors College at DigitalCommons@Pace. It has been accepted for inclusion in Honors College Theses by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. Peterson 1 HBO Series Girls and Insecure’s Depiction of Race and Gender Kimberley Peterson Peterson 2 Communication Studies Dr. Aditi Paul Communication Studies 3 May 2018 and 22 May 2018 Abstract In this research study the identification and representation of race and gender were looked at in the primetime HBO television series Insecure and Girls. The characters that were analyzed in two episodes were the young black women of Insecure and in two episodes the young white women in Girls. The method for this study was conducted using content analysis to identify the following variables focusing on identity, racial stereotypes and names used to address one another. Additionally, variables to identify gender included emotional approaches to situations, stereotypes and gender role expectations. The comprehensive findings revealed through similarities and differences of the episodes containing similar plot lines, as well as the overall analysis of each show, gave insight on how race and gender is being presented.
    [Show full text]
  • 30 Rock and Philosophy: We Want to Go to There (The Blackwell
    ftoc.indd viii 6/5/10 10:15:56 AM 30 ROCK AND PHILOSOPHY ffirs.indd i 6/5/10 10:15:35 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy X-Men and Philosophy Edited by Robert Arp Edited by Rebecca Housel and J. Jeremy Wisnewski Metallica and Philosophy Edited by William Irwin Terminator and Philosophy Edited by Richard Brown and Family Guy and Philosophy Kevin Decker Edited by J. Jeremy Wisnewski Heroes and Philosophy The Daily Show and Philosophy Edited by David Kyle Johnson Edited by Jason Holt Twilight and Philosophy Lost and Philosophy Edited by Rebecca Housel and Edited by Sharon Kaye J. Jeremy Wisnewski 24 and Philosophy Final Fantasy and Philosophy Edited by Richard Davis, Jennifer Edited by Jason P. Blahuta and Hart Weed, and Ronald Weed Michel S. Beaulieu Battlestar Galactica and Iron Man and Philosophy Philosophy Edited by Mark D. White Edited by Jason T. Eberl Alice in Wonderland and The Offi ce and Philosophy Philosophy Edited by J. Jeremy Wisnewski Edited by Richard Brian Davis Batman and Philosophy True Blood and Philosophy Edited by Mark D. White and Edited by George Dunn and Robert Arp Rebecca Housel House and Philosophy Mad Men and Philosophy Edited by Henry Jacoby Edited by Rod Carveth and Watchman and Philosophy James South Edited by Mark D. White ffirs.indd ii 6/5/10 10:15:36 AM 30 ROCK AND PHILOSOPHY WE WANT TO GO TO THERE Edited by J. Jeremy Wisnewski John Wiley & Sons, Inc. ffirs.indd iii 6/5/10 10:15:36 AM To pages everywhere .
    [Show full text]
  • Modern Family"
    Representation of Gender in "Modern Family" Vuković, Tamara Master's thesis / Diplomski rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:639538 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Tamara Vuković Representation of Gender in “Modern Family” Diplomski rad Zadar, 2016. Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Representation of Gender in “Modern Family” Diplomski rad Student/ica: Mentor/ica: Tamara Vuković izv. prof. dr. sc. Senka Božić-Vrbančić Zadar, 2016. Izjava o akademskoj čestitosti Ja, Tamara Vuković, ovime izjavljujem da je moj diplomski rad pod naslovom Representation of Gender in „Modern Family“ rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj
    [Show full text]
  • Queer Identities and Glee
    IDENTITY AND SOLIDARITY IN ONLINE COMMUNITIES: QUEER IDENITIES AND GLEE Katie M. Buckley A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Music August 2014 Committee: Katherine Meizel, Advisor Kara Attrep Megan Rancier © 2014 Katie Buckley All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor Glee, a popular FOX television show that began airing in 2009, has continuously pushed the limits of what is acceptable on American television. This musical comedy, focusing on a high school glee club, incorporates numerous stereotypes and real-world teenage struggles. This thesis focuses on the queer characteristics of four female personalities: Santana, Brittany, Coach Beiste, and Coach Sue. I investigate how their musical performances are producing a constructive form of mass media by challenging hegemonic femininity through camp and by producing relatable queer female role models. In addition, I take an ethnographic approach by examining online fan blogs from the host site Tumblr. By reading the blogs as a digital archive and interviewing the bloggers, I show the positive and negative effects of an online community and the impact this show has had on queer girls, allies, and their worldviews. iv This work is dedicated to any queer human being who ever felt alone as a teenager. v ACKNOWLEDGMENTS I would like to extend my greatest thanks to my teacher and advisor, Dr. Meizel, for all of her support through the writing of this thesis and for always asking the right questions to keep me thinking. I would also like to thank Dr.
    [Show full text]