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Okanga Royal Drum: the Dance for the Prestige and Initiates Projecting Igbo Traditional Religion Through Ovala Festival in Aguleri Cosmolgy
Global Journal of Arts, Humanities and Social Sciences Vol.8, No. 3, pp.19-49, March 2020 Published by ECRTD-UK Print ISSN: 2052-6350(Print), Online ISSN: 2052-6369(Online) OKANGA ROYAL DRUM: THE DANCE FOR THE PRESTIGE AND INITIATES PROJECTING IGBO TRADITIONAL RELIGION THROUGH OVALA FESTIVAL IN AGULERI COSMOLGY Madukasi Francis Chuks, PhD ChukwuemekaOdumegwuOjukwu University, Department of Religion & Society. Igbariam Campus, Anambra State, Nigeria. PMB 6059 General Post Office Awka. Anambra State, Nigeria. Phone Number: +2348035157541. Email: [email protected] ABSTRACT: No literature I have found has discussed the Okanga royal drum and its elements of an ensemble. Elaborate designs and complex compositional ritual functions of the traditional drum are much encountered in the ritual dance culture of the Aguleri people of Igbo origin of South-eastern Nigeria. This paper explores a unique type of drum with mystifying ritual dance in Omambala river basin of the Igbo—its compositional features and specialized indigenous style of dancing. Oral tradition has it that the Okanga drum and its style of dance in which it figures originated in Aguleri – “a farming/fishing Igbo community on Omambala River basin of South- Eastern Nigeria” (Nzewi, 2000:25). It was Eze Akwuba Idigo [Ogalagidi 1] who established the Okanga royal band and popularized the Ovala festival in Igbo land equally. Today, due to that syndrome and philosophy of what I can describe as ‘Igbo Enwe Eze’—Igbo does not have a King, many Igbo traditional rulers attend Aguleri Ovala festival to learn how to organize one in their various communities. The ritual festival of Ovala where the Okanga royal drum features most prominently is a commemoration of ancestor festival which symbolizes kingship and acts as a spiritual conduit that binds or compensates the communities that constitutes Eri kingdom through the mediation for the loss of their contact with their ancestral home and with the built/support in religious rituals and cultural security of their extended brotherhood. -
UNIVERSITY of IBADAN LIBRARY F~Fiva23ia Mige'tia: Abe Ky • by G.D
- / L. L '* I L I Nigerla- magazine - # -\ I* .. L I r~.ifr F No. 136 .,- e, .0981 W1.50r .I :4 UNIVERSITY OF IBADAN LIBRARY F~fiva23ia Mige'tia: ABe ky • By G.D. EKPENYONG (MRS) HIS BIBLIOGRAPHY IS COMING OUT AT A TIME TRADITIONAL RULERS ENCOURAGED THEIR PEOPLE TO AC- T WHEN THERE IS GENERAL OR NATIONAL AWARENESS CEPT ISLAM AND AS A CONSEQUENCE ACCEPT IT AND FOR THE REVIVAL OF OUR CULTURAL HERITage. It IS HOPED CELEBRATED FESTIVALS ASSOCIATED WITH THIS religion. THAT NIGERIANS AND ALIENS RESIDENT IN NigeRIa, FESTIVALS ARE PERIODIC RECURRING DAYS OR SEA- RESEARCHERS IN AFRICAN StudiES, WOULD FIND THIS SONS OF GAIETY OR MERRy-maKING SET ASIDE BY A PUBLICATION A GUIDE TO A BETTER KNOWLEDGE OF THE COMMUNITY, TRIBE OR CLAN, FOR THE OBSERVANCE OF CULTURAL HERITAGE AND DIVERSITY OF THE PEOPLES OF SACRED CELEBRATIOns, RELIGIOUS SOLEMNITIES OR MUs- NIGERIA. ICAL AND TRADITIONAL PERFORMANCE OF SPECIAL SIG- IT IS NECESSARY TO EMPHASISe, HOWEVER, THAT NIFICANCE. It IS AN OCCASION OF PUBLIC MANIFesta- ALTHOUGH THIS IS A PIONEERING EFFORT TO RECORD ALL TION OF JOY OR THE CELEBRATION OF A HISTORICAL OC- THE KNOWN AND UNKNOWN TRADITIONAL FESTIVALS CURRENCE LIKE THE CONQUEST OF A NEIGHBOURING HELD ANNUALLY OR IN SOME CASES, AFTER A LONG VILLAGE IN WAR. IT CAN TAKE THE FORM OF A RELIGIOUS INTERVAL OF TIMe, THIS BIBLIOGRAPHY IS BY NO MEANS CELEBRATION DURING WHICH SACRIFICES ARE OFFERED TO EXHAUSTIVE. THE DIFFERENT GODS HAVING POWER OVER RAIN, Sun- SHINE, MARRIAGE AND GOOD HARVEST. Introduction He IS THE MOST ANCIENT OF ALL YORUBA TOWNS AND NigerIa, ONE OF THE LARGEST COUNTRIES IN AFRIca, IS REGARDED BY ALL YORUBAS AS THE FIRST CITY FROM IS RICH IN CULTURE AND TRADITIOn. -
Swaziland Special Edition – Feb
“Letter From M.O.M.” The Bi-Monthly newsletter of Moving On Ministry WWW.MovingOnMinistry.com www.PrisonMinistry.net/movingon Swaziland Special Edition – Feb. 2006 “I Can Only Imagine” The current trip we went on was organized by Dream For Africa and As you receive this volume of you can read about the programs Letter From M.O.M., we are back from available, expenses and results on their our Africa mission trip. In this website at; Swaziland Special Edition Volume, we are putting some more of the testimonies www.DreamForAfrica.com of “How God Changes Lives” as well as some of our own written articles. This time, it is with the People of Swaziland Addresses to contact Africa. our Ministry Volunteers Chaplain Bob & Linda P.O. Box 6667 Visalia, CA. 93290 [email protected] Volunteer Work: I do it like I am paid great and dearly for it. For surely, the price Christ paid, was dearly and great! Bob and Linda in Swaziland Replenishing Watch our website God’s Word promises to restore the years of the locust, or www.MovingOnMinistry.com more simply the years previously lost. We have also become affiliated with Joel 2:25 And I will restore to you the International Prison Fellowship years that the locust hath eaten, the cankerworm, and the caterpillar, and the www.PrisonMinistry.net/movingon palmerworm, my great army which I sent among you. Swaziland Edition Letter From M.O.M. 1 Chaplain Bob’s Life feelings were that he read the Bible in Many of those receiving this newsletter the garbage room and that was where it have asked for another printout of the belonged. -
A CRITICAL EVALUATION Justine John Dyikuk Department of M
Journal of African Studies and Sustainable Development Vol. 2 No 3, 2019 . ISSN: 2630-7073(Online) 2640-7065(Print) THE INTERSECTION OF COMMUNICATION IN IGWEBUIKE AND TRADO-RURAL MEDIA: A CRITICAL EVALUATION Justine John Dyikuk Department of Mass Communication, Faculty of Arts, University of Jos, Nigeria. [email protected] Abstract Before the coming of the colonialists to Africa, Africans had their organised system of communication known as trado-rural media which was anchored on oramedia. This enabled the people to communicate with each other and transmit vital information within the community. Based on this, the researcher embarked on a study titled: “The Intersection of Communication in Igwebuike and Trado-Rural Media: A Critical Evaluation.” Using the qualitative method of study to ascertain the matter, the study discovered that active listening, complementarity and shared values constituted folk media in rural Africa. It also found that directives, news and advertising as well as idiophones, membranophones and aerophones constitute the content and forms of Igwebuike communication in Igbo culture. The study recommended restoring group communication, upholding cultural heritage and media literacy as panacea. It concluded that the intersection of Igwebuike-communication and trado-rural media are crucial for effective communication beyond the Igbo Nation. Keywords: Communication, Igwebuike, Media, Nigeria, Trado-rural. Introduction Experts have held that before the coming of Colonial Imperialists on the shores of Africa, Africans had their own organised way of communication which is referred to as African Traditional Communication (Nwanne, 2006 cited in Nsereka, 2013) or trado-rural media. These communication systems which are often built on oramedia enabled the people to communicate with each other and also transmit vital information within the community. -
INFLUENCE of GLOBALIZATION on AFRICAN CULTURES from the PERSPECTIVE of IGBO: WHAT ARE the IMPLICATIONS Bachelor’S Thesis Programme International Relations
TALLINN UNIVERISTY OF TEHCNOLOGY School of Business and Governance Department of Law Saviour Ndem INFLUENCE OF GLOBALIZATION ON AFRICAN CULTURES FROM THE PERSPECTIVE OF IGBO: WHAT ARE THE IMPLICATIONS Bachelor’s thesis Programme International Relations Supervisor: Peeter Müürsepp, PhD Tallinn 2018 I declare that I have compiled the paper independently and all works, important standpoints and data by other authors have been properly referenced and the same paper has not been previously been presented for grading. The document length is 9,726 words from the introduction to the end of summary. Saviour Ndem …………………………… (signature, date) Student code: A145026TASB Student e-mail address: [email protected] Supervisor: Peeter Müürsepp: The paper conforms to requirements in force …………………………………………… (signature, date) Co-supervisor: The paper conforms to requirements in force …………………………………………… (signature, date) Chairman of the Defence Committee: Permitted to the defence ………………………………… (name, signature, date) 2 TABLE OF CONTENTS ABSTRACT……………………………………………………………………………………4 INTRODUCTION……………………………………………………………………………...5 1. Study Background……………………………………………………………………….......7 1.1. Statement of the Problem……………………………………………………………….7 1.2. Research questions……………………………………………………………………...7 1.3. Objective of study……………………………………………………………………....7 1.4. Significance of the Study……………………………………………………………….8 1.5. Research Methodology………………………………………………………………....8 1.5.1. Sources of Data…………………………………………………………………..9 1.5.2 Limited to study…………………………………………………….……….........9 -
Inventory of Nigeria Cultural Resources M
Co lu Column2 Inventory of Nigeria Cultural Resources m 1 Oral Traditions and Expressions including Languages as a Vehicle for the transmission STATE \ N0 LOCATION NAME SEX AGE CRAFT Dexterous application of proverbs in speech (proverbs are near extinction 1 Akwa Ibom Sunday Okon William M 52 in the State) Always goes about on bare feet, 2 Rivers Elder Bliss Iyalla M 70s versed in local Kalabari dialect 3 Rivers Chief Beresiri M Versed in Oral Tradition. 4 Rivers Elechi Amadi M Renouned Writer 5 Rivers Madam Adaobi Whyte F Renouned Writer Produced Several Albums in Kalabari language thereby projecting the traditions and cultural imagery of the 6 Rivers Mary Girls Social Club of Abonema F people. Used Songs to record the traditions of 7 Rivers First Owuama Ogbo of Okrika M the people Oral historian. Informs on past events , relationship of some of Nigerians tribes, well versed in past heroes like Kanta of Kabi, Sheikh Usman Danfodio, Origin of Sokoto, Argungu, Katsina, etc., and the wars fought, origin , relationship of tribes e.g. Hausas, Fulani, Yoruba, Zabarma etc. 8 Kebbi State Alh. Adamu Wakili Augie M 70s Also trains others 9 Niger Delta Gabriel Okara M Traditional Poet Has preserved Yoruba Cultural 10 Oyo Akinwumi Isola M Heritage through lingual Arts 11 Plateau Dan Maraya Jos M Traditional and dramatic Hausa Poet Light drumming for talking and praising people.Also court music for 12 Katsina Sarki Taushi Katsina M spreading news A reed flute for playing traditional music and praising traditional rulers 13 Bornu Algaita etc. Inmole Folklore singer and drummer; Kogi ( Ogidi an exponent and trainer of Inmole 14 Ojumu) Mrs Jogole Balaogun F 80s customs and rites Igbo linguist, Safgeguards the Igbo language, folklore and culture through educating students and children alike, publishing and translating in the Igbo 15 Imo Prof. -
Leadership Symbolism in Onitsha Igbo Crowns and Ijele Author(S): Richard N
Leadership Symbolism in Onitsha Igbo Crowns and Ijele Author(s): Richard N. Henderson and Ifekandu Umunna Source: African Arts, Vol. 21, No. 2 (Feb., 1988), pp. 28-37+94-96 Published by: UCLA James S. Coleman African Studies Center Stable URL: http://www.jstor.org/stable/3336526 Accessed: 01/06/2010 12:37 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=jscasc. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. UCLA James S. Coleman African Studies Center is collaborating with JSTOR to digitize, preserve and extend access to African Arts. http://www.jstor.org LeadershipSymbolism in Onitsha Crowns and Igbo Ijele RICHARDN. -
Tourism and Sustainable Development in Nigeria: Attractions and Limitations of Carnivals and Festivals
Journal of Sustainable Development in Africa (Volume 19, No.2, 2017) ISSN: 1520-5509 Clarion University of Pennsylvania, Clarion, Pennsylvania TOURISM AND SUSTAINABLE DEVELOPMENT IN NIGERIA: ATTRACTIONS AND LIMITATIONS OF CARNIVALS AND FESTIVALS Adetola Omitola Department of Transport and Tourism Studies, Redeemers University, Nigeria ABSTRACT Nigeria is blessed with several features which are reflections of the country’s cultural diversity and historical trajectory. These cultural events including carnivals and festivals have attracted several international recognitions and made the country a preferred tourism destination. The carnivals and festivals possess the potentials for contributing to development of the country through economic empowerment and provision of infrastructure at such destinations. Prominent among such carnivals and festivals are the Grand Durbar Festival, the famous Argungu Fishing Festival, the Atilogwu Dancers and the New Yam Festival, the boat Regatta in Lagos and Yenogoa, the Olofin Festival in Idanre, Ondo state, Ojude Oba Festival, Ijebu-Ode, Ogun State, the Olojo Festival at Ile-Ife, the Osun Festival in Osogbo, Osun State, Lagos, Abuja, Calabar and Rivers carnivals. In spite of the benefits to the people and government through attraction of foreigners and locals to these events, there are deleterious consequences of tourism especially on human security which needs to be addressed. These include various environmental impacts on the event sites, people and surrounding areas, displacement of people and worshippers from such sites and lack of access to the economic resources such as water and land.The paper concludes that government should stimulate partnership with private individuals, groups and organizations in hosting such festivals to ensure sustainability and people’s access to derivable socio-economic benefits. -
Anthropogenic Pollution of the Lusushwana River at Matsapha, and Prospects for Its Control: Kingdom of Swaziland (Eswatini) By: Phindile Precious Mhlanga-Mdluli
This item was submitted to Loughborough’s Institutional Repository (https://dspace.lboro.ac.uk/) by the author and is made available under the following Creative Commons Licence conditions. For the full text of this licence, please go to: http://creativecommons.org/licenses/by-nc-nd/2.5/ Loughborough University, Department of Civil & Building Engineering, United Kingdom. Anthropogenic Pollution of the Lusushwana River at Matsapha, and Prospects for its Control: Kingdom of Swaziland (eSwatini) By: Phindile Precious Mhlanga-Mdluli A Doctoral Thesis Submitted in Partial Fulfilment of the Requirements for the Award of a Doctor of Philosophy of Loughborough University, United Kingdom January, 2012 ©Mhlanga-Mdluli, P.P. 2012 Acknowledgements ii Acknowledgements Unsurpassed gratitude is to my Lord and Saviour, for his never ending favour upon my study. A thesis of this magnitude could have not been accomplished by my intelligence alone, for all man has is limited knowledge, but that of God is infinite and transcendent knowledge. I am deeply grateful to my supervisor Mr. Mike Smith for his knowledgeable supervision and tactful guidance and wisdom. Literature on guidance for obtaining a PhD discourages one-man supervision, but Mike is an experienced and versatile Supervisor, and I cherish the good working relationship we maintained throughout my term of study. I thank Professor M.S. Sohail for his support and for keeping me focused. He told me the first day I set foot in Loughborough that ―it is your research and you have to do it yourself‖. His words lingered on and they remained a source of inspiration throughout my study. -
Control Mechanisms and the Management of the Funds of Local Governments in Nigeria: a Case Study of Anambra Statestate
CONTROL MECHANISMS AND THE MANAGEMENT OF THE FUNDS OF LOCAL GOVERNMENTS IN NIGERIA: A CASE STUDY OF ANAMBRA STATESTATE.... BYBYBY DIBUA TOCHUKWU .B PG/M.SPG/M.Sc/09/51387c/09/51387 DEPARTMENT OF PUBLIC ADMINISTRATION AND LOCAL GOVERNMENT UNIVERSITY OF NIGERIA, NSUKNSUKKAKA JANUARY, 20122012.. i TITLE PAGE CONTROL MECHANISMS AND THE MANAGEMENT OF THE FUNDS OF LOCAL GOVERNMENTS IN NIGERIA: A CASE STUDY OF ANAMBRA STATE. BY DIBUA TOCHUKWU .B PG/M.SC/09/51387 BEING A RESEARCH PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF MASTER OF SCIENCE (M.Sc) IN PUBLIC ADMINISTRATION AND LOCAL GOVERNMENT OF THE UNIVERSITY OF NIGERIA, NSUKKA DEPARTMENT OF PUBLIC ADMINISTRATION AND LOCAL GOVERNMENT UNIVERSITY OF NIGERIA, NSUKKA SUPERVISOR: DR, C U AGALAMANYI JANUARY, 2012. ii CERTIFICATION I, Dibua Tochukwu B, a postgraduate student in the Department of Public Administration and Local Government (PALG), University of Nigeria, Nsukka with registration number PG/M.Sc/09/51387, has satisfactorily completed the requirement for research work for the degree of Master of Science (M.Sc) in Public Administration and Local Government. --------------------------- ---------------------------- DR, C U Agalamanyi Prof. Fab. Onah Supervisor Head of Dept (PALG) ------------------------- ---------------------------------------- External Examiner Prof. O.E. Ezeani Dean, Faculty of the Social Sciences Date: ------------------- iii APPROVAL PAGE This research work has been approved for the award of the Degree of Master of Science (M.Sc) in Public Administration and Local Government, University of Nigeria, Nsukka. By ------------------------------- -------------------------------- DR, C U Agalamanyi Prof. Fab. Onah Supervisor Head of Dept. (PALG) PALG, University of Nigeria University of Nigeria Nsukka Nsukka Date:---------------------------- Date:------------------------- ---------------------------- ---------------------------------------- External Examiner Prof. -
INTERNATIONAL JOURNAL of ARTS and TECHNOLOGY EDUCATION (IJATE) Volume 11, No
INTERNATIONAL JOURNAL OF ARTS AND TECHNOLOGY EDUCATION (IJATE) Volume 11, No. 2 June, 2020 Official Publication of The Department of Arts Education Faculty of Education University of Nigeria, Nsukka © Department of Arts Education University of Nigeria, Nsukka ISSN: 1596-8510 Printed in Nigeria by: SPAKK & SPAKKLE LTD +234 803 741 7131 Cover Page Designer: Dr. C. Ibenegbu All rights reserved, No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior permission of the Department of Arts Education, Faculty of Education, University of Nigeria, Nsukka. ii EDITORIAL BOARD Editor-in-Chief Professor Esther N. Oluikpe, MNAE Head, Department of Arts Education, University of Nigeria, Nsukka e-mail: [email protected] Editor Dr. Cajetan I. Egbe Department of Arts Education, University of Nigeria, Nsukka [email protected] Editorial Consultants Professor Pai Obanya University of Ibadan Professor B. Ogwo State University of New York, Oswego, New York, USA Professor G. Ibileye Federal University Lokoja Professor U. Ivowi FES, Ltd, Lagos Professor I. Eya National Open University of Nigeria, Enugu Campus Professor H. Anukam Abia State University Professor G. Offorma University of Nigeria Professor O. Nwafor University of Nigeria Professor F. Okwo University of Nigeria Professor U. Umo University of Nigeria Professor P. Uzoegwu University of Nigeria iii NOTES TO CONTRIBUTORS Manuscripts intended for submission to the editorial board of IJATE should comply with the following stipulations: • Empirical papers should be presented under the following headlines: Introduction, Method(s), Results, Discussion, Conclusion, Recommendation and References. -
Ending New HIV Infections by 2022
Royal Eswatini Police Service Health and Inclusiveness Training Manual December 2018 Royal Eswatini Police Services, 2018 ©Royal Eswatini Police Service This training manual is a publication of the Royal Eswatni Police Services (REPS) in collaboration with Eswatini National AIDS Program (ENAP)-Ministry of Health, Eswatini and other partners. The text of this publication may be freely quoted or reprinted with proper acknowledgement. Recommended citation for this manual: Royal Eswatini Police Service (2018). Royal Eswatini Police Service Health and Inclusiveness manual, Learner manual. Mbabane, Eswatini. Disclaimer The opinions expressed in this document do not necessarily represent the officeial position or policy of Royal Eswatini Police Services or Eswatini National AIDS Program. ii Foreword As a Royal Eswatini Police Service, we remain unrelenting in our commitment to make an effective contribution in the fight against the HIV and AIDS scourge in the country. To that effect, we cherish and are humbled by the recognition accorded by the Ministry of Health, that our organization is one of the key stakeholders for broader success in reversing the frontier of this nemesis. To further escalate our efforts, as well as hearken to the call by His Majesty The King for all sectors in Eswatini society to join hands to put an end to new HIV infections by 2022 in consonance with the macro National 2022 Vision of a “First World Eswatini”, we have developed a multi-prolonged HIV and AIDS counteracting Strategy. The Strategy aside from addressing issues relating to the holistic support for members of the Police Service and their families who may be afflicted and affected by HIV and AIDS, also focuses on the critical aspect of creating a non-stigmatisation and non-discriminatory environment.