C. of the Late Charles I. Bushnell, Esq., Comprising His Extensive Collections
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WR 16Mar 1928 .Pdf
World -Radio, March 16, 1928. P n n rr rrr 1 itiol 111111 SPECIAL IRISHNUMBER Registered at the.G.P.O. Vol. VI.No. 138. as a Newspaper. FRIDAY. MARCH 16, 1928. Two Pence. WORLD -RADIO 8 tEMEN Station Identification Panel- Konigswusterhausen (Zeesen). Germany REC GE (Revised) Wavelength : 125o in. Frequency : 240 kc. Power :35 kw. H. T. BATTERY Approximate Distance from London : 575 miles. (Lea-melte Tide) Call " Achtung !Achtung !Hier die Deutsche Welle, Berlin,-Konigswus- terhausen."(Sometimes wavelength POSSESSES all the advantages of a DRY BATTERY given :" . auf Welle zwolf hun- dert and fiinfzig," when callre- -none of the disadvantages of the ordinary WET peated.)When relaying :" Ferner Ubertragimgauf "... (nameof BATTERY. relaying stations). Interval Signal:Metronome.Forty beats in ten seconds. 1. Perfectly noiseless, clean SpringConnections,no IntervalCall :" Achtung !Konigs. and reliable. 4.soldering. wusterhausen.DerVortragvon [name of lecturer]uber[titleof 5. No "creeping of salts. lecture]ist beendet.Auf Wieder- 2. Unspillable. Easily recharged, & main- 'toren in . Minuten."When 6. relaying :`& Auf Wiederhorenfur 3No attention required until tains full energy through- Konigswusterhausen in . exhausted. out the longest programme. Minuten ;fur Breslau and Gleiwitz [or as the case may be] nach eigenem Programm." 711,2 ails are null: in thefoll,n,ing three sizes: Own transmissionsandrelays.In eveningrelaysfromotherstations. H.T.1.Small ... 8d. each. Closes down at the same time as the relaying station. H.T.2.Large ... 10d. each. H.T.3.Extra Large 1:- each. (Copyright) A booklet containing alargenumberof these Guaranteed to give I a,volts per cell. panels canbeobtainedof B.B.C.Publications, Savoy Hrll, W. -
The New York City Draft Riots of 1863
University of Kentucky UKnowledge United States History History 1974 The Armies of the Streets: The New York City Draft Riots of 1863 Adrian Cook Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Cook, Adrian, "The Armies of the Streets: The New York City Draft Riots of 1863" (1974). United States History. 56. https://uknowledge.uky.edu/upk_united_states_history/56 THE ARMIES OF THE STREETS This page intentionally left blank THE ARMIES OF THE STREETS TheNew York City Draft Riots of 1863 ADRIAN COOK THE UNIVERSITY PRESS OF KENTUCKY ISBN: 978-0-8131-5182-3 Library of Congress Catalog Card Number: 73-80463 Copyright© 1974 by The University Press of Kentucky A statewide cooperative scholarly publishing agency serving Berea College, Centre College of Kentucky, Eastern Kentucky University, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky State College, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. Editorial and Sales Offices: Lexington, Kentucky 40506 To My Mother This page intentionally left blank Contents Acknowledgments ix -
Contenido Estrenos Mexicanos
Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148 -
Community and Politics in Antebellum New York City Irish Gang Subculture James
The Communal Legitimacy of Collective Violence: Community and Politics in Antebellum New York City Irish Gang Subculture by James Peter Phelan A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Department of History and Classics University of Alberta ©James Phelan, 2014 ii Abstract This thesis examines the influences that New York City‘s Irish-Americans had on the violence, politics, and underground subcultures of the antebellum era. During the Great Famine era of the Irish Diaspora, Irish-Americans in Five Points, New York City, formed strong community bonds, traditions, and a spirit of resistance as an amalgamation of rural Irish and urban American influences. By the middle of the nineteenth century, Irish immigrants and their descendants combined community traditions with concepts of American individualism and upward mobility to become an important part of the antebellum era‘s ―Shirtless Democracy‖ movement. The proto-gang political clubs formed during this era became so powerful that by the late 1850s, clashes with Know Nothing and Republican forces, particularly over New York‘s Police force, resulted in extreme outbursts of violence in June and July, 1857. By tracking the Five Points Irish from famine to riot, this thesis as whole illuminates how communal violence and the riots of 1857 may be understood, moralised, and even legitimised given the community and culture unique to Five Points in the antebellum era. iii Table of Contents Introduction ................................................................................................................................... -
Tnemreie and RADIO REVIEW
TNeMreIe AND RADIO REVIEW VOLUME XXIII JULY 4th -DECEMBER 26th, 1928 ALL RIGHTS RESERVED Published from the Offices of " THE WIRELESS WORLD " ILIFFE & SONS LTD., DORSET HOUSE, TUDOR ST.. LONDON. E.C.4 www.americanradiohistory.com 11111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 11I I l l I1I111I I l 1111111111111111111111111111111111I111111 INDEX VOLUME XXIII JULY 4th -DECEMBER 26th, 1928 i l l l l l l __ 111111111111111111111111111111111111111111111111111111111111111111111111111111 I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I 1111111111111111 r A.B. Products -H.F. Choke, 774 Brayton Trickle Charger, The, 08e Current Topics, 11, 43, 69, 109, 133, 167, 195, Abroad, Programmes from, 15, 45, 78, 105, 135, Bright Emitters as Rectifiers, 183 231, 255, 287, 317, 359, 391, 472, 603, 531, 169, 197,- 227, 257, 283, 319, 365, 393, 468, British Acoustic Film System, The (Talking 561, 587, 633, 661, 701, 727, 765, 795, 818, 505, 533, 565, 601, 635, 673, 713, 733, 761, Films), 842 850 797, 820, 860 Phototone System (Talking Films), 792 " Cylanite," 688 Programmes from (Editorial), 1 -Broadcast ('yldon Synchratune -, Brevities, 23, 54, 85, 117, 143. 177, Twin Condensers, 743 -, Sets for, 808 203, 233, 268, 296, 323, 363, 445, 481, 515. Accumulator Carrier, Weston, 564 543, 573. 599, 641, 682, 711, 745, 772, 805. Charging, 489 832, 865 Damped but Distoitionless, - Discharge, 749 - Equalising, 272 Broadcasting Monopoly, The (Editorial), 155 Davex Eliminator, 19 Knobs, Clix, 112 Scientific Foundations of, 728 Tuners, 564 - or -, Eliminator? 750 Stations, 206 -" D.C.5," A Batteryless Receiver for -Accumulators, D.C. -
From Wall Street to Astor Place: Historicizing Melville's `Bartleby'
Barbara From Wall Street to Astor Place: Historicizing Foley Melville's "Bartleby" In recent years critics have been calling for a re grounding of mid-nineteenth-century American li terature-of the ro mance in particular- in politics and history. John McWilliams ap plauds the contemporary "challenge to the boundaqless and abstract qualities of the older idea of the Romance's neutral territory." George Dekker notes that recent attempts to "rehistoricize the American ro mance'' have entailed an "insist[ence] that our major romancers have always been profoundly concerned with what might be called the men tal or ideological 'manners' of American society, and that their seem ingly anti-mimetic fictions both represent and criticize those man ners. " 1 But Herman Melville's "Bartleby. the Scrivener: A Story of Wall Street" (1853) has to this point been exempted from a thorough going historical recontextualization; its subtitle remains to be fully explained. Not all readings of the tale, to be sure, have been "boundaryless and abstract." Critics interested in the tale's autobiographical dimen sion have interpreted it as an allegory of the writer's fate in a market society. noting specific links with Melville's own difficult authorial career. Scholars concerned wilh the story's New York setting have discovered some important references to contemporaneous events. Marxist critics have argued that "Bartleby" offers a portrait of the increasing alienation of labor in the rationalized capitalist economy that took shape in the mid-nineteenth-century United States.2 But such critical enterprises have remained largely separate, with the result that biography. -
Introduction
one Introduction City and Empire in the American 1848 Ned Buntline (E.Z.C. Judson), one of the most prolific and successful producers of popular sensational literature throughout the second half of the nineteenth century, is probably best known today for his role in cre- ating the legend of Buffalo Bill. In 1869, Buntline took a train from Cali- fornia, where he had been lecturing on the virtues of temperance, to Ne- braska, where he fell in with a group of men who had recently participated in a battle against Sioux and Cheyenne Indians. One of these men was William Cody, an army scout and hunter who had, among other things, made a living by supplying buffalo meat to railroad crews. Soon after Buntline returned East, he published a story for Street and Smith’s New York Weekly that was nominally based on Cody’s adventures, though it was in fact almost entirely invented by Buntline. 1 This novel, Buffalo Bill, the King of Border Men, was hugely successful, so much so that it generated more than a hundred sequels by Buntline, Prentiss Ingra- ham, and many others from the 1870s through the early part of the twentieth century. Buntline’s novel also helped to inspire the traveling Wild West show that Richard Slotkin has called “the most important commercial vehicle for the fabrication and transmission of the Myth of the Frontier” in the late nineteenth century.2 In 1899, Buffalo Bill’s Wild West show replaced a performance of “Custer’s Last Fight” with a re-creation of the battle of San Juan Hill and thereby, according to Slotkin, marked “the -
Download- Ed From: Books at JSTOR, EBSCO, Hathi Trust, Internet Archive, OAPEN, Project MUSE, and Many Other Open Repositories
’ Series editor: John C. Seitz, Associate Professor, Theology Department, Fordham University; Associate Director for Lincoln Center, Curran Center for American Catholic Studies This series aims to contribute to the growing eld of Catholic studies through the publication of books devoted to the historical and cultural study of Catholic practice in North America, from the colonial period to the present. As the term “practice” suggests, the series springs from a pressing need in the study of American Catholicism for empirical investigations and creative explorations and analyses of the contours of Catholic experience. In seeking to provide more comprehensive maps of Catholic practice, this series is committed to publishing works from diverse American locales, including urban, suburban, and rural settings; ethnic, postethnic, and transnational contexts; private and public sites; and seats of power as well as the margins. Series advisory board: Emma Anderson, Ottawa University Paul Contino, Pepperdine University Kathleen Sprows Cummings, University of Notre Dame James T. Fisher, Fordham University (Emeritus) Paul Mariani, Boston College Thomas A. Tweed, University of Notre Dame Map of the Upper Mississippi and Ohio River valleys, ca. Inventing America’s First Immigration Crisis Political Nativism in the Antebellum West Luke Ritter : Edward Weber & Co. Map shewing the connection of the Baltimore and Ohio-Rail-Road with other rail roads executed or in progress throughout the United States. [Baltimore Lith. of Ed. Weber & Co. –?, ] Map. https://www.loc.gov/item/gm /. Copyright © Fordham University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. -
Bibliography of North American Minor Natural History Serials in the University of Michigan Libraries
BIBLIOGRAPHY OF NORTH AMERICAN MINOR NATURAL HISTORY SERIALS IN THE UNIVERSITY OF MICHIGAN LIBRARIES BY MARGARET HANSELMAN UNDERWOOD Anm Arbor llniversity of Michigan Press 1954 BIBLIOGRAPHY OF NORTH AMERICAN MINOR NATURAL HISTORY SERIALS IN THE UNIVERSITY OF MICHIGAN LIBRARIES BY MARGARET HANSELMAN UNDERWOOD Anm Arbor University of Michigan Press 1954 my Aunts ELLA JANE CRANDELL BAILEY - ARABELLA CRANDELL YAGER and my daughter ELIZABETH JANE UNDERWOOD FOREWORD In this work Mrs. Underwood has made an important contribution to the reference literature of the natural sciences. While she was on the staff of the University of Michigan Museums library, she had early brought to her attention the need for preserving vanishing data of the distribu- tion of plants and animals before the territories of the forms were modified by the spread of civilization, and she became impressed with the fact that valuable records were contained in short-lived publications of limited circulation. The studies of the systematists and geographers will be facilitated by this bibliography, the result of years of painstaking investigation. Alexander Grant Ruthven President Emeritus, University of Michigan PREFACE Since Mr. Frank L. Burns published A Bibliography of Scarce and Out of Print North American Amateur and Trade Periodicals Devoted More or Less to Ornithology (1915) very little has been published on this sub- ject. The present bibliography includes only North American minor natural history serials in the libraries of the University of Michigan. University publications were not as a general rule included, and no attempt was made to include all of the publications of State Conserva- tion Departments or National Parks. -
History of the Army National Guard
Chapter 1 History of the Army National Guard The history of the militia can be divided into two major periods. From marks the heyday of the National Guard as the primary force of the the colonial era to ca. 1900, America’s military system was dominated American military system. It was during this era of labor-capital con- by the militia, that is, a state-controlled, decentralized army of citizen flict that New York’s militia achieved its greatest acclaim as a domes- soldiers commanded by the various colonial (later state) governments. tic peacekeeper. After ca. 1900, the militia was replaced by the regular army, that is, a centralized corps of professional soldiers under federal control. Dating back to the arrival of the first settlers in the New World, the actions Colonial Era to the War of 1812 and rhetoric of various groups and individuals expressed America’s preference for a decentralized militia rather than a centralized army. Upon their arrival in the New World, the first European settlers, most For example, on the eve of the War of Independence, the Provincial of whom were English, immediately adopted a militia system (based Convention of Maryland proclaimed that “a well-regulated militia, on British precedent) in which all able-bodied men were required by composed of gentlemen freeholders and other freemen, is the natural law to bear arms in times of need. Virginia codified the first laws for a strength and only stable security of a free government.”1 Nearly a militia in 1611; Massachusetts followed suit in 1636. Most other century later, the adjutant general of New York State echoed that colonies also adopted policies that established short-term, compulsory sentiment when he remarked in his annual report for 1867 that “a military service. -
A September 25, 1831, New-York Mirror Review
Laura L. Edwin Forrest’s July 4th Oration Mielke and the Specters of Provocative Eloquence A September 25, 1831, New-York Mirror review of a soon-to-be-staged tragedy, The Gladiator by Robert Montgomery Bird, declares the opening scene of the fourth act as “bear[ing] com- parison with nearly the best of the modern dramatists, if not the best.” The play, winner of Edwin Forrest’s third US playwriting contest,1 treats the 73–71 BC gladiator rebellion led by Spartacus, a Thracian captive who, in the speech the reviewer found so admirable, challenges Roman rule by embracing his purported barbarousness. “I thank the gods I am barbarian,” declares Spartacus, For I can better teach the grace-begot And heaven-supported masters of the earth, How a mere dweller of a desert rock Can bow their crown’d heads to his chariot wheels. Man is heaven’s work, and beggar’s brats may ’herit A soul to mount them up the steeps of fortune, With regal necks to be their ste[p]ping-blocks. (Bird 1997, 220) In this celebrated speech and throughout the play, Spartacus’s egali- tarian vision fuels his soaring eloquence and his thirst for vengeance; comrades and enemies alike find the hero’s powerful speech and capac- ity for violence to be inextricable. Bird, with whom Forrest collaborated to revise the drama for the stage, knew that the yoking of articulacy to brawn through the figure of the heroic noble savage was key to the star power of Forrest, whose commanding voice, sculpted body, and explo- sive displays of emotion thrilled rowdy urban audiences primed for stagings of equality wrested from tyrants. -
The Politics of Theatrical Reform in Victorian America Adam I.P
This article was downloaded by: [University College London] On: 24 November 2012, At: 12:11 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK American Nineteenth Century History Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/fanc20 The Politics of Theatrical Reform in Victorian America Adam I.P. Smith a a Department of History, University College London, London, UK Version of record first published: 10 Oct 2012. To cite this article: Adam I.P. Smith (2012): The Politics of Theatrical Reform in Victorian America, American Nineteenth Century History, DOI:10.1080/14664658.2012.733064 To link to this article: http://dx.doi.org/10.1080/14664658.2012.733064 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and- conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material.