Lights, Camera, Fashion! TOM FORD DEFTLY JUGGLES the WORLDS of FILM and STYLE
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WWDSECTION II Oscars DRESSING THE NOMINEES MONETIZING THE MOMENT REDEFINING RED-CARPET GLAMOUR THE NEXT JOAN OF SNARK Lights, Camera, Fashion! TOM FORD DEFTLY JUGGLES THE WORLDS OF FILM AND STYLE. 2 WWD WEDNESDAY, FEBRUARY 18, 2015 SECTION II WWD.COM Editor in Chief Edward Nardoza Executive Editor, Beauty Pete Born Executive Editor Bridget Foley WWDOSCARS Editor James Fallon Managing Editor Peter Sadera Managing Editor, Special Reports Dianne M. Pogoda Deputy Managing Editor Evan Clark THEY WORE IT, European Editor Miles Socha WE WANTED IT. News Director Lisa Lockwood Deputy Fashion Editor Donna Heiderstadt Sittings Director Alex Badia 30 Senior Editor, Retail David Moin Senior Editor, Textiles & Trade Arthur Friedman Senior Editors, Financial Arnold J. Karr, Vicki M. Young Associate Editor Lorna Koski Bureau Chief, London Samantha Conti Bureau Chief, Milan Luisa Zargani Bureau Chief, Los Angeles Marcy Medina Asian Editor Amanda Kaiser Bureau Chief, Washington Kristi Ellis Senior Fashion Editor Bobbi Queen Associate Editor Jenny B. Fine Senior Editor, Specialty Retail Sharon Edelson Senior Prestige Market Beauty Editor Julie Naughton Senior Fashion Features Editor Jessica Iredale Senior Accessories Editor Roxanne Robinson Senior Market Editor Mayte Allende Eye Editors Taylor Harris, Erik Maza Contributing Editor At Large John B. Fairchild WWD.COM Site Director Michelle Preli Web Editor Roberta Correia Assistant Online Editor Kristen Tauer Social Media Manager Gabriella Calabro MEN’S Senior Editor Jean E. Palmieri Fashion Director Alex Badia Associate Fashion Editor Luis Campuzano Men’s Reporter Aria Hughes MARKET EDITORS Accessories: Lauren McCarthy, Misty White Sidell; Beauty: Molly Prior, Jayme Cyk; Digital: Rachel Strugatz; Ready-to-Wear, Furs and Innerwear Fashion: Bobbi Queen; Ready-to-Wear and Sportswear News: Rosemary Feitelberg; Media: Alexandra Steigrad; Ready-to-Wear PHOTO COURTESY OF EVERETT COLLECTION PHOTO COURTESY and Sportswear Fashion: Kristi Garced; Eye: Ally Betker CORRESPONDENTS London: Nina Jones, Lorelei Marfi l (Editorial Assistant); Los Angeles: Khanh T.L. Tran, (News), Kari Hamanaka (Retail/Tech Editor); Milan: Alessandra Turra (Fashion and News), Cynthia Martens (Business); New York: William Cotto, Tara Bonet-Black, Kelsi Zimmerman (Editorial Assistants), Andrew Shang, Ashley Davis, Milton Dixon, Emily Mercer (Fashion Assistants); Paris: Jennifer Weil (Beauty), Laurent Folcher (Senior Fashion Editor), Joelle Diderich (Senior Business News Editor), Laure Guilbault INSIDE (Web Editor, Europe), Anne-Aymone Gheerbrant (Editorial and Web Assistant) COPY DESK Copy Chief Maureen Morrison-Shulas ARRIVALS 20 MONETIZING THE MOMENT Copy Editors Danielle Gilliard, MONETIZING Maxine Wally 4 BEAUTY AND THE BUCK Does a turn on the red THE MOMENT ART DEPARTMENT The high cost of getting carpet make the cash Group Art Director Andrew Flynn red-carpet ready. register ring? Associate Art Director Sharon Ber PHOTOGRAPHY Photo Director Carrie Provenzano 4 IT ALL ADDS UP 20 WHAT’S IT WORTH TO YOU? Associate Photo Editor Lexie Moreland 20 Assistant Photo Editor Jenna Greene Tracking some of the A few trends from last year’s Photo Studio Manager Eileen Tsuji Photographers: John Aquino, George Chinsee, Steve Eichner, most-expensive dresses Oscars that caught fire, GETTY IMAGES PHOTO BY and jewels at the and what the power of Kyle Ericksen, Thomas Iannaccone ADVERTISING Academy Awards. the red carpet can mean. Senior Vice President, Group Publisher Paul Jowdy Associate Publisher Pamela Firestone A sketch by International Fashion Director, RMM Media Renee Moskowitz 6 HOW SUITE IT IS 21 COSTUME PARTY Executive Director of International Fashion Brett Mitchell Shoe designers step it up A closer look at the Christian American Fashion and Retail Director Ariel Tensen Lacroix. Beauty Director Carly Gresh for a place on the carpet. nominees in costume design. Fine Jewelry and Watch Category E2Luxe Media Account Executive Christen Cosmas 6 PARTY ON 22 DAY OF THE STYLISTS REGIONAL/INTERNATIONAL OFFICES West Coast Director Jill Biren The big spenders for The dressers who doll up West Coast Sales Coordinator Annie Belfi eld International Director Guglielmo Bava Oscar-night bashes. the stars and the power European Account Director, Italy Giulia Squeri they wield. Account Director, Italy Olga Kouzentsova Senior Sales Coordinator, Italy Emanuela Altimani FEATURES European Sales Representative Marjorie Thomas 8 KATHY GRIFFIN: 24 REDEFINING Advertising Assistant, France Pascale Rajac THE NEXT JOAN OF SNARK? RED-CARPET GLAMOUR ACCOUNT MANAGERS The new host of E!’s Despite some sporadic Brittany Mutterer, Shannon Fitzgerald, Tina Schlissel WWD.COM “Fashion Police” carries fashion hijinks, on-the-spot Digital Media Strategist Cassie Leventhal the mantle of Joan Rivers. audacity is harder than Digital Sales Planner Amy Keiser Plus: Other Contenders, you think. MARKETING/CREATIVE SERVICES Marketing Director Shannon Nobles and Joan’s Gems. P.R. Coordinator Christina Mastroianni 26 WOULDN’T IT BE LOVELY? PRODUCTION 12 BALANCING ACT Executive editor Production Director Kevin Hurley Production Manager Providence Rao Tom Ford on style, the red Bridget Foley shops Associate Production Manager Jill Breiner carpet, his big L.A. show the Paris couture for CONSUMER MARKETING and his next movie project. the actress nominees. Senior Executive Director Ellen Dealy Consumer Marketing Director Peggy Pyle Senior Director, Digital Marketing & Janet Menaker Strategic Development 15 FROM FASHION TO FILM 28 NOMINEE Rx Planning & Operations Director John Cross Artists who’ve made the WWD men’s fashion Senior Online Manager Suzanne Berardi leap quite successfully director Alex Badia Senior Marketing Manager Tamra Febesh FAIRCHILD PUBLISHING LLC from one glamour prescribes red-carpet Editorial Director of Footwear News & Michael Atmore biz to another. looks for the guys. Director of Brand Development Finance Director Devon Beemer Director of European Operations Ron Wilson 16 STARS CROSS OVER 30 THEY WORE IT, WE WANTED IT FAIRCHILD PUBLISHING LLC IS A DIVISION OF PENSKE MEDIA CORPORATION It’s nice to have a fashion or Memorable trends from beauty deal to fall back on. the silver screen. 18 CALLED ON THE CARPET 31 DIRECTOR’S CUT Jay Penske Chairman & CEO When did we start to care? Notable collaborations Stephanie George President & Vice Chairman, Fairchild Media A look back at when the between designers Gerry Byrne Vice Chairman Paul Woolnough Executive Vice President, madness all began. and directors. Business Affairs George Grobar Executive Vice President, Strategy And Operations Michael Davis Chief Of Video Strategy Nelson Anderson Vice President, Creative REDEFINING Stacey Farish Senior Vice President Entertainment ON THE COVER: & Publisher Deadline Nigel Parry RED-CARPET Craig Perreault Senior Vice President, GLAMOUR Business Development photographed Todd Greene General Counsel & SVP Human Resources Tom Ford at his Gabriel Koen Vice President, Engineering London offices. Ken Delalcazar Vice President, Finance Tarik West Vice President, Human Resources Lauren Gullion Director Of Human Resources 24 & Corporate Communications Robb Rice Group Design Director Joni Antonacci Director Of Operations Young Ko Controller Christina Yeoh Senior Program Manager Eddie Ko Director, Advertising Operations Matt Williamson Director Of It Operations & Production Derek Ramsey Senior Platform Manager 4 WWD WEDNESDAY, FEBRUARY 18, 2015 SECTION II WWD.COM WWDOSCARS IT ALL ADDS UP Tracking some of the most expensive dresses and jewels at the Academy Awards. — Kelsi Zimmerman Beauty and the Buck and Lauren McCarthy ● 2014: Sandra Bullock wore an Alexander McQueen gown, priced at THE SKY’S THE LIMIT WHEN IT COMES TO THE COST OF GETTING RED-CARPET READY. BY JENNY B. FINE $40,000, for her best- actress nod for “Gravity.” FOR AN ACADEMY AWARD CONTENDER — male or female — Slimming: Sure, couture gowns may be made to measure — if ● 2014: Jessica Biel’s the 37 days between the announcement of the nominations and there’s time. But those who need to fit into the gown rather than beaded nude Chanel gown the actual ceremony are a race against the clock, beauty-wise. vice-versa opt for Cool Sculpting, the body contouring laser that (below) was said to be And getting red-carpet ready takes a lot of time — and money freezes fat. But know that for permanent results, you’ll need two worth $100,000. (your studio should foot the bill for the basics like hair and treatments, one month apart. Book now. makeup, but beyond that, it’s not a given.) Cost: $850 an hour. “Everyone is judging you with a Freezing fat not your thing? microscope — literally judging you Grey calls Nonna Gleyzer of Body — and voting on you,” said Cassandra by Nonna her “secret weapon” for Grey, founder of the Hollywood-based whipping body parts into shape. beauty business Violet Grey and wife of Clients like Gisele Bündchen Paramount Pictures Corp. chairman and and Natalie Portman second that chief executive officer Brad Grey. “It’s a opinion. lot of pressure. Anything that will help Cost: $200 per session. you feel stronger in terms of confidence (*Count on at least three per is a good idea.” week for six weeks before the ceremony.) PRE-GAME PLAN: Face Cleansing: Planning a cleanse Skin conditioning: By far the most time- before the big day? Nutritionist consuming aspect of red-carpet Kimberly Snyder makes clients readiness. Dermatologist Amy Wechsler like Reese Witherspoon and Kerry likes as much prep time as possible. Washington swear against salt Botox, she points out, takes two weeks before putting them on her 48- to work and fillers take one week to hour Red Carpet Slimdown plan. settle — and both can cause bruising, a Be sure to leave at least a day definite Tinseltown taboo. between a cleanse and the SARDELLA DONATO PHOTO BY Cost: Three areas of Botox plus a couple big event. of syringes of a filler like Restylane: Cost: $120 ● 2014: Cate Blanchett’s $2,000 to $4,000. opal earrings from Chopard’s Wechsler recommends treatment Laser hair removal: For the face, “Red Carpet Collection” with the Clear and Brilliant laser to obviously, but don’t forget arms, featured 62 opals (33.03 stimulate collagen production and give hands and the back.