Designer Arnold Scaasi Talks About His Designs at the Fashion Institute of Technology in New York

Total Page:16

File Type:pdf, Size:1020Kb

Designer Arnold Scaasi Talks About His Designs at the Fashion Institute of Technology in New York Invite young people into the Cecil conversation with books THURSDAY, AUGUST 6, 2015 39 Photo shows an aerial view of down town Jordan where the Roman theatre is seen on the 29th of July. — Photo by Islam Al-Sharaa Modern Etiquette: Designer Ten rules for success in the workplace ver a century ago, legendary magnate John D Rockefeller Arnold Scaasi said, “I will pay more for the ability to deal with people Othan any other skill under the sun.” Since then, studies by companies such as Google have echoed his thinking by pointing out that the most effective managers and executives possess strong interpersonal skills. Thus, here are my Ten Commandments for Effective Business dead at 85 Behavior: In this Oct 10, 2002 file photo, fashion designer Arnold Scaasi talks about his designs at the Fashion Institute of Technology in New York. 1. Thou shalt have a positive attitude. Everybody has bad days. Nobody has the right to take it out on others. Rudeness, impoliteness, surliness, ugly moods, unprovoked displays of esigner Arnold Scaasi, whose bright, flamboyant recalled the designer as “an amazing individual, so inim- First lady anger, and general unpleasantness can be costly to your creations adorned first ladies from Mamie itable - very funny and witty, a real personality.” She called For Barbara Bush, he designed a number of outfits career. DEisenhower to Laura Bush and film stars from his designs “colorful, feminine and sculptural.” including her two-toned, deep blue “Barbara blue” 1989 2. Thou shalt respect yourself and others in cyberspace. E-mail is Elizabeth Taylor to Barbra Streisand, has died. He was 85. Scaasi was born in 1930 in Montreal. His father was a inaugural gown. Laura Bush, he said, had to be persuaded eternal. Social media is a minefield. If you would not want Scaasi died early Tuesday at New York-Presbyterian furrier, and he became interested in art and fashion at an to shorten her skirts slightly, to mid-knee. He praised her your mother to see it, do not hit “Send.” Hospital of cardiac arrest, said his longtime friend, Michael early age. He trained both in Montreal and Paris and “long neck, which, of course, any woman would give her 3. Thou shalt be on time. Keeping others waiting is the ultimate Selleck, executive vice president of sales and marketing at worked for designer Charles James - famed for his glam- eyeteeth to possess.” Scaasi said loyalty to the Bushes pre- power play. This goes for in-person appointments, emails, and Simon & Schuster. Until he closed his dress business in orous, sculptural gowns - in New York before opening his vented him from actively seeking made-to-order business telephone calls. In the end, being late is self-defeating. 2010, Scaasi - his surname, Isaacs, spelled backward - spe- first ready-to-wear business in 1956. Over the years he from Hillary Rodham Clinton. But to his surprise, he said, Everybody’s busy. Everybody’s time is valuable. Being late cialized in made-to-order clothes, favoring ornate, bril- won numerous awards, including the 1996 lifetime he met her in 1994 and learned that she had purchased a only makes you look as if you don’t have your act together. liantly-hued fabrics and trimmings like beads and feath- achievement award from the Council of Fashion dress of his, a ruffly black number that she called “one of 4. Thou shalt praise in public and criticize in private. If you ers. “Fashion, it’s really about feeling good,” he told The Designers of America. Because he did relatively little for the prettiest gowns I own.” intend to improve a situation or somebody’s performance, Associated Press in 2002, when the Museum at the the mass ready-to-wear market, Scaasi wasn’t as well As for another famous first lady - Jacqueline Kennedy - public criticism is the worst approach. It serves no purpose Fashion Institute of Technology exhibited his works. “It known to the average customer as contemporaries like Scaasi wrote in his book that she had worn his clothes except to humiliate the other person, and possibly lead to should be fun to get dressed. I like exciting and pretty Oscar de la Renta or Liz Claiborne. before she became first lady, but not after; he said he cutthroat retaliation. Remember that the office gossip looks clothes that help women feel exciting and pretty.” But he did design some high-end ready-to-wear could not afford to provide clothing to her as first lady for far worse than those being gossiped about. While “less is more” was usually not his credo, perhaps clothes for specialty stores, telling Women’s Wear Daily in free. Scaasi also recalled in his book how he persuaded 5. Thou shalt honor social courtesies at business functions. Scaasi’s best known outfit was a famously translucent 2007 that he was creating a new ready-to-wear line opera star Joan Sutherland to feel comfortable in clothes Etiquette is just a matter of common sense with a large dose pantsuit worn by Streisand’s in 1969 to accept the best- because “women were stopping me in airports and asking that showed off her figure, rather than hiding it. He made of kindness. Make sure you respond to invitations promptly actress Oscar for “Funny Girl” (she won in a tie with me at dinner parties.” For a spectacular price, his socialite a gown with apricot roses on a black background, topping and never bring an uninvited guest. Never be a no-show Katharine Hepburn.) It featured bell-bottom pants and a and celebrity clients got one-of-a-kind clothes - carefully it with a tangerine silk cloak. He wrote that she told him: “I when you’ve said you’d be there. Good guests contribute as matching top in spangly black lace, with white collar and constructed, tailored to their precise size, highlighting have never felt pretty in my life. Tonight I feel really pretty.” much, if not more, to a social occasion as good hosts. cuffs. Strategically placed patch pockets covered her their best points and camouflaging their worst. He was Scaasi is survived by husband Ladd, with whom he shared 6. Thou shalt get names straight. We all forget people’s names. breasts, but the effect of the thin fabric in bright light cre- known for taking dozens and dozens of measurements of homes on Manhattan’s Beekman Place, on Long Island There’s nothing wrong with saying, “Please tell me your name ated the impression of nudity from some angles. Scaasi clients’ bodies. and in Palm Beach, Florida. “Our relationship was very pro- again. My brain just froze.” But there is something wrong with denied the intent was to shock, saying only that he told In his 2004 book, “Women I Have Dressed (and found,” Ladd said Tuesday. — AP not checking on correct spelling whenever you write a name. Streisand: “We have to do something very modern - really Undressed),” Scaasi described some of the things he made That’s lazy. It can cost your career. And remember, with four of today” - since to that point, moviegoers had seen her for Elizabeth Taylor: “A spectacular white satin ball gown generations actively operating in today’s workplace, it’s a big only in costumes from another era. with a rhinestone design of arches over the entire dress. ... mistake to assume you can call someone by his or her first A long black velvet cape to go over it - it was fab. ... A coral name. Amazing individual and turquoise petunia printed silk short dress with a cape 7. Thou shalt speak slowly and clearly on the telephone. A smile Scaasi’s most important legacy will be that of “his pro- coat in turquoise cashmere. ... A beautiful short black chif- can be heard in your voice. So smile or you will sound irritated found individuality,” Parker Ladd, the designer’s husband fon number that was totally covered in tiny leaves and and put out. Not a good move when you are speaking with since 2011 and his partner of 54 years, said in a telephone flowers with diamante clusters.” Scaasi was a young man someone in authority, and perhaps from a different culture or interview Tuesday. “Everyone who committed to his when he had his first White House client: Mamie generation. clothes will feel that way, and museums and history will Eisenhower. The first lady favored strapless evening 8. Thou shalt not use foul language. Kind is about the only four- remember him that way,” Ladd said. Valerie Steele, director gowns, Scaasi wrote: “I was very pleased that Mrs letter word for the workplace. Don’t accept vulgarity and poor of the FIT museum, worked on the Scaasi exhibit and Eisenhower wanted to look so stylish.” grammar as your personal standards. On the other hand, lib- eral use of “please,” “thank you,” and “excuse me” is helpful in career advancement. 9. Thou shalt dress appropriately. Don’t enter your workplace without knowing its dress code. Good grooming is more important than making a fashion statement. 10. Thou shalt be accountable. We all make mistakes. That does not give us license to blame someone else for them. There is no shame in admitting you don’t have all the answers. Yet there is shame in not being willing to look for them. — Reuters In this April 14, 1969 file photo, actress and singer In this April 28, 1972 file photo, American designer In this Jan 9, 1989 file photo, first lady Barbara Bush, Barbra Streisand wears a sequined Arnold Scaasi bell- Arnold Scaasi, center, walks with two models at his right, presents her inaugural gown, designed by bottomed sheer pantsuit as she poses with her Oscar for studio in Paris.
Recommended publications
  • Get in Shape NEW YORK — Giorgio Armani Knows How to Keep Fit
    SCAASI’S STRIPTEASE/6 WHO PAYS FOR PORT SECURITY?/14 WWDWomen’s Wear Daily • The Retailers’TUESDAY Daily Newspaper • August 17, 2004 • $2.00 Ready-to-Wear/Textiles Get in Shape NEW YORK — Giorgio Armani knows how to keep fit. For Armani Collezioni spring, he’s making the little shrunken jacket his own, sending out myriad playful variations on it. Here, a breezy wide-collared cotton and silk version worn with a cotton top and cotton and elastin jeans. For more on Armani Collezioni, see page 8. Storms Spare Florida Retailers, but Comps Outlook Weakens By Georgia Lee and Katherine Bowers stores on Sunday and Monday as Southeastern U.S. last week, are Y PORTIA PETERS Y PORTIA ATLANTA — This time, the weather Floridians found respite in shopping expected to depress August same- really is having an impact. malls. Still, Bonnie and Charley, the store sales by up to 2 percent at Retailers generally escaped any respective tropical storm and Federated Department Stores and major physical damage from the hurricane that dealt a deadly blow the Neiman Marcus Group, as well weekend storms and reported busy to parts of Florida and the See Storm, Page 18 PHOTO BY DAVID TURNER; HAIR AND MAKEUP B DAVID PHOTO BY 2 WWD, TUESDAY, AUGUST 17, 2004 WWW.WWD.COM WWDTUESDAY Eskenasi to Exit Saks Inc. Ready-to-Wear/Textiles By David Moin Eskenasi could not be reached to learn about GENERAL her plans. The impact of Hurricane Charley and Tropical Storm Bonnie on the NEW YORK — Saks Inc.’s aggressive private label “I’m sure she can write her own ticket wher- 1 Southeast is expected to hurt August sales at Federated and Neiman’s.
    [Show full text]
  • Charles Kleibacker, Master of the Bias Cut; Designs, Construction and Techniques
    CHARLES KLEIBACKER, MASTER OF THE BIAS CUT; DESIGNS, CONSTRUCTION AND TECHNIQUES DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Joycelyn Falsken, M.A. ***** The Ohio State University 2008 Dissertation Committee: Professor Patricia A. Cunningham, Adviser Professor Kathryn A. Jakes Professor Alice L. Conklin Curator Gayle M. Strege Copyright by Joycelyn Falsken 2008 ABSTRACT Charles Kleibacker was a fashion designer in New York City from 1960 to 1986, a time when fashion styles reflected the turmoil that occurred in society throughout those years. However, through it all Charles maintained an individual design aesthetic – soft figure-flattering bias dresses with a classic look that could be worn for years. This earned him a devoted clientele of women who purchased his designer ready-to-wear garments at top stores in New York, or were custom fit in his workshop. Because of his preference for and skill with bias, he became known as the Master of the Bias Cut. Trained in French couturier methods of construction, Kleibacker’s garments were all produced with the highest standards in fabric, construction and fit. Bias is known to be the most difficult ‘cut’ to work with when constructing garments. Charles experimented until he figured out how to solve the challenges, and then trained his workers in the exacting techniques required. Having first a career in journalism, Charles’ path to fashion was in “no way normal” and his approach to his business and the industry was not the norm either. Starting small, through much determination and sacrifice, he overcame many obstacles to produce garments engineered for an enduring and graceful artistry.
    [Show full text]
  • Costume Institute Records, 1937-2008
    Costume Institute Records, 1937-2008 Finding aid prepared by Arielle Dorlester, Celia Hartmann, and Julie Le Processing of this collection was funded by a generous grant from the Leon Levy Foundation This finding aid was generated using Archivists' Toolkit on August 02, 2017 The Metropolitan Museum of Art Archives 1000 Fifth Avenue New York, NY, 10028-0198 212-570-3937 [email protected] Costume Institute Records, 1937-2008 Table of Contents Summary Information .......................................................................................................3 Historical note..................................................................................................................... 4 Scope and Contents note.....................................................................................................6 Administrative Information .............................................................................................. 6 Related Materials .............................................................................................................. 7 Controlled Access Headings............................................................................................... 7 Collection Inventory............................................................................................................9 Series I. Collection Management..................................................................................9 Series II. Curators' and Administrators' Files............................................................
    [Show full text]
  • An Analysis of Media Coverage of First Ladies
    FIRST IMPRESSIONS: AN ANALYSIS OF MEDIA COVERAGE OF FIRST LADIES AND THEIR INAUGURAL GOWNS FROM JACKIE KENNEDY IN 1961 TO MICHELLE OBAMA IN 2009 by AMY SULLIVAN DIANNE BRAGG, COMMITTEE CHAIR CHRIS ROBERTS, COMMITTEE CO-CHAIR AMANDA THOMPSON A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Journalism and Creative Media in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2018 Copyright Amy Sullivan 2018 ALL RIGHTS RESERVED ABSTRACT The Presidential Inaugural Ball is a special moment for every president’s wife because it is her first official public appearance as first lady of the United States. Historically, the manner in which the first lady presents herself in the way she dresses often contributes to her public image. Scrutiny from the media includes a focus on what she wears to the inauguration, as well as examination and analysis of her inaugural ball gown that evening. The gowns have a tradition of setting the tone for the first lady in the new administration as well as providing glimpses of a first lady’s personality. The gown gives the world a look at her personal style and a glimpse at her potential influence on fashion trends. Most first ladies recognize and understand the expectations of the role and what it means to the public. Some, however, have questioned why their appearance should matter so long as they are true to themselves. In positions of power, though, appearances are important because the media can use fashion as a lens to filter and interpret information to the public.
    [Show full text]
  • SATURDAY FEATURES INSIDE Lianrl|Patpr ■ TV Listings Grids /Pages 12,13 B Social and Seniors News /Page 5 Whats ■ Religion Update /Page 6 News
    SATURDAY FEATURES INSIDE lianrl|patpr ■ TV listings grids /Pages 12,13 B Social and Seniors news /Page 5 Whats ■ Religion update /Page 6 News ■ Chiidren’s games /Page 6 Weekend Edition ■ Reader’s forum /Page 4 Dec. 1,1990 Moffett seeks Ybur Hometown Newspaper Voted 1.990 New England Newspaper of the Year Newsstand Price: 35 Cents Weicker slot HARTFORD (AP) — Democrat Toby Moffett, who lost a bid for the 5th District congressional seat this year, is Churches hurt doing some volunteer work for Gov.-elect Lowell P. Weicker Jr. and may be interested in a post in Weicker’s administration, ac­ by slowdown cording to a published report. Moffett, who lost to Weicker in 1982 when Weicker sought a third U.S. Senate term as a in collections Republican, said he has not been offered anything by Weicker, who was elected governor on thing,” Trench said. “Certainly By RICK SANTOS Nov. 6 running as an independ­ Manchester Herald we’re not in a crisis. A greater con­ ent. cern for me is [that] charities in MANCHESTER — One sign of general are doing worse.” the area’s poor economic climate is Also, the $10,900 deficit docs not State deficit that several local churches say their reflect the month of October or the collections have begun to suffer, and high fund-raising months of Novem­ By MELISSA B. ROBINSON remains $562m several others say they believe ber and December. But Trench docs Herald Washington Bureau HARTFORD (AP) — The similar shortfalls may be on the not expect the shortfall to be O’Neill administration on Friday way.
    [Show full text]
  • Fashion Institute of Technology-SUNY, Gladys Marcus Library, Special Collections Finding
    Fashion Institute of Technology-SUNY, Gladys Marcus Library, Special Collections Finding Aid - Arnold Scaasi fashion sketches and swatches, 1966-1992 (SC.297) Generated by Access to Memory (AtoM) 2.4.0 Printed: January 26, 2018 Language of description: English Fashion Institute of Technology-SUNY, Gladys Marcus Library, Special Collections 7th Avenue at 27th Street Room E435 New York United States 10001 Telephone: 212.217.4385 Fax: 212.217.4371 Email: [email protected] http://www.fitnyc.edu/library/sparc/ http://atom-sparc.fitnyc.edu/index.php/arnold-scaasi-fashion-sketches-and-swatches-1966-1992 Arnold Scaasi fashion sketches and swatches, 1966-1992 Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 3 Arrangement .................................................................................................................................................... 4 Notes ................................................................................................................................................................ 4 Access points ..................................................................................................................................................
    [Show full text]
  • Ulta, One of Beauty’S the Caftan Is Making a Launches Lipsticks and Hottest Retailers, Comeback, with Styles Expands Handbags
    Fashion. Beauty. Business. Features p. 78 In Focus p. 31 Fashion p. 8 AUG 2015 No.1 BEAUTY AND SILVER FLOU THE BAG STREAK SEASON Christian Louboutin Ulta, one of beauty’s The caftan is making a launches lipsticks and hottest retailers, comeback, with styles expands handbags. marks 25 years. from simple to ornate. RED HOT AND ATOMIC RED HOT “I just favor happiness to darkness. I’m more solar than lunar.” solar than lunar.” more I’m darkness. happiness to favor “I just RED Hot andATOMIC GEN Z — WHICH IS SIZABLE, CHRISTIAN LOUBOUTIN CHRISTIAN SOCIAL AND READY TO SPEND — IS BLOWING UP (AND SO ARE THE SMITH SIBLINGS). US $9.99 JAPAN ¥1500 CANADA $13 CHINA ¥80 UK £ 8 HONG KONG HK100 EUROPE € 11 INDIA 800 Edward Nardoza EDITOR IN CHIEF Pete Born EXECUTIVE EDITOR, BEAUTY Bridget Foley EXECUTIVE EDITOR The Features James Fallon EDITOR Robb Rice GROUP DESIGN DIRECTOR Ready or John B. Fairchild Not, Here 1927 — 2015 MANAGING EDITOR Peter Sadera They Come! MANAGING EDITOR, Dianne M. Pogoda FASHION/SPECIAL REPORTS 72 At nearly 25 percent EUROPEAN EDITOR Miles Socha DEPUTY MANAGING EDITOR Evan Clark of the population, NEWS DIRECTOR Lisa Lockwood DEPUTY EDITOR, DATA AND ANALYSIS Arthur Zaczkiewicz DEPUTY FASHION EDITOR Donna Heiderstadt Generation Z is sizable, SITTINGS DIRECTOR Alex Badia SENIOR EDITOR, RETAIL David Moin social and has SENIOR EDITOR, SPECIAL PROJECTS, Arthur Friedman TEXTILES & TRADE considerable spending SENIOR EDITORS, FINANCIAL Arnold J. Karr, Vicki M. Young ASSOCIATE EDITOR Lorna Koski power. Just don’t mistake BUREAU CHIEF, LONDON Samantha Conti BUREAU CHIEF, MILAN Luisa Zargani them for Millennials.
    [Show full text]
  • Hollywood's Greatest Year
    The Definitive Partnership for Classic Movie Memorabilia Presents 1939: Hollywood’s Greatest Year Los Angeles | December 10, 2019 Bonhams 220 San Bruno Avenue San Francisco, California 94103 © 2019, Bonhams & Butterfields Bond No. 57BSBGL0808 Auctioneers Corp.; All rights reserved. TCM Presents ... 1939: Hollywood’s Greatest Year Los Angeles | Tuesday December 10, 2019 at 2pm BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 7601 W. Sunset Boulevard submitted no later than 4pm on Front cover: lot 1089 IMPORTANT NOTICE Los Angeles, CA 90046 the day prior to the auction. New Inside front cover: lot 1346 Please note that all customers, bonhams.com bidders must also provide proof Session page 1: lot 1009 irrespective of any previous activity of identity and address when Session page 2: lot 1062 with Bonhams, are required to PREVIEW submitting bids. Session page 3: lot 1063 complete the Bidder Registration Thursday, December 5 Session page 4: lot 1103 Form in advance of the sale. The 10am to 5pm Please contact client services with Session page 5: lot 1133 form can be found at the back of Friday, December 6 any bidding inquiries. Session page 6: lot 1162 every catalogue and on our website 10am to 5pm Session page 7: lot 1166 at www.bonhams.com and should Saturday, December 7 Please see pages 175 to 179 Session page 8: lot 1249 be returned by email or post to 12pm to 5pm for bidder information including Session page 9: lot 1301 the specialist department or Sunday, December 8 Conditions of Sale, after-sale Inside back cover: lot 1000 to the bids department at 12pm to 5pm collection and shipment.
    [Show full text]
  • Lights, Camera, Fashion! TOM FORD DEFTLY JUGGLES the WORLDS of FILM and STYLE
    WWDSECTION II Oscars DRESSING THE NOMINEES MONETIZING THE MOMENT REDEFINING RED-CARPET GLAMOUR THE NEXT JOAN OF SNARK Lights, Camera, Fashion! TOM FORD DEFTLY JUGGLES THE WORLDS OF FILM AND STYLE. 2 WWD WEDNESDAY, FEBRUARY 18, 2015 SECTION II WWD.COM Editor in Chief Edward Nardoza Executive Editor, Beauty Pete Born Executive Editor Bridget Foley WWDOSCARS Editor James Fallon Managing Editor Peter Sadera Managing Editor, Special Reports Dianne M. Pogoda Deputy Managing Editor Evan Clark THEY WORE IT, European Editor Miles Socha WE WANTED IT. News Director Lisa Lockwood Deputy Fashion Editor Donna Heiderstadt Sittings Director Alex Badia 30 Senior Editor, Retail David Moin Senior Editor, Textiles & Trade Arthur Friedman Senior Editors, Financial Arnold J. Karr, Vicki M. Young Associate Editor Lorna Koski Bureau Chief, London Samantha Conti Bureau Chief, Milan Luisa Zargani Bureau Chief, Los Angeles Marcy Medina Asian Editor Amanda Kaiser Bureau Chief, Washington Kristi Ellis Senior Fashion Editor Bobbi Queen Associate Editor Jenny B. Fine Senior Editor, Specialty Retail Sharon Edelson Senior Prestige Market Beauty Editor Julie Naughton Senior Fashion Features Editor Jessica Iredale Senior Accessories Editor Roxanne Robinson Senior Market Editor Mayte Allende Eye Editors Taylor Harris, Erik Maza Contributing Editor At Large John B. Fairchild WWD.COM Site Director Michelle Preli Web Editor Roberta Correia Assistant Online Editor Kristen Tauer Social Media Manager Gabriella Calabro MEN’S Senior Editor Jean E. Palmieri Fashion Director Alex
    [Show full text]
  • T H E Ta S T E M a K E
    . OCTOBER 2015 The Tastemakers: Rose Marie Bravo and Pamela Baxter 3 Just Work It Activewear, Out of the Gym and into the Boardroom 4 The New Gifting Experience NYNOW show at New York’s Javits Center 5 In Memoriam Two doyennes of the A Journey From a South Elaine Gold fashion and beauty Dakota Ranch Arnold Scaasi Virginia Borland industries captured the attention of a sold-out Bravo queried Baxter Tastemakers event pre- about her earliest 6 sented by The Fashion influences and the Upcoming Events Group International experiences that drove on July 15th at the her professional path, 21 Club in New York asking, “From a ranch 7 City. Margaret Hayes, in South Dakota to New Members List President of FGI, intro- Paris, France, and New duced retail and brand York, what influences consultant Rose Marie were most important Bravo, former president along the way?” Baxter, of Saks Fifth Avenue whose father was a THE PUBLICATIONS COMMITTEE and vice chairman and former CEO of Burberry, and rancher in Mobridge, South Dakota, recalled that from Pamela Baxter, president and CEO of LVMH Perfumes an early age she knew she had a “passion for fashion.” & Cosmetics and Christian Dior Couture, as two women She said, “I worked on the ranch to earn money for with highly successful career clothes, and at the age of 12, Chair histories. Both executives when I was reading an issue of Katie Kretschmer shared their experiences in Vogue, I spotted a pair of Galo Editor/Contributing Writer beauty and fashion, while shoes and ordered them, Bravo served as interviewer.
    [Show full text]
  • Defining Designers of the 20Th and 21St Centuries and Their Most Remarkable Works
    Fashion Masterpieces Defining designers of the 20th and 21st centuries and their most remarkable works From Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel, to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, a century's worth of fashion greats from the per- manent collection of The Museum at the Fashion Institute of Technology are celebrated in this limited-edition volume. The curators of America’s premier fashion museum have selected 500 masterpieces of the art of fashion. Known for its innovative and award-winning exhibitions and its outstanding permanent collection of more than 50,000 garments and accessories, The Museum at FIT in New York City is one of only a handful of museums in the world devoted to the art of fashion. The Museum has built its collection around aesthetically and historically significant “directional” fashion — the kind of clothing and accessories that move fashion forward. In this volume, the designers are organized from A–Z: Adrian, Balenciaga, Chanel, Dior . through Xuly Bët, Yamamoto, and Zoran. Photographs of selected garments from the Museum’s permanent collection illuminate each of the featured designers, while texts by the curators at The Museum at FIT explain why each designer is important in fashion history and what is special about the individual OPPOSITE pieces featured. In her introductory essay, director and chief Jean Paul Gaultier Dress: Peach satin, curator Valerie Steele writes about the rise of the fashion peach stretch cotton France, ca. 1987 museum, and the emergence of the fashion exhibition as a popular and controversial phenomenon; and both Steele and ABOVE CHANEL contributor Suzy Menkes provide a history of this museum’s Shoes: Cream silk satin, black faille role in the world of fashion scholarship and preservation.
    [Show full text]